New Arrivals

The collaboration between Victor Meertens & Werner Durand dates back to the mid 90s, when they started performing together in art circles in Germany. At the time their performances consisted of Victor's Actions, which included bread making processes with text recitals in combination with werner's musical performances on his invented wind instruments and his playing of Victor's home baked Bread Instruments with inserted pipes.In 2003/4 Werner was artist in residence in the Worpswede artists…

In 2006, Hisham Mayet returned to West Africa to continue his search for an unknown musician he had heard six months earlier on the radio in a Morocco hotel room. Knowing only that it was Sahrawi music -- music of the south -- he headed down through the vast and remote desert landscape of the Western Sahara and Mauritania in hopes of finding someone who could identify these revelatory recordings. The story of how he finally found this elusive artist is the stuff of ethnomusicological legend. But…

GOL (Jean-Marcel Busson, Frédéric Rebotier, Ravi Shardja, and Samon Takahashi). GOL was formed in 1988 in Paris by Jean-Marcel Busson, Frédéric Rebotier, Ravi Sharda and Samon Takahashi. The quartet embodies, within a post-dada spirit, a lost rural tradition. GOL plays flute, horns, guitar, violin, toys, selfmanufactured instruments, tapes, turntables, voices, various percussion instruments and electronics, an appropriateness of both traditional string instrument and handmade low fi equipment. G…

Here’s a very limited coloured vinyl thing by Cicciolina Holocaust. There’s one of those photocopied pictures on the front where I’m pretty sure I don’t want to look at it for long enough to figure out what’s going on, much like Urashima seem to specialise in - it looks like some people are doing something very bad to another person. The tracks here originally came out on cassette in 1984 and have been remastered for this release.It’s dark industrial droney harsh no…

probably the most anticipated record of the year for this household. the clip below has been on repeat for a couple months. Kye is proud to present 'French Antarctica', the debut LP by Good Area. Drawing from a palette of guitar, rhythm box, cornet, shortwave radio and room activity Good Area have crafted the ultimate stand-alone testament to instantaneous expression. Bypassing such obsolete concepts as dexterity and restraint 'French Antarctica' cuts loose with a raw unbridled rush of creative …

My Cat Is An Alien's most extreme work to date. The most advanced expression of their current creative method of composition  through  the brothers' brand new self-made strings and electronic  instrumentation. A black swamp full of analog processing and whirling drones with Maurizio Opalio playing self-made double-bodied string instrument, handmade pocket harp, antique zither, drums, percussion, sticks, cymbals, bells, gong, space modulator, real-time loops. While his brother Roberto Opalio …

Recorded by Bartek Kalinka, Jan-Sep 2012 using acoustic guitar, modular synthetizer, percussion (sampled and live)

Stefan Nemeth: synthesizers. Steven Hess: drums (on B-Side). Bernhard Breuer: drums (on 'Dedispersion I & II'). Innode enters the world with an audacious debut of rhythm and sound, space and silence and an astonishing blend of the acoustic and the electronic. Spearheaded by Stefan Németh (cofounder of Radian, Lokai) in close collaboration with Steven Hess (Locrian, Pan American, Cleared) and Bernhard Breuer (Elektro Guzzi, Tumido), Gridshifter is an intense, astonishing sonic experience which na…

Backwards proudly presents the reissue of a private Maurizio Bianchi vinyl LP, issued in a small edition of 300 copies in 1983 and titled "Das Testament". M.B. is an Italian pioneer of noise music, born near Milan. Bianchi began to produce music in 1979, and since 1980 has used electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". Now remastered, for this release MB plays electronics, rhythms, neutroni…

Mauricio Kagel’s 1970s film Ludwig Van, a rather critical piece of avant-garde cinema, asked pointed questions about the ways in which later audiences appropriate and interprete Beethoven’s music. Pianist F. Blondy and turntablist DJ LENAR reclaim and reinterpret the soundtrack in this post-modern mashup that includes source material such as Herzog soundtracks, a lecture by Alfred Cortot, samples of string playing and percussion from contemporary improvisation records, and numerous other …

Restocked, very last copies around: Doyle is another matter. This man is dangerous - he never plays anything you could recognize, just furious blasts of rage. His solo on "Domiabra" couldn't be written down, or even sorted out. It sounds more like raw energy than anything I've ever heard. He's nasty, man." These liner notes to the original issue of Noah Howard's 'The Black Ark' may define perfectly also this new, incredible album by Arthur Doyle, this time 'in solo' for sax, flutes and voi…

We're thrilled to announce the next release available from OTOroku! Recorded in October 2011 - 'Spontaneous Combustion' splits the second set of the first night of Decoy's two day residency with special guest Joe McPhee across two sides of heavyweight virgin vinyl with two colour artwork by Oliver Pitt.'a show that surpassed all expectations to become one of the very best things I've seen this year.'The Liminal Alexander Hawkins, hammond B3. John Edwards, double bass. Steve Noble, drums. Joe M…

Osaka Fortune is the meeting of two Norwegians and to Japanese artists Ð two drummers and two noise musicians. The album was recorded in Osaka, Japan February 2011. The quartet had previously performed live together, but this time they set up a studio recording on their tour of Japan.Jojo Hiroshige is the guitarist and leader of infamous Japanese noise band Hijokaidan, which has been going since 1979, known for their violent and energetic performances. Hiroshige has also run Alchemy Records sin…

'Guitars warped so hard they dissolve into pure consciousness ! Seriously, this record had to happen because these two are the NOW of transcendental guitar weirdness. In families like ours where deformed music of one kind or another pours out of the speakers all day long, Toronto's Aidan Baker is a household name. He is no doubt one of the most imaginative experimental musicians of the new generation, quickly creating a universe of limitless sound with his bursting discography. He offers …

Attila Faravelli and Nicola Martini are two of the most innovative italian artists working in the field between sound art, electro-acoustic music and raw resonanting materials. This recordings, edited by Giuseppe Ielasi, are the result of a couple of years of real experiments with a crazy amount of different materials, stones, chemical acids, vibrating obojects, modified electronic devices and acoustic spaces.  

New solo LP of strange sounds, vocal improvisations, tape manipulations mangled strings and hiss drones from Dylan Nyoukis (Decaer Pinga,Blood Stereo) Inside his Wino Lodge. Sounds like it was recorded in a 4 track in 1972 in an insane asylum, then puked over and thrown into the sea, then discovered recently and transfer directly to Vinyl via marine analog tape communication device (thats a compliment).Good one to buy if you are wondering what a naked Scotish man and his daughter look and sound …

Parallel/Grayscale is the first collaborative work between Italian guitarist and composer Giuseppe Ielasi and French-Swiss composer and electroacoustic musician Kassel Jaeger. It is comprised of two different improvisation sessions. The first one took place in Paris, in October of 2011. The second happened in Oreno, in June of 2012, after the first concert Ielasi and Jaeger performed together. The first session was a pure analog device improvisation, whereas the second one was more laptop-o…

The three piece group from Portugal explore in ten tracks the possibilities of the church organ. The members play in various combinations on different organs. The outcome is very varied. The opening piece is barely audible, but the second piece is a loud, repitive, all register open one. Of course it's hard to see this music without any religious overtones, but Osso Exotico don't give a clue in that direction: all their pieces are untitled. Meditative pieces in most cases, but less minimal then …

There were several ‘firsts’ involved in my initial encounter with Zygmunt Krauze’s music: my first visit to Poland (1970), my first ‘Warsaw Autumn’ festival and its first concert (19 September), and the Warsaw premiere of Krauze’s first Piece for Orchestra (1969).  The memory has stayed with me ever since, not least because here was a work that was distinctly different from the other new Polish music that had so far filtered westwards.  I was familiar with some Lutosławski, Penderecki …

Arghiledes' is a brilliant homage to Greek Rebetiko music of the early 20th century by No Neck Blues Band's David Shuford aka D. Charles Speer. It's his 2nd solo LP under this moniker and a deeply researched, beautifully executed effort replete with in depth sleeve notes and paste-on cover. Coming from a Blues playing American of Greek descent, the project reflects the syncretic nature of Rebetiko music, itself made up of the many disparate elements which formed Greek urban folk music (European …