*2023 stock* This album can be considered Emma Myldenberger's epilogue or even their fourth album. Indeed after the third album Live (only released under the cassette format at the time (and recently reissued in Cd by the God label, the group sort of managed to survive a few months later but members were abandoning the ship.
Definitely an excellent album, Yniverse easily compares to Tour De Trance and in some ways is better. No doubt that the excellent people at Garden Of Delight will one day (r…
*2023 stock* Radio Noisz Ensemble was the successor band to the more folk-oriented six-piece Emma Myldenberger, who released two LPs in the late 1970s, and followed those with a live cassette after the turn of the decade (all since released on CD). Three members (guitarist / mandolinist Michel Meyer, reeds player Biber Gullatz, and Topsi Tkacz on violin and contrabass) of Emma Myldenberger formed RNE in ’81, who along with percussionist Matthias Gassert and special guest Mani Neumeier (Guru Guru…
*2023 stock* Siddhartha, named after a novel by Hermann Hesse, were formed in 1973 in Korntal near Stuttgart. They performed an intelligent mix-ture of progressive and art rock influenced by psychedelia and folk. Although their 1975 album is called "Weltschmerz" all songs contain English lyrics except for "Weit weg". It was released in a limited edition of 400 copies and is now one of the most sought-after collectors’ items. A thirty minute demo tape by Siddhartha which was recorded after the re…
A very rare but strong 'Canterbury' release from Germany. Very pleasant, inspired and technical, Zyma cultivates the musical schema developed by Soft Machine and others but stresses the funniest and most optimistic emotional dialogue of it, thanks to very enthusiastic melodies and catchy improvisations. The opening track illustrates it perfectly. Mostly a jazzy rock composition punctuated by female voices and fantasist interludes.
*2023 stock* "Xhol was one of the first bands who participated at the send of the 60s to the launch of the Krautrock movement in Germany. Nevertheless their music cannot be categorised. Their roots came from rhythm'n blues with soul tendencies. With their second album "electrip" they rapidly found their own style which can be considered as an original fusion of free jazz, psychedelic rock and electronic experimentations. Very dynamic their jazz rock can sometimes be compared with the spirit of t…
*2023 stock* Epidermis were founded in Idstein, Germany, in 1971. They played some complex and sophisticated rock music, often compared with Gentle Giant, Yes and the Canterbury scene. 'June 1975' has not been released on any physical format back then, and has been made available for the first time. The 20-page booklet in LP size contains a long band history in German and English lyrics and a detailed discography.
*2023 stock* Before the Munich krautrockers turned more strongly in the direction of world music in the following years, at this gig they once again delivered their mix, moving between funk and jazz, as it defined the mid-70s. Fixed song structures never played a role with Embryo. Apart from the - despite difficult meter - extremely loose-floppy 'Getalongwithasong' (from the 1977 studio album Apo-Calypso), they mainly played new improvisations in Vlotho."
*2023 stock* Originally based in Stuttgart Conny Veit’s Gila had already recorded a more rocking psychedelic first album with a different line-up when Veit was invited to Munich to record “Hosianna Mantra” for Florian Fricke’s Popol Vuh. Hanging around frequently at Amon Düül’s commune in Kronwinkel he met Daniel Fichelscher who played and recorded with Amon Düül II at that time. Veit was impressed with Fichelscher’s drumming and decided to revive Gila with Fichelscher on drums, Veit playing gui…
*2023 stock* This album is a bit difficult to pigeonhole, as most of the early Embryo work is. The opening number sounds if anything, like an outtake from Miles Davis' Jack Johnson soundtrack, but with lead guitar sound more prominant. Then, gears are switched, and you are listening to acoustic folk guitar and sitar, which melts into a cool ostenato riff flanging around, that just builds and builds, with countermelody on Violin (or Veena?) and guitar weaving in and out, along with the drum parts…
*2023 stock* 'Often referred by the title Free Electric Sound, Gila's debut is an amazing work, full of acid guitar freakouts, spacy organ and mellotron, exotic rhythm structures, and loads of electronic effects to fully realize the psychedelic visions. From the Floyd-ian space rock of the first two tracks the record moves into even stranger realms on the four segued pieces that make up the second side of the original vinyl. "Kollaps" starts off with ritualistic drumming, a creepy organ riff, a …
In 1974, Hiroshi Tanaka and Yoichi Fuwa, the self-proclaimed heirs of the Beatles, crammed into a 75 square foot room and recorded over 50 songs, all without names. 19 of those songs would be self released on a record titled “Untitled White Album”, of which only 100 copies were pressed.
Their music is like a fairy tale. It’s leisurely and relaxed yet bursting at the seams with melodies and youthful ambition. Its whole attitude is gentle but splendid in evoking tears, anger, sentimentality, infat…
"Schock" was released in 1977 and directed by horror maestro Mario Bava, released while Italian horror cinema was at its peak, following the international success of Dario Argento with Deep Red and Suspiria. While Goblin soundtracked the work of Argento, the choice for the music of Schock fell on Libra, (distant relatives of Goblin , thanks to drummer Walter Martino and guitarist Carlo Pennisi). In ‘77 Libra, after a brief dalliance with legendary soul/funk label Motown, had practically split up…
Enshrined in the Penguin Jazz Guide’s "Core Collection", this quintessential platter of Sun Ra’s late 1950s Chicago ensemble showcases the brilliant tenor sax stylings of John Gilmore, and introduces Arkestra mainstays Marshall Allen, Pat Patrick, and Ronnie Boykins. Recorded and issued in 1959, it marks a coda for the bandleader’s bebop/hard-bop stage, as his interstellar traveler persona began to transform the band (and the music). Many of the early works on these recordings would remain stapl…
11th Street Fire Suite is a post-BAG (Black Artists Group) classic. An emotionally ranging set of blues-drenched duets by alto saxophonist Luther Thomas and flutist Luther C. Petty, it's one of the great documents of the St. Louis creative music diaspora, a wild ride through turbulent and beautiful terrain on a slab of vinyl that's as rare as hen's teeth in its original form. Relocated from their midwestern hometown to New York City, Thomas and Petty entered the studio in 1978 with a fellow musi…
Corbett Vs. Dempsey presents the second release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din.
Tip! Originally released in 1996 as a single-sided tape on Gabriele's Less Than Zero label, and featuring sound sources from Jonathan Canady on one track, the album now comes with a bonus track 'Torture King' sourced from the original master tape, that was previously released in edited form on the 'Retrocuts' compilation.
First released as a cassette in 1995 also on Less Than Zero, and long out of print, this CD reissue sourced from the original master finally makes this classic slice of Italian harsh noise available again.
The Keplar label presents the next instalment in a series of reissues from the catalogue of Sasu Ripatti’s seminal Vladislav Delay project. Originally released on Mille Plateaux, the vinyl edition of »Entain« from 2000 omitted two shorter tracks and included all others in an abridged form. With this reissue, the full album as it was pressed on CD is finally made available on vinyl. Besides a new remaster by Kassian Troyer, it was also given new cover artwork by Marc Hohmann that picks up on that…
Corbett Vs. Dempsey presents the second release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din.
By 1973 Soft Machine already had a long history of playing in Rotterdam, appearing at major festivals such as Hippy Hippy Fair (1967), Kralingen (1970) and AHOY (1971, Phil Howard’s debut), and no less than four times at the city’s most prestigious venue, De Doelen, most recently (in September 1972) on a double bill with Robert Wyatt’s Matching Mole. This time, however, they were booked in a smaller venue, which they filled to capacity at around 400. Part of an arts complex originally known as O…
Dynamite cuts is proud to cross over to the amazing sound and world of Library music. Muisc that can capture a feeling and mode in a single note and groove. This selection is from the German Library series Sound Music Albums, the Original album sells for £150 plus.
4 fantastic musical delight 3 from Klaus Weiss & one from Peter Thomas, Breaks samples and Library vibes a must have collection for all good music lovers. Taken from the rare Library series Sound Muisc albums.
Dynamite Cuts issue the best cuts from Roy Budd's classic 1974 soundtrack ‘The Black Windmill’. Very much on the ‘Stone Cold Killers’ vibe - essential!
"More unearthed demo recordings by the Japanese psychedelic noise legends Les Rallizes Dénudés. Recorded in Azabu, Tokyo 1985." - Take It Acid Is. Vol. 2 of a two-volume set.
Limited five CD set. First-ever complete anthology of splinter group from the original Procol Harum line-up. Includes all five of the band's albums plus singles, out-takes and alternative versions. Just as 'A Whiter Shade Of Pale' was establishing itself as the definitive summer-of-1967 hit, new kids on the block Procol Harum acrimoniously parted company with guitarist Ray Royer and drummer Bobby Harrison. Royer and Harrison used their Procol pay-off to assemble a new band that they pointedly ch…
*Limited edition of 500 copies.* In 1972, the left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he should write some (relatively speaking) straight songs. He took up the challenge, inviting his old school friend Peter Blegvad over to Hamburg to form the band Slapp Happy. They were joined for a session in Wümme by the young singer Dagmar Krause and Faust as their rhythm section; the recording became the album Sort Of. After getting the band back together for reunio…
A celestial journey is just what Sun Ra and his Arkestra have created with Space is the Place. Sun Ra's opus is at its simplest, a trip through outer bound melodies! Planetary bodies, eras in time, crystals, space caravans
"Le Disque De l'Art Gué" highlights in a 10-track compilation the avant-garde and dreamlike work of Fizzè, in between medieval ballad, acoustic industrial and psychedelic world music. It includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987 + unreleased materials and remixes by Fizzè.
Compilation, concept and production by Fizzé, Orsett & FischerAnalog mastering by Tim Stollenwerk. Drawings, obi strip and insert layout by Anne-Marie Gratton. The rec…
*2023 stock* This album is more like a collection of Fairouz's greatest hits. But the difference between this one and others like 'Very Best of' is that Ziad Rahbani (Fairouz' son) went through a very long process of re-recording all the songs with all new instruments. That made the simple songs sound orchestral. The album is dedicated to Assy (Ziad's father and Fairouz's husband) who passed away in '86. The booklet of the CD contains some photos, articles and quotes by Ziad, Mansour and Fairouz…
*2023 stock* Fairuz and the Rahbani Brothers love Lebanon sincerely. Their talents reach new potentials when they write songs about their beloved country. Something which Ziad criticizes very much. He says that they built a great place in their songs which long gone immigrants, for instance, didn't find when they returned. Maybe that's why he didn't include any of those songs in his and Fairuz's tribute to Assy. But certainly there is a lot of truth in the Rahbani songs. Times change and the Rah…
*2023 stock* The album in a whole is a mixture of different feelings, grief, pain, hope and glory. The quality is great except for the single live song. There is no doubt that this album should be in everyone's collection.
*2023 stock* Imagine you're standing in front of Royal Festival Hall in London on 13th of June 1986. It's 7:30 PM. It doesn't take long to realize it's one of the greatest summer nights of that year. Fairuz is performing in there. It really is something. While the Olympia album had the Rahbani brothers influence, this one was conducted by Ziad. The musical arrangements of the songs are very clear to be of Ziad. It seems that these same arrangements gave Ziad a lot of help when he started working…
*2023 stock* For brilliance in ballad-singing, indefinability of genre, art and sheer gorgeousness of voice, Fairuz might be compared with Sarah Vaughan. Throughout her career she was, among other things, a major star of musical plays. This release comes from one such -- and from 1974, arguably the peak of her career prime. It is also the last composed by her late husband, Aasi Rahbani.
In 1981, British percussionist Paul Lytton and German guitarist Erhard Hirt met and recorded for a couple of days in Belgium. This explosive, ahead-of-its-time first encounter, which had been planned as a release on the legendary Po Torch label, has remained dormant for over four decades. In that period, Lytton and Hirt teamed up often, joining forces with saxophonist/clarinetist Wolfgang Fuchs and bassist Hans Schneider as the quartet X-Pact, a group that has recently reformed – several years a…
Herbie Hancock's 1976 Columbia album, recorded in San Francisco and co-produced with David Rubinson, with Bennie Maupin, Wah Wah Watson, Ray Parker Jr., Paul Jackson, James Levi and Kenneth Nash.
Tip! The visionary metaphysical western El Topo, which became famous thanks to John Lennon's enthusiastic endorsement: a classic of the revolutionary 1970s indie midnight movie movement. The soundtrack is composed by Alejandro Jodorowsky himself, recorded at Abbey Road Studios and originally released by Apple Records in 1971. New edition in vinyl black 180g with 8-page booklet and new notes by musician Gary Lucas.
TIp! The Holy Mountain (1973) is considered Jodorowsky's definitive film; the music of the soundtrack is just as soundtrack is equally interesting, with musical styles ranging from primordial chants to sitar-based folk melodies, from full orchestral solids to more intimate symphonic arrangements, all a perfect accompaniment to the hallucinogenic climate of the film. The soundtrack features jazz musician Don Cherry.
A never-before released Donald Byrd & Bobby Jaspar 1958 studio recordings. First official release with the full permission and cooperation INA (Institut National de l’Audiovisuel). Available on vinyl only. No CD, No Digital is scheduled.In July 1958, Donald Byrd made a lengthy visit to Europe, not returning Stateside until December. He fronted a fine quintet that gave concert appearances at festivals held in many countries, Knokke-le-Zoute (Belgium), Cannes (France), Sweden, Norway, Germany – an…
Ian Elms’s cult isolationist synth masterpiece Good Night returns via Dark Entries. Originally released in 1982, Good Night blends Berlin school minimalism and BBC Radiophonic weirdness with the aesthetics of then-nascent DIY punk electronics throughout its fifteen short tracks.
According to Elms, these pieces were composed in two broad but interrelated modes: pieces with voice and synthesizer, which are obliquely narrative, and instrumental synthesizer pieces that aspire to capture fleeting emo…
Bomb! A book collecting interviews, artwork and texts of New Zealand underground sound artists from fanzines in the years 1991-1999. Collected by Noel Meek. Texts by Noel Meek, Bruce Russell, Seymour Glass (Bananafish) and Nick Cain (Opprobrium). Cover illustration by Stefan Neville (Pumice).308 pages, format: 18 x 24 cmInterviews with: Alastair Galbraith, A Handful Of Dust, Omit, Bruce Russell, Gate, Surface Of The Earth, Sandoz Lab Technicians, The Dead C, Witcyst , Roy Montgomery, Dadamah De…
German ambient musician.He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played on the albums Hosianna Mantra and Seligpreisung. Comes in jewel case with slipcase.