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** Deluxe matte laminate gatefold sleeve and polylined paper inner sleeve ** Paris, August 1969. Sunny Murray books a studio for a single afternoon and walks in with thirteen musicians - among them three members of the Art Ensemble of Chicago, the working sextet built around Archie Shepp, and the singer Jeanne Lee. What they cut that day, Hommage To Africa, is one of the high-water marks of the legendary BYG Actuel catalogue, and one of the warmest and least abrasive records the free jazz moveme…
One of the great small-group dates in the Impulse! book, and a quietly perfect one. Cut February 5 and 8, 1962, produced by Bob Thiele, with an across-the-generations cast: drummer Manne steering with the lightest touch, the mighty Coleman Hawkins in a late-career surge that reminds you exactly why he invented the tenor saxophone as we know it, Eddie Costa and Hank Jones trading the piano chair, George Duvivier anchoring the bass. The whole thing breathes - duet, trio, quartet, the group shrinki…
Nat Birchall, saxophonist and composer, one of the most authentic voices in contemporary spiritual jazz, presents Path of Enlightenment, a sonic journey through rarely explored scales and modes, from Ethiopia to Byzantium, from ancient Egypt to South Africa.
For this new recording, Birchall deliberately chose the quartet format - tenor sax, piano, double bass and drums - seeking a cohesion and intimacy that allows the music to breathe and tell its story. Joining him are his trusted collaborators…
Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…
Caught at the exact moment the young trumpeter steps fully into his own. Recorded July 2, 1962, at Rudy Van Gelder's studio, released in 1963 on Impulse!, this is Hubbard with technique to burn but warmth to match - every line sculpted, every phrase rhythmically alive. Around him a ridiculous cast: John Gilmore (yes, the Sun Ra tenor man) shadowing Hubbard's lines with that crooked, unmistakable tone, Curtis Fuller and Tommy Flanagan filling out the harmony, Art Davis and Louis Hayes locking dow…
500 units, deluxe remastered edition. Some records are made in the present tense. The Civil Surface was made in the past perfect - a band returning from its own ending to commit to tape the music it had never quite managed to record. By the time these sessions took place at Worthing's Saturn Studios in the summer of 1974, Egg had already been finished for two years. The trio - organist Dave Stewart, bassist and horn player Mont Campbell, drummer Clive Brooks - had cut two singular albums of orga…
Created by correspondence between Christchurch and London, Nebular pairs Roy Montgomery's decaying post-rock, folk and drone guitar with Martha Skye Murphy's wordless, glossolalic voice. Stems traded by email at nocturnal hours, raw emotion launched into a time capsule for the stars.
Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi…
Legendary Japanese experimentalist Keiji Haino (Fushitsusha) and London's fearless drummer Steve Noble took to the stage at Cafe OTO in 2012 for a monumental concert - with Haino's extreme treatments of electric guitar, and feedback, with Noble on a lot of percussion...
While Haino theatrically sweeps between bleak and uninhibited paranoia, deep-level zoning and bluesy contemplation, Noble's huge set up and graceful approach brings space, light and shade - so much so that at one point Haino unpl…
Seventh entry in the essential Can live series, and one of the great ones. A hot August night in 1975, the Roman Théâtre Antique in Arles, the core four locked in: Irmin Schmidt, Michael Karoli, Jaki Liebezeit and Holger Czukay. No safety net, just the band stretching out in real time.
For decades this concert lived only in the stories of the people who were there, the recording buried in the Spoon Records vaults. Unearthed at last for its first ever release, with sleeve notes drawn from first-h…
Once again studio master / composer / bassist Guy Segers assembles a huge cast of progressive musicians to perform / improvise 8 new pieces. Guy's methods of composition and collage remain as before, but each new Eclectic Maybe Band release brings a new perspective to the music. This time round harder, more brittle sounds emerge from an album with a very punchy attitude. A mixture of avant pop and progressive complexity.
A fourth collection of Keith Jafrate's soulful music and poetry in the grand lineage of spiritual jazz, performed once more by a team of top drawer northern UK players who can interpret this music with power and sensitivity.
With their fourth album on discus Uroboro continue to expand composition into improvisation, or perhaps set it free to become improvisation, or perhaps sabotage it with improvisation. by way of explanation, they offer an absorbing set of eight new pieces, four vocal and four…
In Arc, Yorkshire-born artist Kirk Barley explores alternative tunings and off-grid sequencing to shape fluid rhythmic and melodic systems that unfold into rich harmonic forms. Kirk’s fourth album under his own name and debut for Marionette continues his exploration of just intonation through a sparse but finely detailed palette of organic atmospheres, metallic shimmer and off-kilter rhythms. Across the record, glassy pads, gamelan metallophones, clarinet and guitar dissolve into fluid, dreamlik…
*300 copies limited edition* Anybody paying attention to what’s been happening at Lumberton Trading Company during recent months should have noticed that Modelbau had a collaborative CD with Bass Communion released in late March. Meshing abstract electronics with ambient textures, field recordings and a more electroacoustic setting, 'Analysis Reveals Nothing of Substance' brought together the minds of Frans de Waard and Steven Wilson into a space that proved their own slightly different takes on…
RGL is a track maker known for his lo-fi house productions and analog-textured dance music, with releases on labels such as Diskotopia and Breaker Breaker. His new work, Untitled, showcases a wide-ranging sonic palette: alongside rhythm-driven tracks, the release also features abstract drone pieces with little or no discernible beat. The result is a work that crystallizes RGL’s singular sensitivity to sound and texture.
On White Morning, Fumio Miyashita distils his healing‑ambient language into two near‑half‑hour reveries: soft synths and gentle acoustic colours held in a discovered stillness that treats music as a space for rest, focus and quiet presence.
On Mood Programs – Extended Play, Ron Trent’s LA MARR project turns two long pieces, “Good Magic” and “Clear”, into living rooms of sound: ambient‑leaning, rhythm‑conscious environments where synth, dub space and hi‑fi warmth shape mood as much as melody.
On Después De Llover, Eli Wewentxu and Indrė Jurgelevičiūtė turn a first encounter into a shared dreamscape, letting kanklės, txompe and violin wander in post‑rain light where plants, pudus and herons quietly rewrite the rules of folk dialogue.
On Everything You Giveaway, Pablo’s Eye turn Richard Skinner’s seaside vignette into a drifting meditation on loss and camouflage, where a missing jade earring becomes a quiet parable about hiding what hurts in the very element that once held it.
On Bivabippabualukka, Sofie Birch turns a spiritually transformative period with her brother Alfred into a bossa‑tinted pocket of joy: playful, childlike songs where intuition, myth and healing spill out like fish from a cup of dreams.