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On Embrace 4: Orakelstücke/Aquin, Polwechsel open their rigorously quiet universe to two singular composers, Peter Ablinger and Klaus Lang, yielding a diptych where struck objects, voices and long, glowing tones summon an almost liturgical sense of mystery from everyday sound.
This is my fourth solo piano release on this wonderful label. The studio’s Yamaha piano is an older darling, bless her, with an easy mechanism and unusual bright tone - lovely to play! It was also my first time recording at Sansom Studios in the West Midlands, some distance from Lancashire where we live. The album was recorded in a few hours and is in three sections. Two tea breaks divided the music in effect, no edits, completely improvised. I was curious about recording in a studio again, most…
The innovative musical partnership of Tomo Katsurada and Misha Panfilov is set to captivate audiences with their latest 7-inch vinyl release, featuring the enchanting tracks “Mostra” and “Punch.” This double feature showcases their unique sound—a blend of intricate melodies and vibrant rhythms, pushing the boundaries of contemporary music.
“Mostra” invites listeners into a world of sonic exploration, with its ethereal soundscapes and dynamic instrumentation. The track is a testament to Katsurada…
Psyché II is the sophomore album from the Neapolitan band formed by Marcello Giannini, Paolo Petrella, Andrea De Fazio, and Roberto Porzio. While their debut was rooted in the myths of the Mediterranean, Psyché II pushes beyond those borders. Here, the sea is a living, vibrant route connecting shores and cultures—from North Africa to Brazil, from the Middle East to Colombia.
The Mediterranean becomes a crossroads of different peoples, traditions, and sounds: cosmic jazz, desert blues, dub, Anat…
Echo Libero is presenting a remastered version of the self-titled debut album by E.A.T., which was originally released in 1998. This forgotten experimental electronic music was ahead of its time when it was first released on CD in the late 90s. It was overlooked at the time, but it sounds more relevant than ever now. E.A.T. consists of members of the band Dunkelziffer, including the high-profile keyboardist Helmut Zerlett and progressive drummer Reiner Linke. The group also features Boris Polons…
*100 copies limited edition* The Buenos Aires–based producer’s second album on Umor Rex can be read on at least two levels. The most direct traces its origin to the influence of environmental music, as well as to some pioneers of electronic music. The album was recorded in a single session, making extensive use of loops that were later edited and condensed into the six pieces that make up Pequeño clima doméstico. This working method responds to a playful approach that runs through Entidad Animad…
2026 stock, reduced price. A thirteen-year archive compressed into a single cassette. Live Materials 1980-1993 by Nord traces the arc of a project that stretches back to the earliest years of Japanese experimental electronics - years before Japanoise had a name, before Vanilla Records existed, before most of the artists who would define the scene in the late 1980s had begun recording.
The breadth of the timeline captured here is significant. 1980 is contemporaneous with the earliest industrial a…
2026 stock, reduced price ** Original Single Sided, Numbered **
Among the more enigmatic entries in the Vanilla Records catalog - and one of the rarest. 藤圭子's ダーク・ポップ is a cassette about which almost nothing has been committed to public record, which is itself a kind of document: the extreme scarcity of information surrounding certain Vanilla releases is inseparable from the conditions under which the label operated, pressing in tiny numbered editions for an audience of a few hundred at most, …
2026 stock, reduced price **Clear cassette case, 4-panel J-card stamped with the label info on the inner side. **
The most radical act of any art is the refusal to aestheticize. Incapacitants have held that refusal for over four decades, and Extreme Gospel Nights - a cassette recorded live at Gospel in Tokyo in 1993 and released on Vanilla Records the same year - remains one of the most uncompromising statements of that position.
Toshiji Mikawa formed Incapacitants in Osaka in 1981 as a solo pr…
Old friends Julian Bates and Alex Gray -- working together as Mighty Truth for the first time since 1995's From The City To The Sea -- filled a car with old analogue synths, kids' noise toys, and collected field recordings, took a road trip down to hole up in an old water mill in southwest England's bird-twittery, bee-loud Quantock hills. Things got cinematic: unequal measures of early Weather Report, Wim Wenders, and Serge Gainsbourg kept them wonderfully lost in their imagined world. Back in L…
2026 stock, reduced price ** Original Single Sided, Numbered **
月蝕 - lunar eclipse. The title is apt for a cassette that arrived in 1991, was heard by almost no one, and vanished almost entirely from the record. Vehiyd was a four-member noise and psychedelic band comprising 博子 on bass, 真由美 on drums, 界 on guitar, and Piaa on vocals - and this Vanilla Records cassette, single-sided and numbered in the label's characteristic manner, is the only recorded document the group left behind.
The genre ta…
2026 stock, reduced price ** Original Single Sided, Numbered **
Nagoya produced a noise and improvisation scene that ran largely parallel to the Osaka-Tokyo axis - less documented, less exported, but no less intense. Dislocation was one of its legendary formations, a collective comprising Toyohiro Okazaki, Yoshimei Yanagawa, Keishi Kiyokawa, Fujio Kimura, and others, whose name appeared alongside Merzbow, C.C.C.C., Masonna, Monde Bruits, Solmania, Incapacitants, and Violent Onsen Geisha on the …
2026 stock, reduced price ** Original Single Sided, Numbered **
The name means "mercury lamp" - 水銀ランプ - and the industrial implications are entirely intentional. Suigin-Lamp was a trio: Kumiko Yamamoto on bass and sampler, Kazuhide Kawata on guitar, vocals, and sampler, and Kosei Yatani on violin and guitar. Flamenco Party, their only recording, was captured live at Shinjuku Ongakukan in April 1991 and released on Vanilla Records the same year - six tracks on a single-sided C62 cassette, number…
2026 stock, reduced price ** Comes in a snapcase with a numbered cassette has no label and a numbered j-card with different address stamp from 1st press. **
The most radical formal gesture in Shocks! Shocks! Shocks! is not any single noise burst or sample collision but the refusal - sustained across the entire cassette - to settle into a genre. Violent Onsen Geisha is Masaya Nakahara, a Tokyo-born artist who has described himself as someone with no musical talent, and who produced, precisely be…
On their self‑titled debut, Still House Plants capture a raw, one‑day snapshot of their early quartet chemistry: tape‑hazed grooves, off‑kilter song forms and fragile/feral vocals sketched live to reel, already hinting at the oblique intimacy they’d grow into.
In Hypnotised: A Journey Through Trance Music (1990–2005), Arjan Rietveld traces trance from smoky backrooms to global main stages, charting how a marginal, emotional strain of dance music became a worldwide language of euphoria, melancholy and collective release.
On Mocomono, Hifiklub & Alain Johannes turn a two‑decade friendship into a glowing, slow‑burn suite: guitars, textures and voices dissolving into an ambient rock vapor where the Toulon collective’s restlessness meets Johannes’ desert‑honed lyricism.