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The concert was filmed on June 4th, 1982 at Sartory Säle in Cologne (Germany) during the 82' Collision Drive tour. In 1981 Alan Vega had released his second solo LP under the title Collison Drive. It forms part of the "play loud! (live) music series". The “play loud (live) music series“ is based on three precepts: Alan Lomax´s work as an archivist and chronicler, John Peel´s BBC radio sessions, and the work of Direct Cinema pioneers, such as the Maysles Brothers, Leacock, Wildenhahn, Blank and P…
Hastings of Malawi are Heman Pathak, David Hodes and John Grieve. They recorded the album in one night in 1981 with no plan and no idea of what they were doing. They played drums, clarinet, synthesiser and piano but also made use of things that they found lying around the studio – old records, cookery books, telephone directories and a telephone. The recordings were played down the phone to randomly dialled numbers and the reactions added to the recording. All three had been involved in the reco…
2023 repress; LP version. "It's been ten years since Bill Orcutt released A History of Every One (EMEGO 173CD, 2013), a compendium of hacksaw renditions of American standards on acoustic guitar -- and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of e…
Tip! It's hard to imagine how this record -- and it's mate, Outspan No 2 -- managed to remain more or less out of circulation from the CD era onward. Outspan No 1 is nothing less than an ideal distillation of the broad approach to sound creation utilized by the three-ring circus that is Brötzmann, Van Hove, and Bennink, here with the added bonus of Mangelsdorff. Two short numbers, two long, too perfect.
*2023 stock* Siddhartha, named after a novel by Hermann Hesse, were formed in 1973 in Korntal near Stuttgart. They performed an intelligent mix-ture of progressive and art rock influenced by psychedelia and folk. Although their 1975 album is called "Weltschmerz" all songs contain English lyrics except for "Weit weg". It was released in a limited edition of 400 copies and is now one of the most sought-after collectors’ items. A thirty minute demo tape by Siddhartha which was recorded after the re…
*2023 stock* This album is a bit difficult to pigeonhole, as most of the early Embryo work is. The opening number sounds if anything, like an outtake from Miles Davis' Jack Johnson soundtrack, but with lead guitar sound more prominant. Then, gears are switched, and you are listening to acoustic folk guitar and sitar, which melts into a cool ostenato riff flanging around, that just builds and builds, with countermelody on Violin (or Veena?) and guitar weaving in and out, along with the drum parts…
"Schock" was released in 1977 and directed by horror maestro Mario Bava, released while Italian horror cinema was at its peak, following the international success of Dario Argento with Deep Red and Suspiria. While Goblin soundtracked the work of Argento, the choice for the music of Schock fell on Libra, (distant relatives of Goblin , thanks to drummer Walter Martino and guitarist Carlo Pennisi). In ‘77 Libra, after a brief dalliance with legendary soul/funk label Motown, had practically split up…
Corbett Vs. Dempsey presents the second release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din.
Corbett Vs. Dempsey presents the second release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din.
Tip! The visionary metaphysical western El Topo, which became famous thanks to John Lennon's enthusiastic endorsement: a classic of the revolutionary 1970s indie midnight movie movement. The soundtrack is composed by Alejandro Jodorowsky himself, recorded at Abbey Road Studios and originally released by Apple Records in 1971. New edition in vinyl black 180g with 8-page booklet and new notes by musician Gary Lucas.
TIp! The Holy Mountain (1973) is considered Jodorowsky's definitive film; the music of the soundtrack is just as soundtrack is equally interesting, with musical styles ranging from primordial chants to sitar-based folk melodies, from full orchestral solids to more intimate symphonic arrangements, all a perfect accompaniment to the hallucinogenic climate of the film. The soundtrack features jazz musician Don Cherry.
Bomb! A book collecting interviews, artwork and texts of New Zealand underground sound artists from fanzines in the years 1991-1999. Collected by Noel Meek. Texts by Noel Meek, Bruce Russell, Seymour Glass (Bananafish) and Nick Cain (Opprobrium). Cover illustration by Stefan Neville (Pumice).308 pages, format: 18 x 24 cmInterviews with: Alastair Galbraith, A Handful Of Dust, Omit, Bruce Russell, Gate, Surface Of The Earth, Sandoz Lab Technicians, The Dead C, Witcyst , Roy Montgomery, Dadamah De…
Platform 23 returns to where it began, working the Vox Man Records to bring their compelling and unique archive to light, going beyond the hugely successful Alternative Funk compilations that launched the label, to again create a compilation from their cult cassette releases, in this instance Audiologie N°4 - The Independant Psychedelic Trip and Audiologie 5 et 6 - Ethniques Urbaines. Run by Axel Kyrou (Vox Populi!) and Francis Man (FR6 Man / Kosa), their label, releasing cassettes, 7” and LPs b…
Reissue of a 1994 tape incorporating elements of post-punk, dark ambient, and neofolk. C’33’ had appeared on countless compilations throughout the 90s from the likes of RRRecords, Strength Through Awareness Branch, and Bandaged Hand Produce.
*First time reissue!* A wild and funky collection of Afro grooves that was ahead of its time in 1977 and has become a collector’s item in recent years, especially due to the growing international interest in Colombian picó sound system culture. Fruko and his studio bands Wganda Kenya and Kammpala Grupo treat us to a diverse set of African and Caribbean styles, laced with crazy synths, psychedelic guitar and infectious pan-African polyrhythms.
After three previous volumes in our series “Algo Salvaje” devoted to the Spanish nuggets, the new instalment explores the darkest, neglected and rebellious side of Peruvian 60s garage beat.
“Algo salvaje” is an anthology devoted to a rich period when hundreds of bands appeared all over the world and, after paying attention to what their US and British contemporaries were doing, found their own way to vent their teenage rebellion through loud guitars. With amazing results!
Many of the 14 tracks a…
Tip! The third installment in an ongoing series of albums produced by John Wiese using an expanded ensemble of recorded sound contributions. Audio collage and experimental sonics featuring input from Mitchell Brown, James Fella, Nathan Howdeshell, Tim Kinsella, John Collins McCormick, Sigtryggur Berg Sigmarsson, Howard Stelzer, Dennis Tyfus, Katie Vonderheide, and C. Spencer Yeh.
Tip! "Instead of building towards a crescendo, Smyth and Wiese delight in sustained textures, then continue their patient growth … Scraped and plucked strings, caressed keys and percussive body knocks stand unwavering against waves of static, clusters of tinkling bells and spectral effects ... Throughout, the music’s flow remains profoundly atmospheric, almost oneiric, whether circling down a spiral of whisper-like low frequencies or being thrown around by violent stabs of noise. To finally brea…
Tip! The first installment in a series of albums produced by John Wiese using an expanded ensemble of recorded sound contributions. Musique concrète and collaged aural expanse featuring input from a collection of international collaborators, including Aaron Dilloway, James Fella, Hair Stylistics, Aaron Hemphill, C. Lavender, Charmaine Lee, Lasse Marhaug, Katsura Mouri, and C. Spencer Yeh.
"Reprint was originally released on cassette by Snatch Tapes in 1980 and was credited to an unknown duo called Claire Thomas & Susan Vezey. Claire and Susan were infact a figment of Snatch Tapes founder Philip Sanderson's imagination. In addition to running the label, Philip was one half of the DIY electronic group Storm Bugs, and regularly collaborator with a then unknown musician by the name of David Jackman (one of these tracks they did together was recent issued on a 10" by Die Stadt). Repri…