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Elizabeth Vogler sings in Occitan and other South-West dialects to harmonium alone in the church of Lescun, in the Pyrénées: six songs between ancient folk and experimental music, first time on vinyl, 100 copies.
Works by Henning Christiansen for recorder, tenor flute, piano, tuba and bassoon, played by Michala Petri, Christoffer Møller and Jakob Munk at Klanghallen 44MØEN in 2023. Edition of 100 CDs.
The definitive vinyl edition of Henning Christiansen's 1985 sound installation at the Rome Zoo, made with Lorenzo Mammi from recordings of the animals, remastered by Rashad Becker, with a 20-page booklet.
The third SSC/GrimRoar book on Satanism and witchcraft in vintage under-the-counter sleaze culture, after Debauched and Satan's Library: rare adult paperbacks, occult 8 mm films, posters and records.
Deluxe 88 pages offset printed CMYK, sewn-glued binding, and folded flaps cover Following the first issue, Nothing Personal, which sold out in a matter of weeks, Lasse Marhaug returns with the second installment of 8090 VÅG, his annual, highly personal magazine devoted to sound and the people who make it. Subtitled No Idea of North, the new issue gathers long, in-depth interviews with Knurl, Matmos, Anja Lauvdal, Kjell Bjørgeengen and Runhild Gammelsæter, conducted in the informal, unhurried to…
Akira Ishikawa's 1972 Latin set with Count Buffalo Latin Beats, arranged by Naoya Matsuoka: Cuban, Mexican, Brazilian and Puerto Rican standards pushed through fuzz guitar, Hammond organ and heavy drums.
A collector's field guide to 300 LPs and 45s of folk, rock and psychedelia from South and Southeast Asia, chosen and annotated by Chris Menist and Maft Sai of Paradise Bangkok.
A collector's field guide to 400 gospel soul records from the mid-1960s to the late 1980s, from choirs and vocal harmony to funk and disco, chosen and annotated by Greg Belson of The Divine Chord Gospel Show.
A collector's field guide to 400 African funk, soul and disco records, from 1970s funk and Afrobeat to disco and the diaspora, chosen and annotated by Uchenna Ikonne and Manu Boubli, with a cover by Lemi Ghariokwu.
2CD version. A new edition of Joshua Abrams’ 2015 2xLP magnum opus Magnetoception is at last here. Out-of-print on vinyl for a decade+, Magnetoception is the 3rd album, & 1st double album, in the saga of Natural Information Society. In a Berwyn, Illinois attic, February 2013, Abrams, guitarists Emmett Kelly & Jeff Parker, & grand master drummer Hamid Drake gathered around vintage Neumanns & a woodstove to record the nucleus of Magnetoception live to 2-track. Beamed-in over the next year at Abram…
The first four volumes of Éliane Radigue's Occam Ocean on five CDs: solos, chamber pieces and orchestra, all shaped through oral transmission around images of water. Bundle of four Shiiin releases.
Second instalment of Éliane Radigue's Occam Ocean, a long suite for the 30-piece ONCEIM orchestra conducted by Frédéric Blondy: accordion, guitars, clarinets, saxophones, strings and brass merged into one slowly breathing tone.
First instalment of Éliane Radigue's Occam Ocean on two CDs: five solo, duo and trio pieces for harp, viola, birbyné and bass clarinet with Rhodri Davies, Julia Eckhardt and Carol Robinson. With a 40-page booklet.
Anthology of the German-born dancer and choreographer's electronic music for dance, made in his three North London studios: tape loops, kettle-lid percussion, radio interference and generator pulses, in Sub Rosa's Early Electronic series.
Cello feedback through a bass amplifier set against a grand piano, whose strings answer in dense overtones: three long pieces recorded in a former convent in Belgium, between drone and spectral music.
Large-format hardback from Soul Jazz on the sleeves of Folkways Records, most by designer Ronald Clyne: hundreds of covers for Woody Guthrie, John Cage, Lead Belly, Allen Ginsberg and many more.
Morricone's 1972 score for Nino Zanchin's film, from the original mono masters: a love theme sung by Edda Dell'Orso and psychedelic harp pieces with echo, back on CD after twenty years.
First reissue of the Norwegian percussionist's debut, recorded in 1981 at Henie Onstad Kunstsenter: vibraphone, marimba, bells and synths over environmental recordings, between Midori Takada and Fourth World.