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Darla Records is honored to offer Another Flower, a new record by two singularly and sonically recognizable masters of lush beauty and minimalism respectively, Robin Guthrie and Harold Budd. Another Flower was recorded at Robin's home studio in France in 2013 and was held unreleased, until now.Another flower follows Robin and Harold's previous work together Bordeaux (2011), matched set After the Night Falls and Before the Day Breaks (2007) and Mysterious Skin (2004) and of course The Moon and th…
Darla is pleased to offer A Song For Lost Blossoms, a record of ambient melody and transcendental mood portals from minimalist/modernist master Harold Budd and friend guitarist/composer/producer Clive Wright. A Song For Lost Blossoms nicely builds on both artists’ previous ambient work. A Song For Lost Blossoms was recorded live and in studio at different locations including the artists’ homes, at REDCAT (Roy E. Disney Concert and Theater), Los Angeles, and Clive Wright's Desert Sky Studio, Josh…
Darla is pleased to offer a new album from Harold Budd and Clive Wright. Little Windows completes the trilogy begun with A Song for Lost Blossoms and carried through their previous album Candylion. Part of Little Windows was recorded especially for Echoes, the nightly music soundscape from Public Radio International heard on over 120 public radio stations and online at www.echoes.org. These recordings were first heard on Echoes Radio in Fall 2009. The other part of Little Windows was recorded…
Jane 12-21 is the companion to Jane 1-11. Minimal, modern classical piano and avant-garde electronics by the master. "It's simple. I broke out and broke back to my earlier days: A triangle of risk, improvisation and joy -- as I say, very simple. My rules to myself were: No plan, no notes, no ideas, no microphones; except for Jane 1 I stuck to it. My other rule -- the most important one -- was: At least one piece per day, finished, mixed and not to be revisited again. Jane 7, 8, 9 were done in o…
Harold Budd is a one of a kind modern neo-classical artist creating high-callibre and complex music with unique and subtle tension and abstraction, and simultaneous almost-pastoral but as-often otherworldly mood.
Darla is pleased to offer a new record of string quartets by Harold Budd. Bandits of Stature is a first as it comprises 14 compact Budd composed string quartets played by the Formalist Quartet.
‘Traces of the ceiling’ is the new album by Takako Minekawa, an artistic collaboration between Minekawa who composed, performed and recorded the works contained within - and artist Ippei Matsui, who created and designed the accompanying elaborate five-panel fold out sleeve, risograph inserts, and vinyl. ‘traces of the ceiling’ is also the debut release from Portland, Oregon based shop, label, and event series tone poem.
‘traces of the ceiling’ was recorded in los angeles between 2018 and 2020, a…
This album is a masterpiece in which the three core pillars of Akira Ishikawa’s musical vision—jazz, rock, and African music—are fused in a sublime and thrilling balance. One arresting track follows another: the solemn and majestic “Prayer”, evoking the eternal land; the clear yet subtly psychedelic “Dawn”; the serene and beautiful “Love”; and the highly dynamic, explosive “Jumbo”. The brilliance of Hirmasa Suzuki’s arrangements deserves special mention—simple yet profoundly deep, they give vivi…
Tip! ИМА (Ima) is a work by KiMiMi, the solo project of musician Shin-ya Ohno, which captures the layers of time and the presence of people inhabiting ‘Arimasuton Building’—a self-built structure created over 20 years by architect Keisuke Oka, located in Mita, Tokyo, and reconstructs them into music. A multi-instrumentalist who masterfully handles a diverse range of instruments, with the gaida (an ancestor of the bagpipes) – which he studied in Bulgaria – at the core of his sound, KiMiMi has pre…
*100 copies limited edition* Maurizio Abate is an Italian guitarist who has been active since the early 2000s, known for his experimental and instinctive approach to music. His sonic exploration spans electroacoustic improvisation, ambient music, and psychedelic experimentation, with a particular fondness for stringed instruments. Since 2006, he has released numerous albums both as a solo artist and in collaborative projects, working with artists such as Kawabata Makoto (Acid Mother Temple), Joh…
A mild-mannered engineer by day, Michael Carlson is an experimental computer musician who focuses on drone ambient music and field recording; revolving around tracker programs since the early '90s, informed and inspired by the eclectic styles of music he listens to. The results sometimes hold the listener in stasis, other times guiding the listener through undefined vistas, always with the intent to reward patience. 'Coalescence' is the culmination of several years of exploration, experimentatio…
"A cavernous dive into a stark melancholia, ancient plaintive melodies summoned from transcendent chant, out-of-body guitar, rumbling canvas of wind, a stray dog barks either to warn or direct us to the eerie salvation beyond the wilds" - Raphi Gottesman, Buddha's Hand
Written, recorded and re-composed during a two-week residency at fara hoprich in martínkovice, czech republic, between 14 and 25 october, 2024. performed live in the forest as an improvised dimensional audio collage at "když proml…
*50 copies limitede edition* "Selected Instrumental Works" gathers fourteen instrumental pieces composed and recorded by Mathew Sweet under the Boduf Songs name. Stripped of voice and overt song structure, the music turns specifically to atmosphere, tone, and grainy resonance to carry the emotional weight. Piano sits at the center of the record, along with sparse electronics and sustained textures, focusing on harmonic shifts that unfold with deliberate patience. These dark, reflective, and medi…
*80 copies limited edition* Tired is Thomas DeAngelo's first full length solo effort since the 2023 Voiceprints & Aircuts CD on adhuman, and his second for More Mars following Standing Water released in 2021. Much has changed, both domestically (DeAngelo resides in Philadelphia, USA) and geopolitically in the interim, but, as the title suggests, maybe not really. Employing a sort of seasick, off kilter symmetry and befouled mirror logic, Tired accentuates the form/content dialectic, with motifs …
*80 copies limited edition* Guilty Paradise is an almost 30-minute, fascinating glimpse into Michał Fundowicz’s journey to Japan. There, in the city of Kobe, he met Tim Olive, and over the course of three days they recorded the material that eventually took shape as Guilty Paradise. Both artists engage in improvisation: Tim Olive works with magnetic pickups, oscillator and tuning forks, while Michał Fundowicz manipulates cassette tapes.
What can one expect from this collaboration? The two exte…
A bold analysis that exposes the racist policing of Black music. The emergence of UK drill music made headline news, portraying it as a criminal enterprise instead of recognising it as an art form. This new rap subgenre, however, is neither the first nor the only Black music to be targeted this way. Policing the beats rewinds the tape to demonstrate how music has been used as an instrument for policing Black people, from the era of colonial slavery to the present day, revealing the racist legal …
Reemerging three decades on, C.C.C.C.’s Love & Noise hits vinyl for the first time, a still‑devastating artefact where Mayuko Hino’s charged electronics and Hiroshi Hasegawa’s Moog storms turn harsh sonics into something crushing, psychedelic and strangely exultant.
On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.
Washing Machine is the ninth studio album by the American experimental rock band Sonic Youth, released on September 26, 1995 by DGC Records. It was recorded at Easley Studios in Memphis, Tennessee and produced by the band and John Siket, who also engineered the band's previous two albums. The album features more open-ended pieces than it's predecessors and contains some of the band's longest songs, including the 20-minute ballad "The Diamond Sea", which is the lengthiest track to feature on any …
Sonic Youth's eighth album, Goo, was their first for DGC / Geffen. The album marked their major label debut, featuring arena rock staples like "Kool Thing" and "Dirty Boots" deep in its grooves.
This allowed Sonic Youth to enter the mainstream world, destroy everything in their path, and emerge victorious. They rode the Top 10 charts to sonic stardom and glory, or at least secured the opening spot on the 1991 Crazy Horse tour.