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**Digitalis debut from Koenraad Ecker, one half of Opal Tapes' Lumisokea, highly recommended if you're into Vainio, Joachim Nordwall, The Haxan Cloak. Initial copies on transparent red wax** Belgium's Koenraad Ecker swiftly follows his 'Apophenia' LP as part of the Lumisokea duo for Opal Tapes with a personalised invitation to his shadowy solo zones for Digitalis. Inhabiting space between slow techno and electro-acoustic dimensions, 'Ill Fares The Land' surveys similar soundscapes to Mika…
This is true cosmic music!!! Stephan Mathieu is at the top of his game with The Falling Rocket, this is some seriously pensive & brooding minimalism that runs the gamut of the emotion rainbow without tossing you around rollercoaster style, with mostly just a Farfisa organ, Hohner Electronium, and radio at his disposal, Mathieu concentrates on a dense & lightweight essence, the sound of civilized silence carved out in the blankness of your mind, surrounded by inaudible hiss & hum, a delicate stat…
Berangere Maximin was born in December 1976 on the remote French colonial Island of Reunion in the Indian Ocean where she resided until the age of fifteen. Performing first as a singer, she later studied electroacoustic music with the composer Denis Dufour (a member of the Ina-GRM from 1976 to 2000) at the Perpignan Conservatoire. Her first professional experiences occurred in Paris, and in 2002, she moved there permanently. From 2002 to 2007, whilst running the organisations Motus (concerts pro…
"Sharing social circles and spiritual ideologies with artists such as Iasos, Connie Demby and Deuter, whilst splitting label release schedules with Laraaji, Laurie Spiegel and Wendy Carlos, the unique Florida raised soul mate duo known as Emerald Web released their privately pressed debut LP at an axis where post-prog rock met proto-new age and ambient electronic music. At the turn of the 1980s Bob Stohl and Kat Epple embarked on a ten-year spiritual journey playing at planetariums and laser sho…
An undisputed 70s spiritual jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals. Doug Carn's third album for Black Jazz, Revelation (1973), is as compulsively listenable as his previous outings. The keyboardist-composer-arranger-bandleader is on top of his game -- Jean Carn returns to handle the vocal parts, the hir…
Doris Norton, founder member and keyboardist of the esoteric legends Jacula and Antonius Rex, was a pioneer in the early electronic/computer music. She began her musical carrer playing avant-garde and progressive music using synthesizers such as Roland System 700, Roland system 100M and Minimoog (Jacula, Antonius Rex). In december 1980 she recorded, at the Fontana Studio 7 (Milan), her first solo album entitled "Under Ground" (Musik Research). Sponsored by Apple computer and the Roland Corporati…
Under the wickedly cryptic title of 'Police Water', Gary War delivers his latest psych-pop dazzler on Sacred Bones - also including the two tracks from his 'Reality Protest' 7". Just as everyone begins to catch up with his brilliant body of work from the last two years, he goes and switches up his sound with reinvigorated song structures, a broader tonal palette and far, far tighter rhythm programming. Don't worry, though, he's not lost the inexplicable post-apocalyptic weirdness, it's ju…
Ensemble Skalectrik is a side-project of Nick "Ekoplekz" Edwards. Previous emissions include the self-released psycho-geographical abstraction of Snuff Mill Tapes and a homage to Maurizio Bianchi via Feral Tapes. Focusing entirely on spontaneous composition and one-take improvisation, Ensemble Skalectrik represents the most raw, extreme performance-based electronic music in Edwards' repertoire. On Trainwrekz, Edwards has dusted-off his turntables, grabbed a stack of old vinyl (mainly sound e…
LP version. Includes mp3 download and full-color poster. After two bone-chilling full-lengths for the Type Recordings imprint, Erik K. Skodvin has embarked on his first journey for his own Miasmah label with Black Tie. While originally conceived as a soundtrack to an installation by Norwegian artist Marit Følstad, Skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. Split into two distinct movements, "Black Tie" and "White Noise," we are exposed to the y…
"The singularly strange storytelling power of Jun Konagayas unit GRIM had been largely overlooked until haang niap records "Folk Songs For An Obscure Race" compilation of the groups early 80s material. Konagaya restarted the group in 2009 and these are their first new recordings - and a full album to boot. Split release between Art Into Life and Eskimo Records! A story in 8 volumes, ripe with deviant madness and gathered salvic capacity. Handmade clock artwork by Konagaya - each one is di…
Very special vinyl edition cut at Dubplates & Mastering in Berlin, includes a bonus track and a hidden locked groove, together with new artwork. limited copies!* The sister of office favourite Peter Broderick, Heather Woods Broderick steps into the limelight with this hugely impressive solo debut. On 'From The Ground', Heather is ably assisted by her multi-talented sibling, who records, produces and contributes various instrumental elements to the songs. These two are regular collaborato…
Multiverse - the constellation of forward-thinking Bristol labels that also includes Tectonic, Kapsize and Caravan - reactivates its seminal Subtext imprint for a daring new LP from Emptyset. A collaboration between Mutiverse boss James 'Ginz' Ginzburg and Paul Purgas, Demiurge is the second album by Emptyset, and finds them reducing their production process down to a singular signal chain channelled into a modulated analogue hardware line (or so we're told). The results are somewhere between dr…
november 2009 release ; pristine electro-acoustic work from cenotaph’s john w. fail (responsible for both a criminally under-appreciated quadruple tape-box on c. spencer yeh’s dronedisco &, partially, the “lied music vs. boy-band tax returns” lp on ultra eczema ... as well as full-length collaborations with spiral joy band & ben reynolds) ...inhabiting similar head-space as graham lambkin’s recent “softly softly copy copy,” the piece in question here takes it source material from live-played ins…
Personal Injury is pleased to present R. Stevie Moore’s classic 2nd album Delicate Tension, originally released by Stevie’s uncle on HP Music in 1978. Delicate Tension is regarded as an absolute highlight of RSM’s massive discography and was featured as one of his six most “essential” albums in The WIRE’s recent cover article. Reissued for the first time on vinyl in an exact-repro sleeve and mastered from a digital transfer off the original analog reels. - His first LP made in New York. Along wi…
"JAMES JACKSON TOTH, aka WOODEN WAND, is your fearless friend, the stumbling guy who gets himself into incredibly fucked up situations but comes out shining and lives to tell about it, entertaining you safely and immensely. You should be grateful. In my view, he's a great American songwriter in full bloom. Most likely you'll think that's a preposterous claim, and I won't blame you, but you'll be totally, completely, and unforgivably wrong not to agree. To me, it's obvious Toth is animated with t…
"The Venom P. Stinger retrospective is on. One of the roughest groups of the '80s is back in print on vinyl and for the first time ever on CD, and still nice and hard and rough and wild on either format. File under: punk rock/noise rock/free-of-constraints rock. If you think of Venom P. Stinger simply as the proving ground for 2/3rds of the Dirty Three first, then you're seriously missing it, and fuck you. It was the mid-'80s and everything was going fine. The music underground was its ow…
Super.Trigger is an absolute trove of percussive tensions and frequency-driven finesse and deals mainly with the basic principles of any modern music: rhythm. Frank Bretschneider takes his, never simple, but all the more heartfelt relationship to rhythm and its complexity to an intense inventory and, this time, works less out of suspenseful abstract sounds, than out of grooves. There is a real sense of perpetual evolution and coiled tightness to the pulsating rhythmic programming, while t…
Lau Nau, Islaja, and Kuupuu all together in one band - it's like the dreamiest aQ daydream come true! All three of these ladies have been responsible for some of the most mystical and beautiful recordings of the last few years, all of which have become permanent favorites with everyone here. Lau Nau, and Islaja's recent recordings have shown them moving toward a more direct approach in their songwriting, but this project really lets all of these ladies dig deep into their textured, exper…
Iancu Dumitrescu 'Plutonian frenzy' for ensemble and electronic. 'Galaxy III' for tape and electric guitar (soloist Stephen O'Malley). 'Hyperspectres I' (for three doublebasses, and percussions). Ana-Maria Avram 'Textures liminales II' for ensemble and live electronics. 'Textures liminales I' computer assisted music. Contemporary music ensemble under the direction of the composers with Stephen O'Malley, Maya Dunietz, Ilan Volkov, Ronald Boersen, Yoi Silver, Eran Bril, Eran Sachs, Assaf Ta…
"Good old free music and the best one: never too wild but always outta sight. I liked it from the very beginning 'cos it's DIFFERENT & UNIQUE." EP/Sagittarius A-Star. Sabir Mateen - Tenor saxophone, Sirone - Bass, Andrew Barker - Drums. Recorded June 30, 2008 by Andrew Barker in Brooklyn, NYC. Cover painting by Karl Francke.