New Arrivals
Live At Cafe OTO 2024
*2026 stock* A precious documentary capturing Otomo Yoshihide Special Big Band’s (OSBB) first European tour. It’s their first live release in ten years.
Formed in 2013, OSBB has performed concerts and live shows, contributed scores for productions including Ama-chan and Idaten, and taken part in many unique and demanding projects—most notably the Bon Odori that began in Fukushima. For this tour they undertook 12 performances across seven European countries. Prior to the tour, the band changed th…
Ramune And The Power Plant
"Ramune and the Power Plant" is the first duo album by Otomo Yoshihide and Ruike Shinpei, who have performed together many times in groups such as ONJQ. This recording captures almost the entire completely improvised live set held in October 2024 at the café-music gallery Kakululu in Ikebukuro. In this project Otomo primarily uses turntables as his main instrument and, on some tracks, electric guitar; Ruike plays trumpet as his primary instrument and employs electronics on certain pieces.
Record…
Wormhole
*2013 release, 2026 stock* Dive into the experimental sounds of Wormhole, the 2013 electronic album by Oshima Teruyuki and Sakaguchi Mitsuhisa. Recorded at Fool On The Hill Studio, this CD release blends glitchy textures, ambient pulses, and deep sonic layers. You can download or listen online to tracks like "Quark 1" and "Quark 3," each offering a journey through digital landscapes. With a 5.0 rating, Wormhole is praised for its immersive and innovative approach to electronic music. Fans of uni…
Hokuriku
*2026 stock* The third album of the quartet "Akira Sakata x Triple Edge," in which Masayasu Tsuboguchi, Takeharu Hayakawa, and Masataka Fujikake gather to create a rare improvised world with dynamism as if diverse organisms were wriggling under Akira Sakata, a giant tree several thousand years old.
Honnomajika~Naharu × Keiji Haino
*2026 stock* This is the first album by the trio "Honno Majikanaharu" consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums) in their activities over 10 years since their formation. This is a live album with Keiji Haino in their more than 10 years of activity since the formation of "No-Maji-Kanaharu".
Quantum Gate
*2026 stock* The first collaboration between Atsuhiro Ito (optron) and Masataka Fujikake (drums) is a quartet featuring Yasuhiro Usui (guitar) and Hideki Tachibana (alto saxophone). 55-minute sound scroll edited and reconstructed from a live recording at Shibuya Park Avenue Classics.
Understatements
*2026 stock* This is the first recording by the unique trio of Tetuzi Akiyama (guitar), Toshimaru Nakamura (no-input mixing board), and Masataka Fujikake (drums). This is a full album of six songs recorded at the now-defunct Asagaya Yellow Vision and is an isolated work in which the inner universe of the three members is clearly imprinted on the disc.
Honnomajika~Naharu × Otomo Yoshihide
This is the second album by the trio "Honnomajika Naharu", consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums). This is their first release in about a year since their last album (Honnomajika - Naharu X Keiji Haino: FDR-1052), and is a live album with Otomo Yoshihide (guitar & vocals) as a guest. It is another miraculous work, completely different in type from the previous album, as if the multiple layers of expression have been crystallized into on…
In∞fi∞ni∞to
The new transmission from Turin's My Cat Is An Alien, Maurizio and Roberto Opalio's long-running cosmic project, issued in a hand-numbered limited edition of 99 copies on their own Opax Records imprint. Two long-form pieces built around what the Opalios describe as a genuine creative breakthrough: applying their established practice of spontaneous composition in reverse, working by subtraction once the "apogee of real-time creation" had been reached, in service of an idea of infinity passing thr…
1001 Est Cremazie
On 1001 Est Crémazie, the self‑titled orchestra of middle‑schoolers and Cégep staff capture the exuberant birth of modern Quebec: raw jazz‑rock, DIY tape lore and Quiet Revolution aftershocks pressed into one unlikely, fiercely alive school‑band artefact.
Who's Gonna Buy?
Who’s Gonna Buy? by The Lemon Dips is a shadow‑streaked 1969 relic of UK library psych, where fuzz garage, freakbeat hooks and eerie cues for film and TV collide into a strangely compelling, collector‑beloved ghost of the De Wolfe catalog.
Guitar, Solo
On Guitar, Solo, Michael Scott Dawson distills his tender ambient language to its essence: frayed guitar melodies, soft tape ghosts and pastoral field recordings breathing in unison on a Japan‑toured sister album to Music For Listening.
Closed for the Festival
On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.
Flood Coil
On Flood Coil, Norwegian artist Kjell Bjorgeengen and noise architect Lasse Marhaug collide flickering electronics and dense signal storms, turning sound into a volatile field of interference where image, electricity and feedback are felt rather than merely perceived.
Displaces
On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.
Los Mandatos del Aire
On Los Mandatos del Aire, Peruvian flautist Camilo Ángeles deconstructs his instrument into a bridge between worlds, channeling Amazonian cosmology and ayahuasca visions through extended techniques, microtonalities, analog processing and reverb‑chamber acoustics in dialogue with Musuk Nolte's photography.
Nuó Xiǎng
On Nuó Xiǎng, Camilo Ángeles and Qiujiang Levi Lu forge an electroacoustic ritual: custom DSP, live processing, extended voice and augmented flute merge into abstract yet visceral soundscapes, echoing ancient Nuó ceremony while stepping beyond any fixed genre.
Driving Through Belgium
*300 copies limited edition* There is a particular kind of strangeness that arrives on long drives across Europe. Flat light, service stations and fields stretching endlessly past the window. It might look mundane at first glance, but becomes faintly surreal when the tiredness of touring blurs the edges of everything. That feeling became the quiet engine behind Driving Through Belgium, the debut solo album from Anton Pearson, best known as one of the guitarists in respected post-punk outfit Squi…
s/t
Strategic electronics & static crash test748 cables arranged pseudo-randomly for a spectacular effectPost-scientific research electroacoustic minimalism
Kaarst
Recessed bass, effective concatenationPolyrhythmic electricity, dub stasis, glitchy technologyFirst solo album & special guestsOn-body cassette printing & informational insert