New Arrivals
Distant
Newest Nico Vascellari trio (WW stands for Women in the Woods), an amazing hypnotic industrial soundscapes housed in a beautifully packaged tape box, released in a handful of copies
Duo
Recordings from Masami Akita and Kiyoshi Mizutani. Kiyoshi was a member of Merzbow in the 80's and has made solo works since 1989, though main man Masami Akita has been the backbone of the band since 1979. These recordings are mainly from the '87-'89 era, but some of the earliest recordings were released in 1979. The first Merzbow tour abroad was in 1988 in Russia, featuring Masami Akita and Kiyoshi Mizutani. The second was in Europe (Holland, Germany, and France) in 1989 where Kiyoshi als…
qanngirpalippuq
Limited to 130 copies. Harsh Noise old school from Paris, 100% improv.
Organic Skyscrapers & Occult Wastelands
'I really don't know what to say... I have just released a 10' by my favorite band! Released to coincide with the first Sigillum S concert in the US, which we hosted in Chicago on June 7th, 'Organic Skyscrapers & Occult Wastelands' features three brand-new tracks. With unusual electronics, processed and treated guitars, piano, etc., and a host of other elements, rhythms and loops, it takes the listener on a bizarre and beautiful journey.The music and imagery of Sigillum S has intrigued and capti…
Compound
The cooperative of composer/improvisers John Wiese (Sissy Spacek) and C. Spencer Yeh (Burning Star Core) presents in a terrific session recorded in August 26, 2007 at The Compound, San Francisco. The work reveals further unexpected developments and strategies of this ongoing partnership. Familiar machineries were primed, but an increasingly alien attitude was fed through and processed into churning and bewildering shapes.
Condensed Death
RESTOCKED amazing 7": a wall of sound, predominantly on some 'obscure' and distorted machines, creating a terror noise music, originating from metal, a conceptual and extreme musical journey.
Switch Hitter / The Machines Of Infinite Joy
The first new material from the legendary Ramleh since 1998 and it doesn't disappoint. Powerful droning intensity, motorik rhythms and warped guitar riffs dominate these two songs with one containing Ramleh's distinctive distorted vocals weaving in and out of this inventive chemistry. "Switch Hitter" could almost be described as a full on dissonant rock track, but Ramleh's desire for experimentation and improvisation lifts it way above the general rock mindset. Ramleh have not lost any of their …
Gene-P
'Gene P' was released as a cassette in 1980, and among the true Bianchi devotees old = best.On the first track (both tracks are untitled) Bianchi uses tape-loops of what could vaguely sound like gamelan music, or wind chimes. Its music with not many changes, music that is not loud and actually quite pleasing.The other side is more experimental. It uses vinyl, scratchy vinyl that is, with the needle jumping all over the place. Its a bit much experiment for the sake of experiment for me here. A mo…
Weight
Nolan Throop is well known for his solo project Kakerlak and several brilliant collaborations. Parallel to this has always cultivated a passion for industrial and the more obscure noise, in constant progression through its project vergraben before and rumination now. Short tracks, monotonous and percussive, sounding like a degraded version of the SPK. Old drum machines, junk metal loops and radio voices that create industrial marches covered with a thick dose of negativity…
Valediction
The First all new Ramleh album since 1997, and the first new power electronics recordings from the project for 25 years. And yet Valediction is no ordinary “power electronics” record, nor is it anything as straightforward as simply a return to their roots. Valediction is very much an entity of its own – both consolidating and expanding upon everything Ramleh have touched on in the past, but also digging into entirely fresh ground for the band. Valediction is, perhaps, Ramleh’s most bleakly psych…
CD box
Abe at his best! Crudely generalising a contrast in free jazz tendencies between AMM/SME/MIC/FMP and AACM/ESP, it's hard to say if Abe's closer to the gentle, bearded intellectualism of some European improvisation, or to the gutsier funk of more US freedom fighters. Up there with the best of both Western sides of the sea, but unlike any one from either, his stroppy, razor-sharpening alto style mixes tousled emotionalism with dogged puzzling, like an amalgam of Anthony Braxton and a sadder, angri…
Sacred Trails
Terrific new release by the cult 'a dear girl called Wendy' italian label: this recordings are a natural progression from the recent "Förruttnelsen" LP on Release The Bats. Like before filthy and decaying reel-to-reel/cassette/tape-echo loops, electronics, junk, field recordings, feedback blasts is mixed with industrial decay and creepy dynamic noise. Minimalistic textures raped by tapeloops, field recordings and junk abuse. Just raw electronics. Organic machine music. No happiness there. 7"…
Predators
European tour 7". Two 5 minute studio tracks of processed underwater recordings. Bayonet and diving knife scrapings in a steel basin, recorded closely and then processed to breaking point. Limited edition of 200 copies.
Suppression In The Third
Jason Crumer likes what you like: noise, girls, getting wasted once in while and maybe a spot of trouble here and there. He first started blowing minds as guitarist in the insane sludge punk core outfits Aluminum Noise and Facedowninshit. As well as the ultra-weirdo outfits American Band, Now In Darkness World Stops Turning and Amazing Grace. Since going solo in 2005 he's released fascinating and brainmelting USA noise death on labels like Iatrogenesis, Audiobot, Ignivomous, RRR, Nazot, Chondrit…
CD Box 1970-1973
Massive 7xCD box set compiling rare material by the great alto screamer Kaoru Abe is the lost wild legend of '70s Japanese free jazz. In the short space of his tempestuous life, he burnt a path which has served as a map for a whole generation of Japanese artists to follow who would call themselves 'free' in any sense of the word whatsoever. Though he performed live frequently in his day, his releases were sporadic, many of them emerging after his untimely death in 1978, and on a string of Japane…
Het Potatis
This meeting of noise monsters Lasse Marhaug and Tommi Keränen is heavy, intense, truly ear-shattering noise bliss, and brutal as always. Pure harsh noise
Commiseration/Blood Temperature Pool
Primitive guitar riffin', synth's drone and effects. Raw beauty and energy in it's primal.
Vague Maze
Pain Jerk and John Wiese are two titans of noise. Their collaborations are not a new. This is the stunning prologue, the first one, dated 2005. 7 minutes of synthesizers, electronics, noise. This is what a 7inch must be. Fast, violent, harsh. Play it at 45rpm as loud as possible you can. You know you need it. Artwork by John Wiese. Limited edition of 200 hand-numbered copies, one time presssing
Kvalt
Amplified metal, electronics and tapes from Denmark. Alleypisser takes inspirations from italian industrial gods like M.B. and Mauthausen Orchestra and his phenomenal use of tapes and metal ensures that Alleypisser is one of the best industrial act in Europe.. The result for Kvalt is a 7" and a c38 for something like 50 minutes of music. All package in a reel to reel box with insert.
Like A Frog In Winter
Features Prurient, Pedestrian Deposit, Sewer Election, Panicsville, Immaculate Grotesque, Ahlzgailzehguh, Barrikad, Omei, Climax Denial, Stegm, Mark Solotroff, FFH, A Fail Association, etc. etc." Includes poster. "i started putting this compilation together in 2004 while residing in providence. at that time the climate of noise was rather hi-fi, technological, and cold. This was the start of noise as entertainment rather than entertaining. personal communication became lost. noise becam…