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Rune Grammofon presents the third album from Swedish trio Fire! -- something of a supergroup with members from already well-known projects. And again, it's a collaboration, this time with the extraordinary and prolific guitarist Oren Ambarchi. With their heavy, hypnotic, psychedelic rock'n'jazz explorations, they have carved out a different sound than any of the groups they are normally associated with. Sax player, improviser, composer and fervent record collector Mats Gustafsson is proba…
For a couple of years Ryoji Hojito, together with his wife Yoshiko, were coming to Lithuania for a one week autumn vacation. We've met in the course of their explorative journeys around the country and without thinking too much went to a studio for a spontaneous session and a year later played a concert at St. Catherin's Church in Vilnius. Both of us were happy about the music we've got on tape and today we want to share with you seven impro peaces!
'MERZBOW's 13 Japanese Birds is a 13 month series of releases inspired by Olivier Messaien's Catalogue D'Oiseaux. Beginning in January 2009 one volume of 13 Japanese Birds will be released each month. The 13th and final volume will be released January 2010. Cover art by Jenny Akita.'
Developing on the trance-induction and brainwave entrainment techniques explored on the first Ethernet album 144 Pulsations of Light, Opus 2 moves into deeper, more introspective and emotive territory. A stronger focus on melody and harmonic structure results in pieces that almost approach, but never quite arrive at, traditional song forms, while still leaving much to the imagination of the listener, evading mental categorization and revealing new sonic experiences with each listen. The bu…
he zeitkratzer project Neue Volksmusik (new folk music) is more of a reflex to, rather than a reflection on folk music. This is because the ensemble does not play specific music with any sense of distance. On the contrary, zeitkratzer is taking possession of folk music in its essence. This means that they continue a tradition which folk musics all have in common: constant transformation. No form of authentic folk music can ever be about conservation as a fixed medium, destined for a museu…
Amazing anthology focused on The Electronic Music Studio at Simon Fraser University (SFU) was founded by R Murray Schafer when the university opened in 1965, the third such studio in Canada, after the University of Toronto and McGill University (Montréal). It was located in the basement of the SFU Theatre as part of the Centre for Communication and the Arts. Composers such as Schafer, Anthony Gnazzo, Peter Huse, …
Seaworthy, a three piece collective based in Sydney, Australia that revolves around core member Cameron Webb as well as Sam Shinazzi and Greg Bird, was formed in early 2000 to explore melodic and experimental approaches to the construction of minimalist sound scapes from looped guitar, warm drones, piano, electronics and field recordings.Map In Hand often blurs the lines of conventional categorisation with elements traditionally considered part of “indie” or “post” rock blended with processed mu…
A "classic" minimal ambient album; just one long track, a bit obscure, of a static nature but unarrestable as a matter of fact and slowly developing, built with layers of soft and “round” sounds, heavily processed and effected, whose origin seems to be an organ... "Atypical" for sure, if confrontated with the huge and widely diversified productions of Maurizio Bianchi, this new album is probably one of the last and not to be missed releases signed by “M.B.”, since he has already announced his de…
Show Em The Door presents the first collaboration between Joseph Hammer and Jason Crumer. The pair come from very different backgrounds and are separated in age by a generation but have found in each other a surprisingly sympathetic and compatible musical partnership.Joseph Hammer has been a fixture of the west coast experimental music scene since the early 1980s. He remains one of the most active and visible members of the LAFMS collective, and has founded a long list of legendary bands incl…
The London based improvising string trio Barrel of Alison Blunt on violin, Ivor Kallin on violin & viola, and Hannah Marshall on cello, all members of London Improvisers Orchestra and performers at the 2007 Freedom of the City. "These three musicians have been performing in various combinations with others on the London improvising scene for several years. As well as the numerous small groups they have participated in, all three are members of the London Improvisers Orchestra. About six years a…
Debut disc from the new collaborative project between Nathan Bowles (Black Twig Pickers/Spiral Joy Band) and Lisa Cameron (Venison Whirled). A real odd one this, lots of rattling and scraping of percussive objects creating 3 tracks of abstract improvised surreal sonic explorations. The sound is matched by what I can only describe as the weirdest sleeves I have every had the joy of releasing (and we've had some weird ones), but this one is far out, the guy at my local print shop looked baffled wh…
Another due reissue of valuable New Wave materials “Made In Italy” that stretches around thirty-seven tracks contained on a double CD. Bi Nostalgia was the solo project of Luca Rigato, already part of the duo Endless Nostalgia. Composed and recorded between 1984 and 1987 (with the addition of one more recent unreleased track), all songs have been completely remastered from the original master tapes of "Anthems for Losers", "Dances of the Pessimism", "The Seeping Mouth”, “Cathedrals EP","Art Is N…
A brand new album from one of the most revered and acclaimed ambient composers of our time, Vivian & Ondine takes the form of a single, three-quarter hour piece, once again constructed from William Basinski's signature style of tape loop manipulation. While the narrative ebb and flow is largely pinned to a single tape fragment, Basinski merged a further "dozen or so" that sunk into the mix in just the right way, adding to the aura of fluctuation and continuous evolution that's so essential to th…
To start with, we've always commended Japan's Doubtmusic label for the handsome packaging job that each one of their digipack cd releases invariably receives. This one, though, we'd probably be inclined to buy just 'cause of the especially cool cover art alone! Done by one Tomoo Gokita, the cover suggests an arched window in a brightly patterned wall, looking out on (a photo of) some majestic snow-capped alpine mountain (the Matterhorn, is it?). But in front of the "window", the corpse-painted v…
Running the gamut of improv, concrète, industrial tape music, and cut-up sounds. Featuring appearances by MITCHELL BROWN (GASP), AARON HEMPHILL (LIARS), PETER KOLOVOS (OPEN CITY), RICK POTTS (LAFMS, SOLID EYE, AIRWAY), and source material by SMEGMA and the HATERS. Partially collects material from the Beat (777 Was 666), Grisp, and DDT (Chondritic Sound) cassettes. For those that say things like, "I don't really listen to CDs"—you're totally lame.
Bertrand Denzler tenor saxophone. Recorded by Christophe Hauser on february 21st, 2010. 'As well as being part of such improvisation ensembles as Hubbub, Trio Sowari and Propagations Sax Quartet, Bertrand Denzler, who plays the tenor saxophone, also records solo music. Each of the three lengthy pieces on Tenor use a single note which are subsequently layered. Not by repeating them on the computer, like say Phill Niblock would do this, but by adding small variations in how he plays them. In Filte…
After excellent reviews and endless touring all over the world, supporting bands like Deerhoof, Xiu Xiu and Sic Alps, the Italian weirdos Father Murphy are back with a brand new album titled “Anyway your children will deny it”. It is the latest, boldest installation of an ongoing series of albums investigating the band’s favorite themes: life, death, love, religion and even more death. For this album, the Italian trio comprised of Reverend Freddie (vocals, guitar), Chiara Lee (vocals, keyboards,…
Thomas Rehnert lives and works in Berlin. He was deeply influenced by the European free jazz of the 1970s, and in West Berlin in the 1980s he played percussion in various punk bands. In the world of punk and experimental music of these years, he began to occupy himself with electro-acoustic music, machine music and automata. He builds sound machines from analogue modular synthesizer systems that are voltage- controlled and steer themselves.His formative principle of organization is variation by …