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Major archival unearthing that makes available for the first time the bulk of the 'official' releases - plus a ton of unreleased material - from the mythic Butte County Free Music Society, a collective of musical oddballs, 'noise' musicians, art pranksters, record collectors and rock/roll fans who modeled themselves on the Los Angeles Free Music Society in order to create an umbrella organization that would shelter 'out' musicians during times of musical drought, this one taking place in the ear…
Hot on the heels of Kraak's Meet The Philly Elite 4-way split, another excellent compilation EP that bundles Asmus Tietchens/Conrad Schnitzler-styled melancholy synth work from Kohn, slow-burning electro-psych from the always amazing Peaking Lights, wiggy outer space keyboards from Alien Radio and some happy/sad psychedelic pop from Ducktails. Packaged in a fold-out poster sleeve."One year after the ‘Meet the Philly elite’ 7” we finally release a fresh 4-way split. This time Köhn and Alien…
next to his prolific work as an electronic composer, improviser and producer, "rule of inference" once more features schmickler's as yet less known yet marvelous work as a composer and arranger for classical instrumental settings. similar to his widely regarded album "param" (2001), the album is a collection of various settings, all of them recorded over the course of the last years. "rule of inference" unveils a conception that marks various departures along the history of music: the alb…
Textile is proud to announce the fourth installment in its split 12" series, oren ambarchi / hado ho. oren ambarchi is an electronic guitarist and percussionist with longstanding interests in transcending conventional instrumental approaches. Born in sydney in 1969, he has been performing live since 1986. his recent solo releases triste (southern lord - usa), and grape from the estate (touch uk) have transcended the guitar into a zone of alien beauty and sonic impossibilities to critical acclaim…
Great follow-up to the Swiss percussionist's first single. It has one side of music created by disturbing the skin of a drum head and another with a kind of spidery almost drumming. There is definitely the sense of a drum head being struck by something, but the touch is so light it really sounds more like rain on the roof of a metal building. Tup !’ - Byron Coley, The Wire, 2010’Here's the second volume of a projected series of four seven-inchers featuring Swiss improvising percussionist Christi…
Part 1 : Ariel Shibolet solo (soprano saxophone). Part 2: Between the strings with JC Jones (electroacoustic bass), Daniel Hoffman (violin) and Nori Jacoby (viola). Part 3: all together. Recorded live in November 2006 at the Tel Aviv Museum. Between the Strings is a Creative Improvising Music trio exploring the collision of sounds, noises, rhythm and melody. Comprised of violin, viola, contrabass and live electronics, Between the Strings creates rich orchestral and other-world timbres. Driving g…
Reflex is the fifth solo album by Switzerland's Reto Mder (Ural Umbo, Sum of R, Pendulum Nisum) as RM74. A creepy, paranoid record of sinister melody and complex structure. Electronics, organ, synthesizer, guitars and other instrumentation drifts in and out of bizarre atmospherics. The tracks gain emotional resonance as they move among vexing swells of dense, rotting psychedelia. Presented in a heavy matte sleeve printed with dark metallic ink. Includes fold out insert. Photograph by Phill…
Jerk is a collaborative artist's book and audio recording by director Gisele Vienne, author Dennis Cooper, musician Peter Rehberg and performer Jonathan Capdevielle, which translates a previous collaborative theater work into a violent multimedia disquisition on puppetry, serial killing and homoeroticism. The play and book are based on the Texan serial killer Dean Corll. As in their theater works, Jerk. Through their tears is a multi-faceted exploration of these artists' combined interest…
As Norway’s premier noise troupe, Lasse Marhaug and John Hegre’s Jazkamer project has a certain status to uphold. Rather than resting on their well-earned laurels, Marhaug and Hegre keep a gruelling schedule of shows and an even more gruelling schedule of releases, which has culminated recently in an ambitious album-a-month series spanning throughout 2010. While the concept itself is now fairly well worn, what has astonished this time around is the sheer quality the duo has managed to ke…
Very Friendly is a comic book project that subjectively collects its material from the world of experimental electronic music and will mix stories of an autobiographical nature with historical accounts. In other words; the reader will get a chance to meet some of Sundin's musician friends and colleagues as well as take part of some historical events where a classic recording or performance took place. The first issue of Very Friendly, released in April 2009, presents over 52 pages three main sto…
Aiaiai, there we go again, 2 years ago it started and now it seems too late to ever stop it.. where is this gonna end, is of course an interesting question.. after a whole night long LA Bamba party (which is seriously a bigger aural torture than any noise gig), a lp with only La Bamba cover versions, a whole night long Popcorn and a accompanied comp lp, it's about time to abuse Eddie Cooley and John Davenport's Fever!on september 3rd 2011 the Fever night is happening on a boat in oostende, and …
Former drummer of enigmatic LA synthpunk outfit NEW COLLAPSE, RICH BITCH (aka FRANK ALPINE) has been privately sharing his solo work with friends over the last few years on cassette. Dais is proud to announce the first vinyl release of these original cassette recordings of Alpine’s dark ambient / coldwave excursions. Limited edition of 300 hand-numbered copies.
"Karl Bauer and Eva Saelens (Axolotl and Inca Ore respectively) are two like-minded Bay area psychers operating on two opposing levels. Axolotl marks the A-side with skyward streaking drones and ethereal loops tinged and focused, ringing with the joyous bliss of upward passage. An endless array of vocals, electronics, and violin looping and looping, building and growing: stasis. Inca Ore makes her craft from an Earth-bound level. Oneness with her surroundings, roots firmly planted. Eerie incanta…
Digital version in a heavy mini LP style cover with exact reproduction of the original artwork, and a full color foldout mini poster insert with new liner notes by Lula Cortes. Edition of 1000 copies." "First ever reissue of this Brazilian private press monster rarity. Originally custom pressed in 1980, Rosa De Sangue is the closing chapter of the amazing Recife psychedelic movement that flourished and centered around the work of Lula Cortes, beginning in 1973 with the release of Satwa, and the …
The third album Refuse This Gift from Bear Claw is one of two records that ended up being part of a double whammy of releases from Sickroom Records just recently for me. Paired up, at least in my mind, with the excellent Conformists record (which you can find a couple posts below) Bear Claw gives a bit more of a traditional spin on the Chicago math/noise-rock sound compared to their label mates. With their third album Refuse This Gift the band hasn’t deviated all that much from their pr…
Limited friends edition of 50 copies in black box with silver embossement. Tape recordings from 1980-82 including Kleine Krieg (originally packaged with a model kit of a tank or an airplane, intended to be assembled while listening to the music), Chemical Playschool Vols. 1 and 2 (the original cassette edition of which had 24 copies), outtakes, and Live in Cologne 1983.
It seems as Campbell Kneale (within his Love Will Destroy The World project) aims to discover any darkest and most dangerous corners of the modern experimental music. As an experienced and dedicated hunter, he doesn't walk the empty tracks, rather he's interested much more in rich bushes and impassable thickets. The A side's track is “Glittery Skin”, it shows Merzbow-like pulsating electronic noises, but the main energy-giver is obscure and doomy heavy guitar riff. Sick, anarchic, trancesending …
This is a new release by California's extremely prolific avant-drone duo, Starving Weirdos. These eight new pieces bear all the hallmarks of Starving Weirdos' greatest work: the dizzying mixture of instrumental sounds, electronics, and field recordings, the pointillistic attention to sonic detail, the duo's post-production technique, which achieves something like the aural equivalent of deep-focus photography. On Into An Energy, the duo of Brian Pyle and Merrick McKinlay is joined by occasional …
Dogs in English Porcelain (Vanessa Rossetto's fourth solo album on the label) is a composition for electronics, field recordings, viola, violin, cello and acoustic turntable. It was created with many layers of very quiet elements that advance and recede, forming the episodic structure of the piece. The overlapping of electronic and environmental sounds with extended technique and traditional playing disturbs the boundaries separating the natural and artificial, the intentional and the incidental…