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Vibe’s Maestro Khan Jamal’s “Infinity” features a Stellar line up, a drums and percussion-rich sextet that features altoist Byard Lancaster and a Philadelphia-based rhythm section, Clifton Burton on harmonica and the legendary free drummer Sunny Murray. Khan Jamal contributed four of the five songs, while pianist Bernard Sammul brought in a cooking "The Angry Young Man." The music stands up to and can be compared to anything released on the great Jazz labels and just like a Classic Blue Note, Pr…
Santuario de Mariposas aims to explore the audio characteristics of musical instruments of pre-Columbian origin. They are complemented by a variety of instruments of an ethnographic order, associated with indigenous groups throughout Mexico. After more than 40 years of atnomusical research, Itxoneztli recorded this album trying to give life to sleeping instruments and reflect what the music of the Mexicas ancestors was like.
One of the strangest albums you will ever hear. In 1969 and 1970, Cosmic Michael released two bizzare albums of unknown origin. Late-'60s New York-based flower child Cosmic Michael is one of the scads of ultra-obscure recording artists from the original psychedelic era whose records were swept under the rug of time completely. Copies left from the astonishingly small initial pressings have been trading hands among collectors for obscene amounts of money, ranking Cosmic Michael's crude, handmade…
Slowscan's latest, a stunning, remastered vinyl edition of Takehisa Kosugi's New York, August 14, 1991 - expanded to include an entire second LP of recordings made by the composer with Ted Szànto in Amsterdam during 1979 - Bristles with energy, physicality, and immediacy, representing a highwater mark from one of the most important experimental composers of the last 100 years.
Forever Changes is the third studio album by the American rock band Love, released by Elektra Records in November 1967. It was the final album recorded by the original band lineup; after its completion, Bryan Maclean left the group acrimoniously and the other members were dismissed by leader Arthur Lee. The album saw the group embrace a subtler folk-oriented sound and orchestration, while primary songwriter Lee explored darker themes alluding to mortality and his creeping disillusionment with th…
* Edition of 500, remastered * The mastermind behind the sublime Italian cosmic rock group Pierrot Lunaire, Arturo Stalteri's work both within Pierrot Lunaire and here on his solo debut (1979) occupies a perch in that rarified strata of Italian kosmiche godhead that also includes Franco Battiato, Franco Leprino, St. Tropez, Luciano Cilio and a mere handful of others. Absent the contributions that Gaio Chiocchio or vocalist Jacqueline Darby brought to bear in Pierrot Lunaire, keyboardist Stalteri…
* High quality vinyl reissue with remastered sound. Gatefold, sticker. 45th anniversary edition.* The 4th album from the band that I consider to be possibly the finest Italian progressive rock band of the 1970's, & certainly a band in the top tier of all early 1970's progressive bands worldwide! Area combined jazz/rock/stolen ethnic music (mostly from Eastern Europe and the Middle East)/the avant garde and more. Superb playing from all (vocals/organ, guitar, electric piano/synths, bass & drums).…
Death Waltz Recording Company & Mondo are proud to present the mind-melting score to Umberto Lenzi’s 1980 contaminated zombie(?) film, Incubo Sulla Citta Contaminata (a.k.a. Nightmare City)! Composed and conducted by Stelvio Cipriani, the record you are holding in your hands is another stellar work by the late Italian maestro. Features 18 previously unreleased cues and pressed on 140 Gram Contamination Green Vinyl.
Pursued by the most ambitious, well-armed, and over/radioactive mutant zombies on…
* 250 copies* Hans van Eck started composing music in 1976 and was trained in electronic music at the Institute of Sonology by Jaap Vink, Frits Weiland and Gottfried-Michael Koenig. He studied Musicology at the University of Amsterdam and received lessons in composition by Daan Manneke. His works are performed all over Europe by his own Schreck Ensemble and others. The Blind Area cassette, released in 1987 by Decay International, compiles several of his early electronic compositions. They serve…
** Edition of 100 Colored LP ** The world of Italian Library music surprises us again with an extremely evocative record. Released in 1972 with the name of Maria Teresa Luciani but really produced and composed by her brother Maestro Antonino Riccardo Luciani, Situazioni del Terzo Mondo ranks among the most important abstract soundscape records. Spontaneous tribalisms tainted with concrete sounds support the looming psychedelic vein, with different solutions from track to track.
"Peinheil" is the fourth full-length from German power electronics act Femeheim. Following in the footsteps of Anenzephalia, Dagda Mor, Advokat Ihrer Hoheit, etc. "Peinheil" alternates between extreme noise, heavy electronics, and atmospheric industrial passages, bringing a classic sound into the new generation of European industrial music. Mastered by Grant Richardson.
When a synth master like Steve Moore joins forces with KPM, magic must materialise. And so it does with Analog Sensitivity: cinematic, enigmatic synthscapes to both haunt and heal. With the clue right there in the title, Analog Sensitivity is built up from the quieter aspects of the sound Steve has been exploring and evolving for over 20 years. It’s a layering of ambivalently dense and airy, muffled and echoing sounds created on his collection of synthesizers and other electronic music hardware.…
** 2021 Stock ** Jac Berrocal is a 1946-born musician (trumpet player), poet and sometime film actor who came of age in the ‘70s Paris improv scene, where the boundaries between music, art and theatre were porous and begging to be breached. Inspired by bebop, chanson, free jazz, beat poetry, early rock ‘n roll and myriad Eastern influences, and with an iconoclastic, anything-goes approach to instrumentation and technique that would later align him with post-punk sensibilities, Berrocal blazed an…
In the ensuing half century, Slovenian artist Milan Grygar, who trained as a painter, has dedicated himself to the relationship between sound and image. He has replaced paint wherever possible with sonic elements, interrogated the duration of a line, drawn with sticks, and integrated windup toys that leave noisy traces in his “mechanical drawings.” Grygar incorporates the acoustic frequencies that emerge during art making, but he also writes visual scores that musicians can interpret. His art is…
In the ensuing half century, Slovenian artist Milan Grygar, who trained as a painter, has dedicated himself to the relationship between sound and image. He has replaced paint wherever possible with sonic elements, interrogated the duration of a line, drawn with sticks, and integrated windup toys that leave noisy traces in his “mechanical drawings.” Grygar incorporates the acoustic frequencies that emerge during art making, but he also writes visual scores that musicians can interpret. His art is…
The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul …
Making up 1 part of 4 to his ‘Pedlar’ boxset, ‘An Air Swept Clean of All Distance’ was recorded in 2014 at Blank Studios, Newcastle, and exec produced by folk chief Richard Dawson, and adorned by a continuing series of artwork by Anna Peaker. It skips back along the timeline to what sounds like happy times, where Davies’ playing fizzes with typically inventive, optimistic, and timeless beauty, which, if you shut your eyes and try a little, could almost hail from any point in the past half millen…
Another piece of the puzzle to his 4-part ‘Pedlar’ boxset, this one was thrown down in 2011 at Newcastle’s legendary Morden Tower, a C.13th, grade-listed turret on the West Walls of the city’s ancient defences against curious Mackems and Durham scunners, that was also previously and notably site of seminal recordings by The New Blockaders, a.o. In that vein, Davies gets raw to the bone in ‘Wound Response’, using Lap harp fed thru transducer, read by contact microphone, and pushed to seething lim…
With the LP Dregs in 2018, the Capers sound palette was expanded considerably. On Lungs, recorded not long after Dregs, the sound palette was instead kept at a minimum, and the composition simple, restrained and monotonous. Sparse, ever-sinking, rough, repetitive and patterned noise. For heads into early Zone Nord and Vårtgård. Previously released as a C30 in 2019 by Canadian label Freedom Club, with one of the tracks omitted to better fit the cassette format. Lungs is now available in its origi…