Upcoming releases

Elizabeth Vogler sings in Occitan and other South-West dialects to harmonium alone in the church of Lescun, in the Pyrénées: six songs between ancient folk and experimental music, third and final pressing, red cover.

Rip, Rig & Panic (1965) and The Jaki Byard Experience (1968), the two albums Rahsaan Roland Kirk and Jaki Byard made together, on one CD: restored and mastered by Michael Brändli, with an essay by Art Lange.

The 19-piece Fire! Orchestra moves to We Jazz with a largely vocal album: thirteen tracks, from a Thee Oh Sees cover to a Ukrainian folk song sung by Sofia Jernberg, with words by Joe McPhee and Greta Thunberg.

Originally released in 1977, Renaissance was Dailey’s only album for Catalyst and remains one of the real standouts from the label’s short but brilliant run. A pianist with serious depth, Dailey had already built a heavy CV by this point, working with names including Art Blakey, Stan Getz, Sonny Rollins, Sarah Vaughan, Charles Mingus and Woody Herman. On Renaissance, that experience comes through in full: strong compositions, fluid playing, and a band that knows exactly where to take the music. …

One of the Holy Grails of the first psychedelic era, the first edition of the Tripsichord album on the San Francisco Sound label was released in 1970 in minuscule quantities and has eluded collectors for decades. Here’s the first ever reissue with faithful reproduction of the original homemade sleeve with pasted on stickers, fabulous remastered sound, insert with detailed liner notes & photos / memorabilia plus download card. Tripsichord Music Box emerged from the San Francisco’s ’60s psychedeli…

The 2014 collaboration between Sissy Spacek (Charlie Mumma and John Wiese) and K2's Kimihide Kusafuka, made by mail between Los Angeles and Japan. Reissued with new artwork and liner notes, for the first time on vinyl.

Split between Incapacitants and Richard Ramirez, one fifteen-minute piece each, out on cassette earlier in 2026 and now on LP and CD in 200 copies per format, remastered by Lasse Marhaug.

First vinyl edition of the 1993 debut by Oleg Salkhov and Konstantin Smirnov, made at Moscow's SNC Studio from their own library of samples and loops. Downtempo, trance and techno from the early years of Russian electronic music. Remastered double LP.

Kemialliset Ystävät mark three decades with Joskussaaret, their first album in eight years: a collaged hike through a fictional island resort, built by Jan Anderzén with Ben Chasny, id m theft able, Islaja, Dialect and many others.

AMM in its classic trio of Eddie Prévost, Keith Rowe and John Tilbury, live at Goodspeed Hall, University of Chicago, on 20 April 1996. An audience recording approved by all three, 100 copies on green vinyl.

Spencer Clark's second and last album as Black Joker, from 2010, remastered and pressed to vinyl for the first time: wooden-block percussion, flute-like keyboards and interlocking synth melodies under a night sky.

Gonçalo F. Cardoso as Tropic Brut: contact mics, geophones and piezos on the resort complexes of Tenerife, concrete, metal and machinery amplified into a brutalist, tongue-in-cheek record about mass tourism. Mastered by Rashad Becker.

Black Truffle's 150th release: Graham Lambkin and Emmett Kelly fold finger-picked British folk, psych jams and loops of natural sound into a tape-collaged record, with Jim White on drums for one track.

Keyboardist Himiko Kikuchi's 1987 fusion album with guitarist Masatsugu Matsumoto, a full horn section and members of Spectrum, AB's and Yuji Ohno's band. Limited 180g reissue on Great Tracks, pressed in Japan.

Masabumi Kikuchi's quintet recorded live in the studio in March 1973, just before his move to New York: two saxophones over a piano trio, five original compositions. Japanese reissue by Universal Music on vinyl.

Pianist Masabumi Kikuchi's 1970 album named after his nickname: twin keyboards and twin drums, Kohsuke Mine on saxophones, and the long groove of Dancing Mist. Japanese reissue by Universal Music on vinyl.

Taeko Onuki's third album, from 1978, arranged by Ryuichi Sakamoto and Ichizo Seo with Haruomi Hosono, Yukihiro Takahashi and Shigeru Suzuki: Yokogao, Umi to Shonen and 4:00 A.M. 180g reissue cut by Bernie Grundman.

Bassist Takashi Mizuhashi in New York on February 22, 1977, with Herbie Hancock on piano and electric piano, Teruo Nakamura on second bass and Bruno Carr on drums. Nippon Columbia reissue on black vinyl, repressed for February 2027.

Tenor saxophonist Akira Miyazawa's first album, recorded in May 1962 with Masahiko Sato on piano and Sadao Watanabe on alto: a founding record of Japanese modern jazz. King Records reissue on black vinyl, repressed for February 2027.

The debut of drummer Toshio Osumi's regular trio, recorded for Three Blind Mice in March 1983 with Hiromu Aoki's funky piano: Watermelon Man, Willow Weep for Me, Beatles and Stevie Wonder songs. Official reissue on 180g vinyl.

Singer Koji Moriyama's debut as a leader, recorded for Three Blind Mice in December 1975 with the Tsuyoshi Yamamoto Trio: standards from Night and Day to Bye Bye Blackbird, sung and scatted with a light swing. Official reissue on 180g vinyl.

Drummer George Otsuka's third album for Three Blind Mice, recorded in February 1976 with Fumio Karashima on electric piano and synthesizer and Shozo Sasaki on saxophones, closing on Coltrane's Naima. Official reissue on 180g vinyl.

Masayuki Takayanagi alone with his electric guitar in August 1982: his first solo improvisation album, made after his recovery from near death, from Ornette Coleman's Lonely Woman to Lennie's Pennies. Official Three Blind Mice reissue on 180g vinyl.

Hermann Nitsch alone at grand piano and harmonium: a sonata performed in Düsseldorf and a night piece performed in Vienna in 1984, first issued on Yedermann that year. New pressing with his drawing on the cover, Tochnit Aleph, 250 copies.

Memphis funk band Ebonee Webb turn Japanese folk songs into disco in 1979, arranged by Chikara Ueda: Soran Bushi, Hanagasa Ondo and Tanko Bushi with heavy grooves and vocals in Japanese. First vinyl reissue, newly cut from the master tapes.

Bassist Isao Suzuki and tenor saxophonist Akira Miyazawa together in 1981, with Motohiko Hino on drums: Suzuki's first digitally recorded album, long a hidden gem of Japanese jazz. First vinyl reissue, newly cut from the original master tapes.

Drummer Akira Ishikawa and Count Buffalo's 1976 concept album on Okinawa: funk, Afro and disco over standards, Western pop covers and Okinawan folk songs, some arranged by Koichi Sugiyama. First colour vinyl, newly cut from the master tapes.

Saxophonist Takeru Muraoka's 1978 session for Seven Seas: crossover and fusion with sharp ensemble playing, with Shin Kazuhara on trumpet and Masanori Sasaji on keyboards. First colour vinyl edition, newly cut from the original master tapes.

The only album by guitarist Fujimaru Yoshino's Fujimaru Band, from 1977: a Japanese rare groove record known to few for decades, rediscovered abroad, here on uncoloured virgin vinyl, newly cut from the original master tapes.

This bundle gathers the whole cycle: the deluxe 3CD box Anxiety Sucks, the deluxe 4CD box a sad song for A. by Anacleto Vitolo, Hiseka, Gigi Masin and Fabio Orsi, and the two live albums that followed it, Live Panic by Anacleto Vitolo and Live Dream by Fabio Orsi. Nine CDs across two boxes, each limited to 300 copies.

Solo double LP by Guilhem Lacroux of Tanz Mein Herz for Gretsch Duo Jet and Korg Volca: fifteen pieces on four named sides, from plucked figures and fast repeated strumming to bell-like tones and organ-like chords. 300 copies, black vinyl.

Tanz Mein Herz's new double LP, recorded in Cherbourg in August 2025: guitars, bagpipes, bass, drums and electronics, from the nineteen-minute climb of Depuis Longtemps to long tones and dense drone.

Brussels string quintet BOW in its most extensive document to date: three days of unplanned, unedited improvisation in the small stone church of Vinalmont, between chamber intimacy and free improvisation, on three CDs.

Laura Betti sings Kurt Weill in Bruno Maderna's arrangements: the two 1963 Ricordi LPs conceived by Roberto Leydi, restored and complete on one CD for the first time, with a 108-page book edited by Veniero Rizzardi.

Michael Garrick's first long session, cut in a single day in 1964 with Dave Green and Colin Barnes and privately pressed in 99 copies. Lansdowne reissues it as a 10-inch in a flipback sleeve, 300 copies, transferred from Garrick's own copy.

Esplendor Geométrico's second album from 1985, from their noisiest and harshest period: subsonic drones, minimal machine rhythms and distorted melodies. Expanded with a second LP of the Bruitiste tracks and rarities, remastered in 2026.

Piero Piccioni's music for Folco Quilici's aerial documentaries L'Italia Vista Dal Cielo, from the Lazio, Lombardia and Toscana episodes: jazz-inflected orchestral writing and lyrical themes. First time on vinyl, 300 copies.

Scottish singer and guitarist Alasdair Roberts and Norwegian just intonation explorer Fredrik Rasten stretch seven traditional Scottish ballads into slow, drone-rich spells: an hour of overtones, hurdy-gurdy, psaltery and two voices.

The Heads’ 2026 tour deforce, their swan song album for all… sold out on all vinyl formats. Rooster has decided to repress one last time, the end of the year push is here with the end of times supernova colour in colour destroyed galaxy “Supernova” edition. It will be released almost 30 years on from their seminal debut “Relaxing With”, this will be their fifth studio album proper. The band are a well established though reclusive part of the UKs underground /cult psychedelic rock scene. A consta…

Dreamlord Recordings has become a trusted doorway into records that take you on a journey. Arboria return with Arboria III, and Messers Parkes and Wood are ready to open that door one more time. Its eleven pieces form a woodland tale that begins at sunrise, passes through hidden gardens and moonlit rites, then settles into sleep with the promise of another morning close by. Across Arboria III, Arboria use a modest group of instruments to tell a story with remarkable clarity. Acoustic guitar keep…