Tip! *35 copies limited edition, handmade 4 CDr bundle* Elusive and enigmatic, Loris Zecchin—working under the name Petroglifi Solubili—has, for several years now, been developing his own personal vision of noise music. His work blends literary influences—shaped by a deep passion for Italy’s rich short stories tradition—with fragments of marginal cultures like mail art (hence his fondness for handmade, photocopied album inserts), and the unconscious forces that seep into even the most mundane gestures (as suggested by the project’s spiritual guide, Georg Groddeck). The music? Beats created from contact microphones run through guitar effect pedals; samples detached from their original context or drenched in heavy reverb, evoking distant and half-buried memories; layered synths piling up like blankets of dust; silences pierced by sounds that could be rough-cut field recordings or samples sliced with a taste for cut-up aesthetics. Artists like Zaimph, Strafe F.R., Aaron Dilloway, The Focus Group, and Merzbow float as sonic references throughout these long, ceremonial, noise-driven compositions. All four discs were carefully mastered: Tante case vuote by Andrea Marutti, and Scritte sul retro, Angiporto, and Terreni golenali by Joshua Stevenson.