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Haunting Lithuanian folk songs and luminous choral frames, Merope’s Salos folds ancient melody into a modern hush. Centered on Indrė Jurgelevičiūtė’s lead voice and the Vilnius chamber choir, the suite drifts through seven pristine scenes folk, minimalism, and subtle electronics yielding an intimate, non-sentimental pastoral that rewards close listening.
Copenhagen-based multi-instrumentalists Jason Dungan and Johan Carøe didn’t set out to make an album. Instead, as the title ‘Routine’ suggests, they found their way there through a process of habitual making and listening, developing an intuitive musical language to reflect the dreamlike meanderings and creative play of life's quiet moments. ‘Routine’ blends pop orientated sounds, Avant-garde minimalism, folk and new age with the emotive depth of film-score. Their meeting was not entirely coinci…
Stern Records is proud to present Our Broken Time Machine, welcoming back Bug Bus Piano with their second full-length release on the label. As a freshly assembled puzzle swells, countless connections begin to bubble within the slowly buckling square. Some sections fall into the shadows of the new mountains, which consist of five or six bits and rising. And meanwhile there's fissures, the pieces are twisting. A thick paperboard nub tears off, held by a socket as its trunk drifts away. Moments bec…
Mitsuru Tabata began his musical career in 1982. Since then, he has played a key role in many of Japan’s most influential underground and experimental groups, including Noizunzuri, Boredoms, Leningrad Blues Machine, YBO2, Zeni Geva, Acid Mothers Temple, and Gaseneta, as well as projects related to tributes to The Stalin centered around Jun Inui. Alongside his work in these seminal bands, he has toured internationally, participated in numerous collaborative sessions, and released a series of home…
Lummer is the Swedish name for the now protected family of vascular plants (Clubmoss/Lycopodiaceae). Lummer grows slowly and the spores with which it reproduces can take 12—20 years to develop. These spores, known as Nikt in Swedish, were once ground into an extremely flammable light yellow “old woman’s gunpowder” that was used for early theatrical pyrotechnics. Volatile and explosive, Lummernikt requires careful handling. There is something of the small scale dangerous in Finn Loxbo’s Lummernik…
Radically exploratory, Raphael Loher’s Figuren is an album shaped by process and experimentation. Guided by intuition, listening, and a deliberate distancing from his primary instrument—the piano—, the LP marks a decisive step in the Swiss pianist and composer’s artistic development, expanding his sonic vocabulary while maintaining a distinct and personal language. Figuren draws on ten intimate concert recordings from Keemuun—Loher’s debut for Three:four Records—created during the pandemic and p…
Created for the Centre for Fine Arts Brussels, "Sumerian Star Creatures" premiered in 2017 as a part of Spencer Clark (The Skaters / Monopoly Child Star Searchers / Pacific City Sound Visions) and Xavier Garcia Bardon's "Imagineers in the Underworld" Film Series. Typhonian Highlife and Corum made a slithery soundtrack to intersperse between the stories of South Africas former National Laureate, Credo Mutwa; who's early work magically catalogs folk histories of the Zulu people, and later, begins …
Arriving right on time for its 20th anniversary, Faun Fables’ musical theatre work The Transit Rider returns in a lovely 2xLP vinyl edition that dimensionally burnishes the bristling performances and elevated chamber/cabaret folk sounds of the original CD-only release. At once a work of theatre, allegory and autobiography, The Transit Rider amplifies Faun Fables’ distinctive electroacoustic wash of Anglo-European folk sounds, shimmering allusively from traditional to Kurt Weill to folk-rock and …
** Deluxe matte laminate gatefold sleeve and polylined paper inner sleeve ** Paris, August 1969. Sunny Murray books a studio for a single afternoon and walks in with thirteen musicians - among them three members of the Art Ensemble of Chicago, the working sextet built around Archie Shepp, and the singer Jeanne Lee. What they cut that day, Hommage To Africa, is one of the high-water marks of the legendary BYG Actuel catalogue, and one of the warmest and least abrasive records the free jazz moveme…
One of the great small-group dates in the Impulse! book, and a quietly perfect one. Cut February 5 and 8, 1962, produced by Bob Thiele, with an across-the-generations cast: drummer Manne steering with the lightest touch, the mighty Coleman Hawkins in a late-career surge that reminds you exactly why he invented the tenor saxophone as we know it, Eddie Costa and Hank Jones trading the piano chair, George Duvivier anchoring the bass. The whole thing breathes - duet, trio, quartet, the group shrinki…
Nat Birchall, saxophonist and composer, one of the most authentic voices in contemporary spiritual jazz, presents Path of Enlightenment, a sonic journey through rarely explored scales and modes, from Ethiopia to Byzantium, from ancient Egypt to South Africa.
For this new recording, Birchall deliberately chose the quartet format - tenor sax, piano, double bass and drums - seeking a cohesion and intimacy that allows the music to breathe and tell its story. Joining him are his trusted collaborators…
Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…
Caught at the exact moment the young trumpeter steps fully into his own. Recorded July 2, 1962, at Rudy Van Gelder's studio, released in 1963 on Impulse!, this is Hubbard with technique to burn but warmth to match - every line sculpted, every phrase rhythmically alive. Around him a ridiculous cast: John Gilmore (yes, the Sun Ra tenor man) shadowing Hubbard's lines with that crooked, unmistakable tone, Curtis Fuller and Tommy Flanagan filling out the harmony, Art Davis and Louis Hayes locking dow…
500 units, deluxe remastered edition. Some records are made in the present tense. The Civil Surface was made in the past perfect - a band returning from its own ending to commit to tape the music it had never quite managed to record. By the time these sessions took place at Worthing's Saturn Studios in the summer of 1974, Egg had already been finished for two years. The trio - organist Dave Stewart, bassist and horn player Mont Campbell, drummer Clive Brooks - had cut two singular albums of orga…
On Towers Of Silence, Adult Fantasies’ Belgi‑dirge pop blooms anew: slow‑burn songs where Nico‑ish ennui, Coil‑like dread and late‑night guitars seep through perfectly sequenced, woozy mixes that feel like memories you’re sure you never lived.
On Music Compilation: 12 Dances, TRJJ turn disguised authorship into groove: twelve slow, zoned, sample‑rich “dances” that treat anonymity as a filter, stitching African and American folk, free improv and loner ambient into one beautifully crooked continuum.
On Spoki, Ingus Bauskenieks cracks open his private sonic world: homemade electronics, odd pop instincts and spectral melodies that refuse consensus, turning “ghosts” into solitary songs built strictly on his own terms.
Created by correspondence between Christchurch and London, Nebular pairs Roy Montgomery's decaying post-rock, folk and drone guitar with Martha Skye Murphy's wordless, glossolalic voice. Stems traded by email at nocturnal hours, raw emotion launched into a time capsule for the stars.