Memphis funk band Ebonee Webb turn Japanese folk songs into disco in 1979, arranged by Chikara Ueda: Soran Bushi, Hanagasa Ondo and Tanko Bushi with heavy grooves and vocals in Japanese. First vinyl reissue, newly cut from the master tapes.
Bassist Isao Suzuki and tenor saxophonist Akira Miyazawa together in 1981, with Motohiko Hino on drums: Suzuki's first digitally recorded album, long a hidden gem of Japanese jazz. First vinyl reissue, newly cut from the original master tapes.
Drummer Akira Ishikawa and Count Buffalo's 1976 concept album on Okinawa: funk, Afro and disco over standards, Western pop covers and Okinawan folk songs, some arranged by Koichi Sugiyama. First colour vinyl, newly cut from the master tapes.
Saxophonist Takeru Muraoka's 1978 session for Seven Seas: crossover and fusion with sharp ensemble playing, with Shin Kazuhara on trumpet and Masanori Sasaji on keyboards. First colour vinyl edition, newly cut from the original master tapes.
The only album by guitarist Fujimaru Yoshino's Fujimaru Band, from 1977: a Japanese rare groove record known to few for decades, rediscovered abroad, here on uncoloured virgin vinyl, newly cut from the original master tapes.
This bundle gathers the whole cycle: the deluxe 3CD box Anxiety Sucks, the deluxe 4CD box a sad song for A. by Anacleto Vitolo, Hiseka, Gigi Masin and Fabio Orsi, and the two live albums that followed it, Live Panic by Anacleto Vitolo and Live Dream by Fabio Orsi. Nine CDs across two boxes, each limited to 300 copies.
Solo double LP by Guilhem Lacroux of Tanz Mein Herz for Gretsch Duo Jet and Korg Volca: fifteen pieces on four named sides, from plucked figures and fast repeated strumming to bell-like tones and organ-like chords. 300 copies, black vinyl.
Tanz Mein Herz's new double LP, recorded in Cherbourg in August 2025: guitars, bagpipes, bass, drums and electronics, from the nineteen-minute climb of Depuis Longtemps to long tones and dense drone.
Laura Betti sings Kurt Weill in Bruno Maderna's arrangements: the two 1963 Ricordi LPs conceived by Roberto Leydi, restored and complete on one CD for the first time, with a 108-page book edited by Veniero Rizzardi.
Michael Garrick's first long session, cut in a single day in 1964 with Dave Green and Colin Barnes and privately pressed in 99 copies. Lansdowne reissues it as a 10-inch in a flipback sleeve, 300 copies, transferred from Garrick's own copy.
Esplendor Geométrico's second album from 1985, from their noisiest and harshest period: subsonic drones, minimal machine rhythms and distorted melodies. Expanded with a second LP of the Bruitiste tracks and rarities, remastered in 2026.
Piero Piccioni's music for Folco Quilici's aerial documentaries L'Italia Vista Dal Cielo, from the Lazio, Lombardia and Toscana episodes: jazz-inflected orchestral writing and lyrical themes. First time on vinyl, 300 copies.
Scottish singer and guitarist Alasdair Roberts and Norwegian just intonation explorer Fredrik Rasten stretch seven traditional Scottish ballads into slow, drone-rich spells: an hour of overtones, hurdy-gurdy, psaltery and two voices.
The Heads’ 2026 tour deforce, their swan song album for all… sold out on all vinyl formats. Rooster has decided to repress one last time, the end of the year push is here with the end of times supernova colour in colour destroyed galaxy “Supernova” edition. It will be released almost 30 years on from their seminal debut “Relaxing With”, this will be their fifth studio album proper.
The band are a well established though reclusive part of the UKs underground /cult psychedelic rock scene. A consta…
Dreamlord Recordings has become a trusted doorway into records that take you on a journey. Arboria return with Arboria III, and Messers Parkes and Wood are ready to open that door one more time. Its eleven pieces form a woodland tale that begins at sunrise, passes through hidden gardens and moonlit rites, then settles into sleep with the promise of another morning close by.
Across Arboria III, Arboria use a modest group of instruments to tell a story with remarkable clarity. Acoustic guitar keep…
Otto Benson presents Peanut, his second LP with Palto Flats this year, following Songs Before Bed. Known for his prolific output and enthusiastic following, with music released under the aliases OTTO and Memo Boy, Otto released Peanut as a digital-only album earlier this year to wide acclaim, including a Best New Music mention from Pitchfork.
On Peanut, Otto Benson stretches out as a songwriter, fully exploring the use of voice for the first time. Accompanied mostly by the strumming of his guita…
*200 copies limited edition* 'The late 70s, early 80s, that fierce period of time was all about wearing one mask after another, as we experimented, evolved. After the riot of Punk Rock back in '76 /'77, which certainly taught us all a lesson, so many of us lurched back to Bowie, Roxy Music, Kraftwerk, at London's one-nighters for the new breed of arbiters of taste, where the soundscape of early synth was such a contrast to what was on offer on the gay scene back then. Clubland was becoming a hiv…
On Le Carnaval Perdu, Elizabeth Vogler turns voice, shruti-box drones and electroacoustic transformations into a personal folklore. Invented languages meet Béarnais lyrics; echoes of celebration flicker through dense sonic layers. Drawing on pop, bal folk and Bulgarian polyphony, the album makes carnival a threshold between communal ecstasy and loss.
Eighteen movements gathered over nearly a decade, zakè's third Orchestral Tape Studies, closing with rearticulations by bvdub, Wayne Robert Thomas and Abul Mogard with Rafael Anton Irisarri.
*50 copies limited edition* Named after the "Black Tide" (Kuroshio), the North Pacific ocean current that carries warm tropical waters along Japan’s eastern coast, the album translates large-scale oceanic circulation into an uninterrupted, slowly evolving sonic journey. Rather than relying on abrupt transitions, Kuroshio unfolds with glacial momentum through layered micro-textures, deep tonal resonance, and fluid harmonic drift.
The Kuroshio current is an immense kinetic mass moving without disr…
Erik Enocksson's 2006 score for the Swedish film Farväl Falkenberg: pump organ, piano, chiming bells, whistling and acoustic guitar waltzes, with songs recorded on set. New edition for the film's 20th anniversary, 500 copies.
Argentinian pianist Angel Pocho Gatti's 1977 library album for Edipan: soulful jazz and brass grooves under titles like Unreality Landscape and The Space And Me, long a rare groove holy grail. Reissued on black and clear vinyl.
Bruno Nicolai's score for Emilio Marsili's 1975 documentary on Italian railways: orchestral writing laced with electronics and jazz, with violin and harmonica tracing the rhythm and movement of the trains. Reissued by Sounds From The Screen.
Alessandro Alessandroni's 1976 poliziottesco score, cut in one day with Enrico Pieranunzi, Silvano Chimenti and Dino Piana: jazz-funk, deep soul and disco in the wake of Shaft. 50th anniversary edition, expanded with 14 unreleased tracks.
First CD edition of the 1977 Sensations' Fix album first issued on the small US label All Ears: Franco Falsini's guitar and analogue synths over repetitive rhythms, newly remastered in Japan with five unreleased recordings.
Electronic Sound issue 145 puts David Bowie on the cover for the 50th anniversary of Low, with a feature by musicologist Leah Kardos, bundled with an exclusive double CD of new commissions, originals and covers inspired by the album's electronic instrumentals.
A new Merzbow album, not a reissue: modular analog synthesizer passages and electroacoustic pieces that recall the early cassette years, recorded at Munemihouse in 2021-2022. 2LP on hand-poured Wax Mage vinyl, 300 copies.
On Eleven Poems, Chris Philpot, Justin Rhody and Abigail Smith bring fractured language into contact with bowed taishōgoto and vibrating percussion. Recorded in Santa Fe, these eleven miniature encounters trade conventional accompaniment for a shared attention to timbre, spacing and resonance, letting poetry and sound unsettle one another.
*Edition of 100* K/S/R (Ben Kujawski, Abigail Smith & Justin Rhody) have been performing and recording together since 2022. Recorded by the band themselves during a full week of day-long sessions - violin, percussion, lap steel, accordion, flute, guitar, harmonica, and rhodes piano were each stretched, damaged & made to sing through various extended techniques. The trio's non-concentric approach to collective improvisation mirrors the dark harmonic density and symbiotic formal structures of the …
Sietse van Erve's first album under his own name after 25 years as Orphax: a single still, drone-based piece for electronics and organ with flute, bass clarinet and double bass, played by members of Ensemble MAZE.
Giuni Russo's 1981 CGD album, produced with Franco Battiato and Alberto Radius and arranged by Battiato and Giusto Pio: electronics, experimental pop and avant-garde singing, remastered on 180g yellow vinyl.
Sun Ra's 1970 Saturn album, cut with a skeletal Arkestra of three sidemen and Ra on Rock-Si-Chord and Minimoog in a near-pop mood. Cosmic Myth's expanded 2LP adds six bonus tracks, including a 1971 TV concert and a 1973 live quartet.
Vilhelm Bromander returns to Warm Winters Ltd. with his second album written for an extended woodwind ensemble. For those uninitiated, 2022's 'Aurora' was a collection of pieces Bromander wrote for an ensemble of friends, most of whom were playing on instruments unfamiliar to them.
'Aurora II' builds on the last album, but the ensemble of friends grew, and so did the sound, which has evolved into a deeper, more expansive one. Each of the compositions has it’s own attunement space which invites t…
Music history wasn't written solely by the major record labels. Beyond the charts, a vibrant scene of independent musicians, producers, and small labels emerged in the 1960s and 70s, whose recordings are now among the most fascinating discoveries in the history of soul, funk, and R&B. Often with no prospect of commercial success, they created their music with remarkable determination-uncompromisingly and on their own terms. For many of these artists, this was the only way. They founded their own…
*150 copies limited edition* With Ritual and Radio Waves on the Plains of Elysium, his second album for Unexplained Sounds Group, Rapoon conjures the vast, open spaces of the American deserts and plains, translating the experience of crossing those landscapes into sound. The music captures the hypnotic rhythm of endless travel, where time loses its grip and the scenery becomes a continuous, shifting presence: brief flashes of towns, gas stations, roadside stops, night skies, and distant radio fr…
Faitiche presents the release of a new album by Masayoshi Fujita & Jan Jelinek (faitiche13). Since their debut (Bird, Lake, Objects, faitiche03, 2010) they have played improvised concerts around the world. Japanese vibraphonist Masayoshi Fujita prepares his instrument with various percussion elements as well as metal objects and toys, while Jan Jelinek layers loops made using small-scale electronic devices. Schaum (German for froth, foam) is the duo's second album.
"The river, forcing its way th…
Paul Pèrrim returns with Arati – a raw, expeditionary palindromic companion to his 2025 debut, Itara. Exploring a rawer, harsher, and more rugged landscape than its predecessor, Arati pushes deeper into the wilderness. The anthropologist- musician continues to guide listeners down paths trodden by akaleidoscope of cultures, offering a sound that is profoundly singular, primal, and timeless.
The album’s surreal compositions weave together an eclectic arsenal of textures: mutant maqams, Africanist…
Sucata Tapes and Annihaya proudly present Delia, the hypnotic new album by Munda (Selu Herraiz), following up on foundational explorations of ritual and territorial memory.
Recorded in September 2021 during a residency at Konvent—an old convent set within an abandoned industrial colony in Cal Rosal, deep in the lower Catalan Pyrenees—Delia is forged from the physical ghosts of a former textile factory. Within high ceilings, terracotta floors, and walls vibrating with low frequencies, Herraiz cap…
*100 copies limited edition* Fuglen flyr godt (“The bird flies well”) is the second solo album by Norwegian multidisciplinary artist Espen Friberg, following 2022’s Sun soon (Hubro). Recorded in the coastal town of Hvitsten, Norway, through the winter and spring of 2025–26, the album consists of eleven pieces made entirely on the Serge Modular synthesizer. Through improvisation and experimentation, Friberg treats the Serge as a shifting network of relationships, developing a vocabulary of idiosy…
*70 copies limited edition* A collection by Peruvian visual artist Jonathan Castro between 2024–26 at home studios while living in Amsterdam, then Rotterdam, NL. The compositions were made using various synthesizers, samplers, electronic percussion, congas, and an array of effects pedals. Knackered out salsas, looped up and chucked down into a custom dub chamber.
Given his background living in music, listening to music, and in music — the regional rhythms on display are not a surprise. It seems …