New Arrivals

Tip! *2023 stock* On "Matthew 28:17" Jazkamer for the first time in the 2010 Monthly Series operates as its core duo of Lasse Marhaug and John Hegre. This reduction does little to lighten the density of their sound, rather the opposite, because "Matthew 28:17" is a thick haze of dopey fuzz-guitars and droning organ. For the longtime Jazkamer fan this album bears similarities to the 2002 mini-album "The Sound of Music" – which often has been thought of as a highlight in the Jazkamer oeuvre. The t…

An hallucinating journey into sickness conceived by our ally from down under, T.G. Cranium. Half an hour of everflowing morbid visions and bestial devastations, manic highs and heavy lows. Beaten into submission by Erik Nystrand & mastered by Danny Costa. Ecstastic lobotomy noise.

Heavily damaged noise by Steven Purtill, that you may know as a talented visual artist for Kiddiepunk, etc. Following a handful of brilliant self released tapes, still a fairly obscure name that truly deserves more recognition.

LA noise by Becca Lilia [ÆMNIO] and Jesse Sanes [Liebestod, Hoax, Kommand] recorded during the 10th day of quarantine.

Tucked in the heart of Koreatown lies The Libra Hotel—the titular architecture of Nick Malkin’s new album and site of his musical and psychogeographic exploration.

*70 copies limited edition. 2023 stock* Rafał Marciniak is known for his heavy and loud bands such as Enten og Eller or Degens. Years ago he moved his interest towards more organic music (while still standing in the noise rock river) and created acoustic introspection with duo called Sajtban. His debut album "Siedem Tłustych Lat" is partially based on old Sajtban ideas, but here accompanied with Rafał's vocals. Some songs are covers of Polish pop and punk songs.

*150 copies limited edition. 2023 stock* Tomáš Niesner started his guitar player path long while ago when he co-formed noise rock band Unna. Loud noise quartet stir the waters of little czech avant rock pond with music written directly to the precomposed beat of drummer Jakub Šimanský. Loud shows played all around Czech Republic took its toll and and by 2017 they turned down the DB to death low. The band was over. Jakub Šimanský was living in their former practice room in Přerov, playing acousti…

*50 copies limited edition. 2023 stock* "The photo used on the cover comes from the demolition of a never completed miner's hostel belonging to the coal mines in Frenštát, which has long been a threat to the Beskydy landscape and a symbol of the arrogance with which we treat our surroundings. But the end of coal is just a tiny fragment in the kaleidoscope of what we must do to make the anthropocene not just an age of destruction, but a time that will leave behind the anthropocentric worldview an…

*100 copies limited edition. 2023 stock* "He used to be a Country Sinner. Until he wasn't. When Michal Drozen fulfilled his long lasting fantasy and brought his school project Dingo to another level, there was no need for another country-outsider alter ego. Instead he pushed forward his “loner boy persona”, collected his electric guitar and cheap drum machine and started to compose more personal songs than you may know from Dingo. Spiral Sadness is a sadcore lo-fi void, unique in many ways, bold…

Raise the Dead is a collaborative album from Connecticut drone duo Tongue Depressor and Maine-born, Philadelphia-based songwriter Jakob Battick.

*100 copies limited edition. 2023 stock* This new collaboration of Jakub Šimanský and Jiří Štěpán is sort of happy coincidence. They are both active musicians, both coming from different background and performing in within slightly different scenes. Jakub Šuminaský has been cultivating his guitar playing based on the echoes of american primitive guitar style. Bass player Jiří Štěpán is active in his group Národní Divadlo, which steer towards free improvised and dissonant music. They both met at …

More than a decade ago, I made a piece of beat-based electronic music and titled it "Middle Eastern IDM" for a course assignment. After listening to it in class, my professor asked what was Middle Eastern about it. It was only a year after I had left Iran to study in the US, and I didn't know that I could say "I am. I made the piece". So I went back and superimposed a sample of Egyptian protest chants on top of the piece, to make it "sufficiently Middle Eastern". What prejudiced conservatism and…

"For the ear hears sounds from various combinations in accordance with the character of the melody and the instrument.” ─ Abraham Abulafia Eight collective improvisations based on small musical ideas extracted from modern classical guitar works that make a beautiful suite of music; evocative, spiritual, hypnotic... The pieces found here are the consequence of a de-composing/re-composing process where each musician previously immerses into the music, transforming and combining the notes and rhyth…

Accepting the darkness can be a liberating experience. Realising, and struggling with just who we are and what world we live in requires it. By further complicating the fractured sense of beauty found on his droning 2022 release, ‘I dreamt we found a way’, Bristol-based composer, Rob Winstone creates a language that encapsulates the lifelong reach for our own personal heavens, along with the darkness and fear on which those foundations are built. Winstone’s instrumental palette continues to reac…

After three previous volumes in our series “Algo Salvaje” devoted to the Spanish nuggets, the new instalment explores the darkest, neglected and rebellious side of Peruvian 60s garage beat. “Algo salvaje” is an anthology devoted to a rich period when hundreds of bands appeared all over the world and, after paying attention to what their US and British contemporaries were doing, found their own way to vent their teenage rebellion through loud guitars. With amazing results! Many of the 14 tracks a…

*300 copies limited edition*  Polish composer and sound artist Robert Piotrowicz presents his first work for Penultimate Press, one which outlines an uncanny sound world with a series of fictional organ pieces. Whilst resembling a pipe organ alongside other acoustic sources all material is strictly synthetic. The impression of air being swept through the bellows… false. The spatial organisation suggesting it was recorded in large physical space, false! The long middle solo passage in Noumen must…

Leonor Falcón and Sana Nagano met in graduate school at Queens College in 2015, and have since collaborated in many projects. On this release, ‘Peach and Tomato,’ the duo offers fresh new compositions that display both their sense of imagination, and their deep appreciation for classical influences. This is particularly true with their version of two movements from the Prokofiev Sonata for Two Violins and the composition Etude 1 and 2, an homage to Bela Bartok and a fluent conversation between t…

One of the most exhilarating shows he’d ever done, guitarist Chris Sharkey came away from his performance at the Fusebox in Leeds feeling alive. Just a few days before the world would slow, and two weeks before life in London would stop, keyboardist and 577 mainstay Pat Thomas, drummer Luke Reddin-Williams and Sharkey would go on stage to play for the first time together, having discussed and planned nothing. The improvisation, a gamble, worked. Recorded in one 50-minute track, one album, the pr…

Less than a year after the release of the album Rade, Paolo Angeli surprises with the sounds of his orchestral guitar, putting them at the service of a classic of Spanish literature: Bodas de Sangre, by Federico García Lorca. Níjar - recorded for the most part in the same studio session as the previous album and completed in February 2023 - goes back to the roots, that is, to the chronicle event that inspired the poet to write the work and that, in fact, took place in Níjar, in Andalusia. The Sa…

*2023 stock* Views was conceived in January 2003. Recordings were done for track: 1 in January, for track: 2 in February, and for track: 3 and 4 in March 2003. Final Mix: April 2003. All 4 pieces are based on three or four instrumental improvisations by RLW, re-constructed by spontaneous mix afterwards. Track: 1 is recorded with tone-generator (TG 77) using self-programmed sounds. An early version of the sounds had been created for the CD" ACHT (1992). The programs have been designed to be contr…