New Arrivals
Boolean Blues
ASESOME NEW RELEASE! Josh Hanson is another of Portland, Oregon’s underappreciated sons. Having come up through the ranks of long-time, long-forgotten faves Hochenkeit, he also spent time as a member of The Davis Redford Trio. But Hanson’s path diverges into a totally different sphere nowadays, spinning solo modular synth exploits to the stars. Influenced not just by the likes of Subotnick and Cluster but also various types of Eastern sounds, Hanson is looking forward, trying to find new pa…
Kontinent
Number 4 of the Salzburg Festival “Kontinent” series was dedicated to Wolfgang Rihm. We have compiled a selection of the works for your conven- ience – including a first recording! Wolfgang Rihm once claimed that the most appropriate statements about his oeuvre are his own compositions. In 2010 the Salzburg Festival adopted this approach. The result was a “Kontinent Rihm” which placed the manifold tone colors and modes of expression created by the former Stockhausen student into a broader contex…
Lo-lee-ta
Vladimir Nabokov: the master of "chamber music in prose" (literary critic Marcel Reich-Ranicki) and composer of crackling word sonatas. Franz Koglmann: a commuter between jazz/avant-garde and literature, and writer of intimate sound novellas. It was only a matter of time before Koglmann would create "Music on Nabokov," and transform literary motifs and characters into music. Together with his Monoblue Quartet (Tony Coe, clarinet/saxophone, Ed Renshaw, guitar, Peter Herbert, bass) the trumpeter K…
Mort aux vaches
CD, 3-panel micro-wave carboard cover, pyrography on the front side and hand-stamped inside, ltd. 500ex. Produced and recorded for Dwars@vpro by Berry Kamer, Amsterdam, October 27, 2008.
Medea
"Medea" by Calliope Tsoupaki is the first in a series of chamber music compositions focusing on drama; a "melodrama for 8 instruments". The composition is written for Ensemble MAE, that distinguishes itself for its colourful, direct, physical and improvisatory character. Tsoupaki uses the ensemble's palette, composing solos, duets, trios, wrapped in larger sonic fields, with a strong associative and visual impact. Further there is no story-telling for the listener to be led into the piece;…
1979 - 1983
Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…
Spiritual/Mental/Physical
‘Spiritual-Mental-Physical’ is a collection of wild early Death demos, presenting the three young Hackney brothers consolidating their powers as they embark on a trip into pure rock and roll music. The album comes with liner notes from Bobby Hackney Sr. explaining the genesis and meaning of the songs included.
Quintet
Things get dislocated, gather themselves, spread across areas of varying intensities. More intimate or more complex song. closer to the sacred, left untouched by mediation, even slightly incomprehensible, though mostlyambivalent and reality-piercing. At times, the music seems to lead us to a meaning that is deeper than the textual level. or is it the depth of another possible song? That's when the music takes us to areas that seem perpetually urging, more than their simple addition of voi…
Old and new acoustics
“All music by Sharif Sehnaoui – no cuts & no overdubbing. Recorded by Fadi Tabbal on the 9th of june 2009 at Bustros palace, Beirut. Mixed & mastered by Fadi Tabbal at Tunefork studios, Beirut. Artwork & design by Mazen Kerbaj. Produced in Lebanon by Al Maslakh.” label info
Aurona Arona
Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.
I.B.M.
A true experimental music classic by Maurizio Bianchi, originally released as private cassette in early 80's and then later bootleged on tape. This is the very first official re-release on CD of this incredible sound-material!!! This is the most intense M.B.: raw and experimental! Released on 1:1 high quality new generation CDr -> same quality and 99% same 'look' of a glass mastered CD. Digislim package.
Sólaris
Ben Frost and Daníel Bjarnason are two composers used to shrugging off the distinction between experimental sound-art and deeply felt melodies. frost's vast, blackened post-industrial works often crystallize in moments of quiet beauty before disintegrating in pure visceral noise; bjarnason's orchestral music marries brutal modernism to classical aesthetics one moment and soaring ethereal harmonies the next. and yet here, on the tail of two widely acclaimed releases; bjarnason's procession…
Aeternum Aevum
Peripheral Records is proud to announce it's thirteenth release with, 'Maurizio Bianchi's - Aeternum Aevum' CD. Two long beautifully understated tracks, that show a more pastoral side to the great Italian master of Industrial. Slow whirling pieces of Ambience dedicated to the late Konrad Schnitzler. The CD is limited to 250 copies within a DigiPak. The sleeve is adnorned inside and out with Abstract paintings by Hayat Saidi.
Liminoid / Lifeforms
Liminoid is a composition for large ensemble exploring sonic immersion in drones and textures, rhythms and pulsations. Incorporating composed and improvised segments, the piece uses elongation of sound and layered polyphony in an attempt to create a liminal and/or numinous state. This recording of Liminoid is from its premier at The Music Gallery’s X-Avant Festival in Toronto, October 25, 2008. The piece features a powerful vocal performance with every member sharing the vocal duties. The lyrics…
Tourbillon D'Obscurité
Philippe Petit is interested in soundtracks; even if he creates original music he'd rather be introduced as a "musical travel agent" than a composer. Petit uses a Cymbalum, an Electric Psalterion, computer and synths to build up electronic layers, process acoustic and field recordings.
To second the machines he likes to move various glasses,
or percussive objects, and take advantage of vinyl material to fondle released sounds. A journalist for various magazines and radio as well as a musical ac…
Our Prayer
Another previously-unreleased gem from South African pianist/composer Chris McGregor and his cohorts in '60s UK free jazz. Our Prayer was culled from the same sessions that produced the also never-released Up To Earth in 1969 and was produced by Joe Boyd and engineered by John Wood at Sound Techniques studio. The previous year they had signed to Joe Boyd's illustrious Witchseason production company alongside Fairport Convention, John and Beverley Martyn, Nick Drake and the Incredible String Ba…
Kuopio
With “Kuopio”, Raster-Noton releases the second full length album by Vladislav Delay aka Sasu Ripatti. The record features eight new songs which allow the listener to dive into Delay’s cosmos of deep and likewise organic sounds. Subtle yet complex electronic manipulations are used, resulting in a high degree of variation within every single track and a nearly imperceptible intensification of their density. Progressive and energetic rhythms play an important role as already indicated in hi…
Himmelgeister 19 (2008)
“Himmelgeister 19 (2008)” for chamberorchestra and 3 voices. Johnny Chang (violin), Conrad von Coelln (viola), Nataliya Demina (violin), Rodion Dubirnij (trumpet), Jürg Frey (clarinet), Sven Herman (accordion), Eva-Maria Houben (harmonium), Marcus Kaiser (violoncello), Tobias Liebezeit (percussion), Normisa Pereira Da Silva (flute), Radu Malfatti (trombone), Koen Nutters (bass), Sven Oetter (horn), Michael Pisaro (guitar), Burkhard Schlothauer (violin), Thomas Stiegler (violin). Antoine Beuger (…
Instance
Thembi Soddell's second solo release continues her exploration of dynamics, abstracting various sound sources, from field recordings to instrument textures, into sonic interpretations of her dreams.
In Winter
One more new Gianluca Becuzzi release on Silentes, this time in collaboration with Luigi Turra. Composer of musique concrete and graphic designer whose main interest is the musical balance between silence and the tactile perception of sound, Turra’s works were published by labels such as and/OAR, Unfathomless, Non Visual Objects, Smallvoices and many others. A lot has already been written about Becuzzi, here we would just like to remember his historic Darkwave / Industrial project…