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*2022 stock* This CD contains the soundtrack of one of the masterpieces of Italian cinema, "Amici miei", directed in 1975 by Mario Monicelli. The soundtrack was written by Carlo Rustichelli, one of the greatest composers of film music. It is built around the main theme, a waltz, and its variations. The jokes of the protagonsti are underlined by a theme that seems to recall Brecht, as well as the famous "Bella figlia dell'amore".
**2022 stock** Sonatas and Interludes for Prepared Piano, a cycle of 20 short pieces for prepared piano (a piano modified by inserting nuts and bolts and other objects between the piano strings in order to produce percussive and otherworldly sound effects) by American composer John Cage. Created in 1946–48 after the composer had been introduced to Indian visual and performing arts, the cycle was intended to represent the so-called permanent emotions—the heroic, the erotic, the wondrous, the comi…
On Music is Not a Copy Kink Gong turns crystal pop into syrup musak, a skippy glitch digital re-configuration of Chinese popular music, sounding like a broken unrelenting CD player under Beijing’s main underpass. We can’t think of anyone else making music like this, being it destructive or celebratory, dive in, never come back.
Tristan Disco was an ephemeral Japanese project led by Takayuki Shiraishi (BGM, who released material on the Japanese experimental label Vanity Records, MLD) and focused on making dub-influenced Post-Punk. In 1982 they elaborate a no-wave full of unrehearsed breaks and cavernous vocals. Boundless dark jamming sessions through shades, effects and reverbs always submerged by a tense nervous bassline. On the B side Krikor delivers a hard-hitting Industrial reconstruction of "Social Dance" perfect t…
* Digipack CD edition * Ghédalia Tazartès left us in February 2021 when we had just finalized the editing and the cover art of his new album with him. Unfortunately he will never see the finished object. This record is therefore particularly important for us. He opened his archives to us so that we could select unpublished pieces with him and organize them in two long suites. This work took almost two years (finding the pieces among dozens of sometimes very old CD-Rs, checking that these pieces …
Tip! If there is a single feature that makes the context of experimental music so exciting, it is arguably the willingness of artists to freely converse and collaborate. This is made all that much more thrilling when it transpires across the generations. The first LP in Black Sweat’s latest batch is one such case - two heavyweights, often occupying very different positions in the musical landscape, with births separated by decades, finding common ground and voice. Neither Sarah Davachi or Ariel …
*300 copies* The 90's run of :zoviet*france: is, what I consider to be, a divisive time for long time fans of the group. Gone are the days of wild and experimental sound collages and grating industrial, ritualistic ambient banger's and in its place is a more subdued and droning affair. During this period especially the groups hallmark sound would be twisted and shifted into what amounted to a swill of limp krautrock inspired dark ambient. Their live albums especially, are long and desolate treks…
"L'Ultimo Treno della Notte" (Last Stop on the Night Train) is a 1975 thriller film directed by Aldo Lado, one of the most violent movies ever produced in Italy in the '70s (and beyond) that actually shows, even in the crudest scenes, for same admission of the director, a harsh attack against the bourgeois society and its powerful rich people. Despite the limited budget, the friendship between Aldo Lado and composer Ennio Morricone made this collaboration possible; nonetheless, only a 45rpm 7" w…
*2022 stock* "One of the last Goblin-related releases to arrive on CD thanks to the Cinevox label, the notorious `Volo' from 1982 is now reissued. The Eighties was not a banner year for much of anything prog-related, and with bass player Fabio Pignatelli the sole founding member here, he's joined by a mix of related ex-Goblin members and session players, and together they delivered a sleek set of pop/rock/funk pieces very much in the manner of the popular commercial styles of the time. While it'…
*2022 stock* "After testing the waters with the solid but unexceptional Lounge at Cinevox: Beat, Vol. 1, Cinevox upped the ante with this more interesting second volume. Lounge at Cinevox: Beat, Vol. 2 has the edge on its predecessor because it boasts a more adventurous set of selections. This combination of factors is apparent from the first cut, a wild slab of psychedelic funk entitled "4 Mosche Di Velluto Grigio (Titoli)": After leaping out the speakers with a jazzy drum intro, this cut then …
** 2022 remastered repress ** Pianist Margaret Leng-Tan - considered the leading exponent of “extended” piano techniques - is at her best with this music. George Crumb and Ms. Tan worked closely on the preparation of these works for the recording. Crumb’s Makrokosmos I & II were written to expand the world of color and sonic possibilities which a single piano and pianist could create. In addition to playing the keyboard, the pianist is required to strum and pluck the strings; apply glass tumbler…
Released way back in 1974, the lone, self-titled effort from Spirale is an album notable for its lack of electronic instruments. It also has some of those loveable low-budget production flaws that are so often heard in obscure 1970s Italian progressive music, and the bass quite often seems charmingly out-of-tune. But this was an earnest and quite energetic jazz-rock ensemble excursion, with excellent brass arrangements and improvisation. Other instruments used include violin, drums, piano and va…
*2022 stock* This official soundtrack album for the Italian horror movie La Chiesa ("The Church") features four pieces performed by Keith Emerson. These are The Church (Main Theme); Prelude 24 (From Well Tempered Clavier); The Possession, and The Church Revisited, all four of which have also been included on the Keith Emerson "At the Movies" 3CD set. Emerson's contributions add up to about 13 minutes of music all in all.The rest of the music on this soundtrack is by other artists, including seve…
"Released in 1972 on the Cinevox record label, Morricone’s score is in a word classic. It contains every musical trademark that we associate with the Maestro, quirky and jaunty backgrounds, romantic and poignant melodies, infectious and haunting musical interludes and emotive and heartrending passages that just melt the listener. The CD re-issue was also on Cinevox, and the company released it in the November of 2003, it contains a little more music than the LP recording in fact there are four …
"Non ho sonno isn’t exactly a return to the glory days of Suspiria and Roller, but it’s very good, and is worthy of purchase before most of the 1980’s soundtracks. Though Goblin managed to hold on to the 1970’s sound even on most of their 1980’s work, this album sounds much more like the 1980’s than the 1970’s or 1990’s, especially the guitar. As far as opening themes go, “Non Ho Sonno” is good. That basically goes for the rest of the music too. It’s all very good, but not as unique and special …
*2022 stock* Back in '76 or so, Mario Bava wanted in on some of Argento's azione in the film music department. For his movies, Dario had enlisted some homegrown twentysomethings fresh from sessions in England as an outfit alternately called Oliver and Cherry Five. The quartet, rechristened Goblin, had cranked up their amplifiers to score Dario's two very popular films, the bloody Profondo Rosso and the supernaturally-inclined Suspiria. Bava wanted the same kind of sonorous edge for his next fora…
*2022 stock* A reissue of Cherry Five, the first and only homonymous work of the band, made by Claudio Simonetti, Massimo Morante, Fabio Pignatelli, drummer Carlo Bordini and singer Tony Tartarini. The album was recorded in 1974 but published only in 1976, a year before the official birth of Goblin and the worldwide success of "Profondo Rosso". In the original vinyl Simonetti and Morante were included as authors of the songs but not as performers. The record in question is a rarity today, sought…
* 2022 stock * Recorded in Paris during a prime period, tenor saxophonist Dexter Gordon jams on four basic group originals, including his own "Fried Bananas" and "Dexter Leaps Out." The medium- to uptempo numbers clock in between 9½ and 12 minutes apiece, giving Dexter, trumpeter Sonny Grey and the French rhythm section (pianist Georges Arvanitas, bassist Jacki Samson and drummer Charles Saudrais) plenty of opportunities to stretch out. A fine jam session that was decently recorded.
*2022 stock* Futura Records presents Dizzy Reece quintet's From in to out. Dizzy Reece (trompette), John Gilmore (saxophone ténor), Siegfried Kessler (piano), Patrice Caratini (contrebasse) & Art Taylor (batterie) Recorded on 23th octobre 1970 at la Salle des fêtes de Créteil (France)