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Ultra limited LP re-edition, handsigned copies....like most of Maurizio Bianchi's fascinating works, "Armaghedon" is turned to noisy, long minimal sonic dreamscapes, including physical addictive sounds. In this early effort written for a non released experimental movie, Maurizio Bianchi explores sound intensity, somnambulism and "insolit monotony". Try to imagine something between "Phaedra" most intellectual, hallucinatory sequences, the destructive, destructured sounds of Whitehouse and the sac…
Sold out on vinyl for many years the 1994 self-titled debut from Tortoise is finally back! This 2012 edition has been remastered to vinyl by Roger Seibel at SAE Mastering. The packaging emulates the original with a chipboard jacket that was custom silk-screened by Dan Macadam at Crosshair in Chicago. Also included is an insert and a free download coupon.
Pete um, a breeder of horses and creator of quirky tape loops, had already created a proud number of tracks scattered over a series of cd-rs, a 7" and a split lp, when he happened to run into the talent scouts of gagarin records in a small pub of his hometown cambridge. the fateful encounter set the clock ticking for a release but it would be five years before the essence of um's vast output was distilled into a flock of 18 tracks that now dazzle silvery on this very record. meanwhile, his music…
Presented here for the first time on vinyl, Joe Colley's 'Anthem' LP gathers material from limited edition releases issued between 2001-2006. Side A presents Anthem a long form tonal study with contrasting climax. Side B edits together 4 shorter explorations culled from the Triptych triple business card cdr release and inserts a track from the 2001 compilation CD Coalescence. Mastered for vinyl by Giuseppe Ielasi. Pressed in a limited edition of 200 copies housed in a deluxe tip-on jacket…
Brand new LP from Kawabata Makoto, his second for Blackest Rainbow following on nicely from where 2008's 'Rainbow Of Love' left off. White Summer of Love Dreamer continues to develop Kawabata's experimentation into psychedelic drone music using a variety of instruments. Across the two tracks on this LP, Kawabata seamlessly uses acoustic guitar, electric guitar, bouzouki, sarangi, tambura, organ, hurdy-gurdy, electronics, field recording, and his voice to create a stunning soundscape of hazy summ…
Limited edition of 250, with full color 23 by 33 poster designed and painted by G.Loli. Mutamassik (= tenacity in Arabic) is the musical avatar of Giulia Loli, who merges Egyptian percussions with hardcore breaks. The result, sometimes dubbed Sa'aidi hardcore & Baladi breakbeats is a mutant, syncopated form of instrumental hip-hop. The history of Giulia Loli herself is marked by fluid borders, being born in Italy of an Egyptian mother, moving to the United States in her childhood, staying in Egy…
Five tracks, totalling approximately fifty minutes. Packed into the small horrible room (rip) inside the cedar house (rip) down in Lexington ky (still alive), individuals huddled in every corner, painting the room in colored cables, glossy wood and metal boxes. Deafness and disorientation was administered through the afternoon on into the night. Summoning over two hours of recorded tape, it was decided to cut the baby in half for adoption between two imprints. Heavy blossom ferried away the long…
The ultra savant of 12-string mantra cycles expands further into cinematic, orchestral glory - an orgy of organic, deeply felt & exquisitely played pathways to the sublime. His 1st foray into the realm of the electric 12-string guitar. Comprised of one slowly evolving, shifting piece of music in eight parts, replete w/ swirling string cycles & wind instruments augmenting his extended pointillist flurries w/ clouds of sound, sometimes adding delicate counter-melodies but just as often feed…
First release for the italian duo (Alessandro De Zan, Riccardo Mazza), recorded and assembled during one year, giving as result the deepest sound ever. Beautiful and fresh vibes coming out from acoustic guitars, percussions, flutes, voices and birds' field recordings, in five fine composed tunes spacing between Amazzonia and Africa, flying on the wings of perfect bliss. This is going to be particularly appreciated from those who love '70s brazilian psych such as Lula Cortez, Zè Ramalho, Stenio M…
Vinyl! The sixth album from Mark Nelson's longtime solo project following Quiet City. A mix of warmth & foreboding expansiveness, neither of which is minimal nor overdone.
"I don't know about you lot but we're absolutely crazy about Grails here at Boomkat HQ, last year's incredible 'Black Tar Prophecies' album on Important blew us away so it's great to see 'The Burden of Hope', the band's 2003 debut, back in press on vinyl finally. At this time the band were working under the messy banner of 'post-rock' and lumped in with the whole Godspeed You! Black Emperor/Constellation scene; they were using violins, letting themselves succumb to the influence of dusty America…
Oceans of Silver and Blood are Joachim Nordwall : Roland S1000 Modular Synth and Mark Wastell : 32 Paiste Tam Tam. This recording was made at Goldsmiths College, London on December 10 2007 by Jonathan McHugh. Mixed and mastered by Jonathan McHugh. Cover design by Alisa Wolfson. Released in conjuction with their performance at Lampo, Chicago, 07 June 2008. Limited to 100 copies.
Reissue of an obscure electronic music album, originally released in 1968, with bonus tracks. another historic event for fans of experimental exotica: Martin Denny, Bruce Haack, Pierre Henry, Dick Hyman, Perrey & Kingsley, etc., described as "a synthetic sound revolution with great songs, like bruce haack with a psychedelic touch." from the lp's original liner notes: "the weinberg method of non-synthetic electronic rock (or the electronic rock method of non-synthetic weinberg) is a revolution in…
It's no secret that Aaron Dilloway is one of the best around. Opening with some seriously demented synth growl, Weighted Ghost gets down to business in no time at all. Stoically repetitive sequences build and build until the pressure in your skull reaches the breaking point. Dilloway pushes past the point of no return, scowling all the way until each layer is sufficiently soaked in dirt and brine. This isn't pretty and it isn't meant to be. The flipside fakes you out in the beginning,…
**Limited to 300 copies in hand painted jackets* No Neck Blues Band guy Pat Murano heads deeper into the cosmos with the latest in his head-swallowing 'Decimus' series. There's an ostensible clarity to this installment distinguishing it from previous editions, with almost baroque synth work percolating through the first side before it cascades into billowing, blown-out distortion and physically wrenched drones, like being expanded and contracted by massive gravitational forces and element…
Long out-of-print cassette originally released on Sloow Tapes (Belgium) in an edition of 70 with hand colored inserts. Cassette sold out within a week and has become quite collectible. Recorded after Expo '70 played France in 2008, just weeks after the IAO festival where the label owner and musician met. Upon returning to the states, the experience spawned the 2 day recording session materializing these 2 improvised tracks with no overdubs. Both tracks begin with rhythmic beats and slowly …
Two seperately released live albums form Fenn O'Berg, featuring recordings taken from their 2009 Japanese tour. It features Christian Fennesz, Jim O'Rourke, and Peter Rehberg. Both recorded during the group's 2009 Japanese performances.
Formed by Richard Chartier at music research centre, York University (York, UK). These works utilize original loops and recordings from 1990-1993 as source material.
This latest in the Latitudes series of limited LPs comes from American noise-pop band Gowns, whose Red State album you may recall as being one of 2007's more unclassifiable recordings. A folkish spectre hangs over these pieces, particularly when it comes to the wiry, haunting violin sequences strewn liberally across the session - they bring to life the sinister spoken word of 'Dog', crowning a soundscape that's always on the precipice of turning nasty. Much of Gowns' music tends towards uncertai…
British free jazz phenomenon Evan Parker with electronic and tape noise artist John Wiese in a set of real-time evolving improvisations intended for maximum volume. Vinyl version of the CD released earlier this year, but slightly different containing all the final mixes and edits of the sessions with a new and more intense mastering for the maximum listening experience. C-Section finds density in scarcity - deep, glacial muck bubbles emerge beneath Parker's inhuman circular breathing, only to pl…