Reissues
They Came from Beyond Space
They Came from Beyond Space by James Stevens is a restored original soundtrack featuring vibrant orchestral electronics and moody jazz, pairing sci-fi suspense with inventive melodic writing.
More Rags, Ballads, and Blues 1971-1985
More Rags, Ballads, and Blues 1971-1985 unveils Allen Ginsberg’s intimate musical experiments from the First Blues era, collecting rare recordings and performances in a candid, engaging tribute to his cross-disciplinary storytelling. Collaborations and unguarded rehearsal takes reveal the gentle wit, poetic fervor, and sonic curiosity that defined his work during these pivotal years.
Polar Sequences
In October 1995, as part of the annual Polar Music Festival, Geir Jenssen of Biosphere and Bobby Bird of The Higher Intelligence Agency, were commissioned by Nor Concerts to collaborate together on a musical project to take place in Geir's home town of Tromsø, Norway. The brief was for them to perform three concerts, using sounds sourced from the area as the basis of the music - the machinery of the local mountain cable lift, the snow, the ice. The performances from which this recording is taken…
World Without Form Volume 1
World Without Form was originally released in 2012 on CD format only, the album is now being made available on vinyl for the first time, in two separate volumes because of the length of the recording. Each of the two volumes also contain a previously unreleased track from the sessions. Volume 1 has ‘Ithnaan’ which is an earlier version of the track released as ‘Man From Varanasi’ on Nat’s ‘Cosmic Language’ album.
Flyin' Shoes
** 2025 stock ** This is another stalwart collection from Townes Van Zandt, and not a dud in the bunch. The melodies here are strong, the lyrics full of Van Zandt's razor sharp insight, and the production is sparse and to the point, bringing to mind the inconspicuous polish of High, Low and in Between. The feel here is a balance between folk and country, with Van Zandt's voice and guitar up front, letting the songs speak for themselves. The tunes are full of heartbreak and hopelessness, making i…
The Return of the Durutti Column
The Return Of The Durutti Column is an iconic debut, pairing Vini Reilly’s introspective guitar sketches with Martin Hannett’s atmospheric production. Hailed as a bridge between post-punk, ambient, and classical motifs, the album stands out for its refined vulnerability and timeless melodic experimentation.
The Book of Job
The Book of Job is a boundary-pushing work by Super Grupa Bez Fałszywej Skromności, merging avant-garde jazz, spiritual recitation, and sound experiments. Conceived in martial-law Poland, the album is both requiem and protest—an immersive journey through collective struggle, transcendence, and artistic resilience.
Veruschka
Veruschka, composed by Ennio Morricone and performed by Edda Dell'Orso, is a landmark in Italian soundtrack tradition. The album, first released on CD in 1995 with 14 tracks and later expanded, encapsulates lounge moods, ambient textures, and avant-garde fragments, capturing the ephemeral world of fashion and introspection with atmospheric precision. Double transparent blue vinyl edition of 500.
Della Morte dell'Amore
Della Morte dell'Amore composed by Manuel De Sica, embodies a complex fusion of brooding electronics, subtle jazz, and gothic undertones, reflecting the film's darkly comic narrative. Spanning 34 tracks, the album stands out for its evocative mood shifts and meticulous attention to emotional detail. Limited purple vinyl edition of 500.
Il Medico della Mutua
Limited transparent yellow vinyl edition of 500. l Medico della Mutua, composed by Piero Piccioni in 1968, delivers a brilliant soundtrack that fuses jazz, easy listening, and orchestral flourishes, mirroring the satirical verve of the film. Themes shift from playful marches to sultry tangos, amplifying both the absurdity and energy of the Italian medical system’s cinematic parody.
La Matriarca
The soundtrack of “La Matriarca” is one of the finest examples of 1960s Italian musical comedy — ironic, sensual, and perfectly tailored to Catherine Spaak’s character. Trovajoli succeeds, like few others, in giving voice to the contradictions of an era through music — an Italy discovering freedom, yet with an ironic smile on its lips. Limited transparent Magenta Vinyl edition of 500.
Thailand's Golden Sounds
Baa Records’ Thailand's Golden Sounds (80's Synth-Pop & Disco) is a vibrant compilation spotlighting the evolution of Thai pop as synthesized textures and disco grooves emerged from Bangkok’s Golden Sound studios. With a focus on overlooked 1980s gems, these tracks fuse local melodic sensibilities with Western production tricks, capturing a unique and danceable era both nostalgic and unexpectedly forward-looking.
Music for a While
Michaela Melián’s Music for a While is an immersive, genre-blurring debut that fuses ambient techno currents with classical elements and subtle pop inflections. Drawing on a palette of cellos, guitars, and synthetic textures, Melián crafts extended atmospheric meditations whose compositional wit never dilutes their approachable warmth, producing a record both refined and strangely inviting, nestled between art installation and intricate electronic composition.
Philip Glass: The Complete Piano Etudes
Vanessa Wagner breathes new life into Philip Glass: The Complete Piano Etudes, revealing the powerful lyricism and subtle turbulence of Glass’s minimalist language. Her interpretation brings emotional intensity and poetic nuance across all 20 etudes, reflecting over a decade spent exploring the repertoire and making for an immersive listening experience.
An Hour for Piano
Edition of 80. Written in 1971, Tom Johnson's An Hour for Piano stands as a landmark of American minimalism, born from improvisatory sketches Johnson created in 1967 while accompanying a modern dance class at New York University. Johnson gradually expanded these sketches, creating a composition designed to be performed in exactly one hour at an absolutely steady tempo of quarter note = 59.225 beats per minute. Deceptively simple in its construction, An Hour for Piano comprises six basic textures…
Mother Nature's Son
Ramsey Lewis' album Mother Nature's Son, consists exclusively of instrumental versions of songs by The Beatles, featuring ten of the songs from the band's White Album. Recorded in December of 1968, shortly after the November 22, 1968 release of The Beatles' album, it showcases Lewis on piano and keyboards playing with members from the Chicago Symphony Orchestra. According to producer and arranger Charles Stepney, Lewis had expressed his admiration for the sounds achieved by The Beatles' producer…
Jazz By Sun Ra Vol.1
** Deluxe edition, Tip-on jacket, 24 pp booklet ** Did you know that the short-lived Transition label released the first LPs, or first sessions as leaders of three of the greatest performers in modern jazz? Donald Byrd – Byrd Jazz – Transition TRLP 5; Sun Ra – Jazz by Sun Ra Vol. 1 – Transition TRLP 10; Cecil Taylor – Jazz Advance – Transition TRLP 19. Tom Wilson, its founder and manager, was undoubtedly a man of taste more than a businessman as the label had to close its doors after only two ye…
Kielholen
Herpes Ö DeLuxe’s Kielholen dives headfirst into the murky waters of industrial decadence. With Hinterzimmer as its unsettling core, the record dissects German cold wave through rusted machinery and post-human irony, a claustrophobic yet hypnotic experience simmering between performance art and corrosion.
Definitely What! (LP)
A bold statement in jazz, rock, and soul fusion, Definitely What! finds Brian Auger & The Trinity crafting intricate grooves with magnetic energy. Hammond organ brilliance, inventive arrangements, and fearless experimentation make this album a compelling testament to the group’s genre‑defying spirit and enduring creative fire.
Straight Ahead (LP)
A landmark in jazz-rock fusion, Straight Ahead captures Brian Auger & The Trinity at the height of their creative synergy. Blending soulful grooves, Hammond organ power, and fearless improvisation, the album stands as a timeless showcase of musical spontaneity and expressive freedom.