We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
In an age that demands hyper acceleration, kinetic flashes and byte voracity, Blak Saagan sticks out like a sore thumb with a sprawling body of work that requires attention and unlocks profound symbols and meaning with every passage. After a 5 year gap, the Venetian composer returns with his most personal and openly political statement yet, ‘Un Sequestro Lungo 10.000 Anni’, a staggering 108 minute triple album soundtracking a dystopian city through flashes of futuristic fourth world visions, war…
"Historically, ensembles combining taishōgoto and bagpipes (at least inside the milieu of “jazz”) have been on the tame side. The Winkler Twins, Dagnabbit, CUZ and other such units pandered to the bowtie set so exclusively that many people have all but dismissed the instruments as hopelessly moldy or even (in the words of critic Milo Fine) “tools of fascism and complacency.” That said, it is my pleasure to announce that the duo of William “Bill” Nace and Dave “David” Watson has made a mighty eff…
There are moments of silent depth in which the winter of the scalpel of meaning and the spring of the sound-born, unleashed body look upon the world fully present. When the notes at last are heard, the ordered world is their indistinguishable score. The ritual of process is that which carries. The process of ritual is that which brings moments both transitory and immortal, apprehended by musician, seer, clairvoyant, herald; the welling tones that emanate from the crystal salt of shattered primor…
*50 copies limited edition* For almost a decade, starting in 1980, I worked almost exclusively with walkman recorders and cheap cassette players. From the beginning, sound recordings were intuitively for me "worlds in themselves", always markedly different from the original "reality", always full of their own thrilling features. I developed my own, very simple -but very efficient- techniques for sound transformation using only cassettes. I couldn't afford the prototypical "experimental" tools of…
*30 copies limited edition* This piece is extremely subtle and contains extensive sections with silence and quasi-silence (obviously intentional and compositional). Virtually all its audio content is completely inaudible through laptop, smartphone or equivalent small speakers. Good quality speakers or headphones –as well as a very quiet surrounding environment– are highly recommended for ideal listening.
*30 copies limited edition* Our compostions for prepared violins and objects, Including glass, tile surfaces, metal, plastic, cork, knitting needles, springs, etc.1. Bell peppers , bedsprings and brontosaurus2. Angle poise porpoise protestations.3. Phosphorous , figs and airvents.4. Vicious viper vituperation suiteSide b recorded may, june 2025 by Adrian Northover.Produced and mastered at Oxo studios by Adrian NorthoverAll music and text by Adam Bohman
*30 copies limited edition* Objects, violin, optigan, loops, location recordings, electronics, fails videos, thrift store cassettes. recorded, edited, and mixed at No Spray 205, San Francisco. Thanks to Chris Cooper, Lala Lu, Jon Lee.
*30 copies limited edition* Ross: synths, tapes, field recordings, effectsYpsmael: field recordings, feedback, broken amp, effects.Cover image by Ross Scott-BuccleuchMastered by Grant Richardson
*2026 stock. 50 copies limited edition* Thailand based Field Recording & Experimental recording artist Tossapol contributes 2 beautifully assembled side long compositions for un poco fría editions. Beautifully rich with dialog - captivating in-situ field recordings situate the listener in a highly detailed urban dialog through an expansive yet condensed exploratory narrative.
Here - with a similarly parallel fashion, Tossapol thoroughly conducts the tone and timber of strings and wood; using sto…
*2026 stock. 50 copies limited edition* Drumless kick pedal & crank plug nc contact mic through pignose amp. tracked live & direct to tascam dr-03 linear pcm handheld recorder summer 2024. linear-edited & assembled to cassette 4-track in the early winter months of 2024 - yakima, wa usa. mastered by Grant Richardson @ Hex Audio labs
*2026 stock. 50 copies limited edition* RMSS is a Finnish noise project that draws inspiration from the heavier side of mental heath issues. The Relapsi compositions navigate a raw and visceral soundworld - through the dimly lit, bleak & icy corridors of the furthest depths and darkest recesses of the mind ...
- originally self-released in 2023 by Finland based noise composer - RMSS. Little known about this enigmatic Finnish artist - other than the fact that those highly sought after self releas…
*2026 stock. 50 copies limited edition* Nothing in the everyday dies because everything is dead already: the repetitive buried under its own repetition, hidden beneath the surface. Is carrying chaos within oneself sufficient to give birth to a star?
*2026 stock. 50 copies limited edition* Effectively over a decade long trajectory…originally released in 2013 as a digital-only edition… Now a newly reworked edition - Mastered by Grant Richardson at Hex Audio Labs
from Paul, circa 2019 “….Three noisey unreleased tracks from 2013. Digital Only fundraiser EP to help finance future releases. Feral Parts 1 & 2 were directly recorded to tape and transfered from tape to digital. These tracks were originally intended for a fanzine, but in the end I be…
On Panorama Vol. 2, Various Artists from the golden age of French cinema and library studios resurface in 11 lush, long‑buried cues, all moody strings, flanged funk drums and prowling basslines wrapped in a deluxe archival edition.
Exquisitely melancholy, pre-war Japanese Ryūkōka Recordings, 1929-1938, delving deeper into the style’s fusion of traditional and classical Japanese and western blues x jazz on Death Is Not The End.
Double Beat Sequencer Vol.2 continues Merzbow’s deep dive into a particularly vicious corner of his archive: mid‑2010s sessions built around a relentless “double beat” framework, then buried under signature torrents of noise. Where Vol.1 sketched the template - rigid sequencer patterns hammered into shape and then abused - this instalment feels even more single‑minded. A handful of cycling pulses become the spine for entire pieces, driven by a strict, mechanical insistence that Masami Akita trea…
Double Beat Sequencer Vol.1 finds Merzbow threading a hard, skeletal pulse through the heart of his noise, treating rhythm less as a scaffold for genre than as another engine of excess. Across these tracks, fixed and cycling beats - the “double” sequences of the title - form blunt, looping structures that Masami Akita subjects to his typical barrage of distortion, feedback, metallic scree and feral electronics. The result is not noise suddenly tamed, but rhythm subjected to the same merciless tr…
** 2-LP gatefold with 12 page full-color booklet insert ** This double LP of instrumental Hindustani, Carnatic and folk 78rpm shellac records from India comes with a full color 12-page insert of gramophone record ephemera, shops, labels, manufacturing details and graphics. The LPs feature over 25 artists recorded between 1904 and 1959 playing a panoply of instruments: jalatarang, dilruba, sarod, clarionet, pakhawaj, violin, been, kazoo, shehnai, tabla, sarangi, sitar, vina and more. Artists incl…