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Before we learn language, we learn the voice. Universal Language is the second release on Magic Hollow and an exploration of the voice before song and before speech. Written and recorded during pregnancy and early motherhood, Rose Keeler-Schaffeler's album draws inspiration from the earliest forms of human communication: coos, cries, sighs and instinctive vocalisations that precede language yet already contain the seeds of music.
Best known as Keel Her, the cult DIY songwriter, producer and NTS …
*2026 repress* The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down. Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provi…
Layered guitars, synths and wordless vocals set the scenery in this epic, beautiful and introspective solo debut by musical wanderer Lynn Wright. Wright, who has mostly eschewed developing a fixed artistic identity throughout his already long career, has preferred to remain on the periphery of collaborative projects and behind the scenes. It took until recent times for him to make “Before The Sinking Plains”, which arrives as his first solo recording after decades of traversing underground scene…
Klara Lewis’ distinctive talent for disfiguring sound into forms that remain recognisably song-like reaches a new peak here. Her new album Opening is a deceptive recording with veiled melodies and clandestine bangers. Lewis, creator of worlds, treats music as a mirror that reflects a perspective misaligned with the real image. Her music moves in unusual and often startling ways. Acoustic instruments such as ukulele and piano are subjected to processes of deconstruction and reconstruction, their …
Some recordings can foreshadow the future in ways that are hard to grasp in the moment, and Teodros Makonnen With His Organ (Teodros Makonnen ከኦርጋኑ ጋር) is one of them. Known as Teddy Mak, Teodros Makonnen helped define the digital sound of Ethiopian music that emerged from the 1980s onward, not only as a keyboard player but also as a producer, songwriter, performer, and sound designer. Although electronic instruments and digital production are now taken for granted in Ethiopian music, the early …
On In Pas(s)ing), Mick Goodrick turns understatement into signature, floating a cool, singing tone across an ECM all-star backdrop. John Surman, Eddie Gomez and Jack DeJohnette move with almost invisible precision around his quietly lyrical themes, creating a session where momentum whispers rather than shouts, and melody lingers long after the notes fade.
Over the course of more than four decades, Andrew Chalk has created one of ambient and experimental music's most distinctive, influential, and enduring bodies of work. Though his recordings have taken many forms—from the raw, post-Industrial sounds of Ferial Confine in the 1980s to the fragile guitar meditations, blurred keyboard studies, and richly textured collages that populate the Faraway Press catalogue—they remain united by a singular sensibility: an uncommon attentiveness to atmosphere, n…
*200 copies limited edition* Swedish-Danish collab album of lush, low key new age/ambient DIY gold, based mainly on synth, piano, saxophone, spoken word and field recordings. Marvelous peak summer music. A private press style/no label release distributed by Discreet Music.
With the released LP “Stilla Dagar, Stilla Nätter / Stille Dage, Stille Naetter Limited Edition,” the split release by Gustaf Dicksson, Post‑Tragic, Sonja Labianca, and Frida Johanne takes the next step in their creativit…
“La Proyección”, the debut LP by Jose María Lluch, architect and musician from San Sebastian, appears as a transition, a gradual shift that happened over time. Intimate and innocent, disconnected and erratic at times, the 11 compositions presented here are extracted from recordings spanning 9 years, between 2015-2024. Humbly assorted in his home studio, the music here is for letting your mind drift. The processes of composition, recording, and editing intertwine. Field recordings from daily chor…
Even with just basic knowledge of the conditions of the totalitarian regime in the former Czechoslovak Socialist Republic (ČSSR), it is not difficult to understand why the project Maťkovia was never allowed to release anything officially during its existence from 1982 to 1987. The ironic, nihilistic lyrics full of dark humor, describing the despair and greyness of the normalization era in Bratislava in the 1980s simply had no chance of passing through the censorship at the time. The work of the …
"Japanese pianist Yumiko Morioka initially released Resonance, her first and only solo recording, on Akira Ito's Green & Water imprint in 1987. Whilst by no means a commercial failure, the album was mostly found in the background of Japanese TV documentaries, maternity clinics and healing shops before drifting into relative obscurity. By 1994, Morioka had relocated to America and her solo music career had given way to the joys of starting a family and her new life in California. It was, and stil…
Studio album from Bamako-based Tuareg band Amanar de Kidal. "Kel Tamasheq” is years in the making, a self produced DIY album, recorded in the small studios of the Malian capital over the past few years.
Carrying on in the tradition of assouf, the Northern Malian style of Tuareg guitar popularized by artists like Tinariwen, Amanar pushes the sound forward into tight upbeat groove and kinetic rhythms, reflecting the rich diversity of Mali and the energy of the capital. The band takes its name from…
This recording brings together the forty known compositions for Saxophone Quartet by Julius Hemphill (1939-1995). These works were composed between 1978 and 1989 for performances with the World Saxophone Quartet. These compositions are, with the fewest of exceptions, written specifically “on” the saxophone quartet. He will at times set a piece written for his small-group ensembles onto the saxophone choir, but in the main, this music is created on and through the saxophones. He uses the saxopho…
Nigerian ambient producer Ibukun Sunday returns with new full length Olúsín [Worshippers], combining West African rhythmic sensibility with deep ambient sonics for a study of faith and reverence that explores the inherent stillness in worship. The record, writes Sunday, “draws inspiration from African devotional traditions, blending percussion, vocal harmony, and ambient soundscapes to create ‘a soundtrack of praise,’ centering on the idea that faith has its own music: the drumbeat of hearts, th…
After the wild Afro-jazz fusion of Trancedance (reissued as BT118) and the meditative solo Christer Bothén Donso n’goni (BT133), legendary Swedish multi-instrumentalist Christer Bothén returns to Black Truffle as part of a dream quartet completed by the three members of Ghosted: Oren Ambarchi (guitar), Johan Berthling (bass) and Andreas Werliin (drums). Recorded at a rustic studio built by Werliin and Hans Fredriksson in the sylvan surrounds of Hamburgsund, Sweden across a few days in September …
"Impassable moments lingering in the present,” utters Beth Robertson, the soft spoken voice cresting over a jostle of harmonics, creaks and knocks. “Existing just after us but before her. Everything lingers.” It’s inevitable that a record inspired by gigantic mounds of waste should be rich in the residue of the past, yet it’s striking to hear these atmospheres crackle with future-facing anticipation. Out of the sounds salvaged and recycled from previous performances at Tokoro Studio, we hear all…
"In many senses, this is a music of distances. We’re listening to the 6000km that resides between the players’ respective locations in Ithaca, USA and Wiesbaden, Germany. We’re listening to field recordings of two separate walks – one in each of these locations, each walk precisely 3km in length – which adopts the role of a “score” within this collaboration. We’re listening to distinct slithers of time, as guitars and electronics are later overlain upon the field recordings, gracing these locati…
Powerful trio music by pianist Takehiro Honda, known for his strong touch and bluesy feeling, together with an American rhythm section. The album features a line up of compelling originals, including the overwhelmingly powerful "Minors Only" and the title track "Salaam Salaam," whose title means “peace” in Swahili.
East Wind was a ground-breaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then known. Over a per…
The first leader album by Ryo Kawasaki, a jazz and fusion guitarist whose talent was recognized by Gil Evans and who went on to work internationally. The album presents a cool cosmic sound, including "Agana," where Kawasaki delivers breath-taking guitar playing over high-speed percussion, and the dazzling jazz-funk number "Phil."
East Wind was a ground-breaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then know…