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In Gianfranco Rosi’s portrait of Naples, Sotto le Nuvole (Pompei: Below The Clouds), the ground shakes periodically. Between Mount Vesuvius and theTyrrhenian Sea, the fumaroles of the Phlegraean Fields hiss volcanic gas and steam. Below the sleeping volcano, modern day Naples emerges in black and white and fills with voices, with lives. From the traces of history and the concerns of the present, Rosi documents a city immersed in its continuous past, with Daniel Blumberg’s minimal soundscape hove…
On Sweet Love, Bitter, Mal Waldron turns a fictional portrait of Charlie Parker’s final years into a darkly luminous suite of cinematic jazz. His lyricism, tension and blues‑stained restraint guide a formidable 1967 ensemble through music that moves beyond soundtrack function, making New York feel bruised, nocturnal and fiercely alive.
For a group founded on refusal, The New Blockaders have collaborated a great deal. It is less a contradiction than it looks. Where most collaborations in music amount to two recognisable personalities meeting and reinforcing each other, TNB's have always worked in the opposite direction: material is passed over, altered, buried, returned, and what emerges belongs to nobody in particular. Paul Hegarty has described the process as one in which individuality gets swamped, the sound cut loose from a…
Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when – as The New Blockaders – they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the sound…
2 × 180g vinyl LP, Flating jacket, Obi. Deluxe edition. Informel emerged from the rupture of the COVID-19 pandemic in 2020, and stands as the point of origin for the present-day Sinsuke Fujieda Group. With regular performance activity brought to a halt, Sinsuke Fujieda was given time to reconsider his own music at its deepest level, and to ask himself what the music was that he truly wanted to express now. His answer was to return to jazz as his foundation, and to pursue, through both compositio…
*75 copies limited edition* The material suggests the idea. The idea emphasizes certain aspects of the material, and these could be physical and concrete, fully subjective, or something in between. For many years I've been drawn to the sound of urban and suburban spaces, and in particular I've been able to explore, in an empirical and non systematic way, the sonic environment of my street and neighborhood, with focus on the quiet moments in which one can almost hear the place breathing. Over tim…
*75 copies limited edition* I have chosen my workplace environment in Dublin as my area of sonic investigation over the last year or so. Where it is or the history of it is not important as my focus is purely on the sonic character of the spaces and materials I find there, and the potential they hold for articulating noise in imaginative and engaging ways. My tendency is to go in deep and make a thorough range of recordings that give me more than adequate scope to draw on to create atmospheric c…
Second An'archives album from Tokyo trio archeus - Keiko Higuchi, Shizuo Uchida and Tomo - recorded in a single day in Koenji, with guest Kiyotaka Moriuchi on two pieces. Free improvisation moving from dense noise to near-silence. Edition of 290 with silkscreened jacket and obi.
First vinyl album by Tokyo duo la scène 裸身. Three unhurried songs moving between slowcore, acid folk and psychedelic drift, with Saya's voice, Eiji's guitar and guest playing from Hiroshi Kurosawa. Issued by An'archives in 290 copies with silkscreened jacket, obi, inserts and postcard.
"Utility Modern represents a kind of full creative circle for me. My musical journey began under the influence of Bill's work, and now we find ourselves collaborating, building something new together. In many ways, Utility Modern is an homage to the guitar and to the guitarists whose music shaped my artistic voice.My work is rooted more in process than in concept, and that process is deeply informed by an ongoing exploration of the instrument—its technique, physicality, and expressive possibilit…
*150 copies limited edition* Born and raised in Kanagawa (Japan) Iu Takahashi is a sound artist based in Tokyo. She produces her own musical worldview mainly using synthesizers, ambient sounds, and voices.Previously, Iu Takahashi pursued a career as a singer and since 2018, she has focused primarily on creating ambient music and provides her tracks to serve as background music for exhibitions or promotional videos.Inspired by Japanese ambient music such as Hiroshi Yoshimura and Satoshi Ashikawa,…
Mathias Villard is a French artist based in Düsseldorf, Germany. After years as a drummer in projects shaped by atmospheric music, he gradually moved toward slower, more introspective forms centered around ambient and drone composition. In autumn 2026, Affin will release his debut album, Past Radiance.
Spanning seven immersive pieces, the synth based work unfolds through blurred melancholia, submerged low-end drones and decaying harmonies suspended in massive spatial depth. Fragments of melody e…
Based in Montreal, and known as Freedom, Freedom of Choice (for the US release of their debut single on Wand) — and finally, Freedom North, the band had success with their first two singles, both released in 1970: ‘Doctor Tom’, which garnered radio airplay across Canada and attained the #2 spot on RPM’s Top 50 Canadian Chart; and 'Losing You’ which made it to #47 in the MAPL Top 50 Canadian Chart. Freedom North toured extensively, often with other Montreal bands such as Mashmakhan and April Wine…
Wewantsounds presents the first official release of a legendary 1977 concert, capturing Don Cherry, Collin Walcott and Leon Thomas in their only documented performance together, joined for part of the night by the rest of Oregon. Long circulating among a few Cherry fans, Sunrise is a hypnotic forerunner to Codona, newly remastered, with Moki Cherry artwork and new liner notes by Jason Weiss.
On Séance of Sleep II: La lévitation de Shéhérazade, David Wunder Brägger turns folk memory, analogue circuitry and microtonal drift into a slow‑burning dream ritual. Droning fiddles, handmade electronics, metallophones and vintage organs rise together, making an ambient record that feels at once archaic, futuristic and gently unmoored from waking time.
Kyoto trio Kukangendai return on Marionette with Baquet Wheel, five tracks of purely acoustic minimalism recorded live through Taku Unami’s binaural microphone. Through collage-like repetition the band fold jazz, krautrock, blues and Tuareg into one unified, timeless rhythm – primitive, precise, and impossible to place in time.
Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when – as The New Blockaders – they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the sound…
On Testing the Waters, crys cole follows water through five electroacoustic chapters of drift, friction and slow transformation. Field recordings, instruments and electronics seep into one another, forming a 2023 WDR 3 commission where trickles, resonances and submerged textures continually retune the ear, making movement feel tactile, uncertain and quietly alive.
The "Gold Is The Metal With The Broadest Shoulders" LP by Coil is released on Mute. Originally issued in 1987, the album is not a conventional studio album but a collection of outtakes, demos, and interim versions from the sessions for "Scatology," "Horse Rotorvator," and the Hellraiser contributions, functioning as a documentary in-between space within the band’s body of work.
Musically, the record operates in the tension between experimental electronics, dark ambient aesthetics, and industrial…
On KKKAAARRREEENNNIIINNNAAA, Charlemagne Palestine, Oren Ambarchi and Daniel O’Sullivan turn a 1997 “magic song” for a beloved dog’s spirit into a towering trio ritual. Organ drones, phase‑drifting cassette voices, Leslie‑swirled guitar and viola blooms coil around Palestine’s keening live chant, forming a single, dense, ecstatic invocation that feels like a séance conducted inside a vibrating cathedral.