New Arrivals
Honnomajika~Naharu × Keiji Haino
*2026 stock* This is the first album by the trio "Honno Majikanaharu" consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums) in their activities over 10 years since their formation. This is a live album with Keiji Haino in their more than 10 years of activity since the formation of "No-Maji-Kanaharu".
Quantum Gate
*2026 stock* The first collaboration between Atsuhiro Ito (optron) and Masataka Fujikake (drums) is a quartet featuring Yasuhiro Usui (guitar) and Hideki Tachibana (alto saxophone). 55-minute sound scroll edited and reconstructed from a live recording at Shibuya Park Avenue Classics.
Understatements
*2026 stock* This is the first recording by the unique trio of Tetuzi Akiyama (guitar), Toshimaru Nakamura (no-input mixing board), and Masataka Fujikake (drums). This is a full album of six songs recorded at the now-defunct Asagaya Yellow Vision and is an isolated work in which the inner universe of the three members is clearly imprinted on the disc.
Honnomajika~Naharu × Otomo Yoshihide
This is the second album by the trio "Honnomajika Naharu", consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums). This is their first release in about a year since their last album (Honnomajika - Naharu X Keiji Haino: FDR-1052), and is a live album with Otomo Yoshihide (guitar & vocals) as a guest. It is another miraculous work, completely different in type from the previous album, as if the multiple layers of expression have been crystallized into on…
In∞fi∞ni∞to
The new transmission from Turin's My Cat Is An Alien, Maurizio and Roberto Opalio's long-running cosmic project, issued in a hand-numbered limited edition of 99 copies on their own Opax Records imprint. Two long-form pieces built around what the Opalios describe as a genuine creative breakthrough: applying their established practice of spontaneous composition in reverse, working by subtraction once the "apogee of real-time creation" had been reached, in service of an idea of infinity passing thr…
1001 Est Cremazie
On 1001 Est Crémazie, the self‑titled orchestra of middle‑schoolers and Cégep staff capture the exuberant birth of modern Quebec: raw jazz‑rock, DIY tape lore and Quiet Revolution aftershocks pressed into one unlikely, fiercely alive school‑band artefact.
Who's Gonna Buy?
Who’s Gonna Buy? by The Lemon Dips is a shadow‑streaked 1969 relic of UK library psych, where fuzz garage, freakbeat hooks and eerie cues for film and TV collide into a strangely compelling, collector‑beloved ghost of the De Wolfe catalog.
Guitar, Solo
On Guitar, Solo, Michael Scott Dawson distills his tender ambient language to its essence: frayed guitar melodies, soft tape ghosts and pastoral field recordings breathing in unison on a Japan‑toured sister album to Music For Listening.
Closed for the Festival
On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.
Flood Coil
On Flood Coil, Norwegian artist Kjell Bjorgeengen and noise architect Lasse Marhaug collide flickering electronics and dense signal storms, turning sound into a volatile field of interference where image, electricity and feedback are felt rather than merely perceived.
Displaces
On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.
Los Mandatos del Aire
On Los Mandatos del Aire, Peruvian flautist Camilo Ángeles deconstructs his instrument into a bridge between worlds, channeling Amazonian cosmology and ayahuasca visions through extended techniques, microtonalities, analog processing and reverb‑chamber acoustics in dialogue with Musuk Nolte's photography.
Nuó Xiǎng
On Nuó Xiǎng, Camilo Ángeles and Qiujiang Levi Lu forge an electroacoustic ritual: custom DSP, live processing, extended voice and augmented flute merge into abstract yet visceral soundscapes, echoing ancient Nuó ceremony while stepping beyond any fixed genre.
Driving Through Belgium
*300 copies limited edition* There is a particular kind of strangeness that arrives on long drives across Europe. Flat light, service stations and fields stretching endlessly past the window. It might look mundane at first glance, but becomes faintly surreal when the tiredness of touring blurs the edges of everything. That feeling became the quiet engine behind Driving Through Belgium, the debut solo album from Anton Pearson, best known as one of the guitarists in respected post-punk outfit Squi…
s/t
Strategic electronics & static crash test748 cables arranged pseudo-randomly for a spectacular effectPost-scientific research electroacoustic minimalism
Kaarst
Recessed bass, effective concatenationPolyrhythmic electricity, dub stasis, glitchy technologyFirst solo album & special guestsOn-body cassette printing & informational insert
Asteroid*
*70 copies limited edition* Flung is pleased to present Raphaël Languillat’s Asteroid*, which renders celestial debris and deep-space signals as volatile synthesiser improvisations, released on limited edition cassette, exclusively on Bandcamp. Asteroid* arrives as four transmissions extracted from a self-modulating Korg MS-20 — a closed-circuit system driven by feedback and fracture. What surfaces are compositions as pressure events: ruptured drones, scorched frequencies, and signal debris spil…
Devet
*100 copies limited edition* Flung is proud to present Devet by Manja Ristić: A sonic tracing of cosmologies, thresholds, and elemental memory, centred around the symbolism of the number nine as a marker of completion, passage, and spiritual architecture. Crafted from environmental sound, improvisational sequences, and site-specific interventions, the collection unfolds as a sonic storytelling of nature’s bold framing of our existence.
The integration of ancestral knowledge systems, ecological w…
Bardo Thödol
In their third collaboration, the shared project between Merzbow and Pedro Vian shifts towards less confrontational and more introspective terrain. Bardo Thödol, released as an LP, draws on The Tibetan Book of the Dead not so much as an explicit narrative framework but as a conceptual resonance: a passage, a suspension between states.
Where Inside Richard Serra Sculptures and The Wheel of Mani foregrounded a relatively defined dialectic between Vian’s environmental restraint and Masami Akita’s i…
Ancient Moment Part 2
With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch. In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tremors of traditional instruments resonate with the intricate tones of electronic sounds in an improvised dialogue, performers from distinct realms expand each other’s languages, creating a new sensory experience.
The project album Ancient Moment mar…