New Arrivals

Black vinyl – limited edition of 500 copies only!  The Exotic Sounds of ÌXTAHUELE are back with three fresh offerings to soothe and entice your ears! Let your mind’s eye wander as this dynamic group paints an auditory landscape utilizing a wide array of both indigenous and symphonic percussion! Front and center are the vibrant, lush tones of the vibraphone, paired with piano, bass, and the occasional flute – all accompanied by an exciting and ever-changing thicket of bongos, congas, shakers, bel…

*300 copies limited edition* Re-edition of the Cult Industrial-Noise / Power-Electronic split album out in 1997 on OEC. The original LP, limited to 470 copies, is long time sold-out: time for reprint it into CD format. It’s amazing, it has been 28 years since the original split LP was released. These tracks all sound better than ever thanks to a meticulous mastering job by Grant Richardson. “120 Days of Sodom” is accompanied by the only previously unreleased Deathpile track, which was recorded i…

Hopes and Dreams is the title of our brand new compilation series, which will celebrate its debut on March 20, 2026. This new series draws on the music selection of Praise Poems, not only in terms of obscurity, but also in terms of genius. Similar, but anything but a poor copy, the focus is on rare grooves from the 1970s.

Lay Llamas is an open musical project founded in 2012 by Sicilian composer, musicologist and graphic designer Nicola Giunta. Not a band, but a shifting constellation of collaborators, visions and sounds. Rooted in psychedelic traditions yet untethered from genre, Lay Llamas explores ritual rhythms, imagined folklores and escapist exoticism, where past and future blur into something new each time. The project has featured collaborations with artists such as Gioele Valenti (JuJu/Herself), Mark Ste…

Half an hour of unbroken drone from two people a generation and an ocean apart: John Krausbauer on violin, Werner Durand on reed instruments he builds himself. Limited to 150 copies.

*200 copies limited edition* "Paper Braids came out of a long collaboration between me and the wonderful musicians of the Kali Ensemble. Through a series of workshops, residencies, and performances over the course of four years, we built up a collective practice focused on three topics: listening as the basis of musical interaction, awareness of how sound interacts with the performance space, and using that spatial awareness as a basis for both the duration of individual sounds and the temporal …

Spring 2024. Carl Stone and Asuna performed together for the first time at an international experimental music festival held in Kanazawa city, where Asuna lives. Carl Stone is a pioneering composer of computer sampled music. and Asuna known for its “100 Keyboards” performance, played in this duo with over 100 toy instruments, samplers, and synthesizers. Carl samples and processed the sound of Asuna's various toys in real time. Asuna then incorporates the sounds into her own sampler and sends agai…

Our approach to making records has always involved an exchange of individually created sounds, which are joined together through live improvisation, studio recording, and the use of diagrammatic visual scores. Over the last several years, we have been interested in expanding very small fragments of these discreet pieces of audio into long-form compositions. This process has resulted in a new approach to how we build tracks from the ground up. In this particular workflow, one of us is largely resp…

Mark Morgan (formerly of Sightings and Silk Purse) and Gaute Granli first met in Brooklyn at The Glove in 2017 while Granli was on tour from his home country of Norway. The following year, Morgan embarked on a solo European tour and he and Granli did three shows together in Norway. Ultimately finding each other reasonably tolerable and able to agree to disagree on punk versus prog, they soon thereafter toured together in the fall of 2019 in Europe for 50 days with each playing solo. As the tour …

The score Dotolim was originally realized in 2009 and composed for the performance space Dotolim. The musicians, Jin Sangtae, founder of Dotolim, and Joonyong Choi also performed on the 2009 version of the score. While on tour through Asia in 2023, I spent two nights performing and recording in Seoul at Dotolim. My idea was to realize a new version of the score with the current generation of experimental musicians active in Seoul. And unlike for the first version where I worked with electronics,…

Tip! *200 copies limited edition* At the end of 2024, Eric's purchase of an electric cooker with induction hobs was the catalyst. Between auscultations and improvisations, Eric offered Francisco his recordings of the object in his kitchen. In return, Francisco completely reinterpreted these recordings. From this dual level of listening, the elements created resonated in each artist's sound world. Pieces created from shared original raw sound source materials.

*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.

Italian Language Edition Una monografia esauriente e completa di uno dei maggiori artisti e poeti visivi del secondo novecento italiano, Arrigo Lora Totino. Un catalogo ragionato di poesie, performances, libri d’artista, video.

For Ponyo on the Cliff by the Sea, Joe Hisaishi pours big‑hearted symphonic colour, children’s choirs and unmistakable earworms into Miyazaki’s flood‑myth fairytale, crafting a score that’s equal parts tempest, lullaby and sugar‑rush theme song.

Pioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. "What if We Align Our Breath" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility. At the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indige…

If the blues represents "the expression of a dissatisfied mind" then this EP can be considered a blues EP.  If not sonically then in attitude and intention.  A mind dissatisfied enough to travel three hours west to the middle of nowhere Pennsylvania to a town called Dushore at the tail end of summer to escape society, if only for a couple of days.  I won't use words to tell you what transpired during my time in Dushore and I won't tell you if you asked.  What I will do is leave you with this EP …

After months of careful excavation and meticulous restoration, dj echotree finds his way to ZitStill with a singular artefact. Delving into lost remnants of the spirit world, a gapless collage of found footage, spoken word and otherworldly jazz slowly emerged. A mute yet eloquent testimony, held together by instinct and the steady pulse of the MPC. Much remains to be uncovered about this entity and its teachings, rooted in beliefs that left no written trace. What is known is its devotion to the …

With their self-titled release on Titrate Records, Post Coma presents two twenty-minute passages shaped by a winter improvisation. What surfaces is a sense of detachment — at times even dissociation — treating the improvisation as a shared descent into the inner psyche. Listening as much to each other as to the remnants of their own decisions, the music emerges as a kind of cognitive experiment — a document of mutual attunement and the debris that gathers in its wake. The result lies suspended b…

Aspen Edities is pleased to present Aerial, the third album of the experimental quartet Oker.

*50 copies limited edition* This CD is inscribed with physical defects (scratches with a needle) covering track 8 which consist of a 22049 Hz inaudible sinewave. This will produce audible artefacts, different in nature depending on the CD player used for playback. Tracks 1-6 are recordings of track 8 applying different forms of physical scratches. The results can be described as simple rhytmic studies, some surprisingly jazzy in nature. Timbre-wise only the pure artefacts are heard, contrary to …