Reissues
Point Of Departure
** Special Time-Limited Offer ** On Point of Departure, Andrew Hill convenes a dream ensemble: Eric Dolphy on alto, bass clarinet, and flute, Joe Henderson on tenor sax, Kenny Dorham on trumpet, Richard Davis on bass, and Tony Williams on drums. Hill’s compositions bend conventional form with asymmetrical phrases, overlapping lines, and harmonies that hover between centres, creating a sense of forward motion as much psychological as rhythmic. Each soloist finds personal routes through these land…
Inner Urge
** Special Time-Limited Offer ** Inner Urge finds Joe Henderson pushing his quartet – McCoy Tyner (piano), Bob Cranshaw (bass), and Elvin Jones (drums) – into more intense and complex territory. The title track’s driving rhythm and restless harmonic motion set the tone for a session where the stakes feel higher and the edges a bit sharper. Henderson probes motifs, worrying them from different angles, unafraid of jagged contours or sudden leaps. Tyner’s dense voicings and rolling left hand, Crans…
Page One
** Special Time-Limited Offer ** On Page One, Joe Henderson introduces his tenor alongside Kenny Dorham on trumpet, McCoy Tyner on piano, Butch Warren on bass, and Pete La Roca on drums. Together they bring to life a set of tunes – including future standards – that balance memorable themes with ample improvisational room. Henderson’s tone is earthy yet flexible, his lines combining logical development with sudden, surprising detours. Dorham’s lyrical, slightly tart trumpet provides a perfect foi…
Speak Like A Child
** Special Time-Limited Offer ** On Speak Like a Child, Herbie Hancock opts for subtler shades with an unusual front line of Thad Jones on flugelhorn, Peter Phillips (or Jerry Dodgion) on alto flute, and Jackie McLean on alto sax, supported by Ron Carter on bass and Mickey Roker on drums. Carefully voiced harmonies create a soft‑focus glow around lullaby‑like themes that harbour unexpected harmonic turns. Hancock’s piano is restrained and lyrical, often leaving wide spaces around simple phrases,…
My Point Of View
** Special Time-Limited Offer ** My Point of View shows Herbie Hancock widening his palette with a larger band: Donald Byrd on trumpet, Garnett Brown on trombone, Hank Mobley on tenor, Grant Green on guitar, Chuck Israels on bass, Tony Williams on drums, and Patricia “Patty” T. on vocals on one track. The writing is richer and more layered, from soulful vamps to waltz‑like lyricism, yet unified by Hancock’s sense of structure and colour. The horns are given space to develop ideas; Green’s guitar…
Maiden Voyage
** Special Time-Limited Offer ** On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’…
Out To Lunch!
** Special Time-Limited Offer ** Out to Lunch! remains one of the most strikingly original statements on Blue Note. Eric Dolphy marshals Freddie Hubbard on trumpet, Bobby Hutcherson on vibraphone, Richard Davis on bass, and Tony Williams on drums into a unit that treats his knotty compositions as springboards rather than straitjackets. Themes like “Hat and Beard” arrive full of angular intervals and odd accents, while the rhythm team tilts and lurches under them, propelled by Williams’ restless …
Volume 2
** Special Time-Limited Offer ** On Volume 2, Miles Davis again fronts shifting line‑ups – including Sonny Rollins, Art Blakey, and Horace Silver – in a programme that continues the exploration begun on its companion. The arrangements juxtapose brisk, tightly coiled numbers with more relaxed pieces that give Davis room to stretch his lyrical side. His phrasing shows a growing command of silence and attack; a single, slightly bent note can carry as much weight as a flurry of scales. The band’s in…
Volume 1
** Special Time-Limited Offer ** Volume 1 presents Miles Davis in a transitional bebop/hard‑bop setting, surrounded by players hungry to prove themselves: J. J. Johnson on trombone, Jackie McLean on alto saxophone, Sonny Rollins on tenor, Horace Silver at the piano, Percy Heath on bass, and Kenny Clarke on drums on the original 10" sessions. Later tracks add different personnel, but the through‑line is Davis’ preference for space and contour over sheer velocity. Even at brisk tempos, his muted p…
At The "Golden Circle" Stockholm - Volume Two
** Special Time-Limited Offer ** Volume 2 of At the “Golden Circle” finds Ornette Coleman, David Izenzon, and Charles Moffett pushing even further into the freedoms opened the night before. The pieces feel more expansive, the silences more charged, the interactions even bolder. Coleman’s improvisations unfold like stories without fixed endings, full of sudden turns that never break the underlying logic. Izenzon’s bass veers between bowed cries and elastic walking; Moffett’s drums slip from polyr…
At The "Golden Circle" Stockholm - Volume One
** Special Time-Limited Offer ** The first volume of At the “Golden Circle”, Stockholm places Ornette Coleman’s alto saxophone in front of his stripped‑down trio with David Izenzon on bass and Charles Moffett on drums, in a snowy club where the microphones catch every spark. Free of a chording instrument, the group moves with startling elasticity: themes flash by and dissolve into collective improvisation where roles are fluid. Coleman’s tone is both keening and tender, capable of slicing throug…
My Conception
** Special Time-Limited Offer ** With My Conception, Sonny Clark pushes deeper into his own compositional world, joined by Donald Byrd on trumpet, Hank Mobley on tenor saxophone, Clifford Jordan on tenor, Paul Chambers on bass, and Art Blakey and Philly Joe Jones alternating on drums. The music balances intricate structures with a direct, singing quality: heads full of unexpected turns that still lodge in the ear, solo sections that encourage the horns to stretch without losing the thread. Clark…
Bass On Top
** Special Time-Limited Offer ** On Bass on Top, Paul Chambers quietly but firmly moves the bass into the spotlight, supported by Hank Jones on piano, Kenny Burrell on guitar, and Art Taylor on drums. Standards become opportunities for Chambers to state themes and improvise with a singing, resonant tone that never gets lost, even in the lowest register. The rhythm section reverses the usual hierarchy: Jones and Burrell comp and solo with taste, but always leave room for Chambers’ lines to lead. …
Byrd In Flight
** Special Time-Limited Offer ** Byrd in Flight finds Donald Byrd’s trumpet carried aloft by shifting combinations of Jackie McLean on alto sax, Hank Mobley on tenor, Duke Pearson at the piano, Doug Watkins and Reggie Workman sharing bass duties, and Lex Humphries and Philly Joe Jones on drums. The album’s variety of line‑ups underlines Byrd’s range: from soulful, medium‑tempo burners to more introspective pieces that spotlight his warm tone and melodic ease. Each configuration finds a different…
Roots & Herbs
** Special Time-Limited Offer ** With Roots & Herbs, Art Blakey leads a Jazz Messengers unit that includes Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass, a line‑up that can pivot from crisp unisons to eruptive solos in a heartbeat. The tunes are full of rhythmic feints and harmonic twists, yet the band makes it all sound effortless. Blakey’s drumming is simultaneously a grid and a storm: he sets up hits, detonates climaxes, and constan…
Moanin'
** Special Time-Limited Offer ** Moanin’ is the sound of Art Blakey turning a band into a congregation, with Lee Morgan’s trumpet, Benny Golson’s tenor saxophone, Bobby Timmons’s piano, and Jymie Merritt’s bass all testifying over Blakey’s unmistakable cymbal crashes and press rolls. From the call‑and‑response of the title track to the burning hard‑bop vehicles that follow, the record distils church‑infused, blues‑drenched celebration into a small‑group format. Each soloist brings a distinct voi…
Somethin' Else
** Special Time-Limited Offer ** Somethin’ Else remains one of those rare records where everything lines up: the room, the band, the material, and the moment. Cannonball Adderley leads on alto saxophone with Miles Davis’s trumpet cutting through alongside Hank Jones on piano, Sam Jones on bass, and Art Blakey on drums, a Blue Note all‑star line-up operating at peak equilibrium. The album sounds like a conversation between Adderley and Davis, two distinct voices who know exactly how far they can …
Muslimlahore
A powerful new archival release from the legendary experimental project Muslimgauze, titled Muslimlahore, is now available worldwide via Bandcamp. This album continues the ongoing posthumous excavation of Bryn Jones’ vast and politically charged body of work, offering listeners a fresh immersion into his unique blend of ethnic electronica, dub, and tape-based soundscapes.
Muslimlahore presents a suite of tracks that reflect Muslimgauze’s enduring fascination with South Asian and Islamic themes, …
Change Is
The Don Rendell - Ian Carr quintet, created in 1963, was,a small Brit jazz group that took the country by storm and was well received in Europe and in limited circles in the United States. The band developed a unique sound that came out of hard bop and moved through many different phases, developing a unique musical language before they reached the mountain top of creative expresión.
Un Biglietto del Tram
On Un biglietto del tram, Stormy Six turn the Italian Resistance into living song, nine pieces where folk‑rock, progressive detail, and militant clarity fuse into one of the sharpest, most moving political albums of the 1970s.