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Happy Today, the third album from guitarist/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time. The performance also captures a distinctly joyful night of togetherness set against the back…
*150 copies limited edition* Circle Bros emerged during the late‑nineties wave of lo‑fi and dronerock, when Morc Records founder Wim Lecluyse first began shaping hazy, guitar‑driven soundscapes. Over the many years that followed, the project gradually started using a richer soundpallete, and shifted toward semi‑improvised, restrained songs that draw as much from minimal‑leaning songwriters as from artists who fearlessly approach the folk traditions. What has never changed is the core approach — …
Oceanine, Jolanda Moletta’s third album and her first for Beacon Sound, is a powerful and ethereal statement of artistic community. Expanding on her previous work, each track represents a collaboration with a different female vocalist, with the foundational elements being generated entirely by her own voice. By turns haunting, enchanting, and inspiring, you won’t want to come up for air once you’ve been pulled under. Representing a musical practice that is distinctly feminist, this is an album w…
Primordial Mind forms the mysteries and intensity of inner life into eight mandalic instrumentals where Mas Aya and Khôra, artists who share 15 years of music making, orchestrate an inspired, prismatic palette of percussive and melodic sources. Each composition presented stages a vigorous meshwork of colours and textures, contrasting riveting polyrhythms with towering arrangements for flutes, synths, and processed acoustic instruments. Tendencies which the artists trace in their solo practices a…
*300 copies limited edition* Once mainly something that existed in a live setting, the group drifts further into its own orbit with a second collection of songs. What began as a collaboration between two voices now expands with the presence of a third, adding new layers that sometimes verge on something almost familiar. The work continues to explore a method that feels less like collecting from the outside and more like rearranging from within. Fragments are taken apart and reassembled: rhythms,…
Italian saxophone, cornettophone, and bansuri flute player Gianni Gebbia makes his debut on Minority Records with Sleep, released on LP and Bandcamp on May 1, 2026, the same day that marks the artist's 65th birthday.Sleep can be considered an introspective and ambient meditative work, whose structure does not correspond to traditional jazz compositions, but rather consists of extensive improvised hypnotic soundscapes without precise boundaries, using soprano saxophone and cornettophone with elec…
A strange and beautiful artifact of late‑70s outsider music returns: Kit Ream’s lone 1978 album, All That I Am, has been reissued on vinyl and digital formats. Once a private-press secret treasured by psych‑folk collectors, this ultra‑rare record is now available again for listeners drawn to music that sits defiantly outside conventional boundaries.
Weirdos, or so they said. A long‑term psychological state. All That I Am grew from that condition — music shaped by solitude, introspection and an u…
'Weather Eye' marks the first recorded collaboration between Italian guitarist Francesca Naibo and American cellist Theresa Wong. This collection of improvisations reveals a dialogue of care as the duo uncovers delicate and unexpected sonorities of the electric guitar, cello and two voices. Francesca Naibo is an Italian guitarist who moves fluently across all the different conjugations of the guitar, from the classic, the electric, to the fretless and the pedal steel. Involved in the research fo…
In an age that demands hyper acceleration, kinetic flashes and byte voracity, Blak Saagan sticks out like a sore thumb with a sprawling body of work that requires attention and unlocks profound symbols and meaning with every passage. After a 5 year gap, the Venetian composer returns with his most personal and openly political statement yet, ‘Un Sequestro Lungo 10.000 Anni’, a staggering 108 minute triple album soundtracking a dystopian city through flashes of futuristic fourth world visions, war…
"Historically, ensembles combining taishōgoto and bagpipes (at least inside the milieu of “jazz”) have been on the tame side. The Winkler Twins, Dagnabbit, CUZ and other such units pandered to the bowtie set so exclusively that many people have all but dismissed the instruments as hopelessly moldy or even (in the words of critic Milo Fine) “tools of fascism and complacency.” That said, it is my pleasure to announce that the duo of William “Bill” Nace and Dave “David” Watson has made a mighty eff…
There are moments of silent depth in which the winter of the scalpel of meaning and the spring of the sound-born, unleashed body look upon the world fully present. When the notes at last are heard, the ordered world is their indistinguishable score. The ritual of process is that which carries. The process of ritual is that which brings moments both transitory and immortal, apprehended by musician, seer, clairvoyant, herald; the welling tones that emanate from the crystal salt of shattered primor…
On Panorama Vol. 2, Various Artists from the golden age of French cinema and library studios resurface in 11 lush, long‑buried cues, all moody strings, flanged funk drums and prowling basslines wrapped in a deluxe archival edition.
"There's an irony inherent in the term 'postpunk.' Many of the groups that define the genre (think Pere Ubu or Cabaret Voltaire) existed for several years before punk. But these outfits had little hope of finding an audience until punk stirred up an appetite for the extreme, while also spawning a new breed of independent labels that could support challenging music. " This Heat are a prime example. Formed in early 1976 by drummer Charles Hayward, guitarist Charles Bullen and 'non-musician' Garet…
On Sanctioned Departures, William Selman lets two rainforests - Pacific Northwest and Costa Rica - compose themselves, braiding tidal lagoons, primates, saunas and street sweepers into humid, borderless environments where categories dissolve like shorelines under floodwater.
On Sumatra Method, Émile Zener (aka Gunnar Haslam) rebuilds 1950s–60s Indonesia as a haunted acoustic system, where Cold War proxy battles, propaganda and terror flicker through unstable drones, VHS detritus and spliced testimonies.
On Chandler and Dickow Play Fischer, David Chandler and Paul Dickow treat Marcus Fischer’s graphic scores as a lab problem rather than a script, using tracing paper, chalk, piezo styli, EEG data and a 1970s modular synth to probe what it means to “play” an image without simply projecting themselves onto it.
On Mount Mansfield, Sam Boston and Shawn O’Sullivan turn a Vermont peak into both instrument and score, binding bent lapsteel and analog feedback into a slow‑growing, topographic drone where static contour becomes living, verdant resonance.
Tip! You’re approaching the region where gravity feels tampered with; “Dreaming With The Lights On” is to drift into a zone where bodies and objects appear to have slipped into a dream’s editing room and reassembled themselves according to priorities still unfamiliar. The music begins long before the sound does—inside a suspended brightness, a sky that hums with the possibility of transformation. The listener’s mind becomes a surface onto which impossible gestures imprint themselves: limbs blend…
When musicians are on tour, conversations naturally turn to music. Two years ago, whilst exploring the jazz kissas and record stores of Tokyo, woodwind maestro Chip Whickham and ATA mastermind and bassist Neil Innes discussed their shared influences of Yusef Lateef, David Axelrod and Alice Coltrane. Sounds and concepts percolated, and before long, both musicians were back in Leeds with The Lewis Express to record material for what would become Doo - Ha! (2025).
The compositions for this album we…
"Something to Remember" marks a significant new chapter for pianist and composer Juan J. Ochoa, exploring the intimate territories between acoustic and electronic sound worlds. Through prepared piano, traditional piano, and subtle electronic processing, Ochoa crafts a deeply personal sonic meditation that bridges experimental technique with emotional immediacy. The album showcases his distinctive approach to the instrument—treating the piano not just as a melodic or harmonic device, but as a com…