New Arrivals
Joke in the hole
Black Dice bod returns to DFA with a playful solo LP of sample-splitting psychotomimetic grooves. Like an unhinged, PCP-huffing cousin of Smith 'N Hack, Copeland deranges plunderphonic globs into stomping, jerry-rigged and unstable structures, equal parts garage rock, wayward blues, disco, techno and avant-garde noise collage. Yet far from being a total mess, 'Joke In The Hole' is possibly his most "musical" effort to date, enriched with fragments of melodic hooks that give something to hold ont…
In a Fung Day T!
Since 2001, Duchess Says have been spreading the gospel of the influential and mysterious Church of Budgerigars. Their learned mix of hypnotic rock and saturated keys, concocted by Phil C., Ismael and Simon Says, is delivered by A-C, a sermon laden with the teachings of the novice Mere-Perruche. The congregation has prayed the three Ts; now it's time to reiterate. In a Fung Day T! is their second offering. Adrian Popovich and Joseph Donovan of the Mountain City studio have succeeded in r…
Hornbread
The collaboration between Victor Meertens & Werner Durand dates back to the mid 90s, when they started performing together in art circles in Germany. At the time their performances consisted of Victor's Actions, which included bread making processes with text recitals in combination with werner's musical performances on his invented wind instruments and his playing of Victor's home baked Bread Instruments with inserted pipes.In 2003/4 Werner was artist in residence in the Worpswede artists…
Rv8
With RV8, the Osaka-based producer and musician Aoki Takamasa continues his long-term project that focuses on the modulation of rhythms and grooves. It began with his first EP Rhythm Variations in 2009, released as part three of the Unun-series. Besides his collaboration with Raster-Noton, he released records on several labels like Commmons, Progressive Form and Op.Disc, produced remixes for well-known musicians like Ryuichi Sakamoto and Yoshihiro Hanno and played performances at Elektra/Mont…
Olympians
‘Experimental’ bands are never going to please everyone; a lot of them seem almost uninterested in being anything but show-offs and twats, and there’s occasionally no attempt to make a connection twixt music and listener. All we get is: ‘marvel at my amazing button-pushing skills.’ And then, suddenly and horrifically, you turn into your dad: ‘that’s not music, that’s noise!’ Despite the post-watershed name, Fuck Buttons have always been a more subtle and meditative addition to the experime…
Overloaded Ark
A sequel to last year's eponymous debut as a duo, this new Drag City LP from Espers cellist Helena Espvall and Ghost's Masaki Batoh delves even deeper into traditional and ancient musics, making use of an armoury of instruments that extends beyond 'mildly obscure' (renaissance harp, sho, hurdy gurdy, etc) and enters into the realm of 'are you sure you haven't just made that up?' (auschpfeife, crumhorn, cornamuse, rig and darbuka). On hand to assist in this piece of instrumental archeology is anc…
Caim in Bird Form
Opal Tapes' visionary bossman Stephen Bishop synthesises spellbinding post-techno ecologies on his debut slab of wax as Basic House. 'Caim In Bird Form' is an engrossing refinement of the arcane, buckled structures and textures best heard on his 'I'm Not A Heaven Man' album and an excellent split with Prostitutes for Blowing Up The Workshop. It's a sound that was conceived in relative isolation, yet feels intrinsically plugged into the zeitgeist and highly aware of fringe actions in the wake of …
Impossible Duets
HIGLY RECOMMENDED!! Haunting and enigmatic new Mudboy full lenght LP with a mindblowing packaging... Last temptation of Raphael Lyon's Mudboy, after dozen recordings as the seminal This is Folk Music (Last Visible Dog, 2005) and exciting Hungry Ghosts (Not Not Fun, 2007) the doctor of experimental organomics explore new approaches to his personal hallucinations.The works on this album are only the hapless product of stumbling fingers, hammered out by so many orangutans fighting over garbage.In t…
Solo Concert 1980
This DVD presents a rare and powerful solo performance by one of the most important and original artists in the world. Recorded in 1980 at a studio on Long Island, Meredith is in full voice, relaxed and creatively inspired by a small audience of Monk cogniscenti. Recorded with a 3-camera shoot and then put on the shelf, Tzadik is proud to present the first release of this astonishing virtuoso solo performance.
Prince Of Truth
Beginning with her first Constellation release in 2006, Carla Bozulich’s Evangelista project has steadily been gaining recognition for its complex beauty and fierce, raging appeals. Bozulich has been knocking these and many other ideas into form for two decades (Neon Veins, Ethyl Meatplow, The Geraldine Fibbers, Scarnella). Evangelista is the best and the brightest, filled with adventurous risk taking that sometimes whispers and licks, sometimes pulls the listener so close that it is hard to bre…
Ways Of Meaning
Ways of Meaning, Kyle Bobby Dunn’s new full-length album and the second release for Desire Path Recordings, is a treatise on the resonance of memory; an attempt to harness the finality of meaning as a shared experience.
Mainly arranged for guitar and organ, the six works contained herein offer a look into Dunn’s mind as an artist deeply concerned with time, memory, consequence, identity, and meaning. Each piece, while created from and inspired by very personal moments, represents a point o…
Seitz versus Gendreau
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
94diskont
The extremely influential 1995 classic album from Oval is finally re-issued on vinyl. Freshly cut to vinyl by Roger Seibel at SAE Mastering the two LPs are pressed on orange vinyl and packaged in a jacket replicating the original. LP1 is the album, LP2 is a 12" featuring remixes from Jim O'Rourke, Scanner, Mouse on Mars, and Christian Vogel. Included for the first time is a free download coupon. Limited to 1,500 units worldwide."
When We Were Eating Unripe Pears
The seven pieces on this LP were developed over a period of about five years; 'Rain in Coffee' is built on a Hyperborean Trenchtown-era demo, while 'Pinq Drinq' -- sorrel, for the record, and neither guava nor antacid as certain wags have already ventured -- was reanimated directly from the cutting-room floor, 11th hour, 2012. As a whole, they should probably be considered the proper 'sequel' to Canzoni dal Laboratorio del Silenzio Cosmico, extending that record's preoccupation with the drea…
live at Namba Bears
Acid Mothers leader and Reynols legend meet once again for a wild psych out explosion! Kawabata and Courtis previously worked together on 2006's Kokura for Riot Season, here they return for a raging trip of psychedelic noise rock recorded in February 2011, in Osaka, Japan. Both Kawabata and Courtis are playing guitar, but with Anla bringing tapes and vocals to the mix and Makoto bow and effects. Namba Lightbeam, the first of two 20 minute pieces, opens with a eastern sounding drone sound,…
Spilt
Nate Young airs two of his alter egos on this great split LP: Demons, featuring Steve Kenney (oh you know, Steve Kenney - he's in those well-known beat combos The Pterodactyls and Isis & Werewolves.... No?) and Hatred, which combines Young once again with Kenney, but this time with the added presence of Spence Bryant. The Hatred side sounds like the motor on your turntable is continually breaking down, as if some perpetual Technics power-down effect was causing all manner of primitive pitch-slid…
Split
New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. Keith Fullerton Whitman – you already know him – is an American electronic musician who has recorded albums influenced by many genr…
Re-Engineering
Steven Warwick aka Heatsick cocks a unique and compelling perspective on contemporary dance music with his bold follow-up to 'Intersex', a gorgeous, layered work that those of you into DJ Sprinkles should check out without delay. Now woven with leaner dancefloor muscle, the deeply funked views of 'Re-Engineering' are characterised by the artist as a "cybernetic poem". We can take this quite literally in his use of spoken word in pieces such as 'Re-Engineering' with its Chris Morris-esque wordpla…
Angels Of Darkness, Demons Of Light II
Recorded in the same two week session as 'AODDOL I' by Stuart 
Hallerman at Avast and mastered by Mell Detmer, Earth's 
'Angels of Darkness, Demons of Light II' carries on in the freely 
improvised, folkloric vein of the title track from their last 
release. Tape was rolled and spontaneous composition occurred.'Angels of Darkness, Demons of Light II' is striking in many ways, not least, in the wildly improvised nature of this particular 
recording. Earth's songs, Sigil o…
Day and night
Saxophonist Gerd Dudek's 2012 concert in London at the Vortex in a quartet with Hans Koller (piano), Oli Hayhurst (bass) and Gene Calderazzo (drums), with Dudek and Koller picking some of their favorite jazz tunes including works by Nichols, Shorter, Coleman, Wheeler, &c. Gerd Dudek (soprano & tenor saxophones), Hans Koller (piano), Oli Hayhurst (double bass), Gene Calderazzo (drums). Gerd Dudek came to London early in 2012 to give a concert at the Vortex. The next day the quartet went to…