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New Arrivals

The Wraiths Of Flying A
A three-way collaboration by Chicago based sound artist and renowned researcher in the field of Electronic Voice Phenomena Michael Esposito, Hamburg based operator of the Fragment Factory label Michael Muennich and long-time conceptual/performance artist, filmmaker, writer and core member of The Haters GX Jupitter-Larsen from Los Angeles. The origin of this project was a field investigation conducted by Esposito at American Film Studios, Santa Barbara, CA, additional sounds recorded by Michael M…
Okkupation
Thomas Rehnert lives and works in Berlin. He was deeply influenced by the European free jazz of the 1970s, and in West Berlin in the 1980s he played percussion in various punk bands. In the world of punk and experimental music of these years, he began to occupy himself with electro-acoustic music, machine music and automata. He builds sound machines from analogue modular synthesizer systems that are voltage- controlled and steer themselves.His formative principle of organization is variation by …
Camber Sands Sunday
Recorded live at Camber Sands Holiday Park, England on May 14, 2006. Featuring RICHARD YOUNGS (bass guitar) & ALEX NEILSON (drums)"At this 2006 concert, we have Jandek with a sympathetic rhythm section, and like a rhythm section that would back, say, a Lightnin’ Hopkins or a John Lee Hooker, they adapt themselves to the artist’s flow and provide a kind of pillowy environment or canvas on which he can do his thing. To give you an analogy from the free jazz world, some of the recent Jandek p…
Harmony In Ultraviolet
This is the first proper vinyl release for Tim Hecker's breakthrough 2006 album. At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. Full color gatefold sleeve.
Objects Sense Objectes
Ap'strophe is the duo of Ferran Fages (acoustic guitar) and Dimitra Lazaridou Chatzigoga (zither). Recorded by Christian Pallejà at Maik Maier studios in Barcelona, december 2008. Mixed and mastered by Ferran Conangla. With their music they investigate the perception of the distinctive timbre of the guitar and the zither alongside the differences and similarities of their string instruments.
Selections From The Symphonies (For Electric Guitars)
Intro sampler collection of Glenn's various guitar orchestra classics for the uninitiated. Glenn has personally selected a track listing representative of his absolute unique-on-this-planet vision, with material ranging from the delicate celestial beauty of Symphony No. 3 to the demonical, otherworldly terror unfurled in No. 10. Selections is the ultimate 'in' to Branca's work if you're yet unacquainted with the most influential composer of the era.
Tenor
Bertrand Denzler tenor saxophone. Recorded by Christophe Hauser on february 21st, 2010. 'As well as being part of such improvisation ensembles as Hubbub, Trio Sowari and Propagations Sax Quartet, Bertrand Denzler, who plays the tenor saxophone, also records solo music. Each of the three lengthy pieces on Tenor use a single note which are subsequently layered. Not by repeating them on the computer, like say Phill Niblock would do this, but by adding small variations in how he plays them. In Filte…
Daylight
Following on from their highly acclaimed appearance on the Treader Duos, here is a whole CD devoted to the highly compatible and innovative duo of saxophonist John Butcher and percussionist Mark Sanders. Their varied improvisations are heard at two afternoon concerts - one at the 2010 Freedom of the City festival in London, the other nearly a year later at Southampton University
Sepsis
Large ensemble Sissy Spacek recordings featuring the cream of LA. The line-up: John Wiese, Mitchell Brown, Joey Karam (The Locust), Peter Kolovos, Rick Potts (LAFMS), Damion Romero, Corydon Ronnau and Shannon Walter (16 Bitch Pile-Up). All the source recordings used for Sepsis were taken from a group improv session recorded for the Dublab radio in 2008. The recordings from each individual channel were later chopped and rearranged into audio collages byWiese without any regard to preserving group…
Reflectors
The Preservation label presents the second album from New York's Nickolas Mohanna. Also working as a visual artist, Nickolas draws unique forms from the wealth of sounds found in New York's complex sprawl and imbues them with feeling and subtlety. The sounds on Reflectors buzz with rich detail and rhythmic interplay for a work alive with beauty and mystery in its atmospheric reach. Previously living in San Francisco for a number of years, Nickolas studied with noted electronic composer Bob…
Raudales
Rogelio Sosa was born in Mexico City in 1977. His work explores a wide range of aspects that deal with sound morphology, structures of auditory reference, intensification of the acoustic space and performativity. His projects include solo and collective improvisations, music compositions, sound actions and sound installations. All of these are produced using electronic media. He started studying musical composition with Julio Estrada and then electroacoustic music at the Ateliers UPIC and IRCAM …
In Celebration Of Knowing All The Blues Of The Evening
Phantom Limb & Earth’s Hypnagogia is the project of Jaime Fennelly (of Peeesseye, Evolving Ear Records) and Shawn Hansen (who also has releases on Evolving Ear). The two join their forces here for an epic ride through the volatile moments of twilight. A synaesthetic kind of excursion, inspired by the deepening shades of light and dramatically rendered through the warm, swelling tones of Farfisa organ and analog synthesizer. In Celebration... in all its moody and cinematic drive could be the quin…
Life Is People
Bill Fay is one of English music's best kept secrets. At the dawn of the 1970s, he was a one-man song factory, with a piano that spilled liquid gold and a voice every bit the equal of Ray Davies, John Lennon, early Bowie, or Procol Harum's Gary Brooker. He made two solo albums but his contract wasn't renewed, which left his LPs and his reputation to become cult items. But he never stopped writing, the music kept on coming. Now, in his late sixties, he has produced Life Is People, a brand …
Here comes the sun
Barbara Romen, hammered dulcimer. Kai Fagaschinski, clarinet. Gunter Schneider, guitars. All music by B. Romen (AKM), K. Fagaschinski (AKM), and G. Schneider (AKM). Recorded by Christoph Amann at Amann Studios, Vienna, May 31st, 2008. Mixed and mastered by Christoph Amann with Schneider and Fagaschinski on October 31st, 2011. 300 copies.
Vers l'île paresseuse
Martine Altenburger - cello. Frédéric Blondy - piano. Bertrand Gauguet - alto & soprano saxophones. Recorded in Paris, France, 2009.
The Temporal Wheel
For all intents and purposes, Grand Salvo is the work of singer-songwriter Paddy Mann. Grand Salvo’s debut album, 1642-1727, and its follow-up, River Road, earned him rave reviews and a solid following at home and beyond for his stark, sensitive and beautiful songs. After a spell living in Europe, Paddy returned to Australia and began work on another album he’d dreamt up while away, A set of songs that acts as a children’s storybook, the album became cursed with too many recording problems and P…
Monsters Of Felt
Robert Horton’s musical exploits are diverse, heady and spans over three decades. From his early punk days to joining various groups in pursuit of free jazz, drone and even psychedelic hillbilly, Horton is happily hard to pin down. He also makes his own instruments. One found regularly across the 30-plus releases he’s been involved with since 2005 is the ‘boot’, a four-stringed instrument that plays like an otherworldly dobro or slide guitar. Tom Carter has been a lightning rod-like figure…
Live One
Michael Bullock (contrabass & feedback), Mazen Kerbaj (trumpet), Vic Rawlings (cello & surface electronics). “Mary Staubitz emailed me asking, “do you and Vic want to play with this guy from Lebanon?” Mary was booking a series of noise shows at the Midway Café in Jamaica Plain, MA, and had been contacted, apparently out of the blue, by “this trumpet player from Beirut.” She wanted to help him out but wasn`t sure what to do, since none of us in Boston really knew anything about him. Vic and I hav…
Delta
Extended sonic fluxes of synthetic nature mixed with delicate acoustic and electric guitars chords and riffs, crowd noises, indefinite and fading melodic "spots" of unknown origin, feedbacks, echoes, pulsations, vibrations, cracklings, rustling waves in continuous movement... But also sudden pauses, unpredictable and improbable inserts of folk blues radio transmissions, crystal clear water sounds, static, wrapping and dramatic electronic weaves, metallic tickings... An extraordinary range of sou…
Peradam
In Rene Daumal's Mount Analogue, a peradam is described as a clear and extremely hard stone, a true crystal. It is so transparent that it is nearly impossible to see. To discover a peradam was always the result of an inner act. At said moment in time, the stone's brilliance might catch the eye of one who seeks the truth. Most peradams were found on the rough and dangerous trails up the mountain. Peradam is the result of Marcia Bassett (Zaimph, Hototogisu) and Jenny Grf (Harrius, Metalux) collabo…