New Arrivals
9 Enclosures
9 short pieces, based on cassette recorders and small electronics. Recorded and edited between August 2017 and February 2018. Mastered by Giuseppe Ielasi. Luciano Maggiore (Palermo 1980) lives and works in London. Active musician in the field of electroacoustic music, in recent years he has developed a strong interest in the mechanisms of sound diffusion, using speakers and several analogue and digital devices (walkmans, CD players, tape recorders) as principal instruments. His interest is focus…
Mono Metal Space
Winfried Ritsch on Mono Metal Space: "... a 2x1m metal plate hung on a stand or frame is stimulated by amplifier driven modified motors used as strong transducers, and sensored by pickups. The computer-controlled feedback uses digital filters and dynamics effects as signal processing to try to resonate the plates within their individual overtones. These playable feedback filters are controlled as notes by playing increasing and decreasing sounds near the composed frequencies of the notes which e…
Retrograde
Matt Lavelle (trumpet, flugelhorn, alto clarinet) and Reggie Sylvester (drums), New York avant-jazz veterans and longtime cohorts in the Bern Nix Quartet, perform in duo here on Retrograde, their debut on ESP-Disk'. Visiting destinations overlooked on John Coltrane's tour of the solar system, they craft their own space suite of earthier delights. This album was recorded live at Andrea Wolper's WhyNot Experiment?
series. Matt and Reggie played two sets; the second set, with Bern Nix
in the audi…
Play It Again
"Play me your music – said Ravi Coltrane years ago, to the Polish participants of the SIM workshop. What does "your music” mean? Is it the music you love, the music desire to play, the one you study thoroughly or the one you've been listening to as a child and it awakened your imagination for the first time? Or perhaps, the one considered our roots music for historical and traditional reasons? How can we meet the criterion of "ourness” and how can we determine which music is more „our” than othe…
The Lepore Extrusion
Born in Pontypridd, South Wales to a musical family, Thighpaulsandra
developed an interest in modern classical and electronic music at an
early age. Whilst still in school he formed an avant-garde rock group
incorporating influences from his admiration for experimental music
pioneers John Cage and Karlheinz Stockhausen. Through experiments with
his group The Rachel Dennis Sisters he was offered a job in a local
recording studio which eventually led to him becoming the manager and
house en…
Bichon Frisé
The cassette release Bichon Frisé features 4 tracks of atmospheric and eerie New Age music, made by Børre Mølstad, Danielle Dahl, Niklas Adam and Anders Vestergaard at the beautiful peninsula "Nesodden" outside of Oslo back in 2013. The sound is both soothing and easy listening but with an underlying feeling of hallucinatory horror; perhaps not unlike the popular dog breed after whom it is named.
The Dark Side Of The Moog Vol. 4
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side of the Moog Vol. 2
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side of the Moog Vol. 3
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
Uivo Zebra
When improvisers turn to electricity and imposing volume levels, the results are sometimes as intense as they are tedious, because they forget that it can quickly become a stodgy, lumbering mess that bleeds out way too soon. Not so here, as the musicians of Uivo Zebra have the experience, but also (and more importantly) the awareness that the most enduring results are found when guts, self-knowledge, shared vision and discipline are kept in rigorous balance. Which needn’t imply it becomes safe o…
Conduit
Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement. Kaori Suzuki (b. Tokyo) is based out of Oakland, CA. Her musical works are concerned with our inner-sensory responses…
Swaddling Songs
Classic, highly regarded and sought after acid folk / progressive rock album. Featuring girl singers Clodagh Simonds and Alison Williams, Mellow Candle never achieved commercial success they deserved spawning a legendary psychedelic folk-rock album akin to Fairport Convention or Fotheringay. Touring to support Thin Lizzy (Simonds played on Lizzy's album Shades of a Blue Orphanage) and Horslips, the band had a short lived existence. Clodagh Simonds later went on to play again with Mike Oldfield a…
How To Destroy Angels
LP version. Includes download card. Cold Spring Records present the complete recording of A Slow Fade To Total Transparency. Recorded on August 24th, 1983 at the Air Gallery in London, UK. Personnel for the performance: John Balance (Coil), John Gosling (Zos Kia), Marc Almond (Soft Cell), and live mix by Peter Christopherson (Coil, Throbbing Gristle).
Features: "How To Destroy Angels", the complete 23-minute piece; "How
To Destroy Angels (Zos Kia Remix)", a nine-minute, unheard remix by John
…
African Rhythms & Blues
Classic and sought after afro jazz. Essential and hard to find album with tons of true killer afro funk breaks: First reissue of original debut LP by African jazz band “Mombasa” led by Lou Blackburn and recorded 1975 at Cornet studio in a Cologne. One of the really shining recordings in the genre - deep spiritual jazz with pulsating african rhythms, funk bass and heavy brass, including nice DJ-spins “Nairobi”, “Kenia” and “Shango”, comes with original cover artwork. Some used to call it “a strip…
4 Geomungo Sanjo Vol II
New compositions for ancient Korean instrument: the Geomungo. Follow-up to Baudouin de Jaer's highly-acclaimed Compositions for Geomungo and Gayageum (SR 373CD, 2012). Baudouin de Jaer tells... his large hands stir the air, drawing soft and assured lines, they connect distant planets and micro-particles in a space that does not exist yet. There is the encounter with the Geomungo. a traditional Korean instrument, the geomungo is an ancient table zither, an improbable association of wood and tense…
Learn To Love Solitude
The Verge of Ruin is a research in sound and poetry that started in December 2015 by Stefano de Ponti and Shari DeLorian, in Milan. A view that lives in the present and at the same time is strongly connected with several guides and experiences out of the past. Constantly looking for new vanishing points and responding to creative impossibility which are caused by contemporary collapses of media. The framework referred to, is the one drawn by concrete music and acousmatic art of the XIX Century, …
Before We Were Foam We Were Unbridled Waves
Erasure of the contradiction between real and imaginary. Temporal layers are juxtaposed with different speeds, creating polyphonies of sound spectrums. The time flux is not regular or linear, it's bent."The latest dispatch from Los Angeles experimental cassette imprint Dinzu Artefacts comes from the duo De Ponti / Moretti. Their tape, Before We Were Foam We Were Unbridled Waves, is out now on its own or as part of the label’s July Batch. The clip, a live studio excerpt, provides a glimpse of the…
Clinamina
His Hubris is saxophonist Yong Yandsen and Sudarshan Chandra Kumar on electronics. The duo is a result of their prior involvement in various other performative configurations and an effort to develop the techniques employed in their craft. Drawing from standard improv conventions, they utilize a synthesis of extended techniques and live audio signal processing to expand the nature of their practice.“Saxophonist Yong Yandsen and electronic musician Sudarshan Chandra Kumar represent the small circ…
Trace Of Voices
A beautiful album of minimalist pastoralism from Japanese composer Masaya Kato, entitled Trace Of Voices. It’s piano based ambiances, with its obscure samplings, field recordings, and overall Japanesesque tones, are the perfect accompaniment to these long, relaxing mid winter evenings!Digipak version , in an edition of 150 copies.
Mellow My Mind, a Sloow Tapes discography
Chronicling the first 10 years of Sloow Tapes, Mellow My Mind gives an overview of all the tapes, broadsides, lp’s and booklets published so far. From Keijo’s desolate avant/acid folk moves to Fursaxa’s spiked organ drones with a short detour by way of Ira Cohen’s Akashic Records. Fully annotated with detailed information about the tapes, promo texts, reviews and a few texts written especially for this publication by Bart De Paepe, Matthew Parry and Louise Landes Levi.