Reissues
Twilight Of The Dreamboats
Chas Smith's Twilight of the Dreamboats, one of his quintessential electro-acoustic work, is an ever-evolving single gesture, a seamless blend of tones and timbres from his metal sound sculptures (instruments with such names as Bertoia 718, Que Lastas, lockheed, Mantis, Sceptre, DADO) and his homemade and hot-rodded steel guitars (Clinesmith, Emmons, Guitarzilla, Cadillac bass), performed by the composer. “Reaffirming its status as one of the most exciting innovations in the recording and market…
After the Wars
Peter Garland's After the Wars, a resonant, sometimes clangorous four-movement piano solo, displays a unique sense of grace and a sincerity of expression that is quintessentially Garlandesque. In some ways it marks a slight shift of focus from his more overtly melodic and rhythmically driven material of the past 30 years. Garland writes about the piece:“After the Wars was commissioned by pianist Sarah Cahill as part of her A Sweeter Music project. The idea (I believe) was to focus on the idea of…
In the Village of Hope
Michael Byron's In the Village of Hope is a restless (and in some ways relentless) virtuosic harp solo performed by Tasha Smith Godínez, who commissioned the work. This ever-changing, ever-churning, ever-developing music is unlike anything else in the solo harp repertoire, though not unlike some of Byron’s other recent work, such as his Book of Horizons for pianist Joseph Kubera.Byron writes about the music:“In the Village of Hope,” a purely sentimental title, was composed at the invitation of h…
In The Sea Of Ionia
In the Sea of Ionia is a wildly spinning, charismatically eclectic album containing four of Daniel Lentz’s recent piano works: (1) 51 Nocturnes (2011), a set of very short, contrasting nocturnes that are played without pauses, as one continuous work; (2) Pacific Coast Highway (2014), a primarily textural three-piano piece built of polyrhythmic layers of continuously shifting/drifting harmonies; (3) Dorchester Tropes (2008–09), a four-movement piano solo; (4) In the Sea of Ionia (2007–08) a piece…
The Wind In High Places
The Wind in High Places is an elegant, haunting collection album containing three of John Luther Adams’s serenely powerful recent string works: (1) The Wind in High Places (2011), a three-movement string quartet commissioned to celebrate the 50th anniversary of Theodore Front Musical Literature, performed by JACK Quartet; (2) Canticles of the Sky, a four-movement piece for four cello choirs, performed by the 48-member Northwestern University Cello Ensemble, directed and conducted by Hans Jørgen …
35 Whirlpools Below Sound
35 Whirlpools Below Sound presents a fantastical soundworld of 19 short, richly detailed, multilayered electro-acoustic soundscapes jointly composed by Thomas Newman and Rick Cox, whose musical friendship and ongoing working relationship date back to 1985. These enigmatic works, built of often mysterious juxtapositions of sounds, have been gestating and changing shape for many years, with ever an eye toward their eventual completion and release, which this CD marks. The album’s title was taken f…
From A Folio
Michael Jon Fink's From a Folio, a suite of six short pieces for cello and piano and one central piece for six cellos, a set of songs without words, was composed for new-music cellist Derek Stein, with whom Fink has been performing in various small groups during the past few years.As the elegant, subtle music unfolds, radiating a deep, emotional sense of form, the listener is quickly drawn into a highly nuanced, lyrical sound world. Fink’s characteristically reductive but expressive style is evi…
Selected Tracks 2. 1995-1998
**700 copies, 2020 stock** Selected Tracks 2. 1995-1998 is a double album with a new selection of tracks recorded by Esplendor Geométrico between 1995 and 1998. This is the second part of Selected Tracks, the first one was published in 2015 (GR 2136LP). Ten of the thirteen tracks appear for the first time on vinyl, and some rarities only released in very limited CDR editions during the '90s and without distribution, are also included. Esplendor Geométrico are pioneers and masters of rhythmic ind…
Black Water
Jim Fox’s music is usually noted for its quietude and ambling pace. In the mid-1980s, however, he drifted from these defining stylistic penchants for a couple of years, penning music that often bounced along, energetically and loudly, at a good clip. His clangorous Black Water, from 1984, is rich with dense, sometimes shimmering, sometimes rumbling tremolos and loudly struck chords covering the full range of the piano, set off by brief moments of quiet, twinkling serenity.Jim Fox writes, “Black …
Cold Blue Two
Cold Blue Two is an eclectic anthology of 14 new, previously unrecorded works—many of them written specifically for this CD—by a diverse collection of composers whose personal musical visions usually blend intuition with process. The composers include both the well-known and the not-so-well-known, most with longtime associations with Cold Blue, and two making their first appearance on the label: John Luther Adams, Gavin Bryars, Rick Cox, Michael Jon Fink, Jim Fox, Peter Garland, Daniel Lentz, In…
Macbeth
New Re-mastered & Expanded Release with four previously unreleased bonus tracks. Esoteric Recordings are pleased to announce the release of a new
re-mastered and expanded edition of the classic 1972 soundtrack album to
Roman Polanski’s gritty film of Shakespeare’s “Macbeth”. Originally released on EMI’s Harvest label in March 1972, the album
featured a new line-up of Third Ear Band featuring Paul Minns (oboe and
recorder), Glen Sweeney (drums), Paul Buckmaster (cello and bass
guitar), Simon…
Last Cicada Singing
Four serene, unique, and entrancing pieces for solo qin (a zither-like Chinese instrument). Quiet, sparse, almost Feldmanesque, almost delta-blues-like, too. Performed by the composer, Christopher Roberts, who mastered the qin while living and teaching for many years in Taiwan. (He performs on a qin built by Lin Li-Zheng.)Christopher Roberts writes about the piece:“Chinese scholars in antiquity took their qins to the mountains to compose music in accord with the aesthetics of nature. They develo…
Trios For Deep Voices
Christopher Roberts's Trios for Deep Voices, a five-movement work scored for the unusual ensemble of three double basses, is a sort of musical evocation—sometimes directly, sometimes indirectly—of the sounds and life that composer Roberts experienced in the jungles of the Star Mountains region of Papua New Guinea, where he lived in the early 1980s.Trios is an emotionally charged music of extreme virtuosity and extreme beauty—from passages laden with devilishly difficult harmonics and bowing tech…
Nakadai
Nakadai, which KPFA Folio/Other Minds Radio called “one of the most explosive LPs of the ’80s,” is a set of five works that offer a catalog of musical “waves”—from ripples to tsunamis. It features Smith playing pedal steel guitar solo, overdubbed, and with a mallet percussion quartet made up of Bob Fernandez, John Fitzgerald, M.B. Gordy, and Theresa Knight.This first CD reissue of Nakadai allows today’s listeners to hear prototypical Smith—music composed when his present style was in its nascent…
Red Arc / Blue Veil
The four pieces that make up this CD—Dark Waves, Among Red Mountains, Qilyuan, and Red Arc/Blue Veil—are for various combinations of one or two pianos, percussion, and electronics. Each piece is built from a complex, polyrhythmic layering of voices that combine to form large, multi-arch musical shapes that explore a rich palette of harmonic and timbral colors, lush textures, and clear, simple compositional forms. This is music of broad strokes and ever-changing ebb and flow. John Luther Adams ha…
The Tubes
This CD is made up of three compositions: Sevan, The Tubes, and Coimbra 4, Mundi Theatre.Sevan is built from a recording of Armenian musician Parik Nazarian’s vocalizations in massive pipes near the shore of Lake Sevan, Armenia. It explores resonance, echoes, and voice properties.The Tubes weaves together the breath-like sounds of the Atlantic Ocean as it strikes tubular volcanic rock formations on the Island of El Hierro (the westermost of the Canary Islands) with the breathy tones of Jon Hasse…
Descent
Chas Smith is one of the most unique musicians working today. He has created his own musical world—complete with its own instruments and “language.” It is a world of expansive musical tapestries and carefully sculpted textures that never sit absolutely still, but evolve via a slow, constant change of aural perspective. Smith’s soundworld, however, it is not an altogether alien one, and critics, in their praise of Smith’s work, have repeatedly compared his compositions—some resonantly beautiful, …
On The Leopard Altar
Daniel Lentz writes about the album, On The Leopard Altar:“The form and flow of Is It Love? is determined by that of the text/lyric. Unlike much of my music-with-text work, it does not use an additive process. Rather, it uses a subtractive one. The voices begin each line with the nearly simultaneous sounding of all the phonemes of all of the words. As the work progresses, phonemes and notes are taken away until a finished line emerges.“Lascaux is scored for wineglasses, sixteen of which are rubb…
Descansos, Past
JimFox's Descansos, Past, written in April 2004 in memory of composer-performer John Kuhlman, who died a few years earlier, was premiered in Los Angeles (by the same musicians who are heard on the present CD), June 2004, as part of a series of concerts held at the historic Schindler House.Descansos, Past sets an ever-pizzicato double bass (a five-string, extending to low B), which is featured in a few solo sections, alongside a choir of nine ever-arco cellos, one of which soars up to the highest…
Fade
In three connected sections, Rick Cox's Fade offers a series of harmonic “moments” of various densities and complexities and timbres and lengths. Throughout the work, these moments, like elements in a mobile, are in a constant state of changing perspective.
Rick Cox is a composer and skilled multi-instrumentalist whom guitarist/composer Ry Cooder called “the hidden master of the crepuscular and the diaphanous.” Cox was an early explorer/developer of “prepared electric guitar” techniques His conc…