Reissues
Otinku
The Modern Sound Quintet were formed in Stockholm by Trinidadian steel drum master Rudy Smith. On Otinku, Smith wails out on his set of 'pans' (as I believe the vernacular goes) in an improbably slick bebop mode, accompanied by a rhythm section capable of keeping it free and swinging one moment, and then within an instant locking down a groove. While pieces like the title track and 'Bye Bye Blackbird' flow effortlessly, 'Mercy, Mercy, Mercy' and 'Memphis Underground' lay down a solid bedrock of …
Virtuoso Saw
the pure union musician, was the sawtooth performer with the occupation musician who serves the oboe player of the los angeles symphony. it attends the musician of the band companion in the back, announcing the extremity of sawtooth performance with the transcendent tech which is lined to the beauty consciousness and professional ability of western classical music. the elegant solo album 1985 indicates one direction of sawtooth music. the japanese first appearance. the booklet attachment of valu…
The Dawn Wind
Australian folkie Paul Adolphus created some magical music back in the mid-1970s: mostly acoustic, intimate songs with a bewitching psychedelic gloss. This excellent obscurity was recorded in Japan in '73, and although it was critically acclaimed, it was never widely distributed. The album, reissued intact in 2007, also features Mitsu Harada on organ and piano.
Decades
This Lp of We Be Echo (Kevin Thorne) offers 15 extremely rare tunes from his superb 80’s Tapes “Cezi Eva” with tracks from 81-83 and the two Tapes on Mystery Hearsay “Nothing Left“ and “Pressure Point” released in 85 as well as 80’s compilation-contributions. A Must-Buy for every seious Minimal-Electronics-Listener.
May
May is the latest collaboration between New York composers Taylor Deupree and Kenneth Kirschner. Recorded on May 9, 2008 at the OFFF Festival in Lisbon, Portugal, the album represents the first available live recording of Deupree and Kirschner's concert performances. Continuing in the direction of their acclaimed post_piano series, Deupree and Kirschner's live work explores the intersection between piano and digital music technology. For this performance, Deupree and Kirschner took an even more …
Wee Tam
Originally released as a double album Wee Tam & The Big Huge for some reasons gets commercialized as two separate Cds, the first called Wee Tam and the next being The Big Huge. Again the Boyd/Elektra connection is present, the pastoral setting of artwork (both albums photos taken from the same shoot (same clothes) and the group was at its apex. This Cd reissue of Wee Tam should read side 1 & 2 of the double vinyl issue Well no matter how you look at it, ISB’s better moment had turned with Hangma…
Liquid Acrobat As Regards The Air
During their lifespan, The Incredible String Band contained several wives, children and pets, and were a five-piece when they disbanded in November 1974. Basically, everyone else acted as a supporting cast to the songwriting nucleus of Robin Williamson and Mike Heron. Liquid Acrobat As Regards The Air marks the halfway point, more or less, of the Incredible String Band. This 1971 release was their first for Island Records, following Joe Boyd (formerly Elektra UK's director of A&R) to the label. …
HQ
Originally released in 1975, HQ is Roy Harper's 8th studio album. Roy describes HQ as his most integral 'rock record'. It featured Harper's formation of Trigger, a relatively straightforward hard rock trio anchored by ace guitarist Chris Spedding and former King Crimson/Yes drummer Bill Bruford. (The unit disbanded after this album, however.) Pink Floyd guitarist David Gilmour and Led Zeppelin bassist John Paul Jones are among the other all-star contributors on this album. The album was original…
Sonabular
Beautiful free form vibraphone music with articulated drumming, underrated and very little know, highly recommended! In 1971-72, English vibraphonist Robert Wood was a member of French band Lard Free, the band Gilbert Artman led before Urban Sax. Wood later asked Artman to play drums on his own second LP, ‘Sonanbular’, while Artman included vibraphone on the first Lard Free official LP (1973), as well as the Clear Light Symphony LP (1975) and Urban Sax. The ‘Sonanbular’ front cover (the industri…
Lion's Eye / Lion's Tale
An astonishing album, Lion's Eye for Gamelan was commissioned in 1985 by Barbara Benary for Gamelan Son of Lion. Lion's Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. The intention to combine both pieces in order to expand the tempo range of the Gamelan was first realized in May of 1989 in performances by the Berkeley Gamelan in Oakland and San Francisco, California under the direction…
Aum
The second Deuter album from 1972; this was his last record before moving to India and falling under the guru-ship of Bhagwan Shree Rajneesh. The rock-related moves of D are eradicated, but beautiful atmosphere, echo guitar & experimental form are laid out with ease. Late night pleasure abounds. His first attempt at merging sitars, tablas and flutes to the sounds of birds, wind and water (reflecting Deuter's deep relationship with nature), resulted in an addictive, aesthetic music.
Kissing The Contemporary Bliss
For over 30 years troubadour walier DAN IRETON has called upon the spirit of 78 shellac blues n' psychedelic Stooges n' Velvets to fuel his guttural, pure soul ethos of the song. Hints at the classic forms of Dylan's Blood On The Tracks, Buckley's Starsailor & the celestial fug of Sun Ra' third-eye vision to create an approach untraveled yet increasingly influential. Kicks up the most outward bound & staggering approaches to Gus Cannon's "Walk Right In" & Robert Johnson's "Stones In My Passway" …
At The Cliffs Of River Rhine
When the band Agitation Free came together in 1967 as a result of the merging of two Berlin rock groups, one of the most interesting groups in a dawning independent German music scene was created. With their improvisations between rock, jazz and new music, Agitation Free soon relegated to the not so flattering category of Krautrock made musical forays into areas that few of their fellow German musicians had ever penetrated. At a time when most in Germany were still orienting themselves as closel…
The Armada
Rainbow Theatre's groundbreaking debut album, The Armada, was originally released in 1975. Influences as diverse as classical composers Stravinsky and Wagner to King Crimson and the Mahavishnu Orchestra came into play. With composer, arranger, guitarist and mellotron player Julian Browning at the helm, the band was never going to be easily pigeon-holed. Browning set about creating the unique music he had formulated in his mind. His classical influences began to emerge and in the meantime, he'd a…
Point Conception
Point Conception is Daniel Lentz’s wild nine-piano tribute to the octave. It amasses and bubbles over with incessant streams of octaves (harmonic and melodic) that run the length of the keyboard. Through a “cascading echo system,” long-time Lentz Ensemble pianist Arlene Dunlap performs all of its parts.Presented with Point Conception (which was originally issued as a Cold Blue LP in the mid-80s) is Lentz’s previously unrecorded NightBreaker, a kaleidoscopic and explosive tour de force for four p…
Abfleischung
2th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Abfleischung is based on material recorded by Tietchens as early as 1967—1970. These recyclings made in 1989 became the 20 short tracks on this album which was originally released in edition of 500 copies on Hamster Records in 1989. The CD includes two previously unreleased tracks and comes in a jewel case with full color artwork and poster booklet also feat. the original front and back cover. First editio…
Early Electronic / Tape Collage Music
* 350 copies * Alga Marghen proudly presents an LP edition including some of the seminal electronic/tape collage pieces by Malcolm Goldstein, created in close connection to the sulphuric New York pre-Fluxus environment of the early 1960s. The 1960s downtown New York City, rich with activities, doors opening upon a world fertile with possibilities: the delightful unknown. Malcolm Goldstein first worked at the Columbia-Princeton Electronic Music Center, then joined the Judson Dance Theater with da…
Karma
Although introduced as a protégé of John Coltrane and touted by many as his heir apparent, reedman Pharoah Sanders quickly proved his own man. His shared interest in the "cosmic" music of Coltrane's final period belies the fact that Sanders frequently plays with an unhurried sense of peace and satisfaction rarely found in his mentor's music. His use of space, African and Asian motifs and instruments, and simple, repetitive melodies also pointed the way for jazz, rock, and new age musicians in th…
High Fidelity
Housed in a gatefold sleeve with a 36-page catalogue. The first LP is John Cage Speaks MUREAU by John Cage, its title assembled from the first syllable of the word "music" and the author's name "Thoreau." Malte Hubrig writes "The performance of Mureau -- its letters, syllables and words read by John Cage in a uniform intonation of the voice -- frees language of its meaning and opens it to sound." The second LP is Terry Fox's Culvert, a performance that took place at the University of Montana in …
Heaven's End
Remastered CD reissue + additional CD with bonus tracks and Peel Session. Had Loop been present at Woodstock, they probably would have hatched a plan to obtain all the brown acid that Wavy Gravy warned spectators not to take. After hearing his declaration that "The brown acid's a bummer, man!," Robert Hampson and his droogs would have likely gone incognito as security staff, offering to rid the concert goers of the bad trips waiting to be had. They would have procedeed to ingest what they could …