New Arrivals

Matthew Shipp on piano and William Parker on bass in only their fourth duo album, the fruit of a four-decade friendship that began in the David S. Ware Quartet. Recorded in Brooklyn in June 2025, limited LP on Tao Forms.

Marc Ribot's first all-instrumental album since Live at the Village Vanguard: a quartet with Chad Taylor and the saxophones of James Brandon Lewis, Brian Settles and Briggan Krauss, between free jazz and No Wave. On Pi Recordings.

French-Moroccan singer Basma Otmani sings in Darija over Temir Alcy's mix of ambient, leftfield and experimental folk: eleven songs on grief, a broken love and a slow return to light. Released by Stroom.

The Scholars did what they had to do. I knew too much, and it was too risky to keep me within the Walls. The Sacred Cycle cannot be touched, even by thought. But I had to know. I could not stop myself… They cast me out into the desert. After two days of walking, I found a small cave where I could rest for a while. I feel strange, as if my mind has been corrupted by the Sacred Cycle. The road through the desert seems to repeat itself in an endless loop. I was relieved to find this cave. Maybe it …

In the centuries long past, the people of the province of Culhaver used to celebrate their successful harvest of the crops by travelling across Yarrowdale moor to the mountains to give thanks to their god who had sent them rain when needed and sunshine to follow the rain. It was on this day of celebration in the mountains, one year long ago, that a fearful dragon appeared, swooping down from the sky and attacking the defenceless gathering villagers. He became known as “Dagmor the Terrible”. Spit…

Oh yes! The Japanese fantasy-chiptune maniac in Turbografx-16 and SuperNes style called Black Tiger is back with a new, psychedelic album that will unleash your imagination! One of HDK clandestine (and unpaid) collaborator, the fantasy blast-beat author called Gian Spazz (sic), after smoking a too big spliff, wrote a weird story, full of plot holes, incongruous events and grammatical errors called "Spawn of the Changing Raven". The guy called Black Tiger has obtained the difficult task of writin…

Near a remote village with a not-so-important name lies the entrance to a dungeon, sadly notorious among the local inhabitants. Legend has it that no one has ever come out of it alive. This is the only certain truth; all the rumors about what awaits you inside are wildly different and often contradictory. This peculiar dungeon is actually a magical dungeon, the foolish (or perhaps amusing?) experiment of a diabolical 36th-level wizard: the dungeon is constantly changing, or perhaps it does not e…

Arriving from the island of Cyprus to the HDK catalog is the Mediterranean dungeon-synth of "Idylls of the Last King." The prolific artist continues his tale of suspended narratives, ancient stones, and echoes of bygone splendor. "A Year at the End of Time" comprises ten tracks recounting the fall of empires through the metaphor of the changing seasons, from the frost of winter to the fading of autumn. Included with the cassette is a handy tool for creating the perfect decadent settings for your…

Somber, damp, and tactile, the sound emerges slowly—like water timidly seeping through rock, swelling drop by drop into a steady flow: stern drones, buried melodies, and musique concrète chase one another, transforming a sparse landscape into an increasingly dense, unstoppable mass. It is music that smells of rotting leaves, pine needles and wet earth after a storm — of something ancient breathing underground...We were captivated by the sound of this dungeon-synth foray by Blood Resignation; we …

Welcome to the second chapter of “Glimpse into Horror,” a journey into the most twisted and bizarre corners of pulp horror. We return to the United States of the early 1950s—the brief but glorious era of horror comics that predated the Comics Code—a frenetic time when newsstands were overrun by walking corpses, vampires, severed heads, mad scientists, and outlandish monsters.Between 1950 and 1954, before the advent of the Comics Code Authority, American horror comics enjoyed a period of extraord…

ℑ𝔫 𝔱𝔥𝔢 𝔯𝔢𝔪𝔬𝔱𝔢 𝔯𝔢𝔤𝔦𝔬𝔫 𝔬𝔣 𝔎𝔯𝔧𝔨, 𝔞𝔱 𝔱𝔥𝔢 𝔣𝔬𝔬𝔱 𝔬𝔣 𝔱𝔥𝔢 𝔙𝔢𝔦𝔩𝔢𝔡 ℌ𝔦𝔩𝔩𝔰, 𝔞 𝔪𝔶𝔰𝔱𝔢𝔯𝔦𝔬𝔲𝔰 𝔥𝔲𝔫𝔱 𝔟𝔢𝔱𝔴𝔢𝔢𝔫 𝔱𝔴𝔬 𝔰𝔭𝔦𝔯𝔦𝔱𝔰 𝔥𝔞𝔰 𝔟𝔢𝔢𝔫 𝔲𝔫𝔣𝔬𝔩𝔡𝔦𝔫𝔤 𝔣𝔬𝔯 𝔠𝔢𝔫𝔱𝔲𝔯𝔦𝔢𝔰: 𝔱𝔥𝔢 𝔏𝔲𝔫𝔞𝔯 𝔎𝔫𝔦𝔤𝔥𝔱, 𝔞 𝔭𝔞𝔩𝔢 𝔴𝔞𝔯𝔯𝔦𝔬𝔯 𝔠𝔩𝔞𝔡 𝔦𝔫 𝔰𝔦𝔩𝔳𝔢𝔯 𝔞𝔯𝔪𝔬𝔯, 𝔞𝔫𝔡 𝔇𝔷𝔲-𝔗𝔢𝔥, 𝔞 𝔠𝔯𝔢𝔞𝔱𝔲𝔯𝔢 𝔥𝔞𝔩𝔣 𝔪𝔞𝔫 𝔞𝔫𝔡 𝔥𝔞𝔩𝔣 𝔟𝔢𝔞𝔰𝔱. 𝔄 𝔠𝔲𝔯𝔰𝔢 𝔭𝔯𝔢𝔳𝔢𝔫𝔱𝔰 𝔱𝔥𝔢𝔪 𝔣𝔯𝔬𝔪 𝔢𝔳𝔢𝔯 𝔪𝔢𝔢𝔱𝔦𝔫𝔤: �…

The first album of new studio recordings of Philip Glass's film scores: Brussels Philharmonic and Dirk Brossé play 29 pieces, from Koyaanisqatsi to Kundun, with over half an hour of unreleased music from the composer's archive.

Goblin's score for George Romero's Dawn of the Dead, released for the first time under the film's original title: New York Comic Con 20th anniversary edition on black vinyl with new artwork, limited to 750 copies.

Museo Rosenbach's 1973 debut on Ricordi: a Nietzsche-inspired suite of Mellotron, Hammond and heavy guitars, sunk at the time by accusations of fascism and now one of the cult records of Italian progressive rock. Music On Vinyl reissue on 180g transparent vinyl, gatefold.

The producer of Sunn O))) and co-composer of the Mandy score makes his own 'science fiction music' from a Philip K. Dick lecture, with Jim Jarmusch, Cyro Baptista and Charmaine Lee.

A canon for three bassoons inspired by Hilma af Klint's 1915 Altarpieces: multiphonics, beating dissonances and whistle tones, between Scelsi, Radigue and Sunn O))). Produced by Randall Dunn.

Tokyo tap dancer and metal percussionist Reona on a wooden platform with bells, bowls, chains, signboards and a loudspeaker; produced by Randall Dunn, with Atsuo of Boris on one track.

Oren Ambarchi alone with the guitar: two sides, two single takes with almost no effects, recorded to tape at Studio Dede in Tokyo and produced by Randall Dunn.

William Basinski's first new album in six years: a single 40-minute piece for solo piano and subtle electronics, inspired by a past-life regression practice and by Morton Feldman.

First archival volume of the Swiss pianist and composer Lotti Tauber: minimalist, intuitive piano music from her privately pressed albums of 1981-1986, restored and mastered by Stephan Mathieu.