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PAT THOMAS (piano and synthesizer), CLAYTON THOMAS (double bass), RAYMOND STRID (percussion) recorded in concert at the 2009 Perspectives Festival, Västerås, Sweden.
Gatefold 2LP/DVD version. Ambitious, epic and grand in scale, In The Country's previous album Whiteout was an artistic triumph. Always a very powerful and exciting live act, it was only natural that a concert album should come at this stage of their career, after three studio albums and a number of Norwegian, European and U.S. tours. Originally planned as a concert DVD, In The Country invited video director Claus Arthur Breda-Gulbrandsen to bring a crew to film a couple of Norwegian shows i…
Die Schachtel is proud to present a recording that embodies the virtuosity of Thollem McDonas and Stefano Scodanibbio in the spirit of Claude Debussy's rebellious creativity. As Terry Riley wrote: “Anyone who has heard Thollem or Scodanibbio as a soloist might well imagine what a combination of their unique genius could produce. Awesome, well matched virtuosos in an ocean of sound." During the listening of this CD, you will witness the renowned talent of Scodanibbio, a 21st ce…
This is the collaborative masterpiece of the 3-piece unit, sim (Oshima Teruyuki on guitar and composition, Ootani Yoshio on computer, electronics, etc, and Uemura Masahiro on drums) and Otomo Yoshihide (turntables, self-made synthesizer). The noise of Otomo sharply incises the unique sound of sim, where Uemura’s controlled roaring drumming sets an main axis on Oshima’s precise rhythmical composition, Oshima’s the chord cuttings beats minimally and the electronics of Ootani give extreme voltage. …
6CD set. Sun Ra & the Arkestra played every Monday night at Slug's Saloon in the Lower East Side of NYC for over 5 years, from 1966-1972. This is the 1st released documentation of this long residency, comprising 2 complete shows (6 hours total) recorded over the summer of 1972. High quality recordings that capture the Arkestra emerging from their psychedelic phase & moving back towards their jazz roots.
Musica Improvvisa is a cutting-edge project of multi-sensorial improvisation, an open dialogue among different musical experiences, narratives and aesthetics that charters the unexplored soundscape of the telluric territory of the new Italian improvised Music. Ten groups that spans from the South to the North of Italy, from the well-known to the totally obscure, whose music goes from an harsh assault to the ear to a visionary post-electronic/post everything free-form structure. The brilliant out…
The Modern Sound Quintet were formed in Stockholm by Trinidadian steel drum master Rudy Smith. On Otinku, Smith wails out on his set of 'pans' (as I believe the vernacular goes) in an improbably slick bebop mode, accompanied by a rhythm section capable of keeping it free and swinging one moment, and then within an instant locking down a groove. While pieces like the title track and 'Bye Bye Blackbird' flow effortlessly, 'Mercy, Mercy, Mercy' and 'Memphis Underground' lay down a solid bedrock of …
Collected here for the first time are the complete studio recordings of one of the major ensembles in the renaissance of Jewish Jazz. Featuring five Downtown New York improvisers, these four CDs originally released by Knitting Factory records from 1996 to 2001 embrace the Hasidic musical legacy with a fresh new voice. Blending together an intense mixture of ethnic and cosmopolitan sounds, Hasidic New Wave fuses spiritual songs from Hasidic dynasties to funk and jazz, Arabic dances with avant-gar…
Another fine disc from the Treader label, this time featuring the marvellous Evan Parker alongside John Coxon (Roland MKS 80, piano and harpsichord), Mark Sanders (Drums and percussion) and Ashley Wales (bass drum, riveted tambour and piano). As the title suggests this collection of improvisations is interspersed with brief interlude tracks, whereby Parker takes a backseat in order for his fellow musicians to plot out some experimental, palate cleansing sonics. During the main body of these piec…
Nectars of emergence is the exciting debut release of Mural, consisting of Australia's foremost improviser Jim Denley (alto saxophone, flutes) with Norwegians Kim Myhr (acoustic guitars, preparations) and Ingar Zach gran cassa, percussion). The trio has performed numerous concerts together since their first concert in Madrid in 2007, and now you can finally hear the music on CD. Aftenposten, Norway said of Kim Myhr and Jim Denley's duo CD: 'Systems realignment helps to save improvised musi…
"It has always been one of my desires to do an album with Brazilian musicians/flavours... i remember years ago trying to do a free-funk-samba album with saxophonist Ivo Perelman which unfortunatly never happened ?! when Hartmut told me about a very special number that he did with Don Moye and musicians/artists from Brazil under the effect of Santo Daime's sacrament, i sensed that this might be what i was waiting for so long... warning: you'll NOT be able to hear this music seated... hip DJs took…
'It could be a walrus. Some very large, ungainly, semi-aquatic creature expelling air through a hole layered with tissue and fat and hairs. But then multiple apertures open at once and the creature just spouts information, chaotic from one angle, streamlined from another. Effluvia momentarily expelled, the beast lies down and breathes in short, percolating gasps, quiet but insistent. The pressure builds, however, surging in near-regular waves, causing the organ-walls to quiver, liquid to shudde…
That is one slick title, is it not? Though I must say, I for one would have preferred it had they gone with ShippMan. Oh, perhaps not... Both repeat offenders on the Treader label, Jason Pierce (of Spiritualized and Spacemen 3 notoriety) teams up with modern jazz icon Matthew Shipp, who plays celeste and harmonium over these two extended drone pieces. This collaboration first came about for Patti Smith's Meltdown festival, and this recording represents a studio incarnation of that performance. T…
Our Swedish hero of sublime saxophones, Mats Gustafsson, performs in three different duo constellations, spanning over three 7″ singles, all collected in a limited 99 copies box of wonder, on Kning Disk KD003-005. Mats collaborates with Fred Lonberg-Holm, Luca Tommaso-Mai and Leif Elggren, resulting in both electric, eclectic and sensational sounds; spanning over one 7″ single per collaboration. Two of the three singles has been previously released on Kning Disk in limited editions. The third co…
Howard Riley : piano. CD 1 was recorded on 23rd July 1998. CD 2 was recorded on 11th April, 1999. CD 3 was recorded on 29th June 2004. CD 4 was recorded on 2nd August 2006. CD 5 was recorded on 27th June 2008. CD 6 was recorded on 22nd April 2010. All compositions by Howard Riley (PRS MCPS). Mastered by Ar nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Producer Ð Danas Mikailionis. Co-producer : Valerij Anosov.' label info. 'The beauty of a short story, of course, is that it can be taken …
Never mind the piano, the pianist is Fine! Milo Fine describes the particular piano as 'more remains than intact', yet he still manages to get the right music out of 'that wonderful beast'. The earlier date is unaccompanied piano improvised mainly at the keyboard. On the other longer concert, recorded towards the likely demise of the 'beast', Fine spends most of his time working on the innards resulting in a very wide range of sound. He also uses some electronics, and is joined by alto saxophoni…
A split single with Cremaster (Ferran Fages and Alfredo Costa Monteiro) on one side and Komora A (Karol Koszniec, Dominik Kowalczyk, Jakub Mikolajczyk) on the other side.
Recorded live at Alto Adige Jazz Festival in Bolzano, Italy in June of 2007. All compositions by Anthony Braxton: Composition No. 63, Composition No. 92 (part 1-2), Composition No. 164 (part 1-2), Composition No. 59
A 4-CD box set of 9 "Spontaneous Sweets", elaborate, magnificent and melodic piano improvisations, recorded by Connie Crothers & David Arner performing in the Richard B. Fisher Center for the Performing Arts, NY. "It was magical from the beginning. The music seemed to create itself" "We trusted our spontaneity, our intuitive logic, our sense of form." "We had no set tempos, no preconception about soloing or accompanying." "We had no set themes or referents. What we did have was complete trust, i…