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Anthology introducing the first of a series of albums based on the concept of Aquapelago. "Since the earliest days of the planet there has been a rhythm of tides that creates coastal interzones where humans have foraged and pursued various livelihoods. Developing boats to fish from and technologies that enabled them to immerse themselves deep underwater, the aquatic realm has been one explored, experienced and imagined in various ways. In an effort to express the vitality and richness of this en…
In a world dominated by the visual, could contemporary resistances be auditory? What is the materiality of sound? How does the materiality of sound affect listening? What resistances can be configured from working with biomaterials and sound? Do these bio_sonic_agencies open up other possible spaces that do not exist in the visual regime? The radio work Bio_Sonic_Agencies follows such questioning through a focus on matters of air. Air is highlighted as an elemental force that moves across human …
*In process of stocking. 300 copies limited edition* Akousis Records is proud to announce the new release by Cyprien Busolini - viola and Bertrand Gauguet - alto saxophone. Recorded by Christophe Hauser at La Muse en circuit, Alfortville (FR) 2021 September 3
*250 copies limited edition* Almost five years after the kickstart compilation "El sol desde oriente", Passat Continu moves forward with more Segura's unreleased stuff. Inspired by Martin Heidegger's "Sein und Zeit". "El ser y el tiempo" are the first solo recordings of the Tenerife-born composer, originally a seven track record that together make up a little anomaly in the Spanish experimental music scene. This sound document recorded between 1976 and 1978 is presented fully remastered from its…
Not Two presents the latest recording by The Nu Band: Thomas Heberer - trumpet, Kenny Wessel - guitar, Joe Fonda - bass, Lou Grassi - drums & percussion. May 16, 2022, at Tedesco Studios, Paramus, NJ
*In process of stocking. Limited edition of 150 copies. First time reissued on vinyl* Inspired by the journals, letters, and photographs of James Jenkins, 1942-1943 from Luzon, Philippines. Writing letters in the rain under the canvas, listening to records played from the center of the mosquito nets, or from the veranda overlooking the city lights. It may not have been in the same places.. Under the waterfall, ignoring their calls, receiving a Dear John Letter, or being iced on your anniversary.…
*2022 stock. Limited edition of 100 copies.* Society, as we have constituted it, will have no place for me, has none to offer; but Nature, whose sweet rains fall on unjust and just alike, will have clefts in the rocks where I may hide, and secret valleys in whose silence I may keep undisturbed. —Oscar Wilde, De Profundis Love is the voice under all silences, The hope which has no opposite in fear; The strength so strong mere force is feebleness: The truth more first than sun more last than star —…
*2022 stock. Limited edition of 100 copies.* A series of commissioned works, each connected to a location given to me. The sites were used as recording studios for creating multilayered compositions with minimal to none post-production. All instruments were played on site. Roz was recorded in Roz-sur-Couesnon in April-May 2014, mixed in Nantes in September 2016. Commissioned by the sound art gallery Le Bon Accueil (Rennes), as a workshop with schools from the area of the Mont Saint-Michel. Bruz …
*2022 stock. Limited edition of 100 copies.* Shadows and Reflections develops from an audiovisual collaboration between Monty Adkins and the painter Andy Fullalove exhibited at Bradford Cathedral in October 2016. The exhibition comprised a series of fourteen paintings and sound that responded to the newly restored altarpiece by William Morris as well as the priceless stained glass windows in the Cathedral made my Morris’s company, which include designs by Morris, Ford Madox Brown, Edward Burne-J…
*2022 stock. Limited edition of 100 copies.* To start AMT and Tarab exchanged materials and objects. AMT exchanged a single sound sculpture for Tarab’s collection of small objects. This material exchange led to activity. AMT manually manipulated, Tarab also, but more often than not he placed the sculpture in situations and let them work on it. Once again exchanges took place, this time of audio material. Elements where then selected and arranged and further rearranged; some left untouched and so…
*2022 stock. Limited edition of 100 copies.* Witness the common phenomenon of feedback such as produced inadvertently through poorly configured microphones and loudspeakers in public amplification situations: the sound coming from the speakers finds its way back into the microphones and produces an uncomfortable squealing sound. The component elements are electronic and acoustic, the latter involving air movement and vibration of physical objects. But internal electronic feedback is quite a curi…
*2022 stock. Limited edition of 100 copies.* “Having realised the errors in rational knowledge I found it easier to free myself from the temptation of futile theorizing” Leo Tolstoy (1880) I understand this phrase as an expression of Stikhiya, the word used by Russian poet Aleksandr Blok in early 20th century to describe the fundamental value of primitive immediacy. Contradictory to intellectualism and rationality, Stikhiya is emerging from organic holistic experiences, it is perceived as an unf…
*2022 stock. Limited edition of 100 copies.* Gintas K has been active as a composer, performer and interdisciplinary artist since the 1990s, focusing on experimental digital music aesthetics — overloaded massive structures, static and physically overwhelming frequencies, melodic ambiences, voice and field recordings. Gintas K has released several albums, four of which in "Crónica: Lengvai / 60 x one minute audio colours of 2kHz sound" (2006), "Lovely Banalities" (2009), "So On" (2010), and now "…
*2022 stock. Limited edition of 100 copies.* This album was created from January and December 2016 in Vigo, Galicia, using digital media in a Windows laptop, and hacked VST plug-ins from the late 1990s. Samples from old videogames were used as source materials, recorded with the freeware emulator Nestopia (v1.40) by Martin Freij, FM synthesis with Sound Forge (v6.0) and other synthesized sounds created with the modular synthesis freeware application SynFactory (v1.16rc1) by Peter Wendrich and Ru…
*2022 stock. Limited edition of 100 copies.* Realities, appearing as multiple layers and folds in which memories, cognitions, perceptions are coined and ready to emerge. The starting point for The Waste Land was an invitation to compose a twenty minutes soundtrack for a documentary movie. Accordingly, Luca Forcucci received six minutes of a field recording, without any mention of its own nature, or any information about the documentary. Forcucci didn’t ask anything about it, instead he listened …
* Edition of 250 *"These two sides were recorded at home in Stockholm in April last year, and are part of a series of recordings that I was making around that time that I called dream sequences for a number of reasons, but partly because they mixed attempts at unconscious playing of music with intentional recordings of external sounds e.g. drilling through walls, street noise, that were affecting my consciousness at the time of recording. Also I like dreams but not so much talking about them." -…
Stoned to Death is happy to join forces with Stefan Christensen. Stefan is a huge inspiration for our label and our musical trips. He is based in New Haven, Connecticut and if you don't know his work yet, you are up for a nice discovery. His solo outfit is guitar based and very prolific, very idiosyncratic and very surprising. Stefan's discography is a journey through various forms and styles ranging from minimal drones through outsider folk to loud guitar improv and broken free rock anthems. S…
Stoned to Death is super happy to be part of this again. We are releasing a cassette edition of Xiu Xiu's new album called Oh No. This album is a collection of 15 killer duets and collaboration with the likes of Haley Fohr, Fabrizio Modenese Palumbo, Chelsea Wolfe or Liz Harris. Xiu Xiu is one of the hardest working bands of this century. Oh No is their 15th studio album (and we don't count all the collaborations such as XXL, boxes of seven inches, eps, experimental outputs etc.). They are alway…
In 1970, the Virgilio Armas Trio released De Repente on the tiny Discos A&B label, very likely a one-off, self-financed project. Virgilio Armas recalls: “The nightlife in Caracas of the 1950’s and 1960’s inspired me to record an album in 1970, with songs influenced by the Jazz, Bossa and Latin genres. De Repente was created with my beloved Piano, and my long-time musical partners Rodolfo Buenaño (bass) and Guillermo Tariba (drums).”
The style is very much influenced by the harder post-Bossa Nova…