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This is supposed to be a 40th anniversary reissue. Well, it's still this but with year of a delay.. Well, it's still it but with year of a delay. It was told enough about the early Metgumbnerbone recordings. We just keep some quotes here.
"It’s hard to imagine anything more haunting than the folk horror ritual sounds which Metgumbnerbone conjured forth in the Ruins of Industry." - Kristian Olsson, Shock Tilt
"Working mainly with percussion, Metgumbnerbone evolves an improvisational continuum tha…
** Edition of 100 ** Huerta Ensamble is a collaborative research project by Mexican artists Concepción Huerta and Daniela Huerta, dedicated to exploring sound through synthesis and magnetic tape experimentation. Their practice delves into tuning, electricity, spatiality, psychoacoustics, and the fundamental principles of sound, with live performances unfolding through improvisation and the dialogue unique to each setting.The album, "S∞S", treats sound as a living organism — alive with resonance,…
Big tip! K&L for KL and BLK+LND bring together two of Phill Niblock's final compositions, conceived by Niblock as companion works and intended to travel together. Released by Sub Rosa, the record preserves a pairing that Niblock himself wanted heard as a whole. In 2022, Niblock asked bass clarinetists Katie Porter, based in New York, and Lucio Capece, based in Berlin, to record K&L for KL, a work for two bass clarinets and electronic playback. Porter and Capece perform together as Phase to Phase…
*300 copies limited edition* Mothers of All is Mark Gomes' second album as Blue Chemise for Students of Decay, following 2018’s acclaimed Daughters of Time. Though built from very different materials, it shares its predecessor's economy, sense of proportion, and fascination with the ways domestic life can open onto larger and less easily defined realms. Where Daughters of Time evoked tender, if alien, nursery songs, Mothers of All takes the form of spectral salon music heard at a temporal and ge…
»Baby Ghost« is the debut album by double bassist and vocalist Jordan Sand. Released through Hallow Ground, it blurs the lines between different genres and modes of expressions, improvisation and composition and showcases the unique playing style the composer has developed. Sand blends her voice with the bowed harmonics and subharmonics of her double bass. At once conceptually rigorous and musically open-ended, Sand’s wordless meditations on death and what comes after are both visceral and explo…
Three long-form compositions that peer through a glimmering aperature into diaphanous realms of textural experiences: “What are the pros and cons of being lost in a thought?”
*50 copies limited edition* Paul Sakai identifies as a cultural nomad, existing between cultural and physical spaces. Born in the United States, they are a yonsei Japanese American raised as part of the international community in Southeast Asia as a Third Culture Kid. Their work is an act of grounding – a practice of connecting their present body to place, people, and cultural histories. Their project, Roy Kiyo, is an extension of this practice. Works under this project are broadly catalogued as…
*50 copies limited edition* »presage« is an act of sonic foraging: shortwave radio transmissions and field recordings were collected around Helsinki, then assembled and transformed into two long-form pieces. Collecting radio brings with it a particular uncertainty, as signals may have travelled enormous distances before arriving stripped of their context and misted with static, interference, and the imprint of atmospheric conditions. A field recording is a more certain and geographically secure …
We are proud to release Three Movements from “Some Kind of Seasoning” by the eminent Warren Burt: composer (and performer, writer, instrument builder, educator) of genius. Burt was born in 1949 in the USA, and moved to Australia in 1975. Throughout his long and inspired career, his expansive aesthetic has eagerly embraced microtonality, improvisation and technology, fusing these elements in often humorous and/or irreverent compositions based on live interaction with intelligent or semi-intellige…
Rather than offering a single narrative, A Study on Tension unfolds as an atmosphere. The tape focuses on the thresholds between attraction and resistance, intimacy and distance, stability and collapse. Its fragmented structure invites the viewer to remain attentive to small gestures, pauses, interruptions, and the accumulation of pressure over time.
Kali Malone's first solo album since All Life Long, recorded over two nights on the Bach Organ of Leipzig's Thomaskirche with Lucy Railton and Stephen O'Malley. Seven pieces that abandon canon form for a slower, more intuitive unfolding of chords, steps and bridging tones.
Two side-long improvisations recorded in a spring evening beneath a 1908 shot tower. That is the whole record, and it is enough. Fysiikka ja Kemia - Physics and Chemistry - surfaced in late 2025 with Biologia, a debut LP on Tampere's Ultraääni Records that the label summed up in a single line: rural psych-jazz improvisations by the Finnish bastard sons of Arbete & Fritid. Three hundred copies, each sleeve screen-printed by hand by the band, gone quickly. We Jazz picked a track for their Friends …
Lmited to 150 units Annie Bloch’s luvt is a quiet reorientation of the organ: away from its monumental image and ritualised spaces, towards the delicate mechanics of touch, air and friction. Across seven compositions marking her debut on OOH-sounds, the Cologne based organist and composer turns to the chest organ, a small and mobile counterpart to its larger relative, traditionally used to accompany Baroque music. On luvt, Bloch limits herself to just three stops of wooden pipes, using the instr…
On Hidden Hour, marine eyes preserves eighteen moments of dawn, dusk and chosen solitude in a full hour of luminous ambient drift. Cynthia Bernard’s guitars, lap steel, soft synths and field recordings turn nearby forests, coastlines and mountains into slow-moving emotional maps - music for stepping outside routine and hearing time soften.
One of the most influential dub albums ever made. The remixing techniques used – radically new for 1973 – helped transform the role of the producer and the engineer to that of creative artists in their own right.
“Eternal Almost” is a collaborative album by Japanese musician Tomo Katsurada and Estonian composer Misha Panfilov. Born from the simple joy of songwriting and creative exchange, Tomo and Misha had long admired each other’s music from afar. When the opportunity to collaborate finally arrived, it felt completely natural, and by the time the album was finished, it almost seemed as though the two had known each other always.
United by a shared sense of humour and musical curiosity, Tomo and Misha p…
*100 copies limited edition* Bishu Chattopadhyay’s Fragments is a collection of nine compositions shaped by movement, memory, improvisation, and the passage between worlds. Born and raised in Kolkata and now living in New York, Chattopadhyay has spent much of his life moving between musical and cultural landscapes. The album reflects that experience without attempting to resolve it: fragments of a life, fragments of a time, fragments of a world in which beauty and uncertainty exist side by side.…
Tip! Shifting continuously between minimalistic patterns, intricate soundscapes, and evolving textures of overlapping electronic sonorities, The Electric Weasel Ensemble presents a missing link in the history of electronic music. It is a series of previously unreleased live recordings from a little-known but trailblazingensemble of improvisers—equipped with a unique embrace of invented instruments and distinctly 1970s avant-garde sensibilities. This historic music is available on both double LP …
* Discounted Bundle * Two three-LP boxes, released together on 2 October for Steve Reich's ninetieth birthday, covering the years 1974 to 1982 in full.
Drumming; Music For Mallet Instruments, Voices and Organ; Six Pianos is the Deutsche Grammophon set of 1974, recorded at the Polydor Studios in Hamburg that January by Steve Reich and Musicians, with Cornelius Cardew on glockenspiel in the final part. It was the first time a box set had been given to a minimalist composer. This edition has been r…
"On ‘Crisis Make Up!’ the long awaited second album from Slaylor Moon, we draw deeper into the intimate sonic world of Canadian musician Sydney Koke. This time, her sensual minimalism and disjointed abstraction is even more striking as she addresses one of the most fundamental quandaries of electronic music - that of the human agent and its presence in the synthetic world of the machine. The choice to eschew computerised arrangements in favour of physical gestures - be it pushing keys, buttons, …