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Cellist and composer Janel Leppin's second album with her Washington D.C. sextet Ensemble Volcanic Ash: progressive chamber jazz recorded live in the studio in one day, dedicated to Abdul Wadud and Pablo Casals. On Cuneiform, CD edition.
Guitar solos by Shin'ichi Isohata and six duets with Otomo Yoshihide, electric and acoustic, 24 tracks recorded in Osaka in early 2013. Jigen Production.
Guatemalan cellist and singer Mabe Fratti meets guitarist Bill Orcutt: songs built from Orcutt's solo guitar sketches, cello and voice, recorded between Mexico City and San Francisco. CD edition on Unheard of Hope.
Soundpath, the big band work Muhal Richard Abrams wrote for Bobby Zankel's Warriors Of The Wonderful Sound, recorded in 2018 after his death with Marty Ehrlich conducting seventeen musicians. Clean Feed CD.
MNE is Toshi Mikawa of Incapacitants and Hijokaidan on electronics, Jun Numata on guitar and electronics and Martín Escalante on saxophone: dark, extreme noise improvisation recorded in Tokyo in December 2023. Digipak CD.
Split release on Minotauro: Thomas Hand Chaste's Insetti, where progressive rock atmospheres meet dark minimal ambient and dirty industrial sounds, paired with Felis Catus's Cartesius. Seventeen tracks in all.
Second album by Giuseppe Fantini as Zerogroove: eight short songs on obsessive drum-machine beats, dirty and minimal guitars, keyboards and synths, and a voice soaked in reverb. Retro-futurist pop from Italy, in a glass-mastered CD of 150 copies.
The complete Floating Frequencies / Intuitive Synthesis cycle on four cassettes: Eleh's three foundational volumes of pure analog tone (2006-2008), dedicated to La Monte Young, Charlemagne Palestine and Pauline Oliveros, plus Volume IV. Remastered by Tom Eaton in 2025, Cassauna.
The first band to make music with networked microcomputers: Jim Horton, John Bischoff, Rich Gold and Tim Perkis's KIM-1 recordings from the San Francisco Bay Area, 1978-1983. Limited double LP on Death Is Not The End.
Liz Harris, aka Grouper, collects two scores for short films about water by Tanja Engelberts and Takashi Makino: two long pieces of Mellotron, tape loops, Wurlitzer and field recordings. On Kranky.
Lorenzo Senni's first album in six years and his sixth overall: experimental trance and rave seen through hardcore punk, skateboarding and straightedge culture, with his own voice for the first time and guests Chad Muska, Jamie Thomas and Jamie Stewart of Xiu Xiu.
Brian Pyle and Merrick McKinlay's Humboldt County duo returns to Discrepant with seven ritual pieces of voices, violins, flutes, synths, drums, bells and field recordings: end-time visions for the unquiet spirit.
The Swiss trio's new double LP turns from brutal, linear minimalism to slowness and immersion: four long pieces of guitar, bass and drums recorded almost entirely live, with a drum machine for the first time. On Cuneiform.
Matthew Shipp on piano and William Parker on bass in only their fourth duo album, the fruit of a four-decade friendship that began in the David S. Ware Quartet. Recorded in Brooklyn in June 2025, limited LP on Tao Forms.
Marc Ribot's first all-instrumental album since Live at the Village Vanguard: a quartet with Chad Taylor and the saxophones of James Brandon Lewis, Brian Settles and Briggan Krauss, between free jazz and No Wave. On Pi Recordings.
French-Moroccan singer Basma Otmani sings in Darija over Temir Alcy's mix of ambient, leftfield and experimental folk: eleven songs on grief, a broken love and a slow return to light. Released by Stroom.
The Scholars did what they had to do. I knew too much, and it was too risky to keep me within the Walls. The Sacred Cycle cannot be touched, even by thought. But I had to know. I could not stop myself…
They cast me out into the desert. After two days of walking, I found a small cave where I could rest for a while. I feel strange, as if my mind has been corrupted by the Sacred Cycle. The road through the desert seems to repeat itself in an endless loop. I was relieved to find this cave. Maybe it …
In the centuries long past, the people of the province of Culhaver used to celebrate their successful harvest of the crops by travelling across Yarrowdale moor to the mountains to give thanks to their god who had sent them rain when needed and sunshine to follow the rain. It was on this day of celebration in the mountains, one year long ago, that a fearful dragon appeared, swooping down from the sky and attacking the defenceless gathering villagers. He became known as “Dagmor the Terrible”. Spit…
Oh yes! The Japanese fantasy-chiptune maniac in Turbografx-16 and SuperNes style called Black Tiger is back with a new, psychedelic album that will unleash your imagination! One of HDK clandestine (and unpaid) collaborator, the fantasy blast-beat author called Gian Spazz (sic), after smoking a too big spliff, wrote a weird story, full of plot holes, incongruous events and grammatical errors called "Spawn of the Changing Raven". The guy called Black Tiger has obtained the difficult task of writin…
Near a remote village with a not-so-important name lies the entrance to a dungeon, sadly notorious among the local inhabitants. Legend has it that no one has ever come out of it alive. This is the only certain truth; all the rumors about what awaits you inside are wildly different and often contradictory. This peculiar dungeon is actually a magical dungeon, the foolish (or perhaps amusing?) experiment of a diabolical 36th-level wizard: the dungeon is constantly changing, or perhaps it does not e…