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Perception is the 1973 second album by Catalyst, the Philadelphia jazz-funk quartet whose blend of soul jazz, fusion, and avant-garde set them apart as a cult phenomenon. Featuring Zuri Tyrone Brown (bass), Onaje Sherman Ferguson (drums, percussion), Nwalinu Odean Pope (tenor saxophone, flute), and Sanifu Eddie Green (electric piano), the album stretches from spacious, electric fusion to driving, groove-forward funk and episodes of free improvisation. Recently reissued to renewed acclaim, Percep…
King Of The Tenors is a landmark album by Ben Webster, recorded in 1953 and initially released as The Consummate Artistry of Ben Webster, then retitled for its classic 1957 Verve Records reissue. Webster is joined by jazz icons including the Oscar Peterson Trio throughout, as well as Benny Carter (alto saxophone) and Harry “Sweets” Edison (trumpet) on select tracks, resulting in ensemble interplay that balances lush ballads and blues with joyous swing. The program includes Webster originals like…
Flight To Jordan is a celebrated hard bop album by Duke Jordan, recorded at Van Gelder Studio in 1960 and released on Blue Note in 1961. Featuring a quintet of Duke Jordan (piano), Dizzy Reece (trumpet), Stanley Turrentine (tenor saxophone), Reggie Workman (bass), and Art Taylor (drums), the album stands out for its memorable melodies and dynamic interplay. With compositions reflecting Jordan’s lyricism and Bud Powell-influenced rhythmic sense, tracks like “Flight to Jordan,” “Star Brite,” and “…
Portrait Of Sheila is the legendary 1962 debut album by Sheila Jordan, recognized as one of the only vocal jazz albums released by Blue Note in the 1960s. Backed by Barry Galbraith (guitar), Steve Swallow (bass), and Denzil Best (drums), Jordan’s inimitable approach includes stark, intimate renditions of standards, including a celebrated voice-bass duet on Bobby Timmons’ “Dat Dere.” The album’s new Tone Poet Series reissue, shipping in late 2025, brings her singular artistry to new audiences wit…
By All Means is the new album from Aaron Parks due for release on November 7, 2025 via Blue Note Records, expanding the acclaimed Parks-Street-Hart jazz trio into a luminous acoustic quartet with the addition of tenor saxophonist Ben Solomon. This set of seven original compositions explores Parks’ signature mix of modern jazz innovation and tradition, highlighted by tender dedications to his wife and son and the sly, swinging lead track “Parks Lope”.
Revoada is the anticipated solo album by Mauricio Fleury, blending traditional Brazilian musical heritage with jazz, electronic, and global influences. Singles like “Briluz” and “Kadıköy” showcase Fleury’s ability to traverse styles, drawing on the spirit of artists such as Gal Costa, Joao Donato, and his work in the Afrobeat collective Bixiga 70. With organic grooves, nuanced arrangements, and sonic references to both Brazilian and Turkish musical history, the album is a celebration of migratio…
277 pages. 196 x 268 mm. Open NOW JAZZ NOW and you're not just looking at a book - you're entering the minds of three lifelong obsessives. Byron Coley (music writer and critic), Mats Gustafsson (saxophonist, The Thing, Fire!), and Thurston Moore (Sonic Youth founder, solo artist) have spent decades accumulating, discussing, debating, and above all listening to free jazz and free improvisation. This book is the result of that shared mania. What they've created isn't a conventional history or a ra…
Faust left Wümme's anarchic freedom for The Manor's professional constraints. Virgin wanted a hit. Faust IV was the answer: their most paradoxical album, accessible yet destabilizing, part studio work, part salvage. The sessions stretched, the budget vanished, the result endures—uneven, restless, compelling. Fifty years later: still mid-sentence, still profound, gloriously incomplete.
CD Digipack. Wümme, Lower Saxony. 1972. A converted schoolhouse. Inside: a tangle of cables, reel-to-reel machines, custom electronics soldered together by hands that refused manuals. This was not a professional recording studio. This was Faust's laboratory—and So Far was the experiment that proved you could rewire rock music's circuitry without killing the patient. Six months earlier, Faust had released their self-titled debut—a savage dismantling of what a rock album could be. Tape edits slice…
Uranian Void by Jessika Kenney is a radiant synthesis of voice, mystic poetry, and Javanese gamelan textures. Recorded in Los Angeles and produced by Kou Records, the album entwines Persian and Indonesian texts in a transcendent meditation on annihilation, devotion, and rebirth, revealing Kenney’s voice as both ritual conduit and cosmic instrument.
Tulpa by Charmaine Lee transforms voice, electronics, and feedback into a vivid organism of noise, song, and silence. Produced by Randall Dunn and released on her label Kou Records, the album bends improvised vocal gestures into sculptural form—an intimate encounter between body and circuitry that questions where identity begins and resonance ends.
Riparian by Eyvind Kang is a two-part, 37-minute suite for viola and ensemble that meditates on the meeting point of water and land. Produced by Randall Dunn for Kou Records, the album explores blurred musical boundaries and organic flow, using Kang’s signature blend of experimental chamber forms and subtle, textural improvisation to evoke riparian landscapes.
Ratsnake by Chloe Kim is a daring solo percussion suite that channels years of improvisational research into a visceral, highly personal language. Produced by Randall Dunn after Kim’s formative New York sojourn, the album fuses jazz-rooted control with exploratory vulnerability, establishing Kim as a bold new voice in solo drumset music.
Unterhaltungen mit Larven und Überresten by Läuten der Seele (Christian Schoppik) unfolds as a haunting electroacoustic collage. Looping fragments from vintage “Heimatfilme,” field recordings, and diverse instruments evoke a surreal, dream-prone nostalgia. The album balances hypnotic repetition with spectral detail, drifting between tenderness and uncanny unease.
The concert version of Einstein on the Beach by Ictus, Suzanne Vega, and Collegium Vocale Gent distills Philip Glass’s pioneering minimalism into a mesmerizing sound ritual. Stripped of Robert Wilson’s grand staging, Vega’s measured narration weaves through the ensemble’s crystalline precision, revealing the raw musical architecture of this modernist epic.
**Marbled Black Smoke Vinyl & Inlay, issued to 230 copies. Cover and Inlay artwork done by Steven Stapleton.** The Circle Music proudly presents: Cadaverous Condition – Destroying The Night Sky. Many years ago Death Metal band Cadaverous Condition invited a stellar line up of experimental artists to completely dismember, rearrange and reconstruct songs of their “To The Night Sky” album. The result being “Destroying The Night Sky”, one of the weirdest collaborative albums ever assembled. Extreme …
Misha Panfilov Septet is an Estonian ensemble led by composer, producer, and multi-instrumentalist Misha Panfilov. Known for their evocative blend of psychedelic jazz, electronic lounge, and ambient exotica, the septet features a rich palette of timbres and improvisational interplay, distinctively shaped by Panfilov's lap steel guitar and space-conscious compositions. The group includes Artur Leppik (alto/baritone sax, percussion), Sasha Petrov (tenor sax, percussion), Ilja Gussarov (flute, perc…
*200 copies limited edition* The early Eighties in France and the UK: the Post-Punk, Dark and Cold Wave scenes broke onto the music world. Usher San in Dijon, France was starting his career with Coït Bergman, Metal Radiant and as Anthon Shield and DZ Lectric.... and then Norma Loy… and later Die Puppe, Black Egg and even Pagan Ring... He is one of the leading figures of what would become known as coldwave south of the English Channel. Martin Bowes and Julia Waller were starting on their musical …
*200 copies limited edition* Black Bamboo IV continues TeZ's series of electroacoustic and acousmatic performances, centered on the live transformation of acoustic sources and field recordings. Improvisations unfold through the interplay of hybrid DIY tools, traditional folk and ethnic instruments, environmental textures, and archival audio fragments. These elements are expanded and recombined through generative filters, delays, pitch shifters, and harmonizers—woven into evolving feedback loops …
*200 copies limited edition* The series of double albums by Gianluca Becuzzi for St.An.Da/Silentes, which began in 2020 with "In Between", continues. Like its predecessors, "American Requiem" combines drone guitar with sacred themes, creating compositions with a dark and captivating mood. This time, the theme of faith and death in the land of capitalist materialism par excellence, the United States, is placed at the centre of the work, with the use of a mix of traditional country-blues and avant…