New Arrivals
Magic Smoke Chords
Assembled and recorded to tape in 2011 by Oli Heffernan.
''A full-stop on my 20's in mixed media.''
Remastered for vinyl in 2024
Sleeve by Ack! Ack! Ack! Design
Cover Photo by C-Dyer
Released by Industrial Coast 2025
Live In London
Recorded live at The Waiting Room, Stoke Newington, London on friday 13th Sept 2024 - between 8pm - 8:37pm
Oli Heffernan - bass guitar, synths, kalimba, drones, arps
Dedicated to the memory of Stan Brakhage: 1933 - 2003
Design by Ack! Ack! Ack! Design
Nocturnes
10 new chunks of lo-fi instrumental library-hop - recorded in 2 days in Summer 2024, ‘Nocturnes’ is the first Ivan The Tolerable album of 2025, and the first one made solo by Heffernan since ‘Wild Nature’ in 2019.
Known for his genre-defying and boundary-pushing approach to music, Heffernan – who has spent years experimenting with various styles,instruments and production techniques – has crafted a collection of tracks that defy categorization. The new album is a sonic tapestry of atmospheric li…
Autodidact
"I recorded the bulk of this record over a weekend in January 2018, in the midst of a very minor breakdown that was to last for prettymuch the entire year. I was living in a big house all on my own, smoking too much and not really seeing any people. Happy days indeed. It was tracked in the back room of 97 Hambledon Road, Middlesbrough using two questionable microphones, a broken HH 100 amp, my friends drums and a Tascam DP08 (that wasn't to see the year out, RIP 2009-2018) When I was done, Robbi…
Wild Nature!
We are delighted to bring you our next entry from the Ivan The Tolerable archive reissue series, 2019’s ‘Wild Nature!’ Originally released on CD by Ack Ack Ack Records back in 2019, the album has now been remastered and repackaged, and will be released on super ltd edition orange wax. Here’s a bit about the album in Oli’s own words.
‘Wild Nature was originally recorded sporadically during the first half of 2019. It started life in one house, then I moved and it was finished in another. I remembe…
Somewhere
*2025 stock*
Written, produced, engineered and mixed by Marco GiambroneRecorded and mixed at Casa 53 - Cammarata (Italy)Additional Recordings: b.a.d Instruments Studio - Alessandria, Nocino's Studio - AlessandriaMastered by Giovanni Versari at La Maestà - Tredozio
Marco Giambrone: Vocals, guitars, percussions, balalaika, vibes, noises, samples, synth, violinCaterina Fede: Vocals, organ, harmonium, synth, autoharp, cymbals, percussions, noisesAlfonso De Marco: Bass guitar, percussions, backing vo…
Yowzers
Yowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling. It’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 com…
At That Time
Originally issued on cassette in limited runs between 1989 and 1990, At That Time is a long-overdue excavation of Nostalgie Éternelle – one of the most quietly crucial names in the European DIY underground. The compilation brings together tracks from three early self-released tapes – Damned Forever Those Who Listen To This Tape (split with Due), Art Is The Tool (split with From Nursery to Misery), and Virtual Reality (split with PN 4632402) – issued on the band’s own One Last Dream label and cir…
All I Knew
After previous under-the-radar releases on the fabled Low Comapny and The Trilogy Tapes, Zaheer now appears under his own name on Thomas Bush's Men Scryfa. The sixth Screfys release, an image of wingless flight through flowing darkness. Focused Buchla studies exploring the process of unbelieving and realisation of the ultimate heretic as the self.
Zaheer Gulamhusein is a Leicester-based musician and lifelong student of esotericism, with previous releases appearing under the aliases XVARR, WASWA…
Neon Gods / Own Your Darkness
Two legendary titans of the extreme metal scene - Iggor Cavalera (Cavalera Conspiracy / Petbrick / founding member of Sepultura) and Shane Embury (Napalm Death / Dark Sky Burial) - join forces for this unique split of brooding dark ambient, industrial strength noise, and heavy synth-laden electronics, creating what feels like the lost soundtrack to some dystopian fever dream.
Setting the tone for this double-headed behemoth with creeping, cinematic dark ambience, Iggor Cavalera's side-long 'Neon…
Trench Trapped
Americanoise act Heat Signature return in 2025 with “Trench Trapped”, a new full-length assault for Input Error. Never-ending labyrinths of mud-caked tunnels and ditches are traversed and dissected one-by-one, and the first glimpse of enemy combatants along the way is met with rampant, clip-emptying fire. War is both hell and the unknown.
Additional mercenary support sounds are included from Keith Brewer, Ahlzagailzehugh, and Diaphragmatic.
NatJim
Right out of the gate one feels the energy and excitement between Japanese trumpeter Natsuki Tamura and NY drummer Jim Black, each pushing the other through strong instrumental character and outrageous technique over nine Tamura compositions recorded in the studio in Switzerland, their first recording in 25 years since their 1999 Buzz Records album White and Blue.
Shiroyama
SUDA Seishu (1947–) is a master of the Satsuma-biwa and Heike-biwa, traditional Japanese instruments. He was born in Tokyo and studied Satsuma-biwa with Tsuji Seigo and Heike-biwa with Kindaichi Haruhiko. In 1970, he won the Biwa Music Competition and has been a leading performer in the biwa world for over 50 years.
The biwa is a Japanese string instrument with a long history. It came to Japan during the Nara period (710–784 AD) and is thought to have originated in Iran. It is related to instrum…
Monooto
Monooto represents a genuine encounter with objects. The whispers of countless items draw us into an unfamiliar realm, directing our ears toward the shadows where they reside. This is the emerging music genre known as “monooto”. Interestingly, the Japanese term “mono” (もの), meaning “thing” or “object,” carries a subtle eeriness. According to the Nihon Kokugo Daijiten, “mono” can also denote deities, spirits, or objects of fear and reverence, including ghosts and vengeful spirits. Terms like "mon…
Unaesthetic Harmony
Yengo is an artist recognized for creating experimental sound pieces, including live performances that arrange sound in an installation-like fashion and compositions that heavily feature the repetition of a single motif. Yengo's debut release on ato.archives, titled Unaesthetic Harmony, is accompanied by the artist's own commentary included with the tape for those seeking a deeper understanding. This work, influenced by Vaporwave, internet culture, and similar methodologies and aesthetics, explo…
Revolving Lantern
a0n0 is an electronic musician and a member of the fluid collective "時の崖_tokinogake". His music blends sharp, provocative noise that pushes the limits of audio equipment and hearing, with sequences of sound that are both mellow and lyrical, creating a fresh and stimulating auditory experience. This latest piece is rooted in an improvised performance on a modular synthesizer. It stands out as a unique work, featuring a simple yet multi-layered soundscape where different moments of improvisation i…
しるしまみれ / Shirushi - Mamire
Masahiro Sugaya began his career in the 1980s, working alongside the environmental music scene of that era while also making a significant impact in stage music through his involvement with Pappa TARAHUMARA.
Over the past 20 years, Sugaya has shifted from traditional composition using instrumental music to creating works for 8-channel multi-speaker systems, incorporating environmental sounds and field recordings. His latest album continues this evolution, featuring collages of environmental soun…
Speed Limit
2025 stock First album (released in 1974) by a visionary band led by drummer Georges Zinda, who later became successful in the US fusion world. It is swirling jazz-rock, with saxophonist Yoshiko Sefer and keyboardist Jean-Louis Buqui playing a major role.
The Making of Five Leaves Left
Last year, we commemorated the 50th anniversary of Nick Drake’s untimely passing—yet his music remains as vital as ever. His influence stretches far and wide, inspiring artists across generations, from Liz Phair and Radiohead’s Philip Selway to Let’s Eat Grandma and Fontaines D.C., all of whom paid tribute on 2023’s The Endless Coloured Ways: The Songs of Nick Drake. But while covers keep his spirit alive, nothing compares to hearing the man himself. And now, for the first time, we’re getting a …
New Age Of Earth
Comes in mini LP replica with OBI & Japanese insert. With his first solo album, which was originally released in 1974, Manuel Gottsching (Ash Ra Tempel) laid the foundation for many other upcoming works. In fact, the guitar was invented here, for his play on the three epic tracks are years ahead of its time: Circular, flat, layered loops and improvisations create a compelling, hypnotic atmosphere and make this album in retrospect a landmark of new guitar culture. The album was completely remaste…