Upcoming releases

Glenn Kotche and Darin Gray as On Fillmore, drums and bass in what they call acoustic doom music: the last part of their Brazil trilogy, a dense, hallucinatory, fever-dream record. Other Power, marbled lava vinyl.

Swedish artist Michael Idehall uses sacred texts as an apocalyptic framework: ten pieces of post-industrial music and dark ambient on grey marbled vinyl in a matte black die-cut sleeve. Ant-Zen, 12 inch.

Enemy by Control, the project of Thomas Garrison, in power electronics and death industrial since the late 1990s: six tracks of siege, aggression and fatalistic void. Multicoloured LP, each copy unique, 200 copies.

Polish power electronics and death industrial act SZNUR, recorded in 2025: eight tracks of concrete, steel and dead gods in a post-apocalyptic vision. CD in a matte six-panel digipak on Raubbau, distributed by Ant-Zen.

Berlin sound artist Ira Hadžić in two parts for gongs, recorded on a six-month tour of New Zealand and Australia in 2026 and shaped by Pauline Oliveros's Deep Listening. A study in resonance on cassette from Karlrecords.

Bruno Silva's Ondness with friends: Pedro Alves Sousa on saxophone, Kepla on cello and five guest voices, in a record that finds a way out of the cul-de-sac of his earlier work. Holuzam, LP of 300 copies.

Tekamolo, the anonymous electronic project, with drummer Elizabad Volkova: altered voices, fragments of memory and free-form electronics opened up by live drums, between groove and ambient. LP of 300 copies.

Aaron Michael Butler, Peter Tracy and Carlos Cotallo Solares, a Seattle trio on vibraphone, cello and violin: their own Errata and Lines, Dots, Clouds, Pulses, plus What Next? written for them by Eva-Maria Houben.

Chicago guitarist Bill MacKay and percussionist Michael Zerang in a duo debut of eight songs: darabuka, tambourine and saz with guitar, requinto and piano, from Arabian, Turkish, Indian and Iberian folk. Drag City.

Limited 12-inch EP of 1976 Les Rallizes Denudes material from the sessions behind Disque 4: The Last One live at Yaneura, Enter the Mirror and an alternate White Awakening. New color vinyl pressing on Temporal Drift.

Spoken-word pieces and sound collages by Pilar Talavera as Emotional Pussy, closing the cycle begun with Love Is the Law. Lyrics from the book Bolsanegra. Limited O-card cassette on Indefinite Boundary.

Vittorio Guindani and Eventless Plot, 17 pieces for field recordings, objects, percussion, tapes and electronics. Sixth release of Innovo Editions from Thessaloniki, on cassette in an edition of 70 copies.

Elizabeth Vogler sings in Occitan and other South-West dialects to harmonium alone in the church of Lescun, in the Pyrénées: six songs between ancient folk and experimental music, third and final pressing, red cover.

Rip, Rig & Panic (1965) and The Jaki Byard Experience (1968), the two albums Rahsaan Roland Kirk and Jaki Byard made together, on one CD: restored and mastered by Michael Brändli, with an essay by Art Lange.

The 19-piece Fire! Orchestra moves to We Jazz with a largely vocal album: thirteen tracks, from a Thee Oh Sees cover to a Ukrainian folk song sung by Sofia Jernberg, with words by Joe McPhee and Greta Thunberg.

Originally released in 1977, Renaissance was Dailey’s only album for Catalyst and remains one of the real standouts from the label’s short but brilliant run. A pianist with serious depth, Dailey had already built a heavy CV by this point, working wit…

One of the Holy Grails of the first psychedelic era, the first edition of the Tripsichord album on the San Francisco Sound label was released in 1970 in minuscule quantities and has eluded collectors for decades. Here’s the first ever reissue with fa…

The 2014 collaboration between Sissy Spacek (Charlie Mumma and John Wiese) and K2's Kimihide Kusafuka, made by mail between Los Angeles and Japan. Reissued with new artwork and liner notes, for the first time on vinyl.

Split between Incapacitants and Richard Ramirez, one fifteen-minute piece each, out on cassette earlier in 2026 and now on LP and CD in 200 copies per format, remastered by Lasse Marhaug.

First vinyl edition of the 1993 debut by Oleg Salkhov and Konstantin Smirnov, made at Moscow's SNC Studio from their own library of samples and loops. Downtempo, trance and techno from the early years of Russian electronic music. Remastered double LP…

Kemialliset Ystävät mark three decades with Joskussaaret, their first album in eight years: a collaged hike through a fictional island resort, built by Jan Anderzén with Ben Chasny, id m theft able, Islaja, Dialect and many others.

AMM in its classic trio of Eddie Prévost, Keith Rowe and John Tilbury, live at Goodspeed Hall, University of Chicago, on 20 April 1996. An audience recording approved by all three, 100 copies on green vinyl.

Spencer Clark's second and last album as Black Joker, from 2010, remastered and pressed to vinyl for the first time: wooden-block percussion, flute-like keyboards and interlocking synth melodies under a night sky.

Gonçalo F. Cardoso as Tropic Brut: contact mics, geophones and piezos on the resort complexes of Tenerife, concrete, metal and machinery amplified into a brutalist, tongue-in-cheek record about mass tourism. Mastered by Rashad Becker.

Black Truffle's 150th release: Graham Lambkin and Emmett Kelly fold finger-picked British folk, psych jams and loops of natural sound into a tape-collaged record, with Jim White on drums for one track.

Keyboardist Himiko Kikuchi's 1987 fusion album with guitarist Masatsugu Matsumoto, a full horn section and members of Spectrum, AB's and Yuji Ohno's band. Limited 180g reissue on Great Tracks, pressed in Japan.

Masabumi Kikuchi's quintet recorded live in the studio in March 1973, just before his move to New York: two saxophones over a piano trio, five original compositions. Japanese reissue by Universal Music on vinyl.

Pianist Masabumi Kikuchi's 1970 album named after his nickname: twin keyboards and twin drums, Kohsuke Mine on saxophones, and the long groove of Dancing Mist. Japanese reissue by Universal Music on vinyl.

Taeko Onuki's third album, from 1978, arranged by Ryuichi Sakamoto and Ichizo Seo with Haruomi Hosono, Yukihiro Takahashi and Shigeru Suzuki: Yokogao, Umi to Shonen and 4:00 A.M. 180g reissue cut by Bernie Grundman.

Bassist Takashi Mizuhashi in New York on February 22, 1977, with Herbie Hancock on piano and electric piano, Teruo Nakamura on second bass and Bruno Carr on drums. Nippon Columbia reissue on black vinyl, repressed for February 2027.

Tenor saxophonist Akira Miyazawa's first album, recorded in May 1962 with Masahiko Sato on piano and Sadao Watanabe on alto: a founding record of Japanese modern jazz. King Records reissue on black vinyl, repressed for February 2027.

The debut of drummer Toshio Osumi's regular trio, recorded for Three Blind Mice in March 1983 with Hiromu Aoki's funky piano: Watermelon Man, Willow Weep for Me, Beatles and Stevie Wonder songs. Official reissue on 180g vinyl.

Singer Koji Moriyama's debut as a leader, recorded for Three Blind Mice in December 1975 with the Tsuyoshi Yamamoto Trio: standards from Night and Day to Bye Bye Blackbird, sung and scatted with a light swing. Official reissue on 180g vinyl.

Drummer George Otsuka's third album for Three Blind Mice, recorded in February 1976 with Fumio Karashima on electric piano and synthesizer and Shozo Sasaki on saxophones, closing on Coltrane's Naima. Official reissue on 180g vinyl.

Masayuki Takayanagi alone with his electric guitar in August 1982: his first solo improvisation album, made after his recovery from near death, from Ornette Coleman's Lonely Woman to Lennie's Pennies. Official Three Blind Mice reissue on 180g vinyl.

Hermann Nitsch alone at grand piano and harmonium: a sonata performed in Düsseldorf and a night piece performed in Vienna in 1984, first issued on Yedermann that year. New pressing with his drawing on the cover, Tochnit Aleph, 250 copies.

Memphis funk band Ebonee Webb turn Japanese folk songs into disco in 1979, arranged by Chikara Ueda: Soran Bushi, Hanagasa Ondo and Tanko Bushi with heavy grooves and vocals in Japanese. First vinyl reissue, newly cut from the master tapes.

Bassist Isao Suzuki and tenor saxophonist Akira Miyazawa together in 1981, with Motohiko Hino on drums: Suzuki's first digitally recorded album, long a hidden gem of Japanese jazz. First vinyl reissue, newly cut from the original master tapes.

Drummer Akira Ishikawa and Count Buffalo's 1976 concept album on Okinawa: funk, Afro and disco over standards, Western pop covers and Okinawan folk songs, some arranged by Koichi Sugiyama. First colour vinyl, newly cut from the master tapes.

Saxophonist Takeru Muraoka's 1978 session for Seven Seas: crossover and fusion with sharp ensemble playing, with Shin Kazuhara on trumpet and Masanori Sasaji on keyboards. First colour vinyl edition, newly cut from the original master tapes.