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New Arrivals

No Shadow of Turning
"A cavernous dive into a stark melancholia, ancient plaintive melodies summoned from transcendent chant, out-of-body guitar, rumbling canvas of wind, a stray dog barks either to warn or direct us to the eerie salvation beyond the wilds" - Raphi Gottesman, Buddha's Hand Written, recorded and re-composed during a two-week residency at fara hoprich in martínkovice, czech republic, between 14 and 25 october, 2024. performed live in the forest as an improvised dimensional audio collage at "když proml…
Selected Instrumental Works
*50 copies limitede edition* "Selected Instrumental Works" gathers fourteen instrumental pieces composed and recorded by Mathew Sweet under the Boduf Songs name. Stripped of voice and overt song structure, the music turns specifically to atmosphere, tone, and grainy resonance to carry the emotional weight. Piano sits at the center of the record, along with sparse electronics and sustained textures, focusing on harmonic shifts that unfold with deliberate patience. These dark, reflective, and medi…
Tired
*80 copies limited edition* Tired is Thomas DeAngelo's first full length solo effort since the 2023 Voiceprints & Aircuts CD on adhuman, and his second for More Mars following Standing Water released in 2021. Much has changed, both domestically (DeAngelo resides in Philadelphia, USA) and geopolitically in the interim, but, as the title suggests, maybe not really. Employing a sort of seasick, off kilter symmetry and befouled mirror logic, Tired accentuates the form/content dialectic, with motifs …
Guilty Paradise
*80 copies limited edition* Guilty Paradise is an almost 30-minute, fascinating glimpse into Michał Fundowicz’s journey to Japan. There, in the city of Kobe, he met Tim Olive, and over the course of three days they recorded the material that eventually took shape as Guilty Paradise. Both artists engage in improvisation: Tim Olive works with magnetic pickups, oscillator and tuning forks, while Michał Fundowicz manipulates cassette tapes. What can one expect from this collaboration? The two exte…
Policing The Beats - Black Music, Racism And Criminal Injustice
A bold analysis that exposes the racist policing of Black music. The emergence of UK drill music made headline news, portraying it as a criminal enterprise instead of recognising it as an art form. This new rap subgenre, however, is neither the first nor the only Black music to be targeted this way. Policing the beats rewinds the tape to demonstrate how music has been used as an instrument for policing Black people, from the era of colonial slavery to the present day, revealing the racist legal …
Love & Noise
Reemerging three decades on, C.C.C.C.’s Love & Noise hits vinyl for the first time, a still‑devastating artefact where Mayuko Hino’s charged electronics and Hiroshi Hasegawa’s Moog storms turn harsh sonics into something crushing, psychedelic and strangely exultant.
Rituals of The Last dawn
On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.
Washing Machine
Washing Machine is the ninth studio album by the American experimental rock band Sonic Youth, released on September 26, 1995 by DGC Records. It was recorded at Easley Studios in Memphis, Tennessee and produced by the band and John Siket, who also engineered the band's previous two albums. The album features more open-ended pieces than it's predecessors and contains some of the band's longest songs, including the 20-minute ballad "The Diamond Sea", which is the lengthiest track to feature on any …
Goo
Sonic Youth's eighth album, Goo, was their first for DGC / Geffen. The album marked their major label debut, featuring arena rock staples like "Kool Thing" and "Dirty Boots" deep in its grooves. This allowed Sonic Youth to enter the mainstream world, destroy everything in their path, and emerge victorious. They rode the Top 10 charts to sonic stardom and glory, or at least secured the opening spot on the 1991 Crazy Horse tour.
A Thousand Leaves
A Thousand Leaves was Sonic Youth's 10th studio album and the group's first major effort to be recorded at their own Echo Canyon studio in NYC. Free from the constraints of paying for costly studio time, the band was able to work at their desired pace and experiment at will. The result was an album born out of improvisation, chiefly characterized by the guitar interplay between guitarists Thurston Moore and Lee Ranaldo. The album title was inspired by Walt Whitman as Moore explained, "The same w…
Ongaku Otaku - Complete Edition (Book, Hardcover)
Hardcover, 527 pages, 21×27 cm! In the mid-1990s, four thick, annual issues of Ongaku Otaku magazine were published. Operating from San Francisco, California, the goal was to spread the word about the compelling independent music being produced in Japan. With dozens of interviews and articles, and many hundreds of reviews, the magazine was an influential voice, sharing words about Aube, Cornelius, Yamamoto Seiichi (Boredoms, Rovo, Omoide Hatoba), Shizuka, Jojo Hiroshige (Hijokaidan, Alchemy Reco…
Laughing Stock
** 2026 stock ** One of the lost gems of the 90s, Talk Talk's final album 'Laughing Stock' has gathered momentum in the hushed tones of music fans' conversations since it's release. At long last it has secured a reissue. The record took a year to make yet has required decades to fully appreciate. following up on the abstract 'Spirit of Eden', which sufficiently alienated pop fans of the band's earlier material, 'Laughing Stock' took spaces in recorded music to new extremes, with layers of silenc…
One Size Fits All
One Size Fits All’s 50th Anniversary 2LP “black glitter” anniversary edition boasts a brand-new analog cut of the album, a bonus LP of highlights from the box set, and the 50th anniversary edition booklet.  The booklet has newly revealed photos by Sam Emerson accompanying the bespoke liner notes by Ruth Underwood, David Fricke, and Joe Travers.
Sacred Intent – Conversations with Carl Abrahamsson 1986-2019 (Book)
2026 stock Sacred Intent gathers conversations between artist Genesis Breyer P-Orridge (1950-2020) and longtime friend and collaborator, the Swedish author Carl Abrahamsson. From the first 1986 fanzine interview about current projects, over philosophical insights, magical workings, international travels, art theory and gender revolutions, to 2019’s thoughts on life and death in the the shadow of battling leukaemia, Sacred Intent is a unique journey in which the art of conversation blooms. With (…
Temporarily Eternal (Book)
2026 stock Temporarily Eternal is an emotional-visual summing up of a creative friendship between Swedish author Carl Abrahamsson and British artist Genesis P-Orridge (1950-2020) that lasted for more than three decades, and which was filled with musical projects, films, books, writings, conversations, travel, and a great deal of magic. This book both is and is not a companion to Genesis Breyer P-Orridge: Sacred Intent – Conversations with Carl Abrahamsson 1986-2019. It is, in the sense that the …
The Composer Of Desafinado, Plays
Recorded in 1963, The Composer of Desafinado Plays documents the beginning of what would become a long-term creative relationship between Jobim and arranger Claus Ogerman. Although there was initial resistance by producers, Jobim not only plays guitar but piano as well in his debut for Verve. Jobim is joined by George Duvivier (bass), Edison Machado (drums), Leo Wright (flute), Jimmy Cleveland (trombone) and full strings on the 12-song instrumental set that features such bossa nova classics as “…
The Prisoner
Recorded and released in 1969, Herbie Hancock’s last Blue Note album The Prisoner is a powerful but overlooked masterpiece. A moving tribute to Dr. Martin Luther King, this nonet session features some of the most exceptional instrumentalists in jazz including Joe Henderson, Johnny Coles, Hubert Laws, Garnett Brown, Buster Williams, and Albert “Tootie” Heath. Hancock said of The Prisoner: “I've been able to get closer to the real me with this album than on any other previous one.” Blue Note Tone …
Empyrean Isles
Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums—Takin’ Off, My Point Of View, and Inventions & Dimensions—before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock’s artistry into a sweeping 35-minute musical journey. Joining Hancock on the voyage were three of his closest collaborators: …
Jazz Mood
The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
Eighth Tower Magazine Vol. I (Magazine)
Eighth Tower Magazine is a periodical publication dedicated to music and modern mythologies. It explores alternative and experimental sound practices, tracing connections between contemporary music, invisible cinema, and dark fiction. Eighth Tower investigates how modern mythologies are shaped, transmitted, and transformed. It is conceived as a space for reflection, documentation, and critical exploration, where sound, image, and narrative converge into a shared cultural landscape. Volume I - co…