Reissues
Galaxies full-electro
Galaxies' (Warsaw version), electro-acoustic alone. Fully electro-acoustic version of Anâhata / Galaxies realized on the composer's personal computer from the original electro-acoustic recordings of this work.Electronic music studios where the original Anâhata / Galaxies were produced (1984-86): Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Toky…
Central Unit
Back together a few years ago, after a silence that lasted about 20 years, Central Unit were a unique case in the Italian scene of the ‘80s. Coming from Bologna and active during the years of the so-called 'post-new wave', the group did not take long to get noticed by the press and television, due to the release of the EP debut "Loving Machinery" and a self-titled LP. Since the beginning it was clear that Central Unit would not settle on the small Italian scene, given the internatio…
Haramand plane: three translation links
Pogus is very honored to be able to reissue this recording of works by the late Jerry Hunt (1943-1993), originally released on What Next? Having long been fascinated by Hunt's work, it is great to be able to have these last works of his available on CD once again. To quote Blue Gene Tyranny: In the 1970s electronic music practitioners constituted a rare and marginal population on the frontiers of interactive media and performance. Audio, with its modest bandwidth requirements, led video by at l…
Wrecked Again
LP version. 180 gram vinyl in a tip-on gatefold sleeve. Remastered from the original tapes. Includes unseen photos and liner notes by Andru Chapman. "1971's Wrecked Again, Chapman's final for EMI's seminal stoner imprint Harvest, home to Kevin Ayers and Syd Barrett. Like other artists in the stable, Chapman's music contains a drugged-out feel, sublime guitar playing and intense lyrics, yet Chapman's career was not a pet project. Buried in EMI's release schedule and afforded no promotional budget…
Gored Gored
Terrie of The Ex collaborated with numerous people over the years to get inspiration from and absorbing all elements of all music, but continuing to being raw and unpolished. In meetings with the Norwegian hard-hitting avant-garde drummer, Paal Nilssen-Love, two souls of similar attitude meet, although from very different background. Being a jazz drummer, Nilssen-Love holds his sticks well in the improvised area of music, much more than the average jazz musicians do today.
This CD is hard …
Spectramorphic Iridescence
Signifiers can send all the wrong signals just as often as they can send the right ones. There’s a delicate balance between enticement and giving it all a way. Resident Los Angeles android, [PHYSICS], rides that line and then some on his first LP, Spectramorphic Iridescence. Glazed electronics and polymorphic beats run through wetware enhancements left behind by future civilizations. This music is black ice for all the hackers, ready to fry circuits from the inside and hardwire your dreams.Even …
Semikolon
Originally created as a 6-part radio series in 1965, and released in 1966 by Sveriges Radio. This is the first LP recording by either of these composers. Recorded at EMS (Elektron Musik Studion), the newly established studio facility at Swedish Radio. This pioneering work did not easily fit in any category that existed at the time. Inspired by the work of Öyvind Fahlström (who was a pioneer of concrete poetry along with the Lettrists and Futurists), a few young Swedish artists began exploring ne…
Electro-Acoustic Works 1974-75
Composer, sound designer and curator/researcher Harold (Hal) Clark moved to Norway from San Francisco in the early 1970s to carry on his musical studies and career. In 1972 he was hired as a producer and tonmeister at the Henie Onstad Kunstsenter at Høvikodden, Norway. Here he co-founded the Norwegian Studio for Electronic Music (NSEM) together with the late composer Arne Nordheim (1931-2010). Meeting with young Norwegian composers in regular salon-workshops and bringing with him the influences …
Solaris By Andrej Tarkovsky
Originally only officially available on a ultra-rare Japanese pressing, Mirurmir is incredibly pleased to announce the first issue of the groundbreaking and mindblowing soundtrack to Tarkovsky’s masterpiece, Solaris, in 20+ years. Composed by the electronic music pioneer, Edward Artemiev, Solaris was the first project in what proved to be a fruitful collaboration between director and composer. An absolutely essential piece of electronic music and Russian cinema history, lovingly reissued in a go…
This Place / Is Love
An extended work from Antoine Beuger and Michael Pisaro, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle on love and permanency realized in tone and voice."
"The work begins in very un-Wandelweiser fashion, with a strong note played on, I think, a harpsichord (prepared spinet?), quite forthrightly. After several identical notes, a recording of an interior space enters and a surprising sequence of chords occurs, four of them, very…
Live
A previously unreleased concert recording from 1986 of a group of leading out jazz artists (Billy Bang, Fred Hopkins, Andrew Cyrille, &c.). Part of the magic of jazz in New York City is groups of musicians coming together for brief engagements and then moving off into other groups and configurations, leaving fond memories but little recorded evidence of their existence. The Group was a very talented amalgam of musicians, veterans of the free jazz and loft scenes: Ahmed Abdullah on trumpet …
Nasty & Sweet
Very limited 2 LP release of the trio of Thomas Borgmann (reeds), Wilber Morris (bass) and Reggie Nicholson (drums) performing live at the Tampere Jazz Festival in 1999, plus one track from St. Ingbert in 1998.
Melodic Art-Tet
Killer! Limited edition of 400 records. Recorded on 15th October, 1974 at WKCR, from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sough…
Bruxelles
Alright then, Planam are pushing the boundaries of sanity again with this latest outbreak of lunacy by the French avant-garde quartet joined by freakishly talented vocalists Dave Nuss of NNCK and Mik Quantius from Köln. Gollaboration No.5, 'Bruxelles' was recorded at 2am by Yann Leguay and documents the sort of ritual strangeness that would get you locked up in less tolerant areas of the world. We're not quite sure who does what but Mik and Dave are definitely responsible for some of the …
Untitled
** Extremely limited 3x8” lathe records box, made in a run of just 90 copies, including previously unpublished recordings with individual sleeves in silk-screened box. ** Psychedelic scrapings from NNCK (No Neck Blues Band) members Pat Murano (Decimus) and Jason Meagher (Coach Fingers) in a beautiful art edition. Three 8"s, six sides of ostensibly distant, alien transmission somewhere between Zoviet France making a noisy cup of tea with The New Blockaders and Ekoplekz playing morse code melodies…
Nyc 1960-1963
Recordings of works by Joseph Byrd, student of Morton Feldman and John Cage and frontman for The United States Of America, are finally available by the American Contemporary Music Ensemble via New World Records.Byrd collaborated with a number of Fluxus artists in the 1960s, and also formed Joe Byrd And The Field Hippies, recording psych-rock album The American Metaphysical Circus in 1969. This release, Joseph Byrd NYC 1960–1963, recorded by contemporary music ensemble ACME, includes new recordin…
Conrad & Sohn
"Conrad Schnitzler is undoubtedly one of the founding fathers of German electronica. And his son, Gregor Schnitzler, matched the father's extraordinary level of creative output. They appear to have settled any musical differences amicably. After all, how else could they have 'shared' an LP released by Conrad Schnitzler himself? One half of Conrad & Sohn features music by Conrad Schnitzler, the other, his son Gregor. Two mini-albums on one disc, so to speak. An ideal opportunity to compare them. …
Drones
In the beginning there was the piano. As soon as he had mastered the basics, Jean-Philippe Goude discovered the spell of melancholy while working on a little musical piece: an etude ringing out in the style of a somber hymn. Not the dead meat smells of somberness that, according to Picabia, serious people emit, but the earthen gravity of an abyss dug by life itself. Everything is the result of this bedazzlement. At 11 years old, Jean-Philippe Goude closed his eyes. When his eyelids finall…
An Acoustic Confusion
An instantly captivating, all-original acoustic album of great depth and incredible maturity, the debut album (1971) by acoustic guitarist and songwriter, Steve Tilston. As for the making of the album: 'It was Ralph McTell who very kindly contacted Ian Anderson of Village Thing on my behalf,' Tilston explained. 'I followed it up and secured a meeting with Ian and a gig at the Troubadour Folk Club. I'd met Ralph through Wizz Jones at Les Cousins in Soho, and he'd been very complimentary abo…
This Forest and the Sea
Excellent 1976 private press acoustic album, self-recorded at various places in Colorado, and filled with beautiful fingerstyle acoustic guitar, plus some atonal bottleneck slide, string scrapes and drones (at times, very Ry Cooder/Paris, Texas about six years before that soundtrack existed). Although almost completely instrumental, what lyrics there are tend towards the dark and the satiric. The obvious points of comparison are John Fahey and Leo Kottke, although Scott Key certainly has …