Reissues
Gored Gored
Terrie of The Ex collaborated with numerous people over the years to get inspiration from and absorbing all elements of all music, but continuing to being raw and unpolished. In meetings with the Norwegian hard-hitting avant-garde drummer, Paal Nilssen-Love, two souls of similar attitude meet, although from very different background. Being a jazz drummer, Nilssen-Love holds his sticks well in the improvised area of music, much more than the average jazz musicians do today.
This CD is hard …
Spectramorphic Iridescence
Signifiers can send all the wrong signals just as often as they can send the right ones. There’s a delicate balance between enticement and giving it all a way. Resident Los Angeles android, [PHYSICS], rides that line and then some on his first LP, Spectramorphic Iridescence. Glazed electronics and polymorphic beats run through wetware enhancements left behind by future civilizations. This music is black ice for all the hackers, ready to fry circuits from the inside and hardwire your dreams.Even …
Semikolon
Originally created as a 6-part radio series in 1965, and released in 1966 by Sveriges Radio. This is the first LP recording by either of these composers. Recorded at EMS (Elektron Musik Studion), the newly established studio facility at Swedish Radio. This pioneering work did not easily fit in any category that existed at the time. Inspired by the work of Öyvind Fahlström (who was a pioneer of concrete poetry along with the Lettrists and Futurists), a few young Swedish artists began exploring ne…
Electro-Acoustic Works 1974-75
Composer, sound designer and curator/researcher Harold (Hal) Clark moved to Norway from San Francisco in the early 1970s to carry on his musical studies and career. In 1972 he was hired as a producer and tonmeister at the Henie Onstad Kunstsenter at Høvikodden, Norway. Here he co-founded the Norwegian Studio for Electronic Music (NSEM) together with the late composer Arne Nordheim (1931-2010). Meeting with young Norwegian composers in regular salon-workshops and bringing with him the influences …
Solaris By Andrej Tarkovsky
Originally only officially available on a ultra-rare Japanese pressing, Mirurmir is incredibly pleased to announce the first issue of the groundbreaking and mindblowing soundtrack to Tarkovsky’s masterpiece, Solaris, in 20+ years. Composed by the electronic music pioneer, Edward Artemiev, Solaris was the first project in what proved to be a fruitful collaboration between director and composer. An absolutely essential piece of electronic music and Russian cinema history, lovingly reissued in a go…
This Place / Is Love
An extended work from Antoine Beuger and Michael Pisaro, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle on love and permanency realized in tone and voice."
"The work begins in very un-Wandelweiser fashion, with a strong note played on, I think, a harpsichord (prepared spinet?), quite forthrightly. After several identical notes, a recording of an interior space enters and a surprising sequence of chords occurs, four of them, very…
Live
A previously unreleased concert recording from 1986 of a group of leading out jazz artists (Billy Bang, Fred Hopkins, Andrew Cyrille, &c.). Part of the magic of jazz in New York City is groups of musicians coming together for brief engagements and then moving off into other groups and configurations, leaving fond memories but little recorded evidence of their existence. The Group was a very talented amalgam of musicians, veterans of the free jazz and loft scenes: Ahmed Abdullah on trumpet …
Nasty & Sweet
Very limited 2 LP release of the trio of Thomas Borgmann (reeds), Wilber Morris (bass) and Reggie Nicholson (drums) performing live at the Tampere Jazz Festival in 1999, plus one track from St. Ingbert in 1998.
Melodic Art-Tet
**CD edition** 1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sought to push the Fire Music of late C…
Untitled
** Extremely limited 3x8” lathe records box, made in a run of just 90 copies, including previously unpublished recordings with individual sleeves in silk-screened box. ** Psychedelic scrapings from NNCK (No Neck Blues Band) members Pat Murano (Decimus) and Jason Meagher (Coach Fingers) in a beautiful art edition. Three 8"s, six sides of ostensibly distant, alien transmission somewhere between Zoviet France making a noisy cup of tea with The New Blockaders and Ekoplekz playing morse code melodies…
Nyc 1960-1963
Recordings of works by Joseph Byrd, student of Morton Feldman and John Cage and frontman for The United States Of America, are finally available by the American Contemporary Music Ensemble via New World Records.Byrd collaborated with a number of Fluxus artists in the 1960s, and also formed Joe Byrd And The Field Hippies, recording psych-rock album The American Metaphysical Circus in 1969. This release, Joseph Byrd NYC 1960–1963, recorded by contemporary music ensemble ACME, includes new recordin…
Conrad & Sohn
"Conrad Schnitzler is undoubtedly one of the founding fathers of German electronica. And his son, Gregor Schnitzler, matched the father's extraordinary level of creative output. They appear to have settled any musical differences amicably. After all, how else could they have 'shared' an LP released by Conrad Schnitzler himself? One half of Conrad & Sohn features music by Conrad Schnitzler, the other, his son Gregor. Two mini-albums on one disc, so to speak. An ideal opportunity to compare them. …
8 duos
Born in 1934, Christian Wolff is the last surviving member of the group of composers that also included Morton Feldman and Earle Brown, which gathered around John Cage in New York in the 1950s. Wolff's own music has remained faithful to that Cageian experimental tradition ever since, and the eight works for pairs of instrumentalists here show how, in the right hands, the varying degrees of freedom his works allow their interpreters can produce astonishingly beautiful results. The common denomina…
Drones
In the beginning there was the piano. As soon as he had mastered the basics, Jean-Philippe Goude discovered the spell of melancholy while working on a little musical piece: an etude ringing out in the style of a somber hymn. Not the dead meat smells of somberness that, according to Picabia, serious people emit, but the earthen gravity of an abyss dug by life itself. Everything is the result of this bedazzlement. At 11 years old, Jean-Philippe Goude closed his eyes. When his eyelids finall…
An Acoustic Confusion
An instantly captivating, all-original acoustic album of great depth and incredible maturity, the debut album (1971) by acoustic guitarist and songwriter, Steve Tilston. As for the making of the album: 'It was Ralph McTell who very kindly contacted Ian Anderson of Village Thing on my behalf,' Tilston explained. 'I followed it up and secured a meeting with Ian and a gig at the Troubadour Folk Club. I'd met Ralph through Wizz Jones at Les Cousins in Soho, and he'd been very complimentary abo…
This Forest and the Sea
Excellent 1976 private press acoustic album, self-recorded at various places in Colorado, and filled with beautiful fingerstyle acoustic guitar, plus some atonal bottleneck slide, string scrapes and drones (at times, very Ry Cooder/Paris, Texas about six years before that soundtrack existed). Although almost completely instrumental, what lyrics there are tend towards the dark and the satiric. The obvious points of comparison are John Fahey and Leo Kottke, although Scott Key certainly has …
Stimmen lauter Stimmen (Lauttexte 1962-64 + Horspiel 1971)
Franz Mon (born 1926) is a pioneer in the field of concrete, visual and phonetic poetry. He once licked the new radio play into shape like no other german-speaking playwright before him. As a sound poet and with his 'articulations' or phonetic pieces, he conceptually renewed sound poetry in the postwar years.A tension of research is generated. Franz Mon is a tireless researcher, his material is language. In "Artikulationen" he speaks of " the dance of the lips, of the tongue, of the teeth, move…
Servizio dall'Oriente (1971)
Lovely 1971 library re-release, a survey for a reading of Malaysian stories (describing in an exciting way the charm, mystery and exoticism of Malaysia, Singapore, Indonesia and China), with an overall elegant background of oriental music that blends with decidedly Western sounds, often experimental, giving life to a fascinating and unforgettable jazzy musical texture. The characteristic of the topics, which are sometimes sweet and melancholy, or descriptive, is to contain slow sounds that a…
Partitas for long strings
Restocked. "Two aspects were of central interest to him: different tunings and density of sound. He made an installation in the large space of Het Apollohuis, stretching four strings lengthwise and attaching them to the wooden wall on the far end, which served as a resonator. He did not use automatons or electric amplification. He played the strings by brushing them, walking back and forth at an even pace. His aim was to make his playing as continuous and even as possible. For each partita he re…
Colofon & Compendium 1991-1994
Gatefold double LP version. Telephone terrorism tactics and voyeuristic ambience from the Scanner archive 1991-1994. Exclusive unreleased material. An eavesdropper's delight. "In the summer of 2010, I worked through my extensive archive of DAT tapes, cassettes and mini-discs, which had accumulated since 1977, and with the help of my ever-capable and patient interns, began the process of digitizing these materials. The result -- over 600 hours of largely unreleased material -- was overwhel…