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An Overview of Experimental and Electronic Music in Turkey: this anthology features 29 turkish artists: from the electronic music of the '60s to all forms of experimental music of the '10s. This is the second volume of an exploration by zone or sphere of influence.
The constellation built between 2000 and 2012 with the seven-part series An Anthology of Noise and Electronic Music continues to expand through the Early Electronic collection (consisting mostly of tracks composed between the 50's an…
This album from 1963 is somewhat of a curiosity for it was actually conceived as educational, open-minded children's music. Despite the fact that the sound you listen to here is mash up of story telling for kids and simple, happy sing-along music mixed with loads of electronic effects making it an utterly spacey affair, original copies in great condition fetch up to 250,00 US$ among collectors. Now this reissue will make sure, this cult album can be enjoyed by more people crazy for early 60s ele…
This fine double LP release combines two full-length albums from the German acid/kraut-folk duo Flute & Voice, which was formed by Mannheim-based multi-instrumentalists Hans Reffert ('Flute') and Hans Brandeis ('Voice'). The debut-LP 'Imaginations Of Light', originally released in 1970 by the legendary Pilz label, features wonderful trippy and progressive folk music with ethnic and even jazzy elements. This LP should appeal to fans of fellow Germans s.a. Witthueser & Westrup and Bröselmaschine, …
CD version. Ultra-rare recordings by '70s UK avant-rockers Red Square, the missing link between original free-noise practitioners like AMM, Nihilist Spasm Band, and Peter Brotzmann and post-no wavers à la The Blue Humans, Borbetomagus, Fushitsusha, and The Dead C. Named after the early Soviet Constructivists, Red Square is a pioneering free-improvising, avant-rock band. They bridged the worlds of psychedelic rock, noise, and avant-jazz, and many of the techniques and approaches to music that…
Very nice late 80s early 90s recordings from the man behind Futuro Antico "In this record I have sought to integrate those element that together formed my musical identity, and which at times I have lived with some difficulty, as they derived from different, and conflicting cultures. That is the reason why some parts of the record have been written out note, and other parts were improvised. There is a continuous mix of languages, from electronic music and avant-garde to minimalism, jazz, Arabic …
Nine-CD box version. Cluster's influence on the development of electronic music cannot be overstated. The original trio of Conrad Schnitzler, Hans-Joachim Roedelius, and Dieter Moebius released two seminal albums as Kluster before Roedelius and Moebius replaced the "K" with a "C" and continued as a duo. They produced eight albums in their most innovative period between 1971 and 1981, two of them together with Brian Eno. Cluster anticipated much of what would later emerge in such varied style…
Illuminant/Glory is a wild awake, which marks the transition to a new perception of the self. A solitary trip towards the discover of the feral nature which ideally leads to death (Illuminant) and to rebirth (Glory) of whom embarks on this trip. Through sampling in real time floor-tom, voice and synths, the listener is buried under layers of percussions, drones and mantras, dragged further down ("Come down with us") to exorcise the fear of what he is in nature. Only confronting with death…
Dorothy Iannone (b.1933) tells her Fluxus Story. Recorded in Berlin in 1979. Edition of 300 copies. CD with 20-page A4 offset-printed booklet. "There, Maciunas and I looked deeply but impassively into each other’s eyes, not knowing then that we would meet again on these pages. Perhaps he was thinking, “Who is this woman?”. Perhaps it might even have amused him, somewhere far back in his mind, to know that I am she who is the Fluxus women artist who is not the Fluxus women artist.“Dorothy Iannone…
This Die Form side-project was recorded in a few days in 1984 and remains the only trace of their material recorded under the name Hurt, initially released on the Bain Total label during the same period as Some Experiences With Shock. This release brings together all the tracks from the cassette, as well as other titles from Die Form from this period. It is a kind of snapshot, close to the tear and chaos, where the machines and the out-of-control guitars are used as a support for the cry to fina…
Masahiko Satoh’s fourth album is a duet with German pianist and composer Wolfgang Dauner. Dauner is one of very early European avant-garde jazz pianists, and he recorded the first free jazz album in Germany back in 1964. Dauner played with Eberhard Weber and Jean-Luc Ponty, and in the late 60s, he experimented with choral music. Being a passionate innovator and experimenter, in 1970 he discovered electronic devices and started using them in his music. He experimented with ring-modulated Hohner c…
Room40 continues the publication of a series of editions from American guitarist and composer Norman Westberg with a remastered and expanded edition of the previously self-released MRI. Best known for his work with the seminal outfit Swans, Westberg's output beyond that group is sprawling and restless. His name recurs and ripples through many interconnected micro-histories surrounding New York City's music and art scenes. From appearances in film works associated with the Cinema of Transgression…
BLUES ALIF LAM MIM IN THE MODE OF RAG INFINITY/RAG COSMOSIS is a new composition from Catherine Christer Hennix's expanded just-intonation ensemble, the Chora(s)san Time-Court Mirage. This expanded ensemble includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, an expanded brass section with the addition of Paul Schwingesnschlögl and Elena Kakaliagou as well as the additon of Marcus Pal and Stefan Tiedje on electronics.Packaged in a lavish, oversized letterpressed jacket …
*2022 stock* 1999 Release. A lost Italian gem from the 60s! Bassist Giorgio Azzolini was one of Italy's best players during the postwar years, and this handsome reissue brings to light one of his rarer sessions from the 60s. The record's a lyrical septet session, with Azzolini's warm round basslines right up front, and beautiful solo work by a young Gato Barbieri on tenor, Franco Ambrosetti on trumpet, and Renato Sellani on piano. The session has the warmth and sensitivity of some of Horace Silv…
Further distanced in time from John Coltrane's spiritual new-jazz and the influential second Miles Davis quintet, Doug Carn showed a close affinity with R&B when recording his fourth and final Black Jazz album Adam's Apple. Sharing his interest in R&B was a platoon of committed, resourceful jazz musicians including young star-in-the-making Ronnie Laws, who had worked with Earth, Wind & Fire before that band's big commercial breakthrough. Of the others, ace guitarists Nathan Page and Calvin Keys …
Double LP version. Cosmic acid-psych-soul-funk-prog extravaganza from Spain, 1971. Proyecto A was the brainchild of the great Frank Dubé from Barcelona. What can one say about him? A truly fascinating character -- a pioneer of rock and roll and twist in Spain during the late '50s and early '60s, an accomplished accordion player, a showman, comedian, a psycho-aesthetics master -- but he should also be considered one of the first psychedelic pioneers in Spain due to his groundbreaking work on the …
Restocked. In the late 1970s and through the 1980s there was a lot happening on the German "post Krautrock underground" that few people knew about, lots of independent artists doing their own thing, either via small labels or doing it themselves. Circles were one of these bands. Based on the Frankfurt suburbs, they consisted of the multi-instrumental duo of Dierk Leitert (synthesizer, sequencer, drums, bass, guitar, voice, saxophone, flute) and Mike Bohrmann (guitars, bass, synthesizer) plus a f…
The new work by Gianfranco Pernaiachi is based on a re- working/re-thinking of a previous piano score: Abendland. This new work, passing thru a series of "actions" and further writings, became a completely different piece. Most important it's became an "open form" piece, expected to be interpretated by different people in different ways and, more important, with different artistic means. This edition contains 5 possible "interpretations": two musical ones, a piano verision by Pernaiachi himself …
Masayuki Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
Russ Garcia's 'Fantastica' remains the gold standard by which most outer space exotica records are based. Brilliantly evoking the music of the cosmos via revolutionary studio techniques, cinematic arrangements, and innovative electronic elements. 180-gram vinyl. Replica cover. A 1950s exotica classic that stylistically defines the genre "space age pop." The era of manned space travel began in 1959, but in musical terms, composers had been exploring interplanetary vistas for centuries. Russ…