We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

New Arrivals

Orwell Court
Gareth Dickson is ghostlike. From the dark outskirts of Glasgow he has sent three studio studio albums in to the world - Collected Recordings (2009), The Dance (2010) and Quite A Way Away (2012). These albums have bewitched a growing inner circle, including some of the most innovative musicians around today - Juana Molina and Vashti Bunyan to name just two. Gareth has been the only constant member of Vashti’s touring outfit over the past ten years and latterly they have stripped down to…
A Hatchet For The Honeymoon (Il Rosso Segno Della Follia)
Great horror work from Sante Maria Romitelli, the stunning score to this psychological thriller (also known as 'Il Rosso Segno Della Follia') directed by the legendary Mario Bava, the granddaddy of Italian horror films.– served up in a very nice mix of styles! Some of the tunes here share a spare, tense feel with other Italian composers of the time – while others veer a bit more towards the darker modes of late 60s American scoring – especially in the way the woodwinds are used, almost in an a…
Musica per un Anno (March 28th, 6 pm)
Musica per un anno is a pivotal project by Italian pioneer of electronic music Enore Zaffiri. In 1968 Zaffiri devised a project to create music for each hour of the year, by providing precise instructions to organise various layers of sinusoidal sounds. Working in isolation but ideally sharing the same attitude of La Monte Young’s approach to sound in time and space of those same years, Zaffiri created some tape versions of his masterpiece. The version recorded in this album is a radically…
Lark City
“Skylark” (Mercer/Carmichael) plays under different forms as The Skylark Quartet with Orlando Lewis, clarinet, Franz-Ludwig Austenmeiser, keyboard, Hayden Pennyfeather, bass, Roland Spindler, drums. Producer is Sam Sfirri with the help of Taku Unami.Strange jazz, highly conceptual.
Six Pianos / Keyboard Study #1
After the widely noticed performance at the "Acht Brücken Festival 2016" at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of Grandbrothers), Daniel Brandt and Paul Frick (both of Brandt Brauer Frick) and John Kameel Farah release their interpretation of Steve Reich's "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich's composition but still far more than just that - it is a modern approach to his idea behind it. The…
Celestial Vibration
Laraaji’s sublime zither improvisation, Celestial Vibrations (1978) forms nothing less than an early archetype for new age ambient music. It was originally issued as a privately pressed meditation aid and sold in limited numbers around NYC until, that is, Brian Eno famously stumbled across Laraaji doing his thing, and the rest, as they say, is laid out in the ambient history books.  That fateful meeting with Brian Eno - interestingly enough in the same year that Eno compiled the definitive …
Autoportrait
Reissue of a cassette released in 1991 by La Légende des voix. A sound self-portrait harsh and tortured also using some texts.Brume (Christian Renou) is a prolific French musique concrete composer/sound sculptor who has won himself a place of his own with his crossover between sound collages, electro-acoustics and noise. His compositions rely on dense, rapid-fire montage and wed cacophony and dynamics, emphasizing both the elements of discontinuity and continuity. Why the nickname « Brume »?: he…
From Somewhere To Nowhere
100 copies clear. French industrial music from 1987. Drawing their influences from Suicide, The Residents, Throbbing Gristle to Joy Division or Bauhaus to name a few, Urbain Autopsy their own way of combining power electronics, industrial, experimental, cold wave, post punk.
Stitched Phenomena
Leif Brush (b. 1932) is a pioneering sound artist who for over five decades has built something of a vast labyrinth of an artistic presence, in a certain sense having existed on the fringes of the more esoteric strands of early sound practices. During his time as a student at the School of the Art Institute of Chicago in the late 60’s, Brush explored large scale installations that would often utilize the city’s landscape as a platform for steel-strand based sounding constructs. After going on to…
Dedicated to Uri Klangers
In 2015 Hey Colossus released two albums on Rocket Recordings, In Black and Gold in February and Radio Static High in October. Dedicated to Uri Klangers is a look back. It's best summed up by the 3000 words that can be found on the inner sleeve of the record, the tale begins: "The 2xLP comp that's in your hands now was initially released on cassette by S.O.U.L for our 10th anniversary show, September 2013, about 50 tapes were made and sold on the night. We thought a BEST OF would be hilar…
Resting in a Fold of the Fog
Resting in a Fold of the Fog includes two Michael Pisaro's pieces for percussion, guitar and laptop. They are performed by two Dedalus Ensemble members Stéphane Garin and Didier Aschour, and by Michael Pisaro himself. Pieces titles are inspired by a poem (Fog) written by Mei-mei Berssenbrugge, a chinese poet living in New Mexico (USA). Michael Pisaro comments his own pieces: '"First piece, Grounded Cloud, depicts the very gradual gathering of fragments of noise and tone into a more or less conti…
On the silver globe
Lasse Marhaug, electronics. Kim Myhr, electronics, electric guitar. SOFA is proud to release “On The Silver Globe” – the debut album of the duo of Kim Myhr and Lasse Marhaug. The album originated as a commission from the MetaMorf art biennale in Trondheim for the two musicians to collaborate on a 8-channel piece for the 2016 edition. The morphing of Myhr and Marhaug proved to be a good match, the two had known each other for years but never worked together, and in the process of making “On The S…
Karpatklokke
Henrik Olsson, objects, friction, piezo. Martin Taxt, microtonal tuba, electronics. Håvard Volden, guitar, tape-loop.Muddersten is a type of mudrock whose original constituents were clays. It looks like hardened mud and, depending upon the circumstances under which it was formed, it may show cracks or fissures, like a sun-baked clay deposit. Fertile clay and fat soil, compressed, dried out and turned into stone. Still delicate flowers will find their way through its cracks and fissures, prosper …
Bite of the Orange
Robin Hayward, Microtonal F-tuba. Peder Simonsen, Microtonal C-tuba. Martin Taxt, microtonal C-tuba. Bite of the Orange is Microtub’s third album on SOFA. On ‘Bite of the Orange’ the three tuba players dig deeper into the sphere of just intonation. Robin Hayward has composed two new pieces for the group focusing on the 11th and 13th harmonics, resulting in a strong microtonal character. The canadian music critic Stuart Broomer picked Microtub as one of the highlights of the FIMAV festival inVict…
Harpoon
Håvard Skaset / Jacob Felix Heule / Guro Skumsnes Moe / Lasse Marhaug. Recorded at Tunnelen, Oslo, May 2014. Mixed at the best studio in Oslo, 2015–2016. A collaborative LP of acoustic improvisors SULT (Håvard Skaset: guitar / Jacob Felix Heule: percussion / Guro Skumsnes Moe: double bass) and Norwegian sound artist Lasse Marhaug. The source material is performed by SULT, while the album was constructed and produced by Lasse Marhaug. In the hands of Marhaug the already dense and visceral express…
Musiques dans les spasmes – Ecrits (1951-2005)
French edition. Edited by Brunhild Ferrari and Jérôme Hansen. Foreword by Jim O’Rourke. Introduction by Brunhild Ferrari. Interview with Luc Ferrari by Pierre-Yves Macé and David Sanson. Luc Ferrari’s writings, most of them previously unpublished. A pioneer of musique concrète at the beginning of the Groupe de Recherche Musicales in Paris (GRM), Luc Ferrari (1929-2005) is one of the most important and intriguing figures of the last forty years.
Wondrous Intermission
The problem with artists like Icelandic Sigtryggur Berg Sigmarsson is that you don't know what's the best point from which to start the narration. If you start chronologically it's going to look like a Wikipedia entry. If you focus only on the latest release it would look like a review. And if you just deal with several random points it's going to look vague and non-descriptive. We will attempt an approach through all three ways. Sigtryggur Berg Sigmarsson is a visual artist who exhibits his pai…
On Germaine Dulac
Music & instruments by Mathieu Serruys. Recorded at The Holiday Island between December 2013 and July 2014. Produced by Mathieu Serruys & Joris Verdoodt. Mastered by Jürgen De Blonde. Album design by Mathieu Serruys & Joris Verdoodt. On Germaine Dulac is the debut LP by Belgian musician Mathieu Serruys. B.A.A.D.M. com­missioned Serruys to revisit Germaine Dulac, female pioneer of the early experimental film. Loosely inspired by moods, scenes and scen­eries of La Coquille et le Clergyman (1…
Roma Violenta (Colored)
Color vinyl version. In stock! And long awaited...Sub Ost present the complete edition of Guido & Maurizio De Angelis's soundtrack the 1975 film Roma Violenta. This is the complete original soundtrack (with all the outtakes) for one of the most iconic Italian "poliziotteschi" films, the Italian answer to the Charles Bronson/Clint Eastwood mania of the 1970s. This soundtrack is complete with the typical variations on the main theme we come to expect with Italian soundtracks: altered tempo, ad…
Radiations
The fourth album of Driftmachine is not an album in the classical context, it´s a collection of new studio music, remixes of Shackleton and The Sight Below, and material previously available only in digital formats.LP limited edition of 350 copies pressed on purple colored vinyl, includes a post card with original artwork and free download coupon. The album starts off with the surprising Shackleton remix of Radiations, a little gem gleaming with all the spacious percussions you can expect …