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*200 copies limited edition* Pefkin is the alter ego of Gayle Brogan, a Sheffield-based creator of slowly-unfolding, ritualistic hymnals that draw deeply on landscape, nature, and the histories that bind them. Her sound is built from a mesmerising layering of voice, viola, analogue synths, harmonium, melodica, zither and field recordings manipulated with a kaleidoscopic array of effects. Hereby she blurs the boundaries between folk, psychedelia, and experimental music. Over the years her work ha…
We Release Jazz is very happy to announce the limited vinyl edition of Ill Considered's transcendent new live album Live in Jura, an expansive document of the trio's 2023 performance at Spiegelberg Festival - now available as a double LP with a bonus D-side, housed in a heavyweight sleeve with obi and an original artwork by Vincent de Boer.
Captured in the heights of Saignelégier, Switzerland, in the middle of a pasture overlooking the Jura mountains, Live in Jura bottles the singular Ill Consid…
*50 copies limited edition* The object of listening emerges from within the fragmentation. Wilful and artificial abstractions are merging with the world in which we perceive, from the outside, with regard to what those sensible materialities seek to listen within us. From a global perspective, this composition is the semantic complexity of a voyage. Micro-level of emotional transactions between the perceived and the perceptive; commentary of sonificated sieves of embedded experiences. To formula…
Black Vinyl. Two giants of Italian library music. Two continents. Fourteen tracks of tribal, ritualistic sound. Musica Per Immagini presents the first-ever vinyl reissue of Alle Sorgenti Delle Civiltà Vol. 3, the final chapter of the legendary Folkmusic triptych originally released in 1971.
Somewhere between the editing suites of Cinecittà and the ethnographic archives of a parallel universe RAI documentary department, two of Italy's most prolific sonic chameleons shed their studio pseudonyms li…
Recorded in the spring of 1970, this legendary album shows why many consider The Human Instinct to be the finest psychedelic rock band ever to emerge from New Zealand. Led by drummer-vocalist Maurice Greer and featuring the guitar pyrotechnics of the legendary Billy Te Kahika, Stoned Guitar has long been established as a classic hard psychedelic rock album.
Combining fragile and beautifully melodic acid folk with perfectly-rendered electronic effects, this remarkable album consists of what its creator describes as ‘visual music’. First released in 1970, it has gone on to become one of the most legendary and well-loved recordings of its time. It’s presented here with the full collaboration of its enigmatic creator.
The 1970 debut by this London-based quintet, originally released on the small Evolution label and now a sought-after grail of British proto-prog. One of the earliest documents of progressive rock in the making - raw, unpolished, absolutely essential.
Raw Material emerged from the late-sixties London underground: Colin Catt on keyboards and vocals, Dave Green on guitar, Phil Gunn on bass, Paul Young on drums, and Mick Fletcher on saxophone, flute and harmonica. The group had its roots in R&B jam …
John Coltrane’s masterpiece “A Love Supreme” returns to cassette for the first time in 40 years. Announced as part of the album’s 60th-anniversary year, this release marks the first new U.S. cassette edition since 1986 and faithfully replicates the packaging of the 1986 edition. Featuring the Classic Quartet of pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones, “A Love Supreme” is one of the most honest musical performances put to tape — now available once again on tape.
For Chantal Michelle, composing music is a form of choreography. Within surreal sonic environments, distinct sounds form relationships—moving together, then drifting apart—in a process of continuous reemergence across the auditory field. This ever-shifting constellation gestures toward the fragility and mutability of perception, a recurring focus in Michelle’s work. Trained as a dancer from an early age, Michelle brings a heightened spatial sensitivity to her practice: an intuitive understanding…
Second LP of duets by these longtime VHF family staples, here delivering 2 side-long epics of “minimalist” bliss. Both sides feature Daniel O'Sullivan on piano and Richard Youngs on zither, with rippling waves of sound recalling classics like Charlemagne Palestine’s “Strumming Music” (Dan is a frequent collaborator with C.P.) and Richard’s “Advent.” “Persian Carpets I” is a real-humans performance full of tiny variants in rhythm and attack, rising and falling in intensity – sometimes a rush of s…
A bizarrely entrancing jewel from the depths of the Japanese underground, Doo Dah Nean was originally released in small run of hand assembled cassettes by the La Musica label in the late 90’s. The album is the sole release and evidence of Nean, an entirely under-the-radar trio that crossed the sensual, disassociated female vocals of Japanese iroke kayōkyoku music with off-balance shamanic rhythm and echoing electronic rumble. Nean were the trio of Yui on bass and electronics, Naoko on voice, and…
A collection of intimate songs traced from the spectral darkness by Asahito Nanjo, the notorious leader of some of Japan’s key underground psychedelic units (High Rise, Mainliner, Musica Transonic, Toho Sara, etc) Recorded between 1980 and 1988 and previously only available in a cassette micro-edition released by his La Musica Records label in the mid-1990’s. Remastered and available for the first time on vinyl and digital. “A compilation of secret projects recorded over a period of twenty years…
"Mutudi Ua Ufolo/Viuva Da Liberdade" is one of the most important records ever made in Angola. An hypnotic masterpiece that blends Central African rhythms and Semba with soulful guitar and percussion. Originally released on CDA with Conjunto Merengue, it captured Zé at his creative peak. Sung in Portuguese and local dialects, the songs balance rhythmic elegance with deep political weight, tracing ties to Afro-Brazilian and Latin American musical traditions.
After Zé’s assassination in 1977, the …
Swiss music legend Stephan Eicher returns with a bold and intimate new album, Spielt Noise Boys, released via Born Bad Records. Known for his poetic songwriting, distinctive voice, and genre-blurring artistry, Eicher here reimagines the sound of his early band Noise Boys in a stripped-down, emotionally resonant solo setting. Spielt Noise Boys is not a simple “best of” or nostalgia trip. Instead, Eicher revisits the raw energy and DIY spirit of his formative years, reworking classic Noise Boys tr…
Recorded in 1973, Eclipse was intended as Jade Warrior's fourth Vertigo release but was shelved before pressing, circulating only as rare test pressings. Restored with the band's original running order and period artwork, this is top notch British progressive rock, blending delicate acoustic passages with bursts of heavy-rock intensity, African, and Middle Eastern rhythms. The missing link between Last Autumn's Dream and their later Island-era sound. Sourced and remastered from the original mast…
Rising from the ashes of Timebox, Patto delivered a bold fusion of progressive rock, jazz, and blues powered by Mike Patto's soulful vocals and Ollie Halsall's stunning guitar work. Their second album, Hold Your Fire (1971), originally on Vertigo, is a true gem of early '70s progressive rock. Comes with original artwork in gimmix gatefold sleeve. Remastered by Prof. Stoned. Includes insert with detailed liner notes by Ralph Heibutzki and rare photos/memorabilia.
Formed in London in 1970, Patto evolved from the legendary Timebox and were known for their unique mix of progressive rock, jazz, blues, and their exceptional musicianship. Featuring Mike Patto, Ollie Halsall (one of rock's great "guitarist's guitarists"), Clive Griffiths, and John Halsey, this is their 1970 debut for Vertigo. Comes in original gatefold artwork in textured sleeve. Features stereo mixes and mastering by Prof. Stoned. Includes insert with detailed liner notes by Ralph Heibutzki an…
Convex is one of a series of LPs that Schnitzler released himself in the 1980s. It is one of his LPs that convey virtually no visible information. Only the title is printed in large letters on the cover of Convex, and in tiny letters that are easy to overlook, it says: "Cover Conrad und Richard." The labels on the original LP indicate that one side is called "Convex" and the other "Concav." That's all the information there is."On Convex, as on many of his other albums, Schnitzler definitely used…
"Control was created during a phase of Schnitzler's work in which his friendship with Peter Baumann (formerly of Tangerine Dream) allowed him to try out and use new electronic sound generators and peripheral technologies. He never used these innovations merely for their own sake, but always put them at the service of his artistic flair for experimentation. His signature style is clearly recognizable on Control.
The album seems to be a kind of compilation of different musical approaches. Tracks 5…
In the final decade of his life, Morton Feldman turned his attention to the trio format with an intensity that would yield some of the most profound and uncompromising music of the twentieth century. Between 1978 and 1984, he composed three monumental works for flute, piano and percussion that together constitute an immense meditation on time, memory and the irreducible strangeness of sound itself. This landmark 6CD box set from Another Timbre presents all three pieces — totalling six and a half…