New Arrivals
23 formes en Elastique /The only authentic work
New work of Lionel Marchetti. 23 tracks. Length more than 77 minutes. Materials went through last 23 years of his field recording, composition, experiments and musiques concrètes composition studies. A backward looking by a forward creating. By this CD Lionel Marchetti built a labyrinth of elasticity, empty space, reality and its metamorphose. A material world of sound. The Only Authentic Work Yan Jun’s writing with inspiration of Marchetti’s music. 23 essays on music, literature, art and …
Resorts & Ruins
In “Resorts & Ruinsâ€Â, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)â€Â, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha; the many fragm…
Five Poems for the Swamp Ghost
Recorded at Soopa studio and featuring Arthur Doyle (sax, flutes and voice), Jonathan Saldanha, Gustavo Costa and Filipe Silva (assorted percussions and electronics), this is a beautiful, wild, cut, with Doyle's touch being so deep, rough and gentle at the same time, while his band gives him plenty of room to spread out through minimal rythm patterns and a hypnotic work on bells and cymbals. Closing with an anthem that will give you shivers down your spine, this recording will bring you to an an…
Hemp Is Here
Leven Signs' Hemp Is Here came and went in 1985, as both a cassette release (Unlikely Records) and vinyl release (Cordelia) in the blink of an eye. The duo of Peter Karkut and Maggie Turner managed to craft one of the strangest, most affecting albums of new wave experimentalism of the era, but due to the album's impossible-to-find status, it's been largely forgotten and continuously overlooked ever since. A chance encounter with the cassette version of Hemp Is Here led Brad Rose of Digitali…
Colorful Disturbances
'Guitars warped so hard they dissolve into pure consciousness ! Seriously, this record had to happen because these two are the NOW of transcendental guitar weirdness. In families like ours where deformed music of one kind or another pours out of the speakers all day long, Toronto's Aidan Baker is a household name. He is no doubt one of the most imaginative experimental musicians of the new generation, quickly creating a universe of limitless sound with his bursting discography. He offers …
Spilt
Nate Young airs two of his alter egos on this great split LP: Demons, featuring Steve Kenney (oh you know, Steve Kenney - he's in those well-known beat combos The Pterodactyls and Isis & Werewolves.... No?) and Hatred, which combines Young once again with Kenney, but this time with the added presence of Spence Bryant. The Hatred side sounds like the motor on your turntable is continually breaking down, as if some perpetual Technics power-down effect was causing all manner of primitive pitch-slid…
Bitter Suites
Deluxe repress edition of this incredible masterpiece made out of two live performances of the U.S. Steel Cello Ensemble recorded in 1979 at The Showing Room in NYC and at Helen Shlien Gallery in Boston. The Ensemble performs playing large sheets of metal and producing amazingly droning sounds. These live recordings are the result of an evolutionary refinement of instrumental design and playing techniques which Robert Rutman explored and develped after a ten year period of practice. He inv…
No Visible Means
Originally self-released in 1984 on Pterodactyl Records, No Visible Means is the work of Canada's own Lou Champagne. Lou Champagne was active the Ontario music scene and also performed with other local musicians from that region as well. The Lou Champagne System was the real-time guitar synth solo act of Lou Champagne. Due to his knowledge of electronics, he was able to link his guitar, synth, and synthetic drums into a working one-man solo act that was playable with floor switches and …
The Godward Way
Daniel Higgs has always been held in the highest esteem by us here at Southern, becoming an almost totemic figure in the process. Certainly an appreciation for his work, and the canon of the band Lungfish, has been a job requirement for all the staff who've worked with us over the years. He has graced us with visits from time to time, and his London shows have always been must attend events for Southern alumni. Naturally, a Latitudes recording would be the jewel in the crown for our catal…
The Marianne
Awesome shimmery concept record about the foamy sea "Kye is proud to present the long-awaited new LP by Folkestone's Call Back the Giants. The Marianne takes the questing, narrative themes last heard on The Rising LP (2011) and Incidents of Travel EP (2012) and extrapolates them into a three-part conceptual odyssey. Set aboard the cruise liner of the same name, The Marianne charts the epic voyage of Capt Fletcher and his patrons as they passage across the 'sour ocean,' through a prism of supern…
Alpen ocean
Alpen Ocean is the final recording of Carole Kojo (Swiss) and Hitoshi Kojo (Japanese) that they left behind as Jüppala Kääpiö, whilst resident in Switzerland. The sound sources are rather familiar instruments and materials for us such as voices, handmade instruments, viola, organic materials and field recordings. However, the style has evolved to a hybrid of our early style: an intense harmonic drone music that has appeared in RAINBOW MASK, and another phase which might be termed as a cosmopolit…
Hawkmoth
Though cut into seven tracks, it is really one 44-minute piece, the first long-form recording I've done in some time, a bit of a sizzler'. 100 copies handmade
Piece Of Mind
"As K.J. Gustin wrote, Piece Of Mind is a work of 'exotic psychedelic free-jazz-meets-rock, East-meets-West, progressive and smoky moment in late Twentieth Century music history'. Add to that a spice of jazzy brassed R&B and a touch of minor-key popsike sensitivity and you get an accurate description of the sounds contained in Roger Bunn's astonishing 1969 LP, originally released in the UK on the Major Minor budget label, but issued in some European countries (Ohr label in Germany or Phil…
Aural Spaces
I've been in touch with Ian MIDDLETON for over 13 years now, lured into contact by a remora lathe-cut lp, I believe, which sounded similar in intent to ifco material that karla and I were working on at the time. IanIan's music has always had both organic and artificial elements combined with the vague melancholy of distant beauty. With Aural spaces, Ian has refined and distilled his processes into a gorgeous electronic diamond. To quote my good friend oskar spee, 'Aural spaces is an exotic, scie…
Music Of The Modern White
2009 issue "The album begins with a percussion intro that sounds more like a gunfight than any sort of recognisable drumming routine, and continues to get weirder and weirder from there on. New York avant-garde-ists Zs might be seen as a kind of post-modern free-jazz ensemble, combining sax, guitars and live kit sounds with all the tumult of contemporary electronic drone music. This LP absorbs the impact of no-wave, industrial music, Merzbow and (on the ornate rhythmic figures of 'MMW I…
Trente belles annes
Triumphal new CD, the first new recordings in an age, from one of the greatest bands on the goddamn planet, the trio of saxophonists Jim Sauter and Don Dietrich and guitarist Donald Miller aka Borbetomagus: this is a roof-raising performance, recorded live at Instants Chavires, France, 19th December 2009. Borbetomagus combine the elevated amplifier violence of Jimi Hendrix at his most combustible with the spontaneous free music polyphony of Ascension-era Coltrane and the ‘guitar smashing’ h…
Stroomtoon II
"In December 2011 I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's the same setup that I still use nowadays, mainly consisting of an old Phillips analogue tone generator and a selection of effects units. When making Stroomtoon, it felt like moving into new territory that was worth explore more. While that album is very …
The Magic Of Ju-Ju
Gatefold 180 gram reissue of tenor saxophonist Archie Shepp's 1967 "tour de force." "...combining free jazz tenor with steady frenetic African drumming. Shepp's emotional and fiery tenor takes off immediately, gradually morphing with the five percussionists -- Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles, and Dennis Charles -- who perform on instruments including rhythm logs and talking drums. Shepp never loses the initial energy, moving forward like a man possessed as the dr…
Inside Wino Lodge
New solo LP of strange sounds, vocal improvisations, tape manipulations mangled strings and hiss drones from Dylan Nyoukis (Decaer Pinga,Blood Stereo) Inside his Wino Lodge. Sounds like it was recorded in a 4 track in 1972 in an insane asylum, then puked over and thrown into the sea, then discovered recently and transfer directly to Vinyl via marine analog tape communication device (thats a compliment).Good one to buy if you are wondering what a naked Scotish man and his daughter look and sound …
Farewell Sorrow
VINYL VERSION! NOTE NEW PRICING! Alasdair Roberts is bidding farewell to his nom-de-musique, APPENDIX OUT. What once was Appendix Out is now & forever Alasdair Roberts. The broadest work in young Roberts' canon so far. Heavily steeped in the lineage of European folk, the words & music of "Farewell Sorrow" evoke a spirit of youth, an air of reckless abandon, a passion not meant to stay in this world.