New Arrivals
Demand to Be Taken to Heaven Alive!
The music on Horse Lords’ Demand to Be Taken to Heaven Alive! feels both impossibly detailed and eminently human. The album’s twelve pieces are layered and interwoven, tonally and rhythmically complex––moiré-like patterns of interaction and tessellation that play out for both mind and body, full of sonic warrens with an inescapable groove. An electrifying leap forward for the band’s shared language, Demand to Be Taken to Heaven Alive! aims to liberate the listener into a spiritual, ecstatic, and…
Hillbilly Erotica
Sir Richard Bishop returns for a new spontaneous six-string meshing of people’s music, recollections and psychic intentions. Are y’all ready for some Hillbilly Erotica?
Rhabdolith
*2026 stock* Music primarily for saxophone and electronic sounds with an intermission for electronic sounds and AI text to speech synthesis. High quality audio, in stereo, divided into two sections, as this music was initially intended to be released on a cassette tape
The equipment used on this record are the following: Selmer Series III Soprano, Make Noise 0-Coast, Koma Electronics Field Kit and Field Kit FX, Ableton, Keith McMillen Qunexus, Landscape Stereo Field, AKG C411, Critter and Guitar…
Double Bubble
*2026 stock* Named one of 23 artists who are “changing the sound of classical music” by the Washington Post, Ben Roidl-Ward has been praised for his “dazzling technique” (The Sydney Morning Herald), “breathless virtuosity” (Bandcamp Daily), and “astounding flexibility and range” (The Double Reed). He is the Assistant Professor of Bassoon at the University of Illinois Urbana-Champaign and also holds positions as Principal Bassoonist of the Chicago Sinfonietta, the Illinois Symphony, and the Champ…
Boglands
*2026 stock* This is a reissue of the seminal 1983 ambient album "Boglands", created by the composer Tony Quinn, who was an integral part of the Kilkenny Electroacoustic Research Laboratory throughout its later period. Miúin are delighted to finally reissue this album in its entirety. Remastered from the archived original tapes and approved of by the composer himself.
At long last we can listen to this music in the way that it was always meant to be heard - with the bass frequencies significantl…
Reliquary (Magazine)
Join the Keeper for an excavation and exploration of uncanny fiction. Reliquary is consecrated with contemporary and classic supernatural tales, ruminations upon their potency, and prompts to further enquiry...
Talisman (Magazine)
Introducing Talisman, a new zine devoted to myth, magick, and the small practices that cultivate mystery, stoke curiosity, and find beauty in the everyday. For solitary practitioners and intuitives among us, as well as the spiritually inclined.
Our debut issue shares stories from modern makers crafting candles for ritual with deep intention, offers a guide to alchemizing basic self-care into potent spell work, and engages a wide-ranging discussion on creativity, rewilding and divinatory practice…
Go On
*2026 stock* Drummer George Otsuka was a fixture of the Tokyo jazz club scene from the sixties onwards, leading a series of working bands that earned a reputation for tight ensemble playing and consistently high temperature. 'Go On', one of the early releases on Three Blind Mice, captures the quintet at the moment when its hard bop foundation was beginning to stretch into something more searching: there's still plenty of swing, but the modal frames and freer improvising of the surrounding scene …
Encounter
*2026 stock* One of the more obscure entries in the early Three Blind Mice catalogue, and a record that points to the label's willingness, from very near its beginning, to host visiting players alongside the domestic scene. The American saxophonist Allan Praskin worked at the international margins of the jazz circuit, and Encounter finds him in a quartet setting that draws on the rhythmic discipline of the Japanese players around him.
The writing sits firmly in the post-bop tradition: modal fram…
Coco's Blues
*2026 stock* Guitarist Sunao Wada spent the seventies as one of the most consistently working figures in Japanese jazz, a player whose tone owed something to Wes Montgomery and Kenny Burrell but whose phrasing carried a particular Japanese weight, more thoughtful than driving. Coco's Blues, an early release on Three Blind Mice, alternates quartet and sextet formations across the programme, and the shift in scale gives the record a real architectural interest.
The smaller settings let Wada's line…
Firebird
*2026 stock* Saxophonist Kenji Mori belongs to the second generation of TBM regulars, a player whose work for the label spans several years and several formats, but whose quartet records have a particularly distilled quality. Firebird fits cleanly into the modal and post-bop tradition that defined the heart of the Three Blind Mice catalogue: heads with real melodic substance, harmonic openness that gives the soloists space without leaving them stranded, and a rhythm section that knows how to kee…
Gathering
*2026 stock* The pianist Fumio Karashima is best known internationally for his long association with Elvin Jones, having held the piano chair in Jones's working bands for years, a credit that already tells you most of what you need to know about his playing. Gathering, his trio date for Three Blind Mice, is the work of a player who has spent serious time on the bandstand with one of the most demanding drummers in jazz history, and the record's qualities reflect it: a strong rhythmic centre, a le…
Conversation
*2026 stock* One of the more intimate entries in the Three Blind Mice catalogue: a duo session, with all the exposure and concentrated focus the format implies. Conversation lives up to its title. Two players in close, careful dialogue, with neither voice dominating and neither retreating into accompaniment. The duo format strips a lot of the usual jazz furniture away: there's no rhythm section to lean on, no horn section to fill out the harmony, no place for either player to hide.
What's left i…
Four Scenes
*2026 stock* A later Sunao Wada session for Three Blind Mice, and one of the more outward-looking records in his TBM run. The quintet-plus-one format brings the saxophonist and flautist Minoru Ikeno alongside Wada's working group, and the addition shifts the music's centre of gravity, opening up the writing to longer tones and more spacious harmonies. There's still plenty of the bluesy swing that runs through Wada's discography, but the textures here are wider: Fender Rhodes lacing through the h…
Blues World
*2026 stock* An earlier Sunao Wada outing on Three Blind Mice, recorded with both quartet and quintet formations across the programme, and built (as the title suggests) around the blues. But this is blues in the broader, more searching sense the seventies were beginning to articulate: harmonic frames borrowed from soul and modal jazz alongside the standard 12-bar architecture, and an improvising attitude that's more interested in development than display.
Wada's guitar carries the writing with t…
Live at the It Club
On Live at the It Club, Thelonious Monk and his classic quartet - Charlie Rouse, Larry Gales and Ben Riley - burn through two nights of Los Angeles brilliance in 1964, turning familiar originals and standards into angular, swinging explorations now fully restored in a complete edition.
Blue Lake
On Blue Lake, Don Cherry dissolves borders in real time: a transcendent 1971 Paris trio set with Johnny Dyani and Okay Temiz, now restored by Charly and BYG, where flute, bass and percussion spiral through Native American echoes, Far‑Eastern tonalities and two sprawling, ecstatic journeys past the twenty‑five‑minute mark.
Sama'a - Audition
Known for their exhilarating live-to-record albums such as last year's critically acclaimed Wood Blues and Giant Beauty, سماع [Sama'a] (Audition) is the first of two releases that will surface after [Ahmed]’s first studio recording sessions at North London’s The Fish Factory in early 2025. Since 2014, [Ahmed] أحمد have excavated and re-imagined the music of Ahmed Abdul-Malik, in an ever ongoing search for future music. Over a decade on, the group were given the opportunity to set up in the studi…
Uchuu
On Uchuu, Oowets drifts into their most abstract work yet, blending tapped cloth boxes, reed organ warmth and bedside field recordings into a gentle, cosmic meditation where minimal rhythms and environmental sounds merge science and nature into a single, weightless drift.
Obscure Residue
On Obscure Residue, Dimples - the bicoastal duo of Greg Hartunian and Colby Nathan - sharpen fifteen years of friendship into bittersweet, uptempo pop where orchestral arrangements lift codeine‑dream melodies while lyrics circle time, scars and the quiet truth that some currents just turn you around.