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Fourth issue of the contemporary art journal about sound: Mark Leckey, Ruth Ewan, Tom Marion and the sonic explorations in San Francisco Bay, notes on Robert Morris' 21.3, interview with Pierre Henry, the Louie Louie project, special interventions by Dora García and Hannah Rickards, etc. This fourth issue of Volume comes under the aegis of the double. Somewhere between duality and dialogue, the praxis of certain artists is illustrated as much by way of music as through the visual art…
This book introduces a subject that will be new to many: sonic arts. The application of sound to other media (such as film or video) is well known and the idea of sound as a medium in its own right (such as radio) is also widely accepted. However, the idea that sound could also be a distinct art form by itself is less well established and often misunderstood. "The Fundamentals of Sonic Arts & Sound Design" introduces, describes and begins the process of defining this new subject and to pr…
ound is one of a series documenting major themes and ideas in contemporary art. The ‘sonic turn’ in recent art reflects a wider cultural awareness that sight no longer dominates our perception or understanding of contemporary reality. The background buzz of myriad mechanically reproduced sounds increasingly mediates our lives. Tuning in to this incessant auditory stimulus some of our most influential artists have investigated the corporeal, cultural and political resonance. In tandem with r…
In 2009 we started working with the Gæoudjiparl on a publication featuring some of his graphic notation work. Almost three years in the making, this epic work has become a 192 page long book which includes tons of challenging theory, brutally detailed illustration, mind-bending scores, obscure links, a long conversation between the Goodiepal and Roc Jiménez de Cisneros, and loads of Scandinavian fun to further expand the Goodiepal's never-ending descent into the abyss of Radical Computer Music. …
the tenth issue in a series of monthly magazines collecting activities and changes in general! MSS MEESTERD issue 10 was made in Vienna and on the Rigi mountain in Swiss during the end of last year, it collects mostly landscape drawings i've made in the mountains, or at least on top of one mountain, covered in snow and in snot. it possesses a rather frozen feel over all, printed mostly in deep blue on jan matthé's risograph machine! 20 pages, limited to 120 copies" (label info)
the twelve issue in a series of monthly magazines collecting activities and changes in general, this issue is enetirely made of photobooth portrait photos
"the third issue in a series of monthly magazines collecting activities and changes in general.this third issue collects 20 full colour silkscreens of photographs and photo collages, of recent and/or good times, some may recognize the likes of Vincent Snoop, Spencer Clark, Tazartez Ghedalia, Vaast Colson, Guy Rombouts, Jah Matthé, Chris Corsano, Hendrik Hegray, LVMM or Peter Fengler within this blurryness.this issue was silkscreened by Gerard Herman, lay out by Jef Cuypers, limited and numbered …
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provi…
One of the most important, and clearly the most culturally and theoretically informed, of any of the major studies on minimalism. No other book comes remotely close to establishing the historical links between early postmodernist Euro-American social changes. Fink's scholarship is as impeccable as his readings of minimalist compositions are stunningly insightful. Not least, the book is beautifully written."--Richard Leppert, editor of "T. W. Adorno, Essays On Music" "A model of interdisciplinary…
Edited by Ken Ehrlich and Brandon LaBelle. Essays by Jennifer Gabrys, Robin Wilson, Michael Rakowitz, Claudine Isé, Octavio Camargo, Kathy Battista, Brandon Lattu, Simparch, e-Xplo, James O'Leary, Kristin Kreider, et al. 'Following the success of Surface Tension: Problematics of Site, Surface Tension: Supplement No. 1 presents contemporary site-based practices in art, architecture and performance through writing, documentation and projects. It offers readers a string of moments when artist…
As a cultural clue and a discipline subject to codes other than those of the visual arts, music turns out to be a medium and a bundle of eclectic references based on which it seems possible to spell out alternative conceptions of the world, and cast a critical eye over certain mechanisms at work in our societies. So-called 'popular' forms of music represent an inexhaustible source of inspiration for artists, whether they are raising the issue of their fetishization and their museification, or e…
In 1963, Nam June Paik created a new genre of exhibition with his first solo show, The Exposition of Electronic Music-Electronic Television at Galerie Parnass in Wuppertal, West Germany. Fresh from his studies with John Cage and Karlheinz Stockhausen, and already a Fluxus veteran, Paik created a disorienting environment that foreshadowed much of what was to come in the 1960s: visitors, greeted at the entrance by a freshly slaughtered ox head, were not only confronted with the newness of the elec…
The first collection in English of Dan Graham’s influential body of writing on Rock and Roll music. Stretching from the late 60s to the late 80s, Rock/Music Writings contains the following 13 essays, most of which are currently out-of-print or seen here for the first time in a widely distributed form:
the fourth issue in a series of monthly magazines collecting activities and changes in general.This fourth issue collects 20 pages, a bunch of mat inverted purple music paper and a bunch of raw green glossy messyness!the golden cover portraits are made by Mima Schwahn and the inside cover is tripple stamped and hand numbered!lay out by jef cuypers, offset printed and limited to 200 copies
Another important piece of the elusive and hermetic Eyvind Kang puzzle. This newest studio project from one of the most consistently interesting young composer/performers working today is instantly Kang’s most adventurous, varied and ambitious recordings to date. Featuring many of his most illustrious musical associates as well as several orchestral ensembles from around the world, this new CD brings Kang’s exuberant gift for orchestration and lyricism together with a keen sense of the miraculou…
Xavier Charles (clarinet), Nicolas Desmarchellier (guitar), Ulrich Phillipp (doublebass), Eiko Yamada (flute) and Burkhard Schlothauer (violin). Recorded live in concert direct to digital stereo by Uli Böttcher 18-06-07, Bergkirche-Wiesbaden.
“The word Ecotono is built from two roots. Eco (oikos/casa) and tono (tonos/ tensión). An ecotono, or ecotone, is a habitat created by the juxtaposition of distinctly different habitats; an edge habitat; or an ecological zone or boundary where two or more ecosystems meet. It is a transition area between two distinct habitats, where the ranges of the organisms in each bordering habitat overlap, and where there are organisms unique to the transition area. An ecotone region provides conditions of b…
One of the pioneers of laptop electronics, Ikue Mori has been breaking new ground on the musical frontier for three decades. From her early days in the landmark no wave band DNA, to her years as a regular in the downtown improvisation community and more recently as one of the epicenters of the international laptop electronic scene, Ikue has become an underground hero -- yet her work is still sorely underappreciated. This newest solo CD features Ikue's idiosyncratic take on contemporary dance rhy…
In April 2010 12k recording artist Seaworthy (the recording project of Cameron Webb) and Matt Rösner travelled to the south coast of New South Wales to undertake a detailed field recording study of two coastal lake ecosystems at the Lakes Meroo and Termeil. The aim of the project was to explore the sounds of a fragile coastal Australian environment and to build from those sounds unique musical pieces that provide a place for listener contemplation and reflection.Field recordings were taken from …
The Preservation label presents Grandfather Harmonic, the new full-length album from Sparkling Wide Pressure. The alter ego of Murfreesboro, Tennessee's Frank Baugh, Sparkling Wide Pressure has drawn from a seemingly infinite well of sonic inspiration to record at an incredible rate since 2008, having his work appear on labels such as Digitalis, Stunned, Housecraft and Students Of Decay. This transfixing entry into his weighty catalog pinpoints Baugh's increasing fascination with song-forms…