Upcoming releases
Vinyl Digest #4: Folk, Rock & Psychedelia in South & Southeast Asia
A collector's field guide to 300 LPs and 45s of folk, rock and psychedelia from South and Southeast Asia, chosen and annotated by Chris Menist and Maft Sai of Paradise Bangkok.
Vinyl Digest #3: Gospel Soul
A collector's field guide to 400 gospel soul records from the mid-1960s to the late 1980s, from choirs and vocal harmony to funk and disco, chosen and annotated by Greg Belson of The Divine Chord Gospel Show.
Vinyl Digest #2: African Funk, Soul & Disco
A collector's field guide to 400 African funk, soul and disco records, from 1970s funk and Afrobeat to disco and the diaspora, chosen and annotated by Uchenna Ikonne and Manu Boubli, with a cover by Lemi Ghariokwu.
Magnetoception
2CD version. A new edition of Joshua Abrams’ 2015 2xLP magnum opus Magnetoception is at last here. Out-of-print on vinyl for a decade+, Magnetoception is the 3rd album, & 1st double album, in the saga of Natural Information Society. In a Berwyn, Illinois attic, February 2013, Abrams, guitarists Emmett Kelly & Jeff Parker, & grand master drummer Hamid Drake gathered around vintage Neumanns & a woodstove to record the nucleus of Magnetoception live to 2-track. Beamed-in over the next year at Abram…
Occam Ocean 1-4
The first four volumes of Éliane Radigue's Occam Ocean on five CDs: solos, chamber pieces and orchestra, all shaped through oral transmission around images of water. Bundle of four Shiiin releases.
Occam Ocean Vol. 2
Second instalment of Éliane Radigue's Occam Ocean, a long suite for the 30-piece ONCEIM orchestra conducted by Frédéric Blondy: accordion, guitars, clarinets, saxophones, strings and brass merged into one slowly breathing tone.
Occam Ocean Vol. 1
First instalment of Éliane Radigue's Occam Ocean on two CDs: five solo, duo and trio pieces for harp, viola, birbyné and bass clarinet with Rhodri Davies, Julia Eckhardt and Carol Robinson. With a 40-page booklet.
Electronic Music 1955-1984
Anthology of the German-born dancer and choreographer's electronic music for dance, made in his three North London studios: tape loops, kettle-lid percussion, radio interference and generator pulses, in Sub Rosa's Early Electronic series.
Geophonics
Cello feedback through a bass amplifier set against a grand piano, whose strings answer in dense overtones: three long pieces recorded in a former convent in Belgium, between drone and spectral music.
Folkways Records: A Visual History
Large-format hardback from Soul Jazz on the sleeves of Folkways Records, most by designer Ronald Clyne: hundreds of covers for Woody Guthrie, John Cage, Lead Belly, Allen Ginsberg and many more.
I Figli Chiedono Perché
Morricone's 1972 score for Nino Zanchin's film, from the original mono masters: a love theme sung by Edda Dell'Orso and psychedelic harp pieces with echo, back on CD after twenty years.
Music For Solo Percussion And Electronics
First reissue of the Norwegian percussionist's debut, recorded in 1981 at Henie Onstad Kunstsenter: vibraphone, marimba, bells and synths over environmental recordings, between Midori Takada and Fourth World.
Remix EP
Three Panasonic remixes made in 1996 by Zoviet France and by Muslimgauze, found on DAT decades later and issued by Sähkö in 2020: one side of Zoviet France, two Muslimgauze pieces. Repress.
Sky Yen
Pete Shelley's 1974 electronic recording, made two years before Buzzcocks on a home-built oscillator and a two-track tape recorder: drones, feedback and echo, on CD for the first time.
Ghost Signs
fluXus returns to CiS with a beautiful new album entitled 'Ghost Signs'. fluXus is Cornwall based artist Nigel Rushbrook. Born on the same day as Ralph Vaughan Williams and Alistair Crowley, Nigel lives and records in a cottage once owned by Sargeant Howie AKA Edward Woodward. 'Ghost Signs' brings some darker shades of ambience and classic electronic sounds, with Berlin School style sequencing and a retro sensibility. Nigel uses vintage analog and virtual synths and old-school effects. Nostalgic…
The Sound Of Lights When Dim
*200 copies limited edition* Twenty years after its original release, The Sound Of Lights When Dim remains a remarkable opening statement from Drew Sullivan’s Slow Dancing Society. First released on September 6, 2006, the eight-track album established a musical language that Sullivan would continue to explore and refine for the next two decades: slowly unfolding electronics, treated guitar, soft rhythmic movement and melody shaped less by conventional structure than by memory, atmosphere and emo…
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Across the group's 20 year history, Martin Archer and Hervé Perez have never allowed Inclusion Principle to stand still.
Pages of a Biography
Gidon Kremer and Kremerata Baltica play Georgs Pelēcis' title concerto, written for Kremer, Andrius Žlabys' Kaleidoscope of Lost Time and two works by Arvo Pärt, Passacaglia and Darf ich.
Traces in the Sand
Stephan Micus' 27th solo album for ECM, dedicated to the sea: a dozen instruments from Borneo, Japan, India, Armenia, Africa and beyond, from hang and kalimbas to shakuhachi, duduk, sapeh and sho.
Rabbit Trap (Original Motion Picture Soundtrack)
Lucrecia Dalt's score for Bryn Chainey's folk horror Rabbit Trap, a film about the power of sound: humming drones, unnerving loops and garbled fairy chatter, with Aaron Dilloway on one track.