We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Studio album from Bamako-based Tuareg band Amanar de Kidal. "Kel Tamasheq” is years in the making, a self produced DIY album, recorded in the small studios of the Malian capital over the past few years.
Carrying on in the tradition of assouf, the Northern Malian style of Tuareg guitar popularized by artists like Tinariwen, Amanar pushes the sound forward into tight upbeat groove and kinetic rhythms, reflecting the rich diversity of Mali and the energy of the capital. The band takes its name from…
This recording brings together the forty known compositions for Saxophone Quartet by Julius Hemphill (1939-1995). These works were composed between 1978 and 1989 for performances with the World Saxophone Quartet. These compositions are, with the fewest of exceptions, written specifically “on” the saxophone quartet. He will at times set a piece written for his small-group ensembles onto the saxophone choir, but in the main, this music is created on and through the saxophones. He uses the saxopho…
Nigerian ambient producer Ibukun Sunday returns with new full length Olúsín [Worshippers], combining West African rhythmic sensibility with deep ambient sonics for a study of faith and reverence that explores the inherent stillness in worship. The record, writes Sunday, “draws inspiration from African devotional traditions, blending percussion, vocal harmony, and ambient soundscapes to create ‘a soundtrack of praise,’ centering on the idea that faith has its own music: the drumbeat of hearts, th…
After the wild Afro-jazz fusion of Trancedance (reissued as BT118) and the meditative solo Christer Bothén Donso n’goni (BT133), legendary Swedish multi-instrumentalist Christer Bothén returns to Black Truffle as part of a dream quartet completed by the three members of Ghosted: Oren Ambarchi (guitar), Johan Berthling (bass) and Andreas Werliin (drums). Recorded at a rustic studio built by Werliin and Hans Fredriksson in the sylvan surrounds of Hamburgsund, Sweden across a few days in September …
"Impassable moments lingering in the present,” utters Beth Robertson, the soft spoken voice cresting over a jostle of harmonics, creaks and knocks. “Existing just after us but before her. Everything lingers.” It’s inevitable that a record inspired by gigantic mounds of waste should be rich in the residue of the past, yet it’s striking to hear these atmospheres crackle with future-facing anticipation. Out of the sounds salvaged and recycled from previous performances at Tokoro Studio, we hear all…
"In many senses, this is a music of distances. We’re listening to the 6000km that resides between the players’ respective locations in Ithaca, USA and Wiesbaden, Germany. We’re listening to field recordings of two separate walks – one in each of these locations, each walk precisely 3km in length – which adopts the role of a “score” within this collaboration. We’re listening to distinct slithers of time, as guitars and electronics are later overlain upon the field recordings, gracing these locati…
Powerful trio music by pianist Takehiro Honda, known for his strong touch and bluesy feeling, together with an American rhythm section. The album features a line up of compelling originals, including the overwhelmingly powerful "Minors Only" and the title track "Salaam Salaam," whose title means “peace” in Swahili.
East Wind was a ground-breaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then known. Over a per…
The first leader album by Ryo Kawasaki, a jazz and fusion guitarist whose talent was recognized by Gil Evans and who went on to work internationally. The album presents a cool cosmic sound, including "Agana," where Kawasaki delivers breath-taking guitar playing over high-speed percussion, and the dazzling jazz-funk number "Phil."
East Wind was a ground-breaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then know…
A representative work by popular pianist Tsuyoshi Yamamoto, known for his swinging and bluesy feeling. Backed by Tsutomu Okada and Hiroshi Murakami, Yamamoto gives elegant performances of famous standards such as "Stella by Starlight" and "Alone Together" in a relaxed atmosphere.
East Wind was a groundbreaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then known. Over a period of about five years, the label prod…
Freddie Hubbard’s Goin’ Up brings listeners into motion from the very first notes—an electrifying statement of swing, power, and musical imagination. Brimming with bold improvisations and masterful ensemble interplay, the album captures the spirit of jazz at full throttle, showcasing Hubbard’s unmistakable brilliance and the kind of creative urgency that turns every track into a journey. From its confident opening to its most uplifting moments, Goin’ Up is a celebration of sound and swing: preci…
Celebrated as a standout in the jazz canon, Lee Morgan’s “Lee-Way” returns with fresh momentum, reaffirming its power to thrill with its melodic immediacy, rhythmic drive, and unmistakable personality. The album showcases Morgan at the peak of his craft: a trumpet voice that cuts through with clarity, confidence, and emotion, guiding every performance with purpose.
On “Lee-Way,” the ensemble moves with precision and swing, balancing tight musical interplay with a sense of spontaneity that keep…
Charles Lloyd pays homage to his dear friend and longtime collaborator Zakir Hussain with the July 24 release of Sangam & Friends, an extraordinary document of the deep musical affinity between the legendary saxophonist/flutist and tabla master along with their Sangam trio mate drummer Eric Harland. The album is built around studio recordings made in Mumbai in 2009 for an album that was begun but never completed featuring an expanded ensemble with Carnatic singer Vijay Prakash, Rakesh Chaurasia …
During numerous sessions in their own Inkiek studio in Unna/Germany and a residency in Montoriol/France in 2025, Klangwart have created their new work „Wildnis“ („wilderness“), inviting Sébastien Del Grande to add tenor and alto saxophone, drums, marimba and other various percussion instruments to their electronic textures. Catalan composer and performer Ivan Chin aka Ivan Telefunken also participated in the recording sessions by contributing to a Catalan version of Swiss group Grauzone's famous…
A blackbird at dawn inspired a living score: Natalia Beylis’ work, ‘Around Here, The Birds Plant The Trees’, is a 52-minute longform journey about land stewardship grown from the sounds and textures of a single field in Leitrim, Ireland. This recording of 'Around Here, The Birds Plant The Trees' captures the piece as it existed on Friday 12 December 2025. I mention a specific date, because the score for this work is constantly shifting and provides a new variation each time it is played, echoing…
Habibi Funk’s new sister label Audible Beauty Records second release: A landmark collection retelling the untold story of Malaysian jazz featuring 9 songs from the legendary composer, arranger and trumpet player Johari Salleh. Salleh played a crucial role in shaping the sound of modern Malaysian music across radio, television, film and live performance and has composed dozens of popular songs in his decades long career. His personal musical passion always was jazz, reflected in this deep selecti…
Habibi Funk’s new sister label Audible Beauty Records debut release: A landmark collection retelling the untold story of Malaysian jazz featuring 11 songs from the legendary composer, arranger and pianist Alfonso Soliano, originally recorded for Radio Television Malaysia (RTM) and only released in a run of a few dozen copies for radio broadcast. Widely regarded as one of the foundational figures of Malaysian music, Soliano blended jazz, Latin influences and traditional Malay musical forms into a…
The album “St. John Green” is the only release by the American band of the same name, and is regarded as a minor cult classic of 1960s psychedelia. It was released in 1968 by the small label Flick-disc. Released at the height of the flower power era, the record perfectly captures the musical and cultural atmosphere of the late 1960s. The album blends various elements typical of psychedelia with sonic experimentation, garage lysergic influences and a free-spirited approach to songwriting.
“Stone Angel” is the self-titled album by the English folk group Stone Angel, released in 1971 on Seashell record. The group hailed from the rural counties of Suffolk and Norfolk, and the album deeply reflects that setting: deeply rooted traditional English folk, but with a psychedelic touch typical of the era. Simple acoustic arrangements (guitar, dulcimer, female vocals),intimate and pastoral atmospheres, featuring ballads and ancient melodies, a slight ‘acid folk’ vein, similar to bands such …
Bringing page and tape into the same charged zone, this bundle pairs A Journey Through Sound, Silence and Return with M.U.U.N.H. 31.04.1982, uniting Maurizio Bianchi’s most ascetic industrial vortex with Raffaele Pezzella’s definitive monograph. Together they form a single, immersive dossier on sound as extremity, withdrawal and unresolved return.
Few figures in experimental music embody rupture as completely as Maurizio Bianchi. A Journey Through Sound, Silence and Return traces his arc from ferocious early industrial extremism to a radical withdrawal and enigmatic comeback, revealing an artistic ethic where creation, renunciation and re-emergence form one continuous, troubling gesture.