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In December 2011, I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's actually the same setup that I still use nowadays, consisting of an old Phillips analogue tone generator and a selection of effects pedals. The Stroomtoon album still feels like an accomplishment. It's layered, subtle and considered, but I wanted to see …
Zeitkratzer releasing "songs"? Isn't Zeitkratzer a contemporary music group? Or a noise band? Songs? These songs actually have been developed over several years and evolved from a fashion show zeitkratzer was making the music for. Marc Weiser a.k.a. rechenzentrum, since then a member of zeitkratzer, sings. Marc has already caused some furore as Mark Markowitch, singing fake songs in fake languages in some hidden Berlin bars. So now all of those together: zeitkratzer's noise, zeitkratzer's…
Kye is proud to present 'Abersayne' & 'Attersaye', a brand new 7' single by Graham Lambkin, his solo debut on the format after 21 years in the game. 'Abersayne' & 'Attersaye' pairs a perfectly serviceable love song with a rough-and-ready late-night lament (featuring one conspicuous overdub). Expertly mastered by Jason Lescalleet at Glistening Labs, 'Abersayne' & 'Attersaye' arrives in a pro-printed full color high gloss sleeve, with lyric insert, in an edition of 500 copies.
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
Through several duos, a picture of improvised music in Slovenia. Tao G. Vrhovec Sambolec, computer & Vid Dra ler, drums, percussion. Andrej Fon, bagpipes, clarinet & Ana Kravanja, violin. Matija Schellander, double bass & Toma Grom, double bass. Samo Kutin, hurdy gurdy & Marko Jeni , violin. Andrej Fon, el. guitar, clarinet & iga Pucelj, feedback loops. Vid Dra ler, drums, percussion & Marko Karlov ec, alto saxophone. Vitja Bal alorsky, el. guitar, analog electronics & Bo tjan Simon, alto saxoph…
New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. Keith Fullerton Whitman – you already know him – is an American electronic musician who has recorded albums influenced by many genr…
Incredible work from the amazing Dorothy Ashby – a brilliant set of funky and spiritual tunes, set to full backings from Chicago soul arranger Richard Evans! This album is easily one of Ashby's greatest, and it's dedicated to the writings of Omar Khayyam – one of the forces guiding Dorothy's more spiritual sound at the end of the 60s, clearly opened up in a way that's not unlike the direction of Alice Coltrane's work, but a lot more focused and a lot more funky! Ashby not only plays her…
French globe-tourist High Wolf has hand-rolled his way up Mount Fuji, trainspotted every corner of Europe, hitch-hiked across America and Australia, chugged Ganges water, and crouched on all manner of smoke-stained prayer rug since first looping a bongo back in ’09. His apprenticeship in the House of Wah nearly complete, he’s hinted at a potentially seismic shift in the High Wolf third eye doctrine lurking in the near future; perhaps his Away Team exfoliation moment is nigh. Fortunately, …
Gastr Del Sol emerged from the remains of Bastro in 1992 with the brooding, mostly drumless album, ‘The Serpentine Similar’. This represented an unlikely evolution from the fury of Bastro, but evolution was only getting started - and ‘unlikely’ was one of the ongoing principles in Gastr Del Sol’s approach. Before the sessions for the second album, Bundy Brown left the group and David Grubbs asked Jim O’Rourke to come play. 1994’s ‘Crookt, Crackt Or Fly’ tangled the clean lines of the original ba…
A Bureaucratic Desire for Extra-Capsular Extraction gathers all of the music drone metal progenitors Earth recorded in October 1990, during their earliest sessions at Portland's Smegma Studios. Earth, featuring soon-to-be Melvin Joe Preston in its second lineup, intended for those seven tracks to serve as its debut. Record label decisions interfered. Three of those tracks were released a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released…
"As K.J. Gustin wrote, Piece Of Mind is a work of 'exotic psychedelic free-jazz-meets-rock, East-meets-West, progressive and smoky moment in late Twentieth Century music history'. Add to that a spice of jazzy brassed R&B and a touch of minor-key popsike sensitivity and you get an accurate description of the sounds contained in Roger Bunn's astonishing 1969 LP, originally released in the UK on the Major Minor budget label, but issued in some European countries (Ohr label in Germany or Phil…
Beautiful new work from Lawrence English. Pressed in an edition of 500 copies.Somewhere after dark, before dawn, in a place where natural light is shunned and organ is singing. It's voice is that of an arcing clouds of tone, emerging and falling with an uneasy sense of pace and direction. The voice warbles, a vibrato of shifting pulse and subtle variation. The room around it is filled with a dusty ash; smoke in haze like proportions. Eyes are blood shot, sunken below the rim of a glass. …
Otomo Yoshihide, guitar. Sachiko M, sine waves. Evan Parker, saxophones. John Edwards, double bass. Tony Marsh, drums. John Butcher, saxophones.The final night of Otomo and Sachiko's first residency in 2009 saw the pair joined by the long running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko (available as download only bonus tracks) and joined the quintet for a rousing sextet: stunning twin saxophone interplay, …
Limited edition 12" vinyl. Comes in a 140 micron polished finish PVC sleeve. Contains 2 locked grooves and a palindrome. 45 RPM. A double blow of brutalist composition and raw electronic music. Key words: extreme rave, radical synthesis, computer music for hooligans.
Grapes and Snakes is the first collaborative work of two of the most respected American underground experimental/noise artists, Aaron Dilloway and Jason Lescalleet. Using purely analog synths and tape manipulation, they build a foggy psychoacoustic mass that lies between dynamic yet patiently treated tape-music and industrial howl. Aaron Dilloway has been releasing and recording music since the age of 16. He was a member of experimental bands Couch, Galen and Universal Indians. He is a form…
Keeping a record of It is the follow-up to Lonnie Holley's debut album, Just Before Music. It features recordings made in 2006, 2010 and 2011. Guest performers include Cole Alexander from the Black Lips, Bradford Cox from Deerhunter, and visual artist Lillian Blades.
'Last year, at 62, after decades of singing while he worked, Holley released his jarring debut album, Just Before Music, a marriage of improvised keys and the rambling, hollow bellow of his voice, as well as the first original rec…
Deluxe gatefold sleeve reissue of this all-time classic of deformed rock song and avant guitar downs from Michael Morley of The Dead C: originally issued in 1994 by Table Of The Elements/Precious Metal, this new edition re-masters the original while adding five bonus tracks from the same time period and re-jigging the running order for maximal wipe-out.. Michael Morley has trawled through his extensive collection of unreleased tracks from the original recording period to integrate a furth…
The Watchers is a historic collaboration between Lubomyr Melnyk and James Blackshaw. These new pieces are being released as a CD/LP with material exclusive to each format. LP is pressed in an edition of 500.I first met Lubomyr Melnyk at a festival called Hea Uus Heli in October 2008. We were both scheduled to play that day and I was very excited to see him perform. Before the show I bought several LPs from him and mentioned as much. Lubomyr (more than modest and courteous, as he always i…
'Shopping features the title track in two versions (Vocal and Lo Cal'), The Crunch, plus a formidable remix by Shelley Parker (second part of the audio sample), whose Structure imprint will shortly be releasing more excellent work by Filter Feeder, amongst others. Played, recorded and processed by Julian Doyle (acoustic and synthetic percussion, analogue drum modules, turntables, digital samples and delays). Mastered by Jason Ward at Chicago Mastering Service. See also Filter Feeder (E8), Filter…