We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Window into the performance of someone else’s hands, traced and cut up in pieces, computer-aidedrecomposition into never-ending patterns, hocketed between worn keys and machines, the spacesounding in answer. I’m wondering what the Alps above the Val d’Anniviers are up to, moving when noone’s looking, approaching and receding, their parallax caught by melody, valley bells sing in antiphony,transmitting their beautiful view. Arranged into four parts, Sion Transcriptions’ skips, splices, and dances…
“This album resulted (like many things) from experimentation, and actually from composing etudes formyself to practice justly-tuned chords. From that starting point I began to think about space, not justspace like the silence around sound events, but also the hollow, resonant spaces in my sinuses andmouth, and the space where the sounds were recorded, or the space where the sounds were listened to.I wanted to show the many colors of the sounds, even the hidden ones, like Pauline Oliveros who sai…
This is a set of improvised studies made on the Clavemusicum Omnituonum, a harpsichord designed in1606 by Trasunto with 31 keys per octave. With this 2016 copy made by Markus Krebs for Studio31(Basel), I let the music unfold out of the gestures the hands were able to make thanks to the newpossibilities - and obstacles - created by such a keyboard. As a classically trained harpsichordist, Irelished the opportunity to fully embrace the oblique angles opened up by the keyboard’s disorientinglayout,…
Recorded in rural eastern Washington State, Walk in Praise of All Metals reflects the raw expanses of the‘Channel Scablands’, a region which gladly bares the scars of ancient volcanism, ice age floods, &hydroelectric power. Like the landscape—born of cataclysm, yet steady in its austerity, the music speaksthrough sustained resonance and momentary intersections. Structure emerges through sharedharmonics, with passages from Matt Sargent’s re-tuned guitar (13-Limit just intonation) activatingsympat…
The Great Liberation Through Hearing (1995) is scored for amplified, just-tuned string quartet and digitallytransformed human voice. Generated from a phonetic analysis of the names of Buddhist deities describedin The Tibetan Book of the Dead, the piece explores connections between Eastern mantric science andWestern linguistic structuralism. It brings together the compositional linguistics of Kenneth Gaburo andthe intonational theories of Harry Partch through two simultaneous mappings of the anal…
Inner Channel lands on Indefinite Boundary with the surrealist Patterns EP – an immersive tour of polyrhythms, fourth-world analog synthesis and wasteland jazz processed through an unfiltered view of reality. Patterns builds on and expands from Inner Channel’s debut release Culture On Wind, released in 2024 on Diskotopia, with more nuanced instrumentation, hypnagogic production and monistic lyrical avenues.
Cutting a salient path from the winding intersections of no-wave, dub, and outer-dimensio…
On Today’s Special, Hanne Lippard and Renato Grieco turn speech into score and accompaniment into acoustic typography. Reduced, exacting compositions for voice, viola da gamba, piano and Wurlitzer shadow the rhythm and contour of language, transforming wordplay, online debris and intimate anecdotes into a dryly comic, strangely moving suite of musical rhetoric.
On Live at the KiMo Theater Albuquerque 1979, Cecil Taylor leads a newly reconfigured Unit through a rare Western American performance of volatile grace and immense detail. Piano, alto saxophone, violin, bass, cello and multi-instrumental percussion form a shifting, luminous organism - less gladiatorial than Taylor’s 1978 bands, but no less radical in its freedom.
The date was May 10th, 2025: a warm spring day in Philadelphia, and a damned hot night over at Bainbridge and 6th. Inside the Pageant Soloveev gallery an evening of music presented by Open Mouth Records was escalating fast. Sharing the bill were Strapping Fieldhands’ Jacy Webster (a rare live appearance!), living legend Roger Clark Miller (Mission of Burma 5eva!) and, right in the goddamn middle, Body/Head’s Bill Nace + Purling Hiss’ Mike Polizze faced off in a taishogoto/guitar duo for the very…
"Röntgen" is Ø's (aka Mika Vainio) subliminal, minimal techno classic, and was featured on the first Sähkö Recordings release in 1993. Spatial, silvery-sharp, and reduced yet frenetic, it's a blueprint of drum machine and synth work that helped redefine an era in techno. This special-edition 12" also features a full-side cut of a previously unreleased Ø track from 1995. The untitled B-side carries the same approach as the title track—minimal TR-808 and acidic synthesis—but in contrast to the har…
A transmission from the borderlands of sound, Cold Calling on the Spirit Line brings together the singular musical world of Perzeptiverdampfkesselqualmtbesinnlich and the unmistakable voice and imagination of Edward Ka-Spel. Strange, intimate and quietly unsettling, the album unfolds like a late-night conversation with the unknown. Its songs move through fractured landscapes of dream logic, spectral electronics and shadowy atmospheres, where familiar signals become distorted and every message se…
In Energy Center, Ed Hazell tells the essential story of Studio Rivbea, the Lower Manhattan loft where Sam Rivers and Bea Rivers made radical music possible on its own terms. Drawing on new research, photographs, posters and an unrivalled sessionography, the book restores 24 Bond Street as a home, school, rehearsal room and self-determined cultural engine.
Long before streaming services, podcasts, or even the compact disc, there was Tellus - a radically ambitious publication that imagined recorded sound as an exhibition space. Founded in 1983 in downtown New York, Tellus transformed the humble audio cassette into a magazine, commissioning and publishing new works by musicians, composers, visual artists, poets, writers, choreographers, and performers who were reshaping the boundaries of contemporary art. Each issue invited listeners into a world wh…
»Memorial« grew out of Nate Wooley’s work alongside Annea Lockwood recording the Columbia River, and in particular from a visit to Kettle Falls in northern Washington, once one of the river’s great salmon fishing and meeting grounds and a place of enormous importance to the Sinixt and other Indigenous peoples of the Upper Columbia. The falls disappeared from view following the construction of the Grand Coulee Dam in 1940, submerged beneath what is now Lake Roosevelt, yet beneath the still surfac…
*200 copies limitede edition* Roughly two years after the release of their initial statement of intent, debut single “Toutpartout PT2” with its hypnotic ripples, Andi Haberl and Florian Zimmer aka Bella Wakame have successfully channeled the magic of a 2024 live recording (captured at Berlin’s Donau115 & Silent Green) into their first proper studio offering. You can hear inspirations ranging from Bitchin Bajas, Jeremiah Chiu to Groupshow (Jelinek, Leichtmann, Pekler), the hypnotic, intricate bat…
*150 copies limitede edition* Originally released by Umor Rex on cassette in 2015, NK012 documents the first-ever musical meeting of Berlin-based musicians Aidan Baker (Nadja, Canada), Andrea Belfi (Italy), and Erik Skodvin (Svarte Greiner / Deaf Center, Norway). Now, more than a decade later, the album is available on vinyl for the first time, newly remastered for the format by Rafael Anton Irisarri. This marks the third release in a series of four special, limited reissues to be released in 20…
Four years have passed since the release of Jon Collin's majestic Bridge Variations on Discreet Music, arguably one of the most defining and well-received releases on the label. Works is the first LP under the Early Music artist name - first the title of a 2015 solo LP, then a name for a label before being used for a couple of recent cassette releases - and was recorded in Stockholm over a nine-month period last year. The main instrumentation is again the keyed fiddle - a traditional Swedish fol…
*100 copies limited edition* Written, recorded, mixed, and produced entirely by Bessel, Illusion of an Inland Ocean expands the worlds of Visitation (2023) and Mirror at Night (2025) into his most expansive and mysterious work to date. His recent work has received international recognition from publications including SPIN, The Big Takeover, Various Small Flames, Post-Punk, Mystic Sons, Obscure Sound, Destroy//Exist, and others, establishing him as a distinctive voice at the intersection of ambie…
A dream come true for A Colourful Storm to be releasing an early gem by Tenniscoats, a duo whose DIY spirit, boundless creativity and lust for life and collaboration has left an indelible mark. From self-releasing albums and tapes on their own Majikick imprint to meeting kindred spirits The Pastels, Bill Wells and Jad Fair in between outings for Morr Music, Chapter and Häpna, to name but a few, Tenniscoats have embodied an understated determination and optimism for over two decades.
"A foghorn m…
Welcoming Tori Kudo back to A Colourful Storm with a new edition of Maher Shalal Hash Baz's Faux Départ, a document of a stateside tour that culminated in a recording session at the legendary Dub Narcotic Studio with a one-time ensemble of Greg Saunier and Chris Cohen (Deerhoof), Andrew Maxwell, McCloud Zicmuse, Arrington de Dionyso, Takashi Ueno, Saya Ueno, Naoki Otani, Akiko Hotaka, Masaaki Endo and Naoki Otani. Always spontaneous, never rehearsed. Music in and of this world, seemingly teeteri…