Upcoming releases
Tehrangeles Vice (Iranian Diaspora Pop 1983-1993)
Discotchari is delighted to release a first-of-its-kind various artists compilation: Tehrangeles Vice (Iranian Diaspora Pop 1983–1993), fully licensed from Taraneh Enterprises. The album is a groundbreaking exposé of the vibrant subcultural hub of Tehrangeles (portmanteau of Tehran + Los Angeles), and the action packed, true story of the Iranian diaspora music industry. Featuring 12 tracks remastered by award winning Osiris Studio, lyrics and translations to all featured songs, original cassette…
Hyperrealist Music, 2011-2015
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
Forgetting is Violent
Forgetting is Violent, Patrick Shiroishi’s latest solo LP, is his most immediate release yet, expanding the scope not just of his music but of his extramusical considerations. Where his past releases on American Dreams reckoned with racism against Japanese Americans or presented Shiroishi’s saxophone as heard in a parking garage, Forgetting is Violent considers racism as a whole, historical and ongoing, with the urgency it deserves. Here, for the first time, we hear Shiroishi joined by a support…
Songs and Bodies
'Songs and Bodies' is best described as hypnagogic post-rock, an impressionistic blur of dissociated riffs, jazzy rhythms and half-heard voices that casts a beguiling digital silhouette of '90s indie music. The album began as a personal experiment, a question that emerged as Piotr Kurek cast his mind back to the era that birthed bands like Gastr del Sol, Bark Psychosis, Labradford and The Sea and Cake. Curious how this music might sound in today’s cultural climate, he started recording sketches …
Sasquatch Landslide
Pick a small spot (a point) in front of you (a small knot of wood, a dog down the way). And tightly focus on this spot. And now slowly unfocus your gaze. Widen your gaze. Pan out without moving your eyes. Take it all in.
Throwing Shapes
*300 copies limited edition* From the innovative visionaries Méabh McKenna, Ross Chaney, and WRWTFWW mainstay Gareth Quinn Redmond emerges Throwing Shapes—the self-titled debut album of a genre-defying new project set to captivate listeners worldwide. Throwing Shapes is a mesmerising, sonically rich exploration that artfully blends tradition with experimentation.
At the heart of the album lies the evocative timbre of the Irish wire-strung harp, masterfully played and reimagined within modern con…
Safari
WRWTFWW Records is extremely happy to present the official reissue of Safari's self-titled album from 1984. The Japanese jazz-fusion super gem is available now as a limited-edition transparent vinyl LP housed in a heavyweight sleeve with obi.
Mountain In The Clouds
Originally released in 1972, bassist Miroslav Vitouš’s acclaimed album Mountain in the Clouds returns to the spotlight as a remixed, expanded edition of his influential 1970 debut, Infinite Search. Widely celebrated as a seminal document in the birth of jazz-fusion, this recording chronicles the early, creative explosion of a new musical era. With Mountain in the Clouds, Vitouš pushes the limits of jazz bass, blending lyrical improvisation and experimental technique to striking effect. The album…
Pop
*Back in stock! 2025 repress* "Pop, the album that has become widely recognized as the defining moment in which Wolfgang Voigt brought us into a clearing of his deep, psychedelic forest. A landmark release in the GAS odyssey that drew international attention, Pop was originally released in 2000 on the iconic Frankfurt imprint Mille Plateaux. Pop was heralded by Pitchfork at the time of release as being “an exercise in sonic texture… pure sonic velvet, the layered drone radiating a palpable warmt…
Elders of the Begena: The Harp of David in Ethiopia
"The Begena is one of those rare musical instruments of the world that has survived for more than 5800 years. What is fascinating about it is not only its age but the fact that both its manufacture and the purpose for which it is being played have never changed during all these years. It is still made of wood and animal products, such as the intestine of the sheep for the strings, the leather that covers the sound box. It is used for praying, for praising God and for meditation, just as it was i…
The End of the Brim
At long last, Takao is back with his long-awaited second album, seven years in the making. His 2018 "Stealth" was (and still is) a much-loved set, mixing elements of ambient and environmental music; with this new release Takao breaks free of the gravitational pull of these earlier influences and strides confidently forward. "The End of the Brim" jettisons some of the more abstract elements of his previous work, embracing a "universal listenability" and a more concrete intensity, with a focus on …
+The Sydney Symphony Orchestra
A meeting of worlds. A new kind of resonance. Godtet's upcoming release captures the alchemy of their landmark performance with the Sydney Symphony Orchestra at the Sydney Opera House. At once bold and nuanced, this album explores the friction between improvisation and orchestration. Where the orchestra is anchored in fully composed material, Godtet remains free – navigating the work's harmonic architecture with instinct and spontaneity. Structures are fixed, but expression is fluid.
Orchestrate…
The Battlefield is Everywhere
*300 copies limited edition* Since the release of This World is Not My Home in 2014, Gary Mundy (Ramleh, Breathless, Broken Flag) has been releasing one new album per year by his critically acclaimed solo Kleistwahr endeavour. The idea driving this is to keep producing an album a year until he is no longer capable of doing so. While the dedication to this pirouettes starkly between insanity and an admirable stoicism, it’s quite an undertaking when one considers the sound palette Gary works from.…
Lizard
Experience King Crimson’s Lizard like never before in the all-new 2025 Elemental Mix by producer David Singleton. Pressed on 200g super-heavyweight vinyl at The Vinyl Factory, this edition features entirely new takes from the original 1970 sessions. Described as “Lizard for those who don’t like Lizard,” it offers a fresh, immersive perspective on a once-polarizing classic. A must-have for fans and collectors alike.
In The Wake Of Poseidon
King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album -- largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") -- is actually better produced and better sounding than their first. Surprisingly, Fripp's guitar is not the dominant instrument here: The Mellotron, taken over by Fripp a…
Overegginnit
The black Albumen began as an experiment by Glyn BiggaBush (Rockers Hi Fi, Dandelion Set, Magic Drum Orchestra, Lightning Head) to see if he could channel the music of Egg - specifically their 1969 debut album but with elements of follow-ups The Polite Force & Civil Surface - into his own productions. The black Albumen's musical palette was restricted to the same instrumentation as used by Egg - organ, piano, tone generator / test oscillator, bass guitar & drums. Time signatures were generally i…
Kaleidoscopic Visions
Kaleidoscopic Visions showcases Tom Skinner drawing together the many threads of his career as one of the UK’s most versatile and free-thinking contemporary musicians. Performing and recording with Sons of Kemet, The Smile, David Byrne, Meshell Ndegeocello, Alabaster DePlume, Floating Points and Peter Zummo as well as a wide range of collaborations across London’s vibrant improvised and electronic scene, Skinner’s diverse touchpoints are brought together in an album of quiet power and profound t…
Ethiopian Modern Instrumental Hits
"Ethiopians' deep-seated ethiocentrism, the legacy of a thousand years of history, has contributed in no small way to their music's strong national identity, particularly impervious to any African influences. Latin influences, so pervasive in the great musical centers of West Africa and the Congo, have been similarly rebuffed, despite the brilliant attempts of a musician like Mulatu Astatke. He was the first and for a long time the only Ethiopian to have studied music abroad (England and USA). I…
Ethio Jazz
The Ethio Jazz album by Mulatu Astatatke is a jewel of the modern Ethiopian music. Essential. An incredibly groovy Ethiopian record, originally from 1969-1972. Amazing orchestral 'Ethio-groove' filled with US soul, jazz, sometimes Latin and the deepest Eastern rhythms, even including some great nasty and dirty fuzz guitars. A true gem of Ethiopian modern instrumental music, which illustrates perfectly this symbiosis of strong rhythms and quality arrangements of subtle yet deep Ethiopian melodies…