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Massive discount on a large selection of items from the Planam catalogue until stocks last 🔥

New Arrivals

Repo
The frazzled and fractured electronic rhythms of Brooklyn noisemakers Black Dice are bent into shape once again on this fifth studio album from the band. The album, titled Repo, is comprised of home recordings and sessions from New York’s Rare Book Room studios. It’s another fine example of Black Dice’s singular aesthetic, which has been carefully honed through years of equipment abuse in low rent venues, art galleries and other improvised performance spaces. The record comes with a 20-page book…
Popofoni
This 2LP is a reissue of the holy grail of Norwegian free-jazz and electronic music, Popofoni, released by Sonet in 1973. It features compositions by Arne Nordheim, Terje Rypdal, Kåre Kolberg, Gunnar Sønstevold and Alfred Janson played by an extended Jan Garbarek Quintet.  The Popofoni-project was initiated after a heated debate on Haagen Ringnes’ TV-show Åpen Post in autumn 1969, which dealt with the subject popmusic. Standing on one side you found the defenders of pop, actress and sin…
A Strange Functional System
More than 30 years ago ‘Bizarre Unit’ released their timeless and highly collected classic single ‘Dancing/Away from the Screaming Car’. Now for the first time ever, Bizarre Unit and VOD-Records have uncovered the lost treasure trove of their surviving recordings. These unique recordings have been digitally transferred, edited and carefully restored from the ¼-Reel-Recordings and Cassettes. Embedded crackling and background noise from the original surviving Acetates have been careful…
Palace of marvels (queered pitch)
Edition of 500. Composed by Marcus Schmickler. Recorded and Mastered at Piethopraxis, Köln. January-August 2010. Cut at Dubplates & Mastering, Berlin, October 14th 2010. Artwork by Tim Berresheim. Marcus Schmickler's new release following his acclaimed 'Altars of Science' is a must have for those interested in the rising field of contemporary Computer Music. It reconfirms Schmickler's interest in the liaison of sound, phenomenology and cognitive sciences. Schmickler therefore utilizes a n…
Second Original Silence
Thurston Moore, Jim O'Rourke and Mats Gustafsson last convened for the monumentally noisy Diskaholics Anonymous LP, Weapons of Ass Destruction. Now the trio have returned to Smalltown Superjazz for yet more sonic carnage, this time joined by ace drummer Paal Nilssen-Love, guitarist Terrie Ex and bassist Massimo Pupillo. There's a tremendous breadth to the kind of ground covered by these musicians. At no point do you feel as if the ensemble is running out of ideas or stagnating on one particular …
Hexadecagon
The Octopus Project as a performance piece meant to bring the audience into a world of total sound and image submersion, Hexadecagon is now an album. The special vinyl version of the album is a bit complicated, so I’ll let the band explain: “The vinyl is a gatefold double LP spanning three sides. The fourth contains several unique tracks unavailable on any other format, interlaced in concentric spiraling “roulette grooves,” so that the listener never knows which track they’ll get when they pu…
Progression
Featuring members of Pelican & X-Bax. For the new album three single-chord compositions were charted out, one freeform and tone driven, one long-form piece with charts dictating the players' intensity of performance, and one grid-like chart where each players' note continually shifts, though the combination of voices continue to maintain the chord. Six chords were chosen and arranged in a progression that encompasses two separate performances of each of the three compositions. Though the…
Viroulegu forsetar
LP version. “This is his second album for Touch, after the highly acclaimed “Englabörn” [Touch # TO:52], about which The Wire said: “...expressive leitmotifs that unveil a profound sadness without ever wallowing in pathos” and Boomkat called it “a work of rare beauty and ... a rare jewel.” “Virthulegu forsetar” contains one hour-long piece for 11 brass players, percussion, electronics, organs and piano. The piece had its live debut in Hallgrimskirkja, a large church in Reykjavik and the city’s t…
A static place
Deluxe edition on double LP, an edition of 155 copies, individually inscribed and numbered, cear vinyl, 140g audiophile quality "Sourced from a mic’d gramophone playing 78rpm records from 1928 to 1932 with a cactus needle for a stylus, A Static Place has the more urgent, dynamic feeling to it. There is heavy use of hissing and layers of analog static to be heard on "Schwarzschild Radius", but it is used sparingly, burying processed choral arrangements and organ passages in its fuzzy warmth. Viny…
Spiritual Jazz 2: Europe
Deluxe gatefold double LP version with color inserts and on 180 gram vinyl. As the '60s progressed, cultural and political revolutions occurred both in the U.S. and in Europe. Jazz was both a victim and a savior, with radical developments in the music occurring on both continents. In the U.S., artists took control of their own musical destiny as small labels broke away from the mainstream, expressing new and creative visions of freedom and peace against a backdrop of civil unrest, repress…
Reverse Atheism
Barbara Manning and S. Glass lead a small army of guest readers and musicians through barely musical versions of tunes, texts, and tracts. A survey of the exceptional, the eccentric, the feverish, and the pathologically peculiar within popular religious faith, to paraphrase William James, made by others, communicated by tradition, determined to fixed forms by imitation, and retained by habit. 70+ minutes of music fragments leached of melody and harmony, looped, hacked, noisified and depas…
ØØ Void
Double LP edition: Lengths of stretched distortion rattle the grey matter, unnervingly slow and severe. With Sunn O)))’s second album, ØØ Void, the sonic misery nurtured to functionality by Greg Anderson and Stephen O’Malley stays simple and repetitive, a tabula rasa having yet to realize the full scope of its potential. With this album, Sunn O))) worked as a three-piece, collaborator Stuart Dalquist coming up with its opener, “Richard,” which is a solid fourteen and a half minutes of be…
Swim
Following on from 2008's Polaris Prize-winning Andorra, Dan Snaith returns with a fresh take on the Caribou sound, working more dance-friendly structures into his work, which makes for quite a revelation given the project's tendencies towards jazz and frayed-edge psychedelia. Snaith outlined his approach to the new record by stating: "I got excited by the idea of making dance music that's liquid in the way it flows back and forth, the sounds slosh around in pitch, timbre, pan... Dance mus…
808s & Dark Grapes II
The internet can be blamed for many things, and while the current consensus seems to be that it is single-handedly responsible for the destruction of the music scene, it's impossible to deny the influence it has had on contemporary rap music. Previously held hostage by industry moneymen, file sharing and social networking has democratized the genre and allowed people to hear what's really going on in the minds of young producers and rappers. Main Attrakionz are one such cottage industry ma…
Allegory Of Allergies
RESTOCKED! april 2009 release: deluxe reissue of emeralds long o/p august 2007 gods of tundra tape, a production-value-heavy edition consisting of two lps (each in their own metallic-ink inner sleeve) housed inside a full-color stoughton gatefold sleeve ; yowza ...for many the original cassette release was the one that made emeralds’ unique combination of stasis-heavy analogue synth wave-shifting stick (certainly was the one that “did it” for me) ; this majestic record-object does everything to …
\"The Vodoun Effect\" 1972-1975
Most Likely To: be one of the only albums you hear that will protect you from the smallpox virus. In the late 1960s, as traditional African culture rubbed up against an influx of Western influences, some of the most amazing modern musical forms birthed in the dance halls of West Africa. Rhythm and blues, soul, and funk elements electrified and popularized in the United States folded back upon themselves into their African origins. Afrobeat reigned supreme in Nigeria, a defiant and jubilant funk …
Mimikry
Having nicely set up the release of this album with their Ret Marut Handshake EP a few months back, Alva Noto and Blixa Bargeld (of Einsturzende Neubauten fame) deliver a set that exceeds all expectations. One of the most strikingly obvious comparisons to arise from that first batch of material was the Alan Vega/Pan Sonic collaboration, yet Mimikry goes much further than combining the established aesthetics of its constituent parts and creates something that actually feels very new. Car…
On fire
Norway's Smalltown Supersound label is just one of those imprints that you have to keep an eye on, because if not you're sure to miss out on some nugget of psyched avant-metal or North European disco that you'll be kicking yourself over neglecting in 10 years time. 'Smalltown Supersound On Fire' is a very handy and rather essential compendium of forthcoming releases on the label, including tracks from Arp, Meanderthals, Diskjokke and Tussle alongside remixes from the likes of Prins Thomas and Bj…
Second live salvage
'Editions Mego is proud to announce this double vinyl set. Five tracks recorded live (Valencia, Stockholm, Frankfurt, Brighton, Paris) + 'Bonus Recording', Russell  HASWELL & Toshiji Mikawa live in Japan. Cut by Rashad Becker at Dubplates & Mastering, Berlin, April 2008. Follow up to the award winning 'Live Salvage 1997->2000' CD (mego 012, 2000). Hot on the heels of recent collaborative releases with Florian Hecker (as HASWELL & Hecker) on Warner Classics and Warp Records, Russell  HASWELL (b.1…
Deutsche Elektronische Vol1
What's in a name? Good question. On first glance, Deutsche Elektronische Musik gives the impression that the pieces for Soul Jazz's new collection were selected for how they later fed into house and techno. But then there's that subtitle—"Experimental German Rock and Electronic Music 1972-83"—one which gently reminds listeners that much of the most fertile music from Germany in the '70s wasn't electronic at all. So why not Krautrock? Well, that doesn't quite work either: A title like that…