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New Arrivals

Electronia
Don’t let the title fool you; this is not a record of electronic music, but of twelve tunes performed by a small instrumental combo: three guitars, drums, piano and a double bass. There is a sixth instrument: the sound recording machine, which functions electronically. By amplifying, superimposing, drawing out and reducing the sounds created by the instrumental combo, the electronic recorder imbues each piece of music, be it already well-known or an “original”, with a brand-new, highly unusual a…
Polveri Sonore. Una prospettiva ecosistemica della composizione
In Italian only, extensive book on the well-known Italian composer Agostino Di Scipio, that collects his writings. along with interviews and essays. Deluxe edition. "Polveri sonore, una prospettiva ecosistemica della composizione è un libro sull'opera di Agostino Di Scipio, curato da Giovanni Andrea Semerano (e con opere grafiche di Matias Guerra). Una somma di testi dell’autore, di critici e studiosi, un’intervista inedita ed un CD con una selezione di brani, registrazioni di esecuzioni dal viv…
Mollie's in the Mood
BRÖ presents Mollie's in the Mood by Peter Brötzmann & Jason Adasiewicz, the label's third LP since its revival in 2003 and the sequel to the Brötzmann/Adasiewicz 2012 tour-only CD. Recorded in "you-are-there" fidelity, the LP captures a performance at Chicago's Hideout on the duo's 2012 U.S.A. tour. Brötzmann played alto and tenor saxophones, b-flat clarinet, and tárogató; Adasiewicz played vibraphone. This is what happens when the most original vibraphonist of his generation slams into …
Death Chants, Breakdowns, and Military Waltzes
180-gram vinyl. "Death Chants is John Fahey's second album, following the brilliantly apocryphal Blind Joe Death. As massive as that earlier work was, it represented only a tentative first step towards the fields of hodologic splendor that our hero would go on to create. Death Chants represents a much more fully realized syncretism of the modernist and primitive poles between which John Fahey wobbled. It is also the first album he deigned to release entirely under his own name and the one …
On A Business Trip To London
On a Business Trip to London is an album of curious electronics and sissy dance conceived under the shadow of Big Ben by Vivid Extreme. Initial research carried out at Ibis City Hotel, London; purple nail polish applied in Berlin and New York City. The result is the perfect and perhaps overdue meeting of emasculated P.E., limp-wristed ornamental industrial, sickly minimal synth, and cheap suntanned trollop techno. What's more, its tinny rhythmic ringtone cycles of humiliation and debasement evin…
Crack
The Vienna-based trio's second LP following 2013's crushing debutLicht (BLACKEST 016LP), Crack finds Peter Rehberg (Editions Mego),Christina Nemec (comfortzone), and Christian Schachinger crafting a powerful alloy of extreme electroacoustic music, luminous ambience, and the mineral fundaments of rock and black metal. Opener "Spalt" immediately signals a departure from the monolithic doom of Licht, conveying instead a sense of adrenalized movement, of acceleration toward an ever-receding horizon.…
Concorde Affaire '79
Stelvio Cipriani’s soundtrack for Ruggero Deodato’s “Concorde Affaire ’79” is a masterpiece, bringing together many diverse styles that the maestro perfected at his prime: propulsive motorik disco funk, epic soaring strings, smooth tropical jazz, ominous atmospheric industrial synthscapes, and more! This limited edition replicates the rare original Japanese release and adds a second LP with 15 bonus tracks, creating a complete and definitive release of Cipriani’s finest hour. Also includes…
Reel To Reel
Dennis Young is best known as the marimba player/percussionist for the legendary early 80s NYC band Liquid Liquid. "Reel to Real" is a lovingly assembled archive collection of his rare and unreleased solo recordings from 1982-1983. Dennis Young: "Back in 1982 at the age of 24 I bought my first recording equipment a - 2 track Teac reel-to-reel-tape-recorder. I already owned a number of analog synthesizers, an electric & acoustic guitar, various effect boxes, and a full drum set. The music was rec…
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Sold out at source, few copies available. In 2013, when Daniel O'Sullivan was invited to curate the sixth installment of Ravenna, Italy's Transmissions festival, his first request was for Charlemagne Palestine, the shamanic world-maker, sacred toy emissary, and one-time student of Pandit Pran Nath associated with the New York '60s minimalist scene and known primarily for extended performances with Bösendorfer piano, cathedral organs, and falsetto voice. After Transmissions O'Sullivan invited P…
Amusers and Puzzlers
After the release of their well-received ninth studio album, Terribly Well, and their successful month long European tour in 2013, Sightings did the unexpected and quietly disbanded without notice or explanation. More than 15 years in the trenches and making a mess throughout New York City, the band made more of a polarizing impact to formalized underground music that most of their peers. Sightings would have been a national treasure if the whole country was laid to waste in Armageddon. Dur…
The Park
Tor Lundvall’s new album is about a park, an attempt to evoke a park, and involving field recordings of parks too. Much ambience, moving through brighter and darker periods as does a real day in a park. LP on Dais, completing an informal place-based trilogy with the label. "In 2012, ambient composer Tor Lundvall and Dais Records presented his second instrumental masterpiece entitled The Shipyard (2006’s Empty City being the first). After its release and universal praise, Lundvall had confided th…
Impregnator of the death mouth
Following her hour-long sound piece Decay and Persistence, released on Fragment Factory in 2013, here's the first solo vinyl release by South England's multimedia artist AK. Kemp has been active in the field of radical sound- and performance art for the past 20+ years, looking back on infrequent but memorable performances across Japan, USA, UK & Europe, as well as a handful of splendid (and mostly sold out) small-run releases under her Germseed moniker. Impregnator Of The Death Mouth is a…
Routing Lynn
This is the first duo album since 2010 by leading British improvisers Rhodri Davies (harp) and John Butcher (saxophone). In January 2014, together with respected musician and sound recordist Chris Watson, they visited Routing Lynn, an area of ancient rock carvings in Northumberland, northern England. In this natural setting, Davies and Butcher played music and Watson recorded. Two months later, at a festival in Gateshead, England, Davies and Butcher performed along with the 4-channel play…
Mishima, Day & Night
Seijiro Murayama (percussion), who is currently based in Japan, lived in France for a number of years and since that time has performed frequently with the French alto sax player Jean-Luc Guionnet. Mishima, Day & Night is their third duo album after Le Bruit du Toit (Xing-Wu Records, 2007) and Window Dressing (Potlatch, 2011). These four tracks document their improvised music performances in Mishima City at Hongaku Temple (day) and Teke Bar (night) on the same day in July 2013. Murayama uses…
Tower Of Power
"Freedom Power" (released in 1976 on Cometa too) is  one of the most popular italian libraries of the '70s  and contains compositions of Gabriele Ducros with the  contributions of other masters and musicians like Sandro Brugnolini, Enrico  Pieranunzi and Silvano Chimenti. "Tower  Of Power" is the sequel to that lucky LP  and includes unreleased material recorded during the same session of 1976, songs that, just like the ones on the first volume, are in the tradition of the jazz-funk soundtracks …
Black mountain
It’s a cliché because it’s true - the greatest records are timeless. Black Mountain’s self-titled debut album is just such a record. It is a new classic rock, with reference points arcane and clear, its sound fresh, unfamiliar and irresistible. The work of a small collective of musicians operating from Vancouver, Canada, far from any industry buzz but firmly in the eye of their own storm of creativity, Black Mountain’s debut album was, of course, a beginning, but it also marked an ending. …
Dream Memory
  "Guitarist Ken Camden returns for his third solo album, continuing his explorations to seek out new techniques and sounds from the electric guitar. By utilizing both a steel slide and e-bow technique, Camden has moved into micro-tonal territory to bridge the textural gap between guitar and synthesizer while examining their inherent differences. The palette is further broadened by introducing an organic vocal sampling machine described as a Vocaltron. Much like a Mellotron, vocal samples (contr…
Nite-Glo
Nite-Glo is the new offering from Stellar OM Source, the outré-minded music venture of Christelle Gauldi. Tempering the freneticism unleashed on Stellar OM Source's 2013 album Joy One Mile, Nite-Glo guides Gauldi's rhythms to unexpected places of emotive and meditative power. The four tracks of Nite-Glo were written during a transient time for Gauldi. Loss and processing the associated emotions informed those moments in which Gualdi could escape to her mobile studio set up. Recorded solely with …
Return The Tides: Ascension Suite And Holy Ghost
"I have always thought of the idea of passing as a beautiful thing, in which the soul or life force of the individual is somehow transferred to the immensity and brilliance of the entirety. The idea of Heaven and Hell (and everything inbetween) has always been a hallmark within the limited spectrum of what we humans can come up with and the idea of God or Gods has, for some, been an interesting way of putting a life and circumstances into some kind of mysterious belief system that can at times b…
La Bar Mitzvah Du Chien
Since his debut in 1979, French outsider artist Tarzatès sounds like nothing else a thrilling collection of meanie devotionals, snafu song and fevered goatherd music with tape loops, industrial grind, musique concrète and throat singing.' This new album is another shamanic journey in Tazartès's universe. He sings and plays all the instruments and samples, recorded in the very same room as all his other solo records since 1974. Performed, produced, and recorded by Ghédalia Tazartès for Bisou in 2…