New Arrivals
Rebirth/Omen
"It was my first time performing at Chitei. The venue has a dark, almost secret-hideout-like atmosphere, with a sense of decay that resonated deeply with my emotional state at the time. The speakers were quite large relative to the space, so the sound would circulate and create feedback that doesn’t happen in other venues. By moving the microphone through the space and changing its position, the pitch and harmonics of the feedback would shift. Very few venues offer this kind of experience.
To me…
Rarefied Airs
*200 copies limited edition* “Rarefied Airs” is the debut album by Glasspack, duo of Henry Birdsey and Ian McColm. Both Birdsey and McColm are part of an extended New Haven (CT) musician family (think of Stefan Christensen, Shirese, David Shapiro, Center, Figured, Tongue Depressor etc.). In Glasspack they fuse Birdsey’s bagpipes with McColm’s computerized sounds to hammer out rock solid modern fourth world music masterpiece.
“Rarefied Airs” offers two long pieces (both ticking at almost 19 minut…
The Grass Harp
*200 hand-numbered copies limited edition* Aiko Takahashi is a Nova Gorica-based musician, a spirit that has released albums on various labels. Just like the line that separates the two cities where Aiko lives, Gorizia and Nova Gorica, divided between two countries yet united as one, Aiko’s music exists on a boundary. A line that separates silence from peculiar, almost imperceptible sounds. Too quiet to be Ambient, too Ambient to be Sound Art. Two years ago, after a first complete release on IIK…
Let Night Come On Bells End The Day
A quietly stunning meditation on sound and space, Let Night Come On Bells End The Day sees Sarah Davachi sculpting slow, luminous improvisations for Mellotron and organ. Each piece unfolds with patient restraint, revealing rich overtone complexity and a dreamlike sense of presence-minimalism at its most intimate and immersive
Ostranenie
Ostranenie is a collection of digitally manipulated, impressionistic piano miniatures — each named after blockbuster films and TV series. Improvised late at night as a reaction against passive media consumption, these pieces function as both homage and critique, navigating the space between classical impressionism and contemporary digital manipulation. They don’t just deconstruct traditional piano expression; they interrogate the emotional stakes of sound in an era where immersion culture flatte…
Extensions
"Languishing off-catalogue for many years, McCoy Tyner's Extensions may be the pianist's most unjustly neglected album. Strange days, for not only is the music ineffably vibrant, but Extensions is the only recording ever to feature Tyner alongside pianist and harpist Alice Coltrane, who replaced him in saxophonist John Coltrane's group in 1966. The album has one foot in the echoes of John Coltrane's "classic quartet," of which Tyner was a member from 1960-65, and the other in the astral jazz sty…
Night Dreamer
“Night Dreamer is an album that finds Wayne Shorter in a state of transition as he was still rooted in the hard bop style that started his career, but also starting to lean toward the more abstract style that will serve for the greater part of his remaining career. It’s a talented, and somewhat unusual ensemble that Shorter has assembled here. McCoy Tyner and Elvin Jones, at that time, were mostly known for their famous work with Coltrane, but in 1964, when this album was recorded, Tyner and Jon…
Schizophrenia
"Wayne Shorter’s Schizophrenia found the legendary saxophonist at the pinnacle of post-bop with a sextet of like-minded musical explorers including James Spaulding, Curtis Fuller, Herbie Hancock, Ron Carter & Joe Chambers performing Shorter originals like ‘Tom Thumb’, ‘Go’, and ‘Miyako’. Recorded on March 10, 1967, at Van Gelder Studios, Englewood Cliffs, New Jersey." - HHV
Poly-Currents (Blue Note Tone Poet Series)
After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings—Puttin’ It Together and The Ultimate—both featuring saxophonist Joe Farrell and bassist Jimmy Garrison. For his next album—1969’s unfettered post-bop exploration Poly-Currents—Jones expanded his ensemble with additional woodwinds and percussion while still maintaining …
Rivbea Live! Series, Volume 3
Track 1 recorded May 21, 1976 at the Wildflowers festival
Track 2 recorded June 20, 1974
Jimmy Lyons - alto saxophone
Karen Borca - bassoon
Hayes Burnett - bass
Henry Letcher - drums
Syd Smart - drums
The Lost Session, Paris 1979
Recorded August 22, 1979 at Campagne Premiere, Paris, France
All compositions by Dave Burrell and Monica Larsson, unless otherwise noted
Dave Burrell - piano
Sam Woodyard - drums
Way of the Breeze
Recorded on 8th September, 1993 at Café Amores in Hofu City, Yamaguchi, Japan
Motoharu Yoshizawa - homemade electric vertical five strings bass
Kim Dae Hwan - percussion
The Analects Of Confucius
Recorded on 21st October, 2000 at Aoshima Hall, Shizuoka City, Japan
Misha Mengelberg - pianoSabu Toyozumi - drums
YU Disco Expres
A long-lost masterpiece of Yugoslavian jazz-funk and disco finally returns! Originally released in 1979 on the iconic Jugoton label, YU Disko Expres by Igor Savin and Orkestar Stanka Selaka is a rare gem—an electrifying fusion of jazz, funk, electronic music, and traditional folk elements. Decades ahead of its time, this album remains a strikingly modern and danceable exploration of sound, seamlessly blending synthesizers with tight horn arrangements and deep, infectious grooves.
Igor Savin, one…
Even As We Speak: The Music of David Van Tieghem
The American percussionist, composer, and songwriter David Van Tieghem (b. 1955) is something like a musical equivalent to astronomy’s “hypothetical astronomical object”: while evidence of an irresistible gravitational pull can be felt in deep reaches of the cosmos, its source is enshrouded in darkness, revealing glimpses of celestial power to astute observers. For David Van Tieghem, these observers include a dizzyingly impressive cast of landmark musicians with whom he has composed and performe…
Franco Luambo Makiadi Presents Les Editions Populaires
"Indépendance Cha Cha” was an historic song, not only because it immortalized Congo’s independence in its lyrics, but also because it was the first single published by a Congolese-owned record label. Joseph Kabasele’s label Surboum African Jazz indeed paved the way for several Congolese musicians to become record publishers. It resulted in the 1960s in a plethora of newly found Kinshasa-based record labels, run by the biggest musicians of the time. With this new series “Les éditeurs congolais”, …
La Rumba De Mi Vida
*2025 stock* Incredible collection of classic Congolese music from Planet Ilunga specializing in this particular niche. Glorious guitar melodies, beautiful vocal harmonies, and infectious rumba grooves. Excellent curation and very cool thematic presentation, plus lots of great details given in the liner notes.
Where Are We Going
*200 copies limited edition* After Mirthrandir, Lift and Easter Island, we continue bringing you the cream of the crop from U.S. Prog Classics, with the reissue of ID’s 1977 album Where Are We Going. In this case, you can guess the music from the band’s name, a regression into the depths of the unconscious (Freud’s antecedent term for ID in the structure of the cunning invention called ‘psyche’) via an interminable sonic evocation. The highlights of the album are the 2 long parts of the homonymo…
![Forming Haze [Recordings 1985/86]](https://cdn.soundohm.com/data/products/2025-05/CrippledFlower_FormingHaze_Tape_01-jpg.jpg.500.jpg)
Forming Haze [Recordings 1985/86]
"The Crippled Flower was a post-punk band from Düsseldorf - and they arrived late. However, unlike many young, unsuspecting, hairsprayed hopefuls from that time, in 1985 they could sense that the end of their era was approaching. They knew too much to want to take the world by storm. They were four individualists searching their own way. Each of the band members only found their calling after the time that they had spent together – but that's exactly what makes The Crippled Flower still seem rea…
Star Rover
Visionary Walter Maioli and electronic innovator John Zandijik’s 1980s late-night sessions fuse ancient flutes and cutting-edge technology, creating a cosmic soundscape that bridges ethnomusicology, psychedelia, and electronic experimentation.