condition (record/cover): NM / VG (ring wear and small writing on back)

A little-known but deeply committed document from the intersection of Catholic liturgical tradition and the German compositional avant-garde. Wolfgang Hufschmidt (b. 1934) belongs to the generation of West German composers who navigated the post-Darmstadt landscape — trained in the high serial tradition, but drawn in his mature output toward questions of meaning and community that pure formalism could not answer. His sacred choral works, represented here in a triptych of liturgical settings issued by the Cantate label, seek a synthesis that most of his contemporaries disdained: that the techniques of the avant-garde might be placed in the service of the Mass, that extended harmonic language and complex rhythmic organization might deepen rather than estrange the liturgical text.

Whether or not one shares that ambition, the execution is remarkable — the Messe in particular displaying a control of choral texture and large-scale harmonic movement that places Hufschmidt in the company of Ligeti's choral works or the late sacred pieces of Penderecki. The Gleichnisse and Epistelmotetten explore more intimate territory. An undervalued figure, deserving of the attention this record quietly demands.