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New Arrivals

1m²
*80 copies limited edition* "What wonders can be found within a single square meter? Inspired by George Haskell’s book The Forest Unseen, field recordist Tomáš Šenkyřík decided to limit himself to a meter of wetland near his house, only to discover that the area was so blessed in biodiversity that it might even be too big. A warbler comments from the weeds; a buzzard flies overhead. But beneath the surface of the water, the real wonders are found. The plants yield the subtle sounds of photosynth…
Ganz im Gegenteil
*2026 stock. 40 copies limited edition* "Ganz im Gegenteil – the title of Andy Klingensmith's new album – roughly translates to “quite the opposite”. This element of a slightly surprising shift in perspective is at the core of the record. Equally inspired by the pain and catastrophes caused by human ignorance and the vast natural beauty of the Death Valley (the lowest point in North America), Ganz im Gegenteil was composed and assembled using recordings which explore the tactile sounds of variou…
Vstal
*2026 stock. 60 copies limited edition* "Vstal is a collection of seven songs created in a dialogue between the experimentalist and composer Manja Ristić and the meticulous observer and field recorder Tomáš Šenkyřík. The album takes listeners on a journey across the European continent, from Ristić’s home on the Adriatic coast to the Czech-Austrian borderlands and the Moravian floodplain forests, which have long inspired Tomáš Šenkyřík’s sonic explorations. This broad scope, sensitively linking t…
Dreamachine
Wewantsounds is delighted to release for the 1st time on vinyl Brion Gysin's cult recordings, produced by Ramuntcho Matta in the 80s and early 90s. The release features the hypnotic 32-minute journey "Dreamachine," which transforms the effects of Gysin's legendary light art device into a mesmerizing audio experience, alongside the track "The Door," featuring the visionary saxophonist Steve Lacy. A towering figure in avant-garde art, literature, and sound, Gysin influenced generations of creators…
Frequencies In The Fog
100 copies limited release Sound trails, minimal structures built with pads, discreet electronic elements, slow, deep and enveloping bass lines, backgrounds of confused voices treated in reverse, circular movements alternating with liquid stasis and quiet... Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidden …
Grotto In The Sun
*100 copies limited release* Winding through cavernous and dark meanders, amid gurgling water, rustling sounds, low and deep pulsations, incisive and impactful sound masses, floating waves, crystalline drips, sudden rays of light, electronic spirals, and unexpected openings onto almost soothing soundscapes and quiet environmental stasis, Rod Modell paints musical textures that are apparently abstract and contemplative, but in reality charged with pathos and drama, taking advantage of a spectacul…
Grapes Of Nothingness
*200 copies limited edition* Waiting is the essence of travel. Patience is its own reward. Two people. A Telecaster guitar with a few effect pedals. A drum machine. An audio interface is connected to a laptop. The ingredients are simple yet effective. But any suggestion of four-track cassette machines and vintage bedsit productions is quickly dispelled by digital dubbiness and refined arrangements. A tail of reversed echos. The crystalline flourish of octave-pitched delays. Riddled hi-hats tickl…
Scattered Memories
*2026 repress* On his debut album “Scattered Memories”, the composer, musician and true master on the Iranian spike fiddle kamancheh Saba Alizadeh blends his instrumental virtuosity with spherical electronics, samples of Persian music instruments and field recordings from his hometown Tehran. Born in Tehran in 1983 as son of the world renowned Tar and Setar virtuoso Hossein Alizadeh, Saba Alizadeh studied the Iranian spike fiddle with Saeed Farajpoury and Keyhan Kalhor plus photography and later…
Graze the Bell
Graze the Bell is a collection of soul-stirring, mesmerizing solo piano pieces, and the most distilled offering of David Moore’s artistry to date. Known for his atmospheric compositions with Bing & Ruth, as well as his collaborations with guitarist Steve Gunn and Cowboy Sadness, this marks Moore’s first widely shared solo piano album. Using the piano to meditatively inquire into the human condition, Graze the Bell is a sanctuary of sound, and an invitation for listeners to meet him in the presen…
Ars Ludicra
Ars Ludicra is the third studio album from Peter Evans’ group Being & Becoming, recorded in 2024 at the legendary Van Gelder Studios in New Jersey. Featuring Evans on a range of trumpets, piano, and electronics, Joel Ross on vibraphone and synth, Nick Jozwiak on bass and synth, and Michael Shekwoaga Ode on drums, the album captures the band in peak form during a period of extensive touring and intense musical development. The sound of the group has changed radically from what was heard on their …
Ars Memoria
*2026 stock. Includes score samples, photos, and more Kandinsky artwork* The highly anticipated second album from Being & Becoming. The LP features a continuous journey through 4 distinct musical compositions, symphonic in scope and delivery. The download (included with the purchase of the CD & LP) also includes the title track, recorded live in concert at the Jazz Gallery in the Spring of 2023. The music on this record has been workshopped, performed, and refined over two years, and introduces …
Music In DNA
"When you notice the cheerful mystery playing with the synths, the edges of this small world start to look slightly distorted. In any era, someone is always creating mysterious music on their own." - 7FO
Fallen Angel
Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their …
Hylic
Hylic by J.Tripp distills post-millennial tensions, taking us to the edge of unfamiliarity and then pushing us back, inward, to find comfort in artificial intimacy.
Pendulum
**200 copies, sold out at the label** New single from the undisputed god of Japanese noise. Masami Akita - the man behind Merzbow - returns with two tracks recorded in February 2024 at Munemihouse, his legendary home studio in Tokyo. Two sides of pure sonic assault that swing just as the title suggests - "Pendulum, Part 1" and "Pendulum, Part 2" - masses of frequencies in constant motion, pendulums of noise crossing the sonic spectrum with the violence and precision that only Akita can orchestra…
Gman+
Gman+ gathers some of the most elusive material from Merzbow’s 2011–2012 period and welds it into a single, punishing disc, four tracks that function as both archival rescue and self‑contained statement. The collection pulls together work originally issued in limited form, recasting it as a crucial chapter in the same cycle that produced Kumo No Zettaichi, Sugamo Flower, Bit Bluesand Kotorhizome. Across “Gman”, “HJYUGTF2”, “Hakutouwashi” and “Lop 13”, Masami Akita works out a language of layered…
Kotorhizome
Kotorhizome catches Merzbow in a phase where noise stops behaving like a vertical wall and starts acting more like an underground network. Recorded between 2011 and 2012 and released later as part of the Slowdown archive cycle, the album is built from a deceptively modest setup: small koto, synth, and drone box woven into three extended pieces. The title fuses “koto” with “rhizome,” hinting at what the music does structurally - traditional string resonance is fed into electronics and allowed to …
Bit Blues
Bit Blues sits in the middle of Merzbow’s Horizon cycle like a scorched signpost, three tracks cut from performances recorded at Munemihouse in 2011 and 2012 and later remastered in 2021. All the music is by Masami Akita, working with a small, intensely exploited setup that favours dense, bit‑crushed textures and overdriven loops over the more sprawling configurations of earlier decades. The title points in two directions at once: “bit” as in digital grain and reduced resolution; “blues” as in a…
Sugamo Flower
Sugamo Flower compresses a particular 2011 moment in Merzbow’s practice into two long tracks that feel like one continuous, mutating organism. Both pieces are sourced from performances recorded that year, later repurposed as material for “Sugamo Flower Festival” on the split LP Freak Hallucinations with Actuary (2012), which gives the album a double life: document of an event and quarry for subsequent work. Central to the sound is the return of the Korg AX30 multi‑effect pedal, a unit Masami Aki…
雲の絶対値 Kumo No Zettaichi
On Kumo No Zettaichi, Merzbow trades drum violence for a hall of hovering machines, two 2011 pieces where small drone boxes, oscillators, and minikoto threads knot into a dense but strangely weightless sky of electric weather. It is harsh ambient as charged cloud bank rather than blunt impact.​