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2025 Small repress, few copies available. LP version, previously released in the Il Divano Dell'orecchio 5LP box. Includes the same materials as the original 1978 Cramps LP titled In Terram Utopicam, or "J'aimerais jouer avec un piano qui aurait une grosse queue" (1974/1975), "Adversus" (Home-made electric music) (1966) and "Osmanthus Fragrans" (Home-made electric music) (1973). The LP sleeve reproduces the original scores of "J'aimerais jouer" and "Adversus," and includes photos of the performa…
*2025 stock* Circuit board with headphone jack, packaged in a card tray, housed in a jewel case which includes a poster. The device plays back 32 minutes of low-fi 1-bit electronic music. The final track plays indefinitely until switched off, starting at the point given above. Album gives its length as ∞. Matte-black circuit board with surface mount parts. FCC Part 15 compliance text and CE certification screen printed on rear.
*2025 stock* Tristan Perich's circuit album, Composition for Three Small Speakers, comes as an electronic device that plays its three-channel music live. Following on his previous circuit albums (1-Bit Symphony, Noise Patterns, 1-Bit Music), Composition for Three Small Speakers is both a composition and a performance. When turned on, its music is synthesized in real-time by code programmed by the artist. Making a physical connection between code and hardware, the music was written to be performe…
*2025 stock* Telescope is the second release of Tristan Perich's Compositions. The short, contemplative work, scored for two bass clarinets, two baritone saxophones and four-channel 1-bit electronics is performed by Sara Budde, Eileen Mack, Argeo Ascani and Alex Hamlin. Produced, mixed and mastered by Michael Riesman.
*2025 stock* The third release of Tristan Perich's "Compositions" is "Dual Synthesis," a dense cascade of 1-bit electronics and harpsichord, performed by Daniel Walden. Produced, mixed and mastered by Michael Riesman.
*Limited Edition of 100 copies!* Commissioned by 180 Studios as part of the UVA exhibition Synchronicity, Chromatic is a software-driven optical instrument that explores the harmony of form and the interaction of colour and sound. Each line, shape, and colour plays a role in constructing this generative audio-visual installation. A computationally programmed, rule-based system endlessly assembles and re-assembles abstract formations and harmonic sequences, producing geometric compositions that p…
A masterpiece album released in 1976 by the Japanese contemporary musician Yuzuru Kondo, whose main contributions to the sombre labyrinths of post-1960s musical modernism is something that the composer conceptualised as 'linear music' (or line and shadow as "Sen no ongaku' is sometimes translated). Then there's beautiful piano solo puzzle "Sight Rhythmics" that's a bit like Messiaen's total serialist one-off “Mode de valeurs et d'intensités". Plus semi-concrète essay "Summer Days" where muffled…
This 1983 collection on ALM compiles what is generally considered to be one of Jo Kondō's last linear pieces - "A Shape Of Time" - which he describes as a "duo" for piano and orchestra. The classification is appropriate since the overall concept is focused on basic dynamic arc applied to individual pitches or sound-blocks. In this way each of the individual 'linear' sound-events is started out by the group of orchestral instruments which play crescendo part of the dynamic shape - piano to mezzo …
Sewer Election started blessing the underground noise scene around 2002 and has since released tons of stuff, from harsh noise to raw musique concrète-like things and tape works. ”Sweet Distractions” is a long piece sitting comfortably in the corner of his more laid back and ambient works. Sounds a bit like William Basinski never cleaned his reel to reel machines. Broken, beautiful and strange in the best possible way. Recorded in parallell w Kassettmusik back in 2007. Same technique with crude …
*300 copies limited edition* ‘Low Fidelity’ brings us up to speed with Mats Lindström’s actions of the past dozen years in a range of seven works spanning live recordings and studio commissions, all sharing a certain bloody-minded, uncompromising focus on atonality and arrhythmic structures. Definitely one for harder-nosed noise and avant garde fiends, the set fits very neatly within iDEAL’s roster of brutalists, with whom Lindström shares a taste for sounds, spaces, and rationales that test the…
*100 copies limited edition* In his latest musical endeavor, "Disappearing", Danish electronic musician Mathias Hammerstrøm, under the alias Amphior, embarks on an introspective journey where the tangible dissolves into the ethereal. Following his 2022 release, "Another Presence", Mathias delves into mesmeric spaces characterized by melodious pianoworks warmly infused with the nostalgic tones of tape machines, guitar pedals, and retro amplifiers. As the luminous glow of analog synths intermitten…
*30 copies limited edition* The album is minimalist and with atmospheric depth. Electronic ambient and drone sounds create a world of their own. The artwork focuses on recycling. The sleeve is made of cardboard mesh, there is recycled paper and remnants from an interior design studio.
*2025 stock* Dentro is an album created using the pipe organ and electronic audio processes. It is a work that explores the concept of the materiality of sound and the representation of space through it. The packaging consists of a handmade cardboard box with a foil print. It includes a tea light in a home-made holder and matches showing the credits.
*2025 stock* Both sides recorded live in single takes during October 2022. The packaging is a multi-layered collage based on coffee packaging, photographic paper, prints and adhesives. The prints are based on a self-justified stamp and are each a section of the overall image. The artwork was conceived and realized by Moritz Böckmann.
*2025 stock* The degradation of a tape loop and the saturation of a driven tube created an idea of sustain, meditation and patience. Embrace the overtone. Conceived in Clermont, France and recorded in Cork, Ireland Summer 2022.
*2025 stock. 30 copies limited edition* Recorded live without edits or overdubs on the evening of July 26, 2020, using the R-EW Audioholistics system in conjunction with Mackie ProFX8 & Peavey FX2 mixing consoles, and Squier & Park amplifiers. The O-Card complemented with stained wood is in a small cloth bag. The credits were embedded in the wood via a paper roll.
*30 copies limited edition* "From Pure Air" is inspired by a rain and thunderstorm that passed through southern Sweden, which was capture with recording equipment and got combined with some of my guitar-based drones to complete the work. The title is a reference to creativity and the creative mind and what it can make with even pretty small resources. The artwork consists of a simple cardboard box, which fits the album perfectly thanks to the use of different shades of blue.
Another collaboration of Romain Perrot with Bruce Russell related projects. Liner notes are from Bruce Russell, those recordings have never been released before, those are the last ones before drummer Peter Stapleton passed away....