Reissues

Black Vinyl. Eero Koivistoinen is one of the foundational figures of Finnish jazz - a saxophonist, composer and arranger whose career spans six decades and whose influence on the Nordic scene is impossible to overstate. Valtakunta, originally released in 1967 on Otavan Kirjalliset Äänilevyt (a book publisher, of all places), was his very first album, and it has remained one of the most elusive and sought-after records in the Finnish discography ever since - available only through a scarce CD rei…

Early hallucinatory ritual percussion works from the much-missed rhythmajik master. This legendary album by Industrial pioneer Z'EV was originally released in 1986 (LP, Dossier), now finally available with the state-of-the-art remastering it deserves. Also included is the bonus 20 minute track 'Titan Night', recorded at Berlin Atonal in December 1983, now available here for the first time on any format since the original 1984 split LP with Psychic TV (who performed their iconic set at the same e…

We’re thrilled to announce the 10th release from our label, Atangana Records! After over eight years since we began, we’ve come a long way. We’ve had numerous music releases whilst focusing on preserving the Caribbean cultural heritage, which doesn’t get talked about enough. With the creation of the association Sa Ka Touné, we’ve collected over 15,000 records and organized Tropical Clubbing events in Guadeloupe, where invited DJs dig through our association's collection before performing. ATGN00…

On Solid Static, Musica Transonic / Mainliner - Asahito Nanjo, Makoto Kawabata and Tatsuya Yoshida - turn late‑90s Tokyo psych into a feral laboratory, smashing motorik riffs, free‑jazz volatility and distortion worship into one long, white‑hot detonation.

A decade after its long-awaited release, Coil's landmark album Backwards returns in a special 10 year anniversary vinyl reissue. The black vinyl edition comes in a gatefold matt-laminate sleeve with silver detail, honoring the album's elusive, mercurial nature with understated elegance. After the ground-breaking release of 1990's Love's Secret Domain, Coil were not dormant - far from it. The main project was Backwards, which was started in 1992, updated considerably between 1993 and 1995, and tr…

Joyful rug-cutters and sweet soul-uplifters from the town of Morogoro, in early-1960s Tanzania: muziki wa dansi, inspired by Cuban 78s, and dance crazes like the twist and cha cha cha, but making them its own. Here is the cream of over a hundred recordings by Salum, mostly for Mzuri Records of Kenya; pretty much lost till now. In an old-school tip-on cover, with lyrics in Swahili and English on the inner sleeve. Lovely stuff.

On Smog, Piero Umiliani weaves Italian cinematic cool, West Coast jazz and vocal chiaroscuro into a quietly devastating portrait of early‑60s Los Angeles, with Chet Baker and Helen Merrill tracing the city’s alienated glamour in smoke.

On Tetragon, Joe Henderson sharpens his post‑bop language to a diamond point, driving a powerhouse band through knotty tunes and reworked standards that already hint at the spiritual depths he’d soon explore more fully.

LP. Limited edition. Black vinyl. RPG module booklet with map. The first HDK cassette sold two copies. Possibly three. Then, in the summer of 2017, something called Kobold knocked on the door of this Milanese DIY collective with The Cave of the Lost Talisman, and the whole thing changed. The tape had a concept: every track corresponded to a location on an actual dungeon map, the music scored a playable D&D adventure module, and the listener could follow plot and music simultaneously through the …

Dangerous, bizarre, but most of all cool, The Cramps one again prove themselves as leaders in skull-fracturing rock ʼnʼ roll, delving even deeper into a wicked netherworld where few have dared to tread. They are the architects of a sound that has spawned an entire subversive subculture. Originally released in 1997, Big Beat From Badsville is a haul-ass, careening monster of a record featuring more songs of mutilation, shape-shifting, psycho frenzies and she-devil-worship. The four rare bonus tra…

Laputa, a title taken from the fantastical floating island of Gulliver's Travels is aptly named as 'The album that never landed' for, apart from a limited touchdown in Japan, Laputa was never released. This mystical world is a summation of Yokota's journey so far, a complex and at times challenging work but immeasurably rewarding. Beguiling and bewitching in equal measure. Over fifteen undulating sonic fugue states, he guides listeners round a liminal world, made up of familiar materials but for…

*110 copies limited edition* This is the fourth studio album of Kryptogen Rundfunk and the first one since the project moved from Russia to the Netherlands. Six tracks full of weird trademark radio noises and interceptions, heavy bass drones and piercing high frequencies, abstract electronic signals and quirky samples. These layered compositions are slowly building up, creating thick mesmerizing walls of sound, yet at the same time leaving room for a bit of flippancy. An uneasy ride for a restle…

Originally released in 1976 on Piero Umiliani’s own Sound Work Shop imprint, Drammi e Speranze -issued under the pseudonym Rovi - stands as a refined example of his late-period library work. Performed by a compact string ensemble and subtly augmented by piano, Hammond organ, Eminent organ, and Rhodes, the album unfolds through a series of classically-informed compositions where melody takes center stage. Each piece is concise, evocative, and purpose-built - reflecting the functional yet highly e…

Dive back into the primal heart of Krautrock with Amon Düül's "Experimente", a stunning collection of rare and obscure live material excavated from the same incendiary late '60s sessions that birthed their legendary debut Psychedelic Underground. This previously unreleased treasure captures the band's unbridled spontaneity, delivering a sonic assault that's as hypnotic as it is feral. Amon Düül's jam sessions on Experimente are pure, unfiltered ritual – predominantly instrumental eruptions domin…

“Samba ’68“ is the only album released on the Verve label by prolific Brazilian singer Marcos Valle. In 1968, Valle was commissioned by Verve to record his Brazilian hits in English in order to capitalize on the then-huge Getz-Gilberto-Jobim-Mendes-Astrud market. Marcos’ rapid and stunning artistic growth is apparent on this brilliant Bossa Nova album. Fans of Sérgio Mendes and Astrud Gilberto (both of whom recorded tons of Valle tunes) will enjoy it immensely, for “Samba ’68” is definitely one …

Marcos Valle is one of those artists you simply can’t overlook if you have even a passing interest in Brazilian music. Whether your taste leans toward bossa jazz, samba, psychedelic folk, or modern soul, Valle has surely recorded a great album for you. By the late 1960s he had already released enough outstanding records to secure a place among the greatest Brazilian artists of all time, but fortunately his career didn’t stop there. He has continued recording fabulous albums over the following de…

This 1973 album captures Roy Ayers in the midst of a creative evolution toward a sound increasingly influenced by soul and funk, surrounded by accomplished collaborators such as keyboardist Harry Whitaker and Strata-East musicians Charles Tolliver and Sonny Fortune. The album includes outstanding versions of ‘Ain’t No Sunshine’ and ‘Day Dreaming,’ along with original compositions such as ‘Cocoa Butter,’ ‘Rhythms of Your Mind,’ and the superb title track, ‘Red Black & Green.’ In the early 1970s, …

The first solo album from the legendary director and composer of Halloween, Assault on Precinct 13, The Snake and many more! With the 15 films he has directed and composed the soundtracks for, John Carpenter has single-handedly defined the sound of the horror genre. The film music alone manages to instantly conjure up, in the musical memory of the devoted fan, the menacing figure lying in wait for the babysitter, the ghost-filled mist, the kung fu fighters with their lightning-fast fists, or the…

The transcendental guitar master's 1971 debut, remastered for all your sabbath needs. 37 minutes of ambient guitar witchcraft and the perfect soundtrack for third eye awakening, light alchemy, or human sacrifice. You could start a cult with this thing. California mail-order mystic Master Wilburn Burchette was first known from his ads, hidden in the back pages of Fate Magazine, Beyond Reality, and Gnostica News. On offer: Burchette's sevenpart, block-printed "Psychic Meditation Course," designed …

El Pulso del Acero: Shinkansen is Esplendor Geométrico's electrifying new album, blending trance-inducing industrial rhythms with bold voice and noise collages. Featuring 16 tracks, it revisits the raw power of their 80s classics while exploring futuristic industrial sounds, with recordings from Tokyo (2025) and a rare previously limited tracks now on vinyl for the first time. After over 40 years of continuous innovation, the influential Spanish duo continues to shape industrial, techno, and exp…

On Louvação, Gilberto Gil fuses Afro‑Bahian rhythms, Northeastern folk and sleek mid‑60s modernism into a luminous songbook where liturgical overtones, street poetry and swinging arrangements announce a new, restless MPB imagination.

Domingo is the groundbreaking debut album by legendary Brazilian singers Caetano Veloso and Gal Costa, released in 1967 by the renowned Polydor label. This album captures the essence of traditional bossa nova, presenting smooth melodies and sophisticated rhythms that define the genre's timeless appeal. Although Domingo predates the tropicalist movement that Caetano Veloso would later champion, it offers a captivating glimpse into the early artistry and vocal interplay between two of Brazil’s mos…

In 1961 John Coltrane joined the newly founded Impulse! label. The great saxophonist was coming off several impactful albums (Giant Steps) and a very notable — even commercial — success: that My Favorite Things which had made his soprano sax one of the “new sounds” that marked a turning year for jazz, the fateful 1959. Some people — despite obvious clues to the contrary — speculated a turn, if not toward commerciality, at least toward more palatable music: a Coltrane in some ways comparable to P…

Back in stock with a brand new edition the score for Emanuelle e gli ultimi cannibali (Emanuelle and the last cannibals), a movie featuring our beautiful Laura in new dangerous adventures! The wonderful score by Maestro Fidenco is influenced by the changement of the musical influences: we see the Maestro more funky oriented. The score opens with a wonderful danceable "Make love on the wing" that could have be composed by Change or Chic. The Maestro doesn't delude us preparing a variation on the …

Why did so many of the world’s most forward-thinking musicians gravitate toward Conny Plank’s studio at that time? Released in 1981, Phew was recorded at the legendary Conny’s Studio—home to seminal works by Kraftwerk, Neu!, D.A.F., and Brian Eno—featuring Phew, formerly of Aunt Sally. The album brings together Can members Holger Czukay and Jaki Liebezeit, whose contributions, combined with Plank’s masterful engineering and Czukay’s innovative editing techniques, result in a strikingly original …

Deluxe edition, housed in a reverse board printed sleeve with printed inner sleeve. Three LPs came out on Jihad, the label Amiri Baraka ran out of his own house in Newark. Two of them - Sonny's Time Now and A Black Mass - entered the canon of the New Thing decades ago. The third stayed a rumour: a title traded between collectors, a track a radio DJ might drop once a year, a record far more people had heard about than heard. Original copies surface rarely and sell for three figures. Black and Bea…

To mark 50-years since a 22 year old Michael Gregory Jackson recorded his groundbreaking first release, "Clarity / Circle / Triangle / Square", recorded with the mind blowing group of his contemporaries Oliver Lake, David Murray and Leo Smith. This album is like no other I know, a new world, finding a perfect balance between multiple genres. Moved-By- Sound is very excited and honored to be involved in releasing the first reissue authorized by Michael Gregory Jackson since the original release i…

Zamaan Ya Sukkar is a rich musical portrait from the time when Cairo was the vibrant cultural heart of the Middle East and the grandeur of the leading orchestras was incomparable. Unearthed Latin and jazz-tinged tracks will let your mind drift off to the glamorous nightlife of '60s Cairo. Meet some forgotten souls of the Egyptian music scene and cinema world. Sensual voices and Bollywood-like orchestra sounds inflame the senses of the body with an intangible exotic twist! All music is remastered…

Reissue of the belly dance holy-grail from the organ king of Cairo, combining traditional rhythms with spaced out modern sounds. Hany Mehanna, beloved musician and composer of the greatest artists from the Arab world such as Om Kalthoum and Abdel Halim Hafez, shows himself from a more experimental side on his solo albums. Originally released in 1973 on Cairo label Sout El Hob, Mehanna’s solo LP explored far more left-field terrain than on his other collaborations and film scores, ‘The Miracles o…

The rich and lengthy instrumental intro is just a precursor of the emotion present in this song. The talent of the composer is underlined by how he utilises the traditional style of singing poetry in a more open and creative way. Abdel Wahab’s infusing of long and groovy interludes with varied tonality, rhythmical patterns and an overall unique approach, carries Om Kalsoum’s powerful voice and brings the song to an incredible climax. In this way, he gives more colour and depth to the music and t…

“Enta Omri” is Om Kalsoum’s most famous song, composed by Mohamed Abdel Wahab, who is still rightly regarded as a prominent musician and composer in Egypt. The creation of this song was the first long expected collaboration of two musical giants, which came at the repeated urging of Egyptian President Gamal Abdul Nasser. There was talk in Egypt on the streets and in the media about what was believed to be a cold relationship between the two legends. Finally, after years of estrangement, Mohamed …

Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…

A strange and beautiful artifact of late‑70s outsider music returns: Kit Ream’s lone 1978 album, All That I Am, has been reissued on vinyl and digital formats. Once a private-press secret treasured by psych‑folk collectors, this ultra‑rare record is now available again for listeners drawn to music that sits defiantly outside conventional boundaries. Weirdos, or so they said. A long‑term psychological state. All That I Am grew from that condition — music shaped by solitude, introspection and an u…

Double Beat Sequencer Vol.2 continues Merzbow’s deep dive into a particularly vicious corner of his archive: mid‑2010s sessions built around a relentless “double beat” framework, then buried under signature torrents of noise. Where Vol.1 sketched the template - rigid sequencer patterns hammered into shape and then abused - this instalment feels even more single‑minded. A handful of cycling pulses become the spine for entire pieces, driven by a strict, mechanical insistence that Masami Akita trea…

Double Beat Sequencer Vol.1 finds Merzbow threading a hard, skeletal pulse through the heart of his noise, treating rhythm less as a scaffold for genre than as another engine of excess. Across these tracks, fixed and cycling beats - the “double” sequences of the title - form blunt, looping structures that Masami Akita subjects to his typical barrage of distortion, feedback, metallic scree and feral electronics. The result is not noise suddenly tamed, but rhythm subjected to the same merciless tr…

On Geometry of Murder: Extra Capsular Extraction Inversions, Earth x Black Noi$e stretch the 1991 debut into an even slower, more vaporised continuum, where Carlson’s primordial drones are rerouted through modern electronics into a smeared, time‑dilated echo of the original.

“Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian - or white people in French Caribbean creole - it seems like they finally have something to say.With this group/concept/project called Oiro Pena, circling as a creative vor…

Nippon Cultural Broadcasting (= Bunka Hōsō) is known for airing Toshiro Mayuzumi’s composition for “Works for musique concrète X.Y.Z.” the very first Japanese work of musique concrète. Now, for the first time, the long-lost broadcast recordings produced by the director of that era are being released! These include a piece by Yori-aki Matsudaira's father, Yoritsune Matsudaira, created by repeatedly dubbing instrumental material, as well as an experimental work unique to Bunka Hōsō, produced throu…

Julius Hemphill was a visionary saxophonist and composer whose music fused avant-garde exploration with deep blues and gospel roots. Marty Ehrlich, one of Hemphill’s close collaborators and protégés, is a multi-reedist and composer known for his lyrical improvisation and commitment to extending Hemphill’s legacy through performance, composition, and curation. This archival release of the duo from Julius Hemphill and Marty Ehrlich offers a rare, deep-listening window into their long-standing crea…

*2026 repress!!* Amazing re-issue on Outernational Sounds of the Indio Jazz Fusion rarity from 1968! Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity; a collectors’ holy grail. Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent. Closely contemporary with the UK-based explorations of Amancio D’Silva, John Mayer and J…