New Arrivals
Giovanni Lami / Kenny The Chimp
Giovanni Lami (Ravenna, Italy, 1978) is a field recordist and musician who works within soundscape and sound-ecology boundaries. Since 2009, he has founded several projects, attended many workshops and tought others about soundscaping and field recording techniques. With his various projects, Giovanni has performed in several venues including: Conservatorio B.Maderna (Cesena), DalVerme (Roma), Mu.Vi.Ment.S. Festival 2010 (Itri), Fondazione Giorgio Cini (Venezia), Festival C/off (Faenza), Schiume…
Jealous Heart
Mark Templeton presents Jealous Heart, an album which re-imagines the story of his sound in an approach that is both staid and deeply emotional, reorienting what is offered and what is held back through a myriad of smeared stringed instruments, fragmented horn phrases, tape loops, and found-sound-driven explorations. Templeton's music is always difficult to truly classify, which is part of its charm. It is way too dense and detailed to qualify as ambient in a traditional sense -- instead …
Inside Wino Lodge
New solo LP of strange sounds, vocal improvisations, tape manipulations mangled strings and hiss drones from Dylan Nyoukis (Decaer Pinga,Blood Stereo) Inside his Wino Lodge. Sounds like it was recorded in a 4 track in 1972 in an insane asylum, then puked over and thrown into the sea, then discovered recently and transfer directly to Vinyl via marine analog tape communication device (thats a compliment).Good one to buy if you are wondering what a naked Scotish man and his daughter look and sound …
Split
New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. Keith Fullerton Whitman – you already know him – is an American electronic musician who has recorded albums influenced by many genr…
Wood Flute Songs: Anthology/Live 2006-2012
Some of the most amazing work we've ever heard from this legendary bassist – a set that's not based around music from a wooden flute, but which instead refers to the instrument in its title – as an illustration of the very organic approach of the work within! A 8CD box set of all previously unissued recordings by world-renowned bassist-composer-bandleader William Parker, a 2013 recipient of the Doris Duke Foundation's Artist Award. Parker is a wonderfully prolific composer, and over half of t…
Tidal
Full colour digipak designed by Slavek Kwi. Limited to 300 copies. On 'Tidal' : Tidal zone is a fluid line between land and sea, a site of perpetual motion and metamorphoses. During 2008 - 2010 I collected a variety of sounds in coastal areas of Western and Southern Ireland and on the other side of Atlantic Ocean in Newfoundland, Canada: the remote fishing village of Conche, the ghost settlement of Crouse, and the St.Georges peninsula. I recorded underwater : crackles of decapods, dolphins, mink…
Music Of Changes
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, density, tempi) being painstakingly, albeit fortuitously, derived through point-by-point con sultation from charts of possi bilities designed by the composer. (Christian Wolff, Cage’s young friend and musical associate, had presented Cage with a co…
Pyrolator's Traumland
LP version, on 180 gram vinyl. Bureau B reissues Pyrolator's Wunderland, originally released on Ata Tak in 1984. Quote 1: "I have always strived for the opposite of whatever is hip at the time." (Pyrolator in June 2013) Quote 2: "Wunderland is so beautiful -- the first time I heard this record, I cried." (Andreas Dorau). New York City, 1983. Andreas Dorau has a gig at Danceteria and Pyrolator accompanies him as sound engineer. Back then, it really looked as if Ata Tak could make a go of it in th…
Resorts & Ruins
In “Resorts & Ruinsâ€Â, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)â€Â, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha; the many fragm…
L'Origine / TEMA
Drawing inspiration from the "Action Direct" expanded guitar performances of Masayuki Takayanagi, Fusinato places the guitar at the centre of his work. A few crudely played strings provide the impetus for a long chain of electronics which obliterate the original signal and leaves us with a hyper-kinetic wall of full frequency spectrum noise. Like the piano in David Tudor early 1960's performances of Cage's Variations II, in Fusinato's work, the guitar is the object of a dialectic of simultaneous…
Cold Soup
First release from this duo of Tokyo-based guitarist, Tetuzi Akiyama, and New York's Che Chen. Akiyama is in rare "Don't Forget to Boogie" form here; his heavily distorted, locomotive guitar lines chugging away as Chen's electrified fiddle drones, screeches and scrapes. Sine wave generators and a modified tape delay round out the mix. Sidelong live track on one side, studio jams on the flip. Released on Jozef Van Wissem's Incunabulum Records.
Piano Music
Two compositions exploring the decay of the piano from Wandelweiser composer Eva-Maria Houben. Fading sound is the link between life and art; between perception in daily life and perception while performing, while composing.“Fading sound is the link between life and art; between perception in daily life and perception while performing, while composing. And the awareness of fading sound may become the awareness of presence.” Halfway through Eva-Maria Houben’s abgemalt, the pianist unfurls a …
Psychedelic Sax
Grey-area exact LP repro edition, originally released on Fahey's Takoma label in 1967. Charlie Nothing was the fractured-psyche pseudonym of author, organic farmer, beekeeper and philosopher/clown Charles Martin Simon, inventor of the dingulator (guitar sculptures made out the metal from American cars). The Psychedelic Saxophone Of Charlie Nothing made a minor splash in the European free jazz melting pot upon its initial release, but the album's non-dingulating psych sax improvisation, acc…
The jungle he told me
Joachim Badenhorst (1981) is a Belgian reed player who divides his time between NYC and Belgium. Over the last 5 years Joachim has released a number of albums with different projects, such as Baloni, Han Bennink Trio, Rawfishboys, Taro, Tony Malaby’s Novela, Thomas Heberer’s Clarino, Mogil, Polylemma, Os Meus Shorts, International Trio, Red Rocket and Equillibrium.The Jungle He Told Me is Joachim's first solo album. It consists out of nine pieces on clarinet, bass clarinet and tenor saxophone. B…
Fever Logic
Ensemble Economique has emerged as an unusually globe-trotting creative valve for Arcata, CA, beachcomber Brian Pyle. The last year alone has seen him backpacking through Scandinavia, Europe and Russia—twice. Maybe his spirit’s too absorbent, ’cause he’s brought back some deeply heavier moods and ancient world weariness since his last outing on Not Not Fun, 2010’s demonic tribal monsoon Psychical. Recent splits with similarly instinctual psychedelic unclassifiables like Lee Noble and Her…
Ornate shroud
Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…
Noir
Jean-Marc Foussat (VCS 111, voice). Jean-François Pauvros (guitars). Makoto Sato (drums). They recorded this studio album a few years ago. Brillant and inspired, as always!
Eins +
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
Time of the Last Persecution
Time of the Last Persecution is Bill Fay's second and final album for the Deram label, originally released in 1971. An absolute classic of melancholy (borderline morbid) folk-rock that falls somewhere between Pearls Before Swine, Leonard Cohen, and a suicide prevention hotline. Time of the Last Persecution is almost single-mindedly obsessed with end times so it's fitting that this brilliant album would be his last release for over 30 years. Now that Fay is back with a new and highly laude…
(B)Haunted
Following his collaborations with Fabio Orsi and Luigi Turra published in 2012-2013, it’s time for another Gianluca Becuzzi solo album on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro …