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*2026 stock* Another date from Toshiyuki Miyama's New Herd for Three Blind Mice, and a strong candidate for the band's most accessible single record. Sunday Thing leans into the warmer, more groove-conscious end of the New Herd's repertoire: there are still the harmonic ambitions and ensemble dynamics that made the band more than a swing-era throwback, but the rhythmic feel runs closer to the soul-jazz and groove-oriented big-band writing that was current at the time.
Long-form arrangements give…
*2026 stock* The third album from singer Mari Nakamoto for Three Blind Mice, and the one that pushes hardest at the conventions of mainstream vocal jazz. The line-up is the giveaway: alongside Nakamoto's voice, the record places bassist Isao Suzuki at the centre of the rhythm section and brings in Kazumi Watanabe on guitar, the same Watanabe who would shortly become one of the major figures in Japanese fusion and progressive jazz. The result is a vocal record where the accompaniment is unmistaka…
*2026 stock* A live document from the legendary “5 Days In Jazz” festival in Tokyo in March 1974, and one of the most ambitious multi-band albums in the Three Blind Mice catalogue. The record gathers some of the most important working units of the moment: bassist Isao Suzuki and guitarist Sunao Wada sharing the front of the stage, the Tsuyoshi Yamamoto Trio holding things together from the rhythm section, and the George Otsuka Quintet stepping in with the alto-led horn front-line that defined th…
*2026 stock* Nobuo Hara led Sharps & Flats for an astonishing run, well over half a century, and the band became one of the institutions of Japanese jazz, in roughly the same way the Clarke-Boland Big Band held its place in Europe. Active Volcano catches the ensemble in particularly muscular form: arrangements that draw on the funkier, groove-conscious end of seventies big-band writing, brass passages that hit hard without losing definition, and a sense of swing that belongs less to the swing er…
The group originally began as a duo formed by Paweł Doskocz and Vasco Trilla, who gave their first concert together in 2017. Since then their collaboration has continued to evolve. In 2018 they toured together and recorded tracks for an album released in 2019 on the Antena No Grata label. In 2023, Zofia Ilnicka joined the group, bringing her own musical language, which perfectly complemented the project's concept.
The group relies on an in-depth knowledge of their instruments, which allows them …
*2026 stock* The Tsuyoshi Yamamoto Trio in concert at Montreux, and one of the relatively few records that documents the working group on an international stage. By the time of this recording the trio had already been together for years, and the band's mutual understanding shows in the way pieces unfold: long heads, patient solos, and a rhythm section that responds to the leader's harmonic choices before he has finished making them.
Yamamoto plays with the bluesy, slightly behind-the-beat phrasi…
*2026 stock* A mid-seventies entry from the Tsuyoshi Yamamoto Trio, and one of the records where the leader's bluesy, groove-conscious side comes most clearly to the front. The title track is the Ramsey Lewis standard, and the choice tells you most of what you need to know about the date: Yamamoto's trio was a working unit happy to engage with the soul-jazz and groove-jazz vocabularies that had been moving the music since the late sixties.
The rest of the programme balances that with the lyrical…
*300 copies limited edition* Combining the lyricism of chamber music, the raw tones of punk and metal, the clarity of post-rock, and the abstraction of electroacoustic music, Dionée offers a unique, cinematic musical journey. The trio, with its colorful instrumentation, delivers with Mille-feuilles an astonishing, orchestral‑sounding work in which oboe, accordion, and electric bass converse with a range of electronic instruments and effects.
*100 copies limited edition* Virginie Reid announces the release of Mille Soleils à l'oeil nu, a luminous new album that explores the delicate intersection of acoustic intimacy and boundless sonic imagination. Recorded with a keen ear for texture and a fearless commitment to improvisation, Mille Soleils à l'oeil nu invites listeners into a world where small gestures expand into vast, cinematic landscapes.
Mille Soleils à l'oeil nu traces a journey through light and shadow. Reid's compositions ba…
Jeux de mains, a striking new album from acclaimed double bassist Joëlle Léandre and inventive composer-performer Rémy Bélanger de Beauport, arrives as a vivid exploration of spontaneous musical conversation. Recorded with immediacy and an acute sense of shared risk, the record captures two master improvisers at the peak of their creative powers.
Across the album’s immersive tracks, Léandre’s visceral arco, percussive pizzicato, and fearless extended techniques meet Rémy Bélanger de Beauport’s t…
*2026 stock* Diffraction is the amplified reflection, across a wider sonic territory, of what takes place within the making of DDK’s music. A composition written for the GGRIL, in which the three musician-composers weave their texture by juxtaposition, by overlay, in parallel, always within the musical material itself. But Diffraction truly comes to life only through close collaboration with the GGRIL performers, where each person’s character becomes raw material. A compositional process intimat…
On Poco zucchero, Faust'O sharpens Italian songwriting with new‑wave edge, threading synth‑driven melancholy through eight compact tales of absence and longing, anchored by "Oh! Oh! Oh!", the 1979 Festivalbar hit that made his name stick.
Huge Tip! A long-overdue return to one of the most singular moments in Nurse With Wound's sprawling discography. Originally issued in 1994, Rock 'n' Roll Station marked a turning point - the album where Steven Stapleton's decades-long engagement with collage, musique concrète, and the outer limits of post-industrial sound first met the hypnotic, rhythm-driven studio sensibility of Colin Potter. What began as a request to rework some of the more percussive sections of 1992's Thunder Perfect Mind …
2026 Record Store Day Reprise of the 1968 album 'live' by the 13th Floor Elevators. Panned at the time for being billed as "live" when in fact it was a compilation of previosuly recorded studio masters, outtakes and alternate mixes. The "very loud" crowd noise was overdubbed and was actually taken from a boxing match and wholly inappropriate for the purpose. Now, almost 60 years on, the album masters are available, in their original sequence, without the crowd noise, to be enjoyed in their full …
Electronic Sound #137 bundled with an exclusive purple vinyl 7" by Doublespeak, the new synth supergroup of Vince Clarke, Neil Arthur and Benge. A widescreen cover of Fad Gadget's 'Back To Nature' on the A-side, the previously unreleased 'Sunset (Instrumental)' on the flip.
Canadian-born Alexander 'Skip' Spence was the co-founder of Moby Grape, and played guitar with them until 1969. In the same year he released his only solo album: Oar. The album was recorded after Spence had spent six months in a mental institution following a delusion-driven attempt to attack his Moby Grape band mates with a fire axe, after having ingested LSD. As the urban myth goes, on the day of his release he drove a motorcycle - dressed in only his pyjamas - directly to Nashville to record …
Duo Concert Frankfurt 1986 was recorded live in Germany on February 15th. The album captures tenor icon Pharoah Sanders and celebrated pianist John Hicks in a moment of profound musical harmony. Sanders, known for his evolution from fierce free-jazz to deeply lyrical spiritualist, plays here with warmth, focus and emotional clarity. Hicks meets him with luminous touch, rich voicings and an intuitive sense of space that elevates every phrase. Together they deliver a beautifully balanced set of Co…
Originally released by Time Capsule in 2021 and long out of print, Stories From Another Time 1982-1988 returns in an upgraded edition following years of demand and rising collector prices on the secondhand market. Widely regarded as a modern cult classic, Mário Rui Silva's visionary recordings blend acoustic folk, cinematic soul, spiritual jazz and saudade-filled Lusophone rhythm into a deeply timeless and universal work that transcends genre and geography.
This new edition features half-speed m…
2026 Re-issue. A cornerstone of postwar Japanese free improvisation, captured before three thousand listeners at the ninth Moers New Jazz Festival on 26 May 1980 and issued later that year as TBM-5023. By this point Masayuki "Jojo" Takayanagi had spent more than a decade refining his theory of mass projection - a model of collective improvisation in which the ensemble operates not as a sequence of soloists but as a single density field, modulating texture rather than line - and the New Direction…