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After a brief period during which they recorded only a couple of 7-inch singles for the Orfeón label that had a very limited distribution, Mexican rockers Antorcha fully embraced a DIY approach to managing their own career. They had evolved into a heavy psychedelic rock group, with no metaphors and no compromises. Anarchists in a country that could barely utter the word without trembling. It was the final years of the 1960s. Their influences came from Iron Butterfly, Black Sabbath, Blue Cheer, V…
I’ve not thought about Psychick Youth for a long time, the anti cult cult, but the reality is I had a great time and met a lot of good people, many of whom I’m still in touch with today. Left in the hands of others who just weren’t there, people jumped on the gravy train and ultimately failed to answer any questions. Failed books and failed documentaries followed, where the main priority seemed to be taking the money and hoping for the best, kinda sad really.
The press described it as: “Thee Tem…
"In the fall of 2016, after many years away from making music, I started Tyresta as a creative outlet to help process everything I was going through at the time. It took me a few years to find my voice as an artist, but I feel like the project truly came into its own around 2019–2020 with the recording and release of All We Have on PITP. After releasing All We Have and its follow-up, Small Hours (2023)—albums centered on grief, loss, and healing—I found myself wanting to write music that reflect…
*30 copies limited edition. Signed, hand-assembled CD + unique Polaroid photo by zakè, housed in a hand-stamped and numbered 2-panel kraft cardstock sleeve* Toward the end of 2024, I sent Brian Grainger (Coppice Halifax) a collection of sounds, loops, and textures, giving him complete creative freedom to reshape them into something entirely new. Much like his remarkable reinterpretation of LL ('LL1 (Beige Mix)' ZD-026, 2023), every piece on this album was constructed exclusively from the source …
*50 copies limited edition* Following last year's debut LP, Almost An Island, released on Past Inside the Present, the trio of James Bernard, Cynthia Bernard, and Kenneth James Gibson return with the three-song EP Few Words Are Enough. The collection includes the title track, previously available only on Bandcamp as part of PITP's year-end compilation, along with an extended ambient version and a brand-new piece, Gift of Place, featuring the enveloping textures of taishogoto harp and lap steel. …
Powerful trio music by pianist Takehiro Honda, known for his strong touch and bluesy feeling, together with an American rhythm section. The album features a line up of compelling originals, including the overwhelmingly powerful "Minors Only" and the title track "Salaam Salaam," whose title means “peace” in Swahili.
East Wind was a ground-breaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then known. Over a per…
The saxophone, thunderous as a peal of lightning, burns the listener’s body and shakes the soul. Out Of Chaos captures a new frontier reached by Kosuke Mine beyond the depths of chaos. Having attracted widespread attention through his work with the Masafumi Kikuchi Group and the consecutive release of three albums under his own name in 1970, Kosuke Mine was one of the most talked-about figures in Japanese jazz. Following the breakup of the Kikuchi Group, he released the masterpiece Daguri in 197…
Windy and Carl Meet Optigan Conservatory is a purposefully misleading title for the first collaborative work from four friends who met close to 30 years prior. All active participants in Michigan independent music circles since the early '90s, Windy and Carl are well-known for their foundational contributions to drift and guitar-born ambient sounds, with songs characterized by deep connections to the natural world and a hard to pin down yet impossible to miss emotional vulnerability. Optigan Con…
*50 copies limited edition* itself between, of saying farewell is an opera in two parts by Bridget Ferrill, Áslaug Magnúsdóttir and Olivia Rivière. Written through harp, electric harp, clarinet, voice, microphone, clavichord and electronics, the work moves through a strange and intimate parable of attachment, pain and release. At the centre of the libretto are three figures: Shoe, Foot and Nail. Shoe is in love with Foot. Foot is leaving to find the House of Bliss. Shoe convinces Nail to impale …
CD boxset reissuing the four Série Torso cassettes released on Deadline Recordings. Includes a fifth bonus disc on unreleased material, and featuring photos of Black Leather Jesus fans given for use.
Brand new album from the seminal Black Leather Jesus. Four studio and two live recordings, featuring Richard Ramirez, Sean E. Ramirez, Kevin Novak, Scott Kindberg, Domokos, Anjilla Ulfhednar and Thomas Puopolo.
A meditation on exposure, control and misfired perception where eroticism, violence and historical memory converge into sounds, installation and performance. The title refers to extreme hypothermia, when the brain misleads the body into feeling overheated and undressing become spontaneous. A moment where undressing is not only a Playboy-like erotic spectacle but also a symptom of emergency and the body's last mistake before disappearance.
*70 copies limited edition* Bruno Silva returns under his Ondness moniker for his most personal album yet. Recorded as an homage, a reference map, and a temporal slippage back to a transformative period of Bruno Silva's life, I Can Only Put So Much Into a Song conjures the threshold between his shoegaze-leaning teen years and a young adulthood defined by profound sonic landmarks: Iran’s The Moon Boys (whose cover serves as a key influence), The Microphones’ It Was Hot, We Stayed In The Water, Fe…
*200 copies limited edition* After the highly acclaimed albums 'Elegant, Golden' (2022) and ‘For the Summer, or Forever’ (2018), both released by Dronarivm, British producer Ryan Bissett, aka Halftribe, returns with his new work 'Disappear in Silent Ways'. Immersive, swirling so-longs and dreamy, murmured goodbyes…
304 pages, paperback. Serpent's Tail Classics edition, with a foreword by Hanif Kureishi. Originally published in 2006. The sixties began in the summer of 1956, ended in October 1973, and peaked just before dawn on 1 July 1967, during a set by Tomorrow at the UFO Club in London. That is Joe Boyd's thesis, delivered in the opening pages with a precision that is obviously a joke and obviously not. He was in the room. He built the room.
This is the sixties memoir that survives re-reading, and the r…
234 pages, paperback, 14 x 17cm. Over 200 flyers, compiled by Masala Noir, Paris. Nobody was supposed to keep these. A flyer is made to be handed out on a Tuesday, read once, and dropped in the street on the way to the show. It has a job, the job lasts about four days, and then it is rubbish. That is the whole reason this book exists and the whole reason it is worth having: what you are looking at is the accidental survival of a form designed to be thrown away.
And what a form. No budget, no cli…
490 pages, hardback, with 60 black and white photographs. Foreword by Francis Ford Coppola. Published by Oxford University Press. Voltage control. Two words, and everything downstream of them: the oscillator that tracks a keyboard, the envelope that shapes a note's attack and decay, the ladder filter that gives a sawtooth its wet, vocal edge. These are the grammar of the instrument, and they are almost all his. Anyone who has turned a cutoff knob has touched Bob Moog's thinking. He died in 2005 …
292 pages, 244 x 170mm, with figures and music examples. Published by Cambridge University Press in the Music since 1900 series, paperback. Zagreb, June 1961. On the programme: Karlheinz Stockhausen, Pierre Schaeffer, Mauricio Kagel, Witold Lutosławski, the Darmstadt serialists, the tape pieces coming out of Paris, Milan and Cologne, and the experiments of John Cage. In a communist country that had spent the previous fifteen years under socialist realism, with closed borders and almost no contac…