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fluXus returns to CiS with a beautiful new album entitled 'Ghost Signs'. fluXus is Cornwall based artist Nigel Rushbrook. Born on the same day as Ralph Vaughan Williams and Alistair Crowley, Nigel lives and records in a cottage once owned by Sargeant Howie AKA Edward Woodward. 'Ghost Signs' brings some darker shades of ambience and classic electronic sounds, with Berlin School style sequencing and a retro sensibility. Nigel uses vintage analog and virtual synths and old-school effects. Nostalgic…
*200 copies limited edition* Twenty years after its original release, The Sound Of Lights When Dim remains a remarkable opening statement from Drew Sullivan’s Slow Dancing Society. First released on September 6, 2006, the eight-track album established a musical language that Sullivan would continue to explore and refine for the next two decades: slowly unfolding electronics, treated guitar, soft rhythmic movement and melody shaped less by conventional structure than by memory, atmosphere and emo…
Gidon Kremer and Kremerata Baltica play Georgs Pelēcis' title concerto, written for Kremer, Andrius Žlabys' Kaleidoscope of Lost Time and two works by Arvo Pärt, Passacaglia and Darf ich.
Stephan Micus' 27th solo album for ECM, dedicated to the sea: a dozen instruments from Borneo, Japan, India, Armenia, Africa and beyond, from hang and kalimbas to shakuhachi, duduk, sapeh and sho.
Lucrecia Dalt's score for Bryn Chainey's folk horror Rabbit Trap, a film about the power of sound: humming drones, unnerving loops and garbled fairy chatter, with Aaron Dilloway on one track.
Cabaret Voltaire's 1987 album, co-produced with Adrian Sherwood: the turn to synth-pop and mechanistic funk, remastered from the original tapes by Denis Blackham and back on Mute.
The 1993 RRRecords session, the heaviest Skullflower record of the first decade: Matthew Bower, Stuart Dennison and Russell Smith in five long pieces of droning, chaotic dissonance.
Ikue Mori and Craig Taborn, the duo Highsmith, return after ten years and open up into three trios with Bill Frisell, Tomeka Reid and John Zorn, plus a few quintet pieces.
Raoul Björkenheim on guitar and Paal Nilssen-Love on drums, old partners from Scorch Trio, in nine pieces of free music recorded in Helsinki: wild and raw, at times delicate and introspective.
Giancarlo Toniutti in a book-length conversation with Aram Yardumian, from his teenage tapes to Xenakis, René Thom and field recording, with archival photos, a full index of works and a CD of three new pieces.
Alvin Curran conducts the Iato Orchestra, thirty musicians with voice, reeds, brass, strings, harp, accordion, guitars, vibraphone, basses, two drummers and four electronics players.
Spencer Clark returns as Monopoly Child with five electronic sound paintings inspired by Rome's Villa Borghese gardens: distorted voices, transformed bells and luminous synthesizers as a manual of levitation magic.
Wolf Eyes' first full-length as the core duo of Nate Young and John Olson since 2023: twelve tracks of warped kicks, skittering drum synth, narcotized vocals and Olson's homemade reeds.
Belgian improvisers Linus and Bonnie 'Prince' Billy reimagine the songs of Dutch songwriter Jules de Corte: slowed, expanded folk miniatures on religion, love and loss, with guitars, banjo, clarinet and lap steel.
Ennio Morricone's 1977 score for Pasquale Festa Campanile's road thriller with Franco Nero, Corinne Cléry and David Hess, with Edda Dell'Orso and I Gladrags: first reissue since the 500-copy original, restored from the master tapes, in a digipack.
Roxy Music's 1973 second album, the last with Brian Eno, remastered on 140g black vinyl with a second disc of unreleased AIR Studios outtakes and the Eno tapes of the title track, in a gatefold sleeve curated by Bryan Ferry.
Two unreleased late works by Pierre Henry for his centenary: Variance (2005), a fugal homage to Luc Ferrari, and Duo (2003), a gestural rhapsody for feedback and piano dedicated to Maurice Béjart. Licensed from Studio Son/Ré.
First vinyl reissue of Morricone's score for Henri Verneuil's 1971 heist film with Belmondo and Omar Sharif: crime grooves, lounge jazz and Edda Dell'Orso's voice under Bruno Nicolai's baton, plus two rare Astrud Gilberto sides.
A collector's field guide to 400 spiritual and cosmic jazz records, from the mid-1960s to today, chosen and annotated by Amir Abdullah and Manu Boubli, with rarity scores and lists by Gilles Peterson, King Britt and Matthew Halsall.