New Arrivals
Deceiving Illusion
Great album by this Detroit group. The songs range from sticky amoeba-like free ooze to stuff of some international album Folkways suppressed because it was too fucked up for public consumption. Pretty fantastic sleeve. 500 made.
Brasilia in waitawhile
"It has always been one of my desires to do an album with Brazilian musicians/flavours... i remember years ago trying to do a free-funk-samba album with saxophonist Ivo Perelman which unfortunatly never happened ?! when Hartmut told me about a very special number that he did with Don Moye and musicians/artists from Brazil under the effect of Santo Daime's sacrament, i sensed that this might be what i was waiting for so long... warning: you'll NOT be able to hear this music seated... hip DJs took…
The Warrior
"Not since Albert Ayler stalked the hamnar of Stockholm and reverberated his fire music off the walls of LES tenements has there been an avant-garde jazz saxophonist who can all out wail like Virginia Genta can. Don’t let her calm presence fool you. Nor should David Vanzan’s taller stature lead to believe this is not an equal opportunity free jazz freak-out. From when their poles first were converged by the Cosmic Force in 1999, Italy’s (with Finnish godparents) Jooklo Duo has been winning he…
Ananke
Never mind the piano, the pianist is Fine! Milo Fine describes the particular piano as 'more remains than intact', yet he still manages to get the right music out of 'that wonderful beast'. The earlier date is unaccompanied piano improvised mainly at the keyboard. On the other longer concert, recorded towards the likely demise of the 'beast', Fine spends most of his time working on the innards resulting in a very wide range of sound. He also uses some electronics, and is joined by alto saxophoni…
The Lie & The Orphanage
'It could be a walrus. Some very large, ungainly, semi-aquatic creature expelling air through a hole layered with tissue and fat and hairs. But then multiple apertures open at once and the creature just spouts information, chaotic from one angle, streamlined from another. Effluvia momentarily expelled, the beast lies down and breathes in short, percolating gasps, quiet but insistent. The pressure builds, however, surging in near-regular waves, causing the organ-walls to quiver, liquid to shudde…
Wazifa
PAT THOMAS (piano and synthesizer), CLAYTON THOMAS (double bass), RAYMOND STRID (percussion) recorded in concert at the 2009 Perspectives Festival, Västerås, Sweden.
L’Effaçage
Lucio Capece, bass clarinet. Radu Malfatti, trombone. 'Do light waves disrupt sound waves ?' Francis Brown. Recorded live 25 September 2011.
Tout for tea
Guitar, Voice - Derek Bailey, Eugene Chadbourne. Recorded 2-1-1995. Released by Rectangle, a Jazz and improvisation music label from Paris.
Ep
This recording is my attempt to play Evan Parker. Seven tracks were recorded in STEIM's Studio 3, trying to reflect the liveness of Parker's solo recordings. All of these are single takes with minor edits at the beginnings or ends. Two interlude tracks are short experiments looking at timbral characteristics when the rotation of the turntable is extremely slowed down. The last three tracks are compositions made from both Parker's and other improvisors' records.
Cry, Want
Very loosely related in selected affinity to the late Austrian saxophonist and artist Hans Koller, this younger version has played football with clubs such as TSV Oberlauringen and Dynamo Kebab, has studied ethnomusicology at the School of Oriental and African Studies in London, and also jazz composition with Mike Gibbs and Bob Brookmeyer.Over the past decade Hans Koller has played and worked with Steve Lacy, Evan Parker, Phil Woods, Harry Becket, Kenny Wheeler, Bill Frisell, Steve Swallow, Jeff…
Musica Improvvisa
Musica Improvvisa is a cutting-edge project of multi-sensorial improvisation, an open dialogue among different musical experiences, narratives and aesthetics that charters the unexplored soundscape of the telluric territory of the new Italian improvised Music. Ten groups that spans from the South to the North of Italy, from the well-known to the totally obscure, whose music goes from an harsh assault to the ear to a visionary post-electronic/post everything free-form structure. The brilliant out…
Compound
The cooperative of composer/improvisers John Wiese (Sissy Spacek) and C. Spencer Yeh (Burning Star Core) presents in a terrific session recorded in August 26, 2007 at The Compound, San Francisco. The work reveals further unexpected developments and strategies of this ongoing partnership. Familiar machineries were primed, but an increasingly alien attitude was fed through and processed into churning and bewildering shapes.
Tibetan slide art (the Come Organisation Files)
Limited edition of 413 copies in dvd box including a numbered insert with a M.B. essay from 1982 titled After The Entrance, The Final Solution. The material conained here was previously issued under the moniker Leibstandarte SS MB. The moniker Leibstandarte SS MB and the nazi speeches that were added to the music were used without Maurizio Bianchi knowledge and without his consent. Cassette releases on the Come Organistaion Label, hence the Liebstandarte SS prefix, added by William Bennet…
Vague Maze
Pain Jerk and John Wiese are two titans of noise. Their collaborations are not a new. This is the stunning prologue, the first one, dated 2005. 7 minutes of synthesizers, electronics, noise. This is what a 7inch must be. Fast, violent, harsh. Play it at 45rpm as loud as possible you can. You know you need it. Artwork by John Wiese. Limited edition of 200 hand-numbered copies, one time presssing
Like A Frog In Winter
Features Prurient, Pedestrian Deposit, Sewer Election, Panicsville, Immaculate Grotesque, Ahlzgailzehguh, Barrikad, Omei, Climax Denial, Stegm, Mark Solotroff, FFH, A Fail Association, etc. etc." Includes poster. "i started putting this compilation together in 2004 while residing in providence. at that time the climate of noise was rather hi-fi, technological, and cold. This was the start of noise as entertainment rather than entertaining. personal communication became lost. noise becam…
Die Arbeiter von Wien
'The third part in Jupitter-Larsen's series of old trade union / battle songs follows Internationale (Banned Production 2010) and Solidarity CD (Banned Production 2010). Written by the Viennese lyricist and essayist Fritz Brügel, presumably in the late 1920s, this piece deals with the events during the so-called July Revolt in the capital of Austria on July 15, 1927, caused by a court verdict which acquitted three members of the right-wing Frontkmpfervereinigung Deutsch-Österreichs (the sa…
Condensed Death
RESTOCKED amazing 7": a wall of sound, predominantly on some 'obscure' and distorted machines, creating a terror noise music, originating from metal, a conceptual and extreme musical journey.
Valediction
The First all new Ramleh album since 1997, and the first new power electronics recordings from the project for 25 years. And yet Valediction is no ordinary “power electronics” record, nor is it anything as straightforward as simply a return to their roots. Valediction is very much an entity of its own – both consolidating and expanding upon everything Ramleh have touched on in the past, but also digging into entirely fresh ground for the band. Valediction is, perhaps, Ramleh’s most bleakly psych…
Limb
Subtitled Minimal Compositions, Instrumentals, and Experiments 1980-1983, J.G. Thirlwell's CD-DVD retrospective casts an entirely new and surprising light on his already diverse and infamous Foetus moniker. Some of these songs are close to being 30 years old, however they share more in common with Thirlwell's Manorexia and Steroid Maximus projects than with anything found on albums like Hole or Nail. Steeped in the theory and aesthetics of modern composition, Limb is a revelatory collection th…
qanngirpalippuq
Limited to 130 copies. Harsh Noise old school from Paris, 100% improv.