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*Orange Vinyl* Like a would-be soundtrack to some forgotten Wagnerian saga, Mythical Beast's debut full-length unleashes sonic elements akin to trudging minions in an epic struggle for tonal supremacy. This bloodless battle is for hearts and minds though, and is shot through with majesty and pathos. It's no wonder that a trio commanding this type of simple yet nuanced compositional energy would risk life and limb crossing the New Orleans "security" perimeter one month post-Katrina to rescue thei…
Fabled Berlin producer Kareem delivers an incredible industrial-ambient album for The Death of Rave - initial copies on clear wax, highly recommended if you're into the works of Kevin Drumm, Lustmord, Deathprod, Biosphere, or the ambient work of AFX* Following on from a vinyl issue of Mark Leckey's "Fiorucci Made Me Hardcore" and an EP by Powell, The Death of Rave presents the first longform, beat-less composition by Patrick Stottrop aka Kareem. Since 1996 the Berlin-based artist has produced ne…
"I would like to make a few notes and hopefully clear up a potential misunderstanding or two. Most importantly, no matter what you think about the original Tristano performances, this music is not "cool" – with feverish intensity, volcanic dynamics, explosive technique, aggressive attitudes ... there is an enormous amount of drama here, and none of it is sedate, reticent, or bloodless. Note the treacherously difficult heads on tunes like "Two Not One," "Dreams," "Lennie's Pennies," and "A…
Duo of Pedro Sousa and Pedro Lopes, two portuguese young musicians, and some of the most exciting in the plastic, tonal and energic exploration of sound in a long time. Using sax (Sousa), turntables (Lopes) and a communal use of electronics, their music is admittedly nervous, obsessively bent over the following moment. Unlike other past forms of improvisation more concerned with listening and a certain purity of sound, this search is as focused as much as frantic in the pursuit of a new d…
The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples), creating beautiful jagged, sharp edged textures propelled by some of their tightest, strangest, most powerful rhythmic designs yet. The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples). Bark! again take their group virtuosity to new areas, creating beautiful jagged, sharp edged textures propelled by some of their …
A new 7" from Sissy Spacek on Wendy. If you have asked yourself this you know how this new vinyl sounds.Short crazy blast of terror, insane fast drums, screaming vocals, feedback and shards of noise. Play it loud. Play it at 45rpm. Flip side. Do it again. This time SS are John and Charlie. Essential lineup.
Next up on Deep Distance following a full sold out back catalogue thus far (Kosmonaut / JD Emmanuel / Kohn etc) is the long promised mighty new EXPO 70 full length. Released as a pressing of 500 only on mauve, red and black splatter wax with embossed DD insert.The LP features 3 extended jams from the latter days of the working relationship between mainman Justin Wright and Matt Hill (prior to his wonderful recordings under the ‘Umberto’ moniker). Recently unearthed by Justin specifically for thi…
Limited edition vinyl LP in super deluxe, full-colour printed jacket, featuring cover artwork by Roberto Opalio. The idea of a recording collaboration by Nels Cline and My Cat Is An Alien was born one day in Torino, Italy, while Cline was touring with Wilco in 2007. After two other intersections of their respective orbits (first at Victoriaville, then at a UK All Tomorrow’s Parties festival in 2006), Cline eventually mailed them a CDR of prepared and heavily effected electric guita…
This has gotta be a piece of history right here. These 12 songs comprise Alan Lomax's first recordings of the legendary Fred McDowell in an incredible, on-the-spot document of his soul-stomping, spirit-wrenching blues. Fred is joined by Miles Pratcher on second guitar for a number of songs, and accompanied by Annie Mae McDowell's vocals and Fanny Davis on hair comb, running through a repetoire of spirituals and original songs. We're by no means Blues experts, but you don't need to know jack sh*t…
2009 issue "The album begins with a percussion intro that sounds more like a gunfight than any sort of recognisable drumming routine, and continues to get weirder and weirder from there on. New York avant-garde-ists Zs might be seen as a kind of post-modern free-jazz ensemble, combining sax, guitars and live kit sounds with all the tumult of contemporary electronic drone music. This LP absorbs the impact of no-wave, industrial music, Merzbow and (on the ornate rhythmic figures of 'MMW I…
Packaged in a pro-press color jacket and a silkscreened pvc sleeve, Jeff Witscher, aka idiosyncratic electronic musician Rene Hell, presents a typically considered, challenging debut release via PAN. Those who've encountered his acclaimed albums for Type, or his NNA Tapes split with OPN, will hear a defined progress in 'Vanilla Call Option', whilst those new to his music should be prepared for a visceral, cerebral exploration of piercing timbres and sheer, hi-end computer sounds that in turn rec…
Limited vinyl edition. Includes a 50-minute bonus CD featuring some of Jefre Cantu-Ledesma's original material reworked by Type label head John Twells (Xela). As a member of San Francisco legends Tarentel and Type's premier astral travelers The Alps, Jefre Cantu-Ledesma is hardly a new addition to the label, so it's hard to believe that Love Is A Stream is his first Type solo album. With previous releases on Arbor, Spekk and his own Root Strata imprint, this latest album marks his journey int…
Emeralds co-pilot Steve Hauschildt follows up his 'Tragedy & Geometry' album for Kranky with the plush new age disco dreamscapes of 'Sequitur'. Arguably, Steve is the lazy one in Emeralds, conjuring only three solo album to date compared with the gazillion respective works from bandmates John Elliot and Mark McGuire. But, as evidenced here and previously, he's also the canniest and most pop-wise, honing a more concise, richly rhythmic and melodic style of composition still rooted in cereb…
The story of DIEM (The Danish Institute of Electronic Music) is the story of 25 years of believing that the newest technology can move existing musical boundaries, create new sounds, new structures, and pioneer the development of the music of the future. This double CD presents a broad selection of works produced at DIEM from 1987 to 2012; all of them presented in their original form and many of them released for the first time
The story of DIEM is the story of 25 years of believing that t…
First ever live acoustic recordings from The Acid Mothers Temple & The Melting Paraiso UFO. LP edition limitedto 1000 copies. Recorded live in Nagoya. Design by Kawabata Sachiko. Features acoustic versions of fan favorites Pink Lady Lemonade & La Novia.
Both DT and JC have been sending eachother garbage and leftovers since a few years, sometimes almost nothing, probably out of pity, often to make eachother smile or as an act of friendship.Sharing the last spoon of cold soup on a cold winter night, when the heater does not want to be touched. these 36 pages are filth, with found imagery or buggles that the cleaning lady forgot to sniff out, images that have been dominating our seperate rooms for years and that remain unnoticed because of the dai…
The third and final part of the Partikel trilogy is finally here! Another beautifully constructed collaboration from the two noise giants - Japanoise King Masami Akita (aka Merzbow) and Swedish Overlord Henrik Nordvargr Björkk (MZ.412, Folkstorm, Toroidh). The styles on ÔPartikel III' range from total noise barrages, to intelligent electronics, to subtle dark ambient pieces. Essential! Presented in a luxurious matt laminate digipak.
In 2010, against all odds, Angola Soundtrack Vol. 1 (AACD 069CD/AALP 069LP) was awarded the German Record Critics' Prize in the category "Black Music." This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi-platinum record, Good Things. Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa, who believed such an award should have come much earlier. Since discovering th…
Laurence Vanay is the pseudonym for Jacqueline Thibault, wife of producer and musician Laurent Thibault (Magma). Her debut album "Galaxies" (1974) is pure genius: almost all instrumental, with gorgeous keyboards of many types, acoustic/electric guitar, even a little Zeuhl bass. There are wordless vocals on many of the tracks, although she occasionally sings in a soft, seductive manner. Incredible, spacey “avant-garde progressive chanson,” a Holy Grail for most collectors of 70's underground Fren…
Black Humor was an experimental rock band from San Francisco in the early 80's. (Not to be confused with "blackhumor," alias of noise artist Frazer Hall.) They released just one, very hard to find LP on Fowl Records in 1982. Only 1,000 records were pressed, each with unique handmade covers: thick slabs of paint, collage, parrot feathers, dirt, whatever else happened to be laying around their Tenderloin flat. Many of these have since gone for high, collector prices or ended up in oblivion.…