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The details of Shikisokuzekuu-Kuusokuzeshiki (1964) are unknown except that it was created at the NHK electronic music studio. According to Toshi Ichiyanagi, there were various discussions about the title, but it would seem to have been eventually broadcasted on the radio with the title Kuu after a producer renamed it. Here, the original title is used, following Ichiyanagi's initial intention. This work has no relation to the short experimental film Shikisokuzekuu (1974), produced by filmmaker T…
Allan Fraser & Daisy DeBolt met in the summer of 1969. They had both been working individually on the coffeehouse circuit in their native Canada; over the next five years, as the duo of Fraser & DeBolt, they created a sublime body of work that still sounds remarkably fresh decades later. They recorded two albums for Columbia which garnered rave reviews at the time, but saw little commercial success. Both have since become cult classics in psychedelic folk circles; the first, With Ian Guenther, b…
2025 Stock. Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the E…
**2006 release, long out of print, very few copies available** This album's a pretty great testament to Satoh's durability as one of the great composer arrangers – sublime stuff from the late 70s, and a record that really works nicely alongside Masahiko's music for films. An obscure murder mystery, given a great deal of depth and class from the music – which is often surprisingly jazzy, despite the setting of the film and kinda avantgardish in some passagesBut all this idle talk aside, it's the …
Omega Point had obtained the original tape recording of "Extended Voices" composed by Toshi Ichiyanagi (first released by Odyssey/Columbia in 1967 on the compilation of the same name, alongside other pieces for voice & electronics by Pauline Oliveros, Morton Feldman, John Cage, Robert Ashley and Alvin Lucier). The piece consists of electronic sounds and modulated voices which are included on this album in two new 2014 realizations, in collaboration with Takashi Matsudaira, a baritone singer…
Limited edition of 500. Originally issued as the third LP in the limited-edition Tandoori Dog box set (1998), Libya Tour Guide is reissued here as a standalone CD following corresponding editions of the box's first two discs, Jaagheed Zarb (2008) and Tandoor Dog (ARCHIVE 013CD, 2013), and again the increased space of the CD medium has allowed for the inclusion of previously unreleased material from the original tape. Although a version of "Rebiana sand sea" originally surfaced on the 1998 Mel…
Limited edition of 500. Although Bryn Jones's work as Muslimgauze certainly counts dub among its influences, rarely is that influence treated as directly or centrally as it is on many of the tracks found on Abyssinia Selasie. A rarity among the material Jones left behind after his death in 1999, this release features previously unreleased material that Jones had titled, unlike many of the tapes he had submitted but hadn't gotten around to preparing for release. The opening title-track alon…
Otomo Yoshihide's Guitar Solo "LEFT" was released last summer but "RIGHT" is completely different from "LEFT". the 123 short fragments of Otomo's guitar sounds are run by computer programming at random so no one know how the sound played. This CD is one infinity."-Doubtmusic
"What is most remarkable about the single, 62-minute track on Otomo Yoshihide's Guitar Solos 2015 RIGHT is how consistent, top to bottom, it sounds. Or, viewed through a different lens, how much coherence (real or imagined)…
Edition Omega Point presents work by legendary Japanese composer Joji Yuasa -- one of most important composers in Japan after World War II. "Nadja, Twincling in Stars" (1963) is the incidental music, by NHK Radio, based on "Nadja" by Andre Breton who made "Declaration of Sur-Realisme." The actual chart of constellations was played by three players (violin, piano and vibraphone) which was used as the music score. Birdsong, electronics, and sound generated from inside the piano using music c…
Michael Habermann made the first, and in many respects the best commercial recordings devoted to Kaikhosru Sorabji’s ridiculously difficult and overwrought piano works. As with Habermann’s previous three Sorabji discs, the present recital offers several sides of the composer: variation writer, miniaturist, paraphraser, and transcriber. Sorabji’s 1945 transcription of Ravel’s Rapsodie espagnol largely stays faithful to the original, save for decorative showers of bitonal arpeggios and runs that a…
Vol. V of the Bali 1928 recordings contains various emergent theatrical dance and dance-opera forms with translations of the dramas' texts. We hear the first recordings of women participating in dance dramas, making this disc a major cultural repatriation of primary Balinese art forms that had been lost for nearly a century. An extensive essay is included as a PDF (accessed by computer) with links to 1930s silent films and a photo library are hosted online by World Arbiter. Some of these …
Severed Heads are one of the longest surviving bands to emerge from the Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was…
In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, 'Of the best bands of San Francisco's first wave in 1977, The Avengers were by fa…
First release in 1981. Another essential reissue documenting the history of experimental music in Peru. Omar Aramayo (Punol' s wind instruments), Manongo Mujica (percussion) and Arturo Ruiz del Pozo (keyboard), they shaped this magnificent album, where the early Andean music in Peru is assembled with the electronics, opening up to the pure sound experimentation. These composers explored serial, electronic, electroacoustic, and aleatoric music during a time of tension between politics and the ava…
Those looking for a comprehensive overview of Sun Ra’s celestial magic could do far worse than acquire a copy of ‘Artyard in a Box’, a collection of nine classic long players from the Sun Ra archive set across seven CDs. ‘Disco 3000’, ‘Sleeping Beauty’, ‘On Jupiter’, ‘Beyond the Purple Star Zone’, ‘Oblique Parallax’, ‘Horizon’, ‘Nidhamu’, ‘Dark Myth Equation Visitation’ and ‘The Antique Blacks’ all appear, spanning the more soulful and spiritual manifestations of his work such as on ‘The Antique…
Unavailable since the film’s release in 1982, Susan Justin’s music for Forbidden World – produced by the legendary Roger Corman – mixes the electronic influences of the time with splashes of new wave, creating a score that fuses the eerie tonalities and avant-garde sensibility of Alien with the straight-up funk of ASSAULT ON PRECINCT 13. Birthed from this is a cult classic score that deserves to be held up alongside the works of Richard Band and Alan Howarth.
What immediately stands out from the…
The dreamer dreams again with her 4th album of otherworldly microcosms, 'Divers', recorded by Steve Albini and featuring contributions by Nico Muhly and The City of Prague Philharmonic Orchestra, arriving five years since her last opus for Drag City. Still possessed by a voice that teeters between sublime and ridiculous (I honestly laughed out loud at the first song), Joanna Newsom remains a precious spirit within the indie folk paradigm, blessed with an air of stately patience and poised, imma…
Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded …
Experimentation in early electronic music in the Sahara from the singular Mamman Sani. Dreamy organs and droning melodies reinterpret ancient folk tradition into sublime fantastical soundscape. Never before released recordings from the very beginning - unreleased tracks from his first album, recordings of a short lived trio, and a cover of an American folk ballad.
Mammane Sani Abdullaye is a legendary name in Niger's avant garde. A pioneer of early West African electronic music, for over 30 yea…
First historical edition! Limited to 500 copies. This three-disc box collects Number One Intersystems (1967), presenting the correct side sequence and (for the first time) the original tracks' sub-section divisions; Peachy (1967), with (for the first time) the correct track separations, timings, and titles; and Free Psychedelic Poster Inside (1968), with (for the first time) the original (double) track titles. All works remastered by Intersystems founding member John Mills-Cockell for this editi…