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'The fun years', comprised of multi-instrumentalists Ben Recht and Isaac Sparks, have been making music together since the turn of the century, producing intriguing interrogations of ambient, drone, post-rock, and turntablism. Originally released in 2008 on the now-defunct Barge Recordings, 'baby it’s cold inside' is perhaps the high watermark of their discography. Equally concerned with microtonal nuance and harmonic intensity, it is both a product of its time and something well past it. The ch…
Transparent turquoise vinyl / 180 grams, limited edition numbered to 300 copies. Mauro Pagani's first vinyl album, released in 1978, is a masterpiece of sonic cross-cultural contamination. After his experience with PFM, Pagani embraced Mediterranean sounds, mixing progressive rock, ethnic music and psychedelic atmospheres. Almost every of his former bandmates, anyway, plays in this record, together with other great guests such as Area - first of all, their incredible singer Demetrio Stratos - an…
Transparent red vinyl format / 180 grams, limited edition numbered to 500 copies. The soundtrack for “Non si Sevizia un Paperino” (1972), composed by Riz Ortolani for Lucio Fulci’s giallo masterpiece, is a work of extraordinary intensity and contrast. Ortolani, a master at balancing melodic beauty with unsettling atmospheres, perfectly captures the essence of a film that blends mystery and violence with the innocence of a small Southern Italian village. The film, one of Lucio Fulci’s most acclai…
Beat Records Compnay and Cabum Edizioni Musicali are glad to present the original motion picture soundtrack of Pandemonio – Switch, a movie directed by Giuseppe Colizzi (Dio perdona… io no!, I quattro dell’Ave Maria, La collina degli stivali, …più forte ragazzi, Arrivano Joe e Margherito) in 1978 featuring a soundtrack composed by Guido & Maurizio De Angelis. Switch, released after the death of its director, is the story of Dory, Renato, Sgomma and Solimano, four friends who dedicate themselves …
Second installment of this wonderful compilation of gems from the '60s and '70s Singapore music scene, focused on the amazing ladies that helped make it so vibrant. 14 gems of female fronted Pop Yeh Yeh, another eye-opening collection of amazing Singapore treasures. Be it as solo singers, backed by other bands or as band leaders, women had a huge presence on the Singapore music scene. All under the idiosyncratic Pop Yeh Yeh umbrella and each with her strong personality and musical tendencies, th…
Lou Donaldson had been a Blue Note stalwart since his earliest recordings in 1952 and over the following 15 years produced numerous classic dates spanning bebop, hard bop, and soul jazz. But when the alto saxophonist hooked up with the funky drummer Leo Morris (aka Idris Muhammad) for 1967’s Alligator Bogaloo it began a run of great groove-oriented albums including Mr. Shing-A-Ling, Midnight Creeper, and 1968’s Say It Loud. Filling out the band were Donaldson’s fellow Blue Note labelmate trumpet…
2025 repress with revised booklet "We proudly present the repress of our first reissue, from 2011 - of a long o/p LP that urgently needed to be re-released since "Stürmer" is one of the most outstanding records in the history of german avantpop/punk. Originally released 1981 on the legendary ZickZack label, the debut LP by Munich's Freiwillige Selbstkontrolle soon reached cult status and became one of the most important NDW / german postpunk releases ever. Active since today F.S.K. were one of J…
2025 stock In 1976, Alf Emil Eik embarked on an extraordinary journey in a studio in Oslo. Armed with a 16-track MCI recorder and a vast array of instruments, including a couple of his precious bass guitars, he set out to create his musical masterpiece. Eik, a composer, musician, technician, and producer all in one, used the studio as his compositional playground and experimented with percussion, synthesizers, bass riffs, and tape phasing effects, pushing the boundaries of what was possible at t…
Moon Glyph is pleased to present a compilation of new, unreleased tunes from established veterans of the label and newcomers alike. Staying true to Moon Glyph’s transportive aesthetic, “Amethyst” spans across abstract genres from ambient, psychedelia, jazz, electronic, fourth world percussion and more. Across its 17 tracks, you’ll hear Cole Pulice’s hypnotic overlapping saxophones, Vic Bang’s intricate arrangements of micro samples, IE’s patient desert landscapes and Starbirthed’s shimmering cel…
*300 copies limited edition* "A new edition of the original statement first released by Nil By Mouth Records on cassette and immediately sold out. Old Europa Cafe is making available once again transmissions that refuse to be suppressed by the smothering hands of the seemingly ubiquitous audio platforms. Drawing inspiration from the forefathers of Power Electronics, but pushing the foundational doctrines into new territories, Terror Cell Unit are truly deacons shepherding over the flock of moder…
*300 copies limited edition* Masonna is one of the early peeoners of Japanoise. This CD is the combined re-release of two classic first-era Masonna albums: Masonna Vs. Bananamara - very first vinyl release originally produced by Vanilla Records / Japan in 1989 and Shinsen Na Clitoris = 新鮮なクリトリス - very first CD release originally produced by Vanilla Records / Japan in 1990
Masonna sound is true harsh Japanoise but always inspired by Psychedelic-Music and mainly perfomred using distorted vocals, a…
Music To Varnish Owls By. Does Geoff Bastow have a claim for the best album title of all time? It's certainly up there. It's also one of the hardest to find library funk records. But don't let the eye-catching name fool you into thinking this isn't serious business. As a key member of Giorgio Moroder's team, the legendary Geoff Bastow shouldn't need any introduction. You'll be familiar with his singular brilliance as the brains behind the much-sampled boogie/disco classics "You Don't Like My Mus…
Strut Records is proud to announce a new official reissue of Simigwa by Gyedu-Blay Ambolley, launching a series of releases on Strut celebrating the legendary Ghanaian label Essiebons. Essiebons, founded by Ghanaian music producer Dick Essilfie-Bondzie in 1959, is one of Ghana's most important independent labels featuring prominent artists such as Gyedu-Blay Ambolley, C.K. Mann, and Ebo Taylor. Ambolley’s Simigwa is a groundbreaking album, recognised as a Ghanaian classic and boasting one of the…
25th anniversary deluxe reissue of To Live and Shave in L.A.'s "The Wigmaker in Eighteenth- Century Williamsburg." in an expanded 4LP box set. The four LPs contain all 27 tracks from the original “Wigmaker” double CD remastered for vinyl, including complete lyrics, original liner notes & production credits, plus an entire LP side of unreleased songs from the original 1996 version of the album. The set also includes a 36-page perfect-bound book with never- before-seen photos, a critical appreciat…
Released in October 1967, We Are Ever So Clean was the wonderful debut album by Blossom Toes, one of Britain’s most imaginative bands of the late 1960s. Originally known as The Ingoes, the band featured Brian Gooding (guitar, vocals, keyboards), Jim Cregan (guitar, vocals), Brian Belshaw (bass, vocals) and Kevin Westlake (drums, percussion). Signing to Giorgio Gomelsky’s newly formed Marmalade Records in 1967, the band recorded their debut masterpiece throughout the Summer of that year.
Upo…
2025 stock 180g virgin vinyl limited edition - the complete LP + 2 bonus track. The only album ever reuniting pianist Cecil Taylor and saxophonist John Coltrane, Stereo Drive was released in 1959. Taylor wanted to use Ted Curson on trumpet, but the recording company insisted on using Kenny Dorham. Relations between Taylor, who favoured a very avant-garde approach, and Dorham, who verbally disapproved of Taylor's "way-out" tendencies, were strained, and the session is a unique tour the force.
2025 stock Self-released by Julianna Barwick second EP from 2009. Composed using a loop station and pedals to create minimalist repetition accompanied by layers of vocals and synthesizers.
The 1968 debut album from Norwegian guitar legend Terje Rypdal stands as a significant entry in the late 1960s jazz landscape, exemplifying the transition from psychedelic rock to a more intricate, freeform blend of jazz elements. Collaborating with legendary musicians like Jan Garbarek, Rypdal's work on this album showcases his innovative talent.
Recorded during three sessions in Oslo in 1968, Bleak House marks Rypdal’s departure from the psychedelic group The Dream as he ventured into new musi…