New Arrivals

Chilean poet Cecilia Vicuña reads from Cloud Net over spontaneous music by pianist Ricardo Gallo and the Colombian trio Hombre de Barro, recorded in 2022 near Bogotá. A plea for water, life and ancestral knowledge.

The 2005 album of the Montreal ensemble, back for its 21st anniversary: six songs of protest and love for strings, guitars, piano and group voices, recorded at Hotel2Tango with Howard Bilerman.

Thirty-year reissue of Kreidler's 1996 album, the record on which the Düsseldorf group became a band, with Reflections, their minor MTV hit.

Flutist Nicole Mitchell and percussionist Joe Westerlund, a former mentee of Milford Graves, improvise in a rural studio near Chapel Hill: looped flutes, mbiras, metallophones and live electronics, with no overdubs.

First duo album by trombonist Kalia Vandever and DARKSIDE guitarist Dave Harrington, recorded in three rainy days in Los Angeles: brass and guitar between drum machines, samples and quieter, intimate pieces.

Nine new pieces with Latin titles by the Swiss accordionist and composer, his first album since the Invada diptych Introspectio and Repertio. Recorded and mixed by Nicola Jannuzzo at Veruston Studios.

The closing chapter of Fred Warmsley's Ded trilogy: ten tracks between ambient, drone and noise, with Ryuichi Sakamoto as guest producer. Hand-numbered edition of 500 on 180 gram vinyl, co-released with Ojas Music.

Two pieces with music by Ryoji Ikeda and voice and words by Michèle Lamy: Echoes of Rights, recorded in Los Angeles in 2022, and Echoes of Nights, recorded in London in 2026. Red vinyl, 500 copies.

Two side-long pieces for piano and trumpet, with Raimo Sinnemäki: the last part of Juho Toivonen’s trilogy for Discreet Music.

Elizabeth Vogler sings in Occitan and other South-West dialects to harmonium alone in the church of Lescun, in the Pyrénées: six songs between ancient folk and experimental music, first time on vinyl, 100 copies.

The definitive vinyl edition of Henning Christiansen's 1985 sound installation at the Rome Zoo, made with Lorenzo Mammi from recordings of the animals, remastered by Rashad Becker, with a 20-page booklet.

Works by Henning Christiansen for recorder, tenor flute, piano, tuba and bassoon, played by Michala Petri, Christoffer Møller and Jakob Munk at Klanghallen 44MØEN in 2023. Edition of 100 CDs.

Live quartet of Keiji Haino, Otomo Yoshihide, Chris Pitsiokos and Tatsuya Nakamura, recorded at Goodman in Tokyo on September 1, 2024.

The third SSC/GrimRoar book on Satanism and witchcraft in vintage under-the-counter sleaze culture, after Debauched and Satan's Library: rare adult paperbacks, occult 8 mm films, posters and records.

Deluxe 88 pages offset printed CMYK, sewn-glued binding, and folded flaps cover Following the first issue, Nothing Personal, which sold out in a matter of weeks, Lasse Marhaug returns with the second installment of 8090 VÅG, his annual, highly personal magazine devoted to sound and the people who make it. Subtitled No Idea of North, the new issue gathers long, in-depth interviews with Knurl, Matmos, Anja Lauvdal, Kjell Bjørgeengen and Runhild Gammelsæter, conducted in the informal, unhurried to…

Akira Ishikawa & Count Buffalos' 1976 direct-to-disc jazz-funk session for Toshiba, rebuilt from the best moments of the original takes.

Akira Ishikawa's 1972 Latin set with Count Buffalo Latin Beats, arranged by Naoya Matsuoka: Cuban, Mexican, Brazilian and Puerto Rican standards pushed through fuzz guitar, Hammond organ and heavy drums.

A collector's field guide to 300 LPs and 45s of folk, rock and psychedelia from South and Southeast Asia, chosen and annotated by Chris Menist and Maft Sai of Paradise Bangkok.

A collector's field guide to 400 gospel soul records from the mid-1960s to the late 1980s, from choirs and vocal harmony to funk and disco, chosen and annotated by Greg Belson of The Divine Chord Gospel Show.

A collector's field guide to 400 African funk, soul and disco records, from 1970s funk and Afrobeat to disco and the diaspora, chosen and annotated by Uchenna Ikonne and Manu Boubli, with a cover by Lemi Ghariokwu.

Mega Tip! * Gatefold cover. Limited Edition * Alga Marghen presents the last chapter from the Feedback Works documentation series, a brand-new LP including "In Memoriam-Ostinato" and "Danse des Dakinis", two previous unreleased tracks by Eliane Radigue. Among the works of fixed duration from the feedback period, "In Memoriam-Ostinato" is the link between "Jouet Electronique" and "Opus 17", and allows you to understand the evolution of her approach. "In Memoriam-Ostinato" is a game of mirroring s…

Trost Records is delighted to announce the second album from the otherworldly improvising quartet of Tony Buck, Franz Hautzinger, Ignaz Schick, and Philip Zoubek, an ensemble now known as Pulsar. The new recording was made at a live performance at the Loft in Cologne in December of 2024, and it captures a radically different sound than the group’s debut, Silt, recorded at the same venue four years earlier. Its members rank as some of the most celebrated and distinct free improvisers in Europe, e…

The first four volumes of Éliane Radigue's Occam Ocean on five CDs: solos, chamber pieces and orchestra, all shaped through oral transmission around images of water. Bundle of four Shiiin releases.

First instalment of Éliane Radigue's Occam Ocean on two CDs: five solo, duo and trio pieces for harp, viola, birbyné and bass clarinet with Rhodri Davies, Julia Eckhardt and Carol Robinson. With a 40-page booklet.

Second instalment of Éliane Radigue's Occam Ocean, a long suite for the 30-piece ONCEIM orchestra conducted by Frédéric Blondy: accordion, guitars, clarinets, saxophones, strings and brass merged into one slowly breathing tone.

Éliane Radigue's Occam Ocean 3: three pieces for viola, violin and cello with Julia Eckhardt, Silvia Tarozzi and Deborah Walker, recorded in 2019 in an abbey near Bologna. Music born of oral transmission and water images.

Fourth chapter of Éliane Radigue's Occam Ocean: three long pieces for alto saxophone, voice, treble viol, birbyné and bass clarinet, shaped with Bertrand Gauguet, Yannick Guédon and Carol Robinson through oral transmission.

Luigi Nono's Risonanze erranti, the 1986 song cycle for Massimo Cacciari on texts by Melville and Bachmann, for mezzo, flute, tuba, percussion and live electronics: Ensemble Prometeo and the SWR Experimentalstudio. SACD.

Wyschnegradsky's visionary poem for narrator and orchestra, conceived in 1916 and first heard only in 1978: the live premiere with Mario Haniotis and the Orchestre Philharmonique de Radio-France, plus interviews with the composer.

Dominique Ponty (piano) and Stefan Lakatos (trimba), who knew and worked with Moondog for years, play his miniatures, known pieces next to unpublished ones mostly dedicated to Ponty. A faithful, detailed portrait.

Eleven radio tales made by Brunhild and Luc Ferrari for Südwestfunk in 1990-1994: the couple talk in French and German around Luc's pieces, turning memories, anecdotes and music into new radiophonic works. 4CD box.

Charlemagne Palestine live at the Sorbonne chapel in 1979, playing two Bösendorfer Imperial pianos: forty minutes of slowly accumulating intervals and ringing overtones. Hand-made CD in a velvet box designed by Palestine.

Éliane Radigue's complete Naldjorlak trilogy (2004-2009): I for cello (Charles Curtis), II for two basset horns (Carol Robinson, Bruno Martinez), III for all three. Recorded in Paris in 2011 by Daniel Deshays. 3CD.

All seven Paragraphs of Cardew's The Great Learning by the Scratch Orchestra Strasbourg under Didier Aschour, an orchestra born from an open call and two years of shared practice: 4CD box with a 116-page booklet.

The complete works for ordinary piano by microtonal pioneer Ivan Wyschnegradsky, mostly unpublished, from the late Étude sur le carré magique sonore back to preludes written in Petrograd in 1916. Played by Martine Joste, who knew him well.

Anthology of the German-born dancer and choreographer's electronic music for dance, made in his three North London studios: tape loops, kettle-lid percussion, radio interference and generator pulses, in Sub Rosa's Early Electronic series.

First reissue of the Norwegian percussionist's debut, recorded in 1981 at Henie Onstad Kunstsenter: vibraphone, marimba, bells and synths over environmental recordings, between Midori Takada and Fourth World.

Cello feedback through a bass amplifier set against a grand piano, whose strings answer in dense overtones: three long pieces recorded in a former convent in Belgium, between drone and spectral music.

A mixtape of carimbos and vinhetas, the audio drops of Brazil's paredão sound systems, recorded between the 1980s and 2025, from Rio funk crews to São Paulo mandelão and the rigs of Belém. Compiled by GG Albuquerque.

Split Sous-Terrain: Mårble, Dolphin Hospital and Tourbière recorded live at the AAE cave on December 20, 2025, four parts of experimental live electronics. Limited edition tape on Nazlo Records.