Reissues

"Röntgen" is Ø's (aka Mika Vainio) subliminal, minimal techno classic, and was featured on the first Sähkö Recordings release in 1993. Spatial, silvery-sharp, and reduced yet frenetic, it's a blueprint of drum machine and synth work that helped redefine an era in techno. This special-edition 12" also features a full-side cut of a previously unreleased Ø track from 1995. The untitled B-side carries the same approach as the title track—minimal TR-808 and acidic synthesis—but in contrast to the har…

*200 copies limitede edition* Roughly two years after the release of their initial statement of intent, debut single “Toutpartout PT2” with its hypnotic ripples, Andi Haberl and Florian Zimmer aka Bella Wakame have successfully channeled the magic of a 2024 live recording (captured at Berlin’s Donau115 & Silent Green) into their first proper studio offering. You can hear inspirations ranging from Bitchin Bajas, Jeremiah Chiu to Groupshow (Jelinek, Leichtmann, Pekler), the hypnotic, intricate bat…

*2026 stock. 200 copies limited edition* IRM presents An Act Of Self Mutilation Is An Act Of Freedom, a work that transforms inner conflict, physical intensity, and emotional extremity into a radical statement of liberation. Released through Phage Tapes, the album inhabits the unstable space between violence and vulnerability, collapse and renewal, destruction and release. Rather than offering easy catharsis, IRM confronts the listener with an uncompromising sonic language—raw, abrasive, and dee…

*100 copies limited edition* Full length of shattering, flowing, faustian noise from one of the UK's best projects. known from various compilations and ‘blood and sand’ milestone. masterful well paced melting textures and feedback needle movements.

High temperature B2B wreckordings live death machine in remembrance of the 15th anniversary of vatican shadow at hospital fest nyc. featuring new, old and kollaborative tracks from VS/AM/SE past and disparate catalogs with dueling vocal angriff. never forget war is a force that gives us meaning.

Prurient's Pleasure Ground, recorded on 14 February 2006 and first sold as a double cassette at No Fun Fest in New York: Dominick Fernow's power electronics meeting synths, doom and black metal.

Last year, the long-awaited self-titled debut finally appeared on vinyl. Now the series continues with Enter Now The World, the second album by Jouni Havukainen's project. Originally released by Cold Meat Industry in 1992, it remains, for many listeners, the project's masterpiece. The elements that defined In Slaughter Natives were already present on the debut. On Enter Now The World, everything became larger, heavier and more detailed. Thunderous percussion, heavy electronics, brass and string …

This is supposed to be a 40th anniversary reissue. Well, it still is, but with year of a delay. It was told enough about the early Metgumbnerbone recordings. We just keep some quotes here. "It’s hard to imagine anything more haunting than the folk horror ritual sounds which Metgumbnerbone conjured forth in the Ruins of Industry." - Kristian Olsson, Shock Tilt "Working mainly with percussion, Metgumbnerbone evolves an improvisational continuum that depicts subterranean and old, eerie, murky templ…

*Gold metallic pantone printed on reverse board. 2026 stock* Space Afrika follow last year’s heartbreaking x perception-bending mixtape “hybtwibt?” with an anxious patchwork of drill bass, reflective musique concrete and after-hours surrealism >> singular deep headspace exploration to file alongside Mark Leckey, Perila, Burial or Klein. Assembled to accompany a short film from Manchester-born visual artist, poet and filmmaker Tibyan Mahawah Sanoh, Joshua Inyang and Joshua Tarelle’s newest is a c…

*100 copies limited edition* It is not with sheer joy, but with overwhelming jouissance that we undertook the demanding task to reissue on vinyl the behemoth that is called Anabelas. Heralded in its contemporary 70s music press in Argentina as a phenomenal release, and venerably revered globally for many years to come by progrock aficionados as a best-kept secret. Unfettered by the stealthily eroding repetitiveness that eventually forces aural innovations into the territory of trite and lacklust…

One of the most influential dub albums ever made. The remixing techniques used – radically new for 1973 – helped transform the role of the producer and the engineer to that of creative artists in their own right.

An album consisting of four magically shimmering instrumental works. Moreover, both the album and its sleeve are more or less transparent—in other words, the especially perceptive music lover can truly see the light through the sound. AO is still a well-kept secret from Gothenburg: a new name from the Swedish underground, yet with long tentacles reaching back through the ages. AO creates an intelligently playful and playful music, with many dizzying points of entry, winding rooms, and smiling ex…

Two x 2LP sets that examine the influence and expression of the underground jazz that evolved in California and surrounding states during the latter part of the 20th century.

Reich's three string quartets on one record for the first time: Different Trains (1988), Triple Quartet (1998) and WTC 9/11 (2010), each setting the live quartet against tape. New readings by New York's Mivos Quartet, made with the composer's involvement.

The 1974 DG recording of Drumming by Steve Reich and Musicians, with Six Pianos and Music for Mallet Instruments, Voices and Organ. Remastered from the original four-track tapes for the first time, cut all-analogue at Emil Berliner Studios. Numbered 3LP box, 180g, original artwork.

The three albums Reich made for ECM between 1978 and 1982, reissued as facsimile sleeves in a card box: Music for 18 Musicians, the Octet / Music for a Large Ensemble / Violin Phase LP, and Tehillim. Cut all-analogue from the original tapes.

Swiss saxophonist Gilles Torrent may have been initially smitten by the sounds of US jazz giants like Coltrane, Shepp and Sanders, but as he’s developed and matured he’s cast his creative net much wider.  After teaching himself the sax at 21 he spent the next 11 years studying the concepts and innovations of Coltrane before moving on to take the next logical step - exploring and soaking up the many styles music from around the world, and incorporating them into his Coltranesque vision of jazz. A…

Originally released by CRI in 1974 and now reissued on vinyl for the first time by Death Is Not The End, Music by Earle Brown is a concise overview of the composer's landmark early experiments with graphic notation, open form structures and magnetic tape.

*Alt cover art edition* On June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder/curator Lance Hill. Hill recalls: "Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes bef…

Casebound 3CD with 28 page booklet, gathering the whole of Jon Hassell's final chapter: Listening To Pictures (2018), Seeing Through Sound (2020) and Music Is Invisible, a recording of his last ever concert, played in London in 2015 and unheard until now.

On SIC, Nurse With Wound and Aranos construct a cold, roaring ambient symphony from metallic percussion, numbing drones and disembodied voices. Long unavailable on vinyl, this edition restores a quietly menacing work where sound sculpture and slow-moving ritual converge, suspended between dread, dream and industrial weather.

Sinsuke Fujieda Group recorded Fukushima at Groove Studio Matsudo in May 2023. When Superfly Records put it out on vinyl in the spring of 2025 the thousand copies vanished within days, two further pressings followed, and copies on the second-hand market are now asking three figures. This CD is the record the LP could not hold: the five compositions restored to their full unedited length, three flute pieces that had only ever appeared digitally, and Jiva, a previously unheard piece for bamboo cla…

*300 copies limited edition* Twenty-five years after its original release, Markus Guentner's debut album In Moll returns in a special anniversary reissue on Black Knoll Editions, reaffirming its place as one of the defining ambient recordings of the early 21st century. Released in 2001 during the formative years of Kompakt's influential Pop Ambient series, In Moll emerged from a period of rapid transformation in electronic music. New technologies, expanding digital networks, and shifting creativ…

purely physical teeny tapes perform an invaluable public service in exhuming static cleaner lost rewards breathing under honey from the heady year o 2023, a slack-jawed riddle within the all-consuming enigma that is thee world of tarquin manek. few records command a reissue so soon after their release, the soil heaped atop the (sainted) low company corpse still remaining more than a little damp, but this ones discreet-to-the-point-of-fury initial release justifies the flogging of the proverbial …

On Steve Gunn, Steve Gunn’s 2007 debut captures a formative solo voice in raw, spacious focus. Recorded on four‑track in a Brooklyn apartment, its instrumental pieces drift between American primitive guitar, meditative drone and free improvisation - unvarnished home recordings whose patience, tonal richness and exploratory nerve already point toward a singular guitar language.

Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when – as The New Blockaders – they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the sound…

Joanna Newsom's 2006 masterpiece returns on double LP: five sprawling songs where harp and voice meet Van Dyke Parks' orchestral grandeur, recorded by Steve Albini, mixed by Jim O'Rourke. Named for a drowned Breton city, Ys remains overwhelming

*Back in print!* First released in 1964 under the expert production of Blackwell for Island Records, this remarkable album captures the essence of Jamaican soulful jazz through the extraordinary talent of Ernest Ranglin. As a pioneering guitarist and composer, Ranglin delivers an impeccable performance that blends the rich traditions of jazz with the vibrant rhythms of Jamaica. Accompanied by a highly swinging rhythm section, featuring Malcolm Cecil on bass and Alan Ganley on drums, the album ex…

Violence! brings the electrifying legacy of maestro Franco Micalizzi to the spotlight once again. Based on the celebrated soundtrack for the cult movie Il Cinico, L’infame E Il Violento, this release captures the raw energy and kinetic rhythm that made the film an enduring reference point for generations of soundtrack lovers and cinema fans. A true magnet for genre enthusiasts, the film features an unforgettable, stellar cast, including Maurizio Merli, Tomas Milian, and John Saxon. Beyond its im…

Mega Tip!  Edition of 200 copies, comes with a large illustrated insert. Giuseppe Chiari arrived at music from the wrong direction. He read mathematics and engineering at university and studied piano and composition privately, and it was John Cage who turned him toward experimental music. With Pietro Grossi he founded Vita Musicale Contemporanea, one of the first Italian associations for new music, and with Sylvano Bussotti he assembled the travelling exhibition Musica e segno. In 1962 Frederic …

Gathered as a three‑disc bundle, Adam Bohman’s Music and Words series reads like a sprawling, decades‑deep diary of the British underground. Domestic cassette experiments, found‑object acoustics and stream‑of‑conscious monologues mutate across volumes 1–3 into a fiercely idiosyncratic universe where language, noise and everyday detritus share equal weight, turning one man’s tape habit into a major work of experimental autobiography.This Bohman’s Bundle contains:- Music and Words- Music and Words…

*2026 repress!* Ezra Feinberg’s third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single ‘Future Sand’.  Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding me…

Following his striking 1968 debut Ghetto Music, the radical trumpeter and composer Eddie Gale presented an extension of that vision continuing to seek truth and justice through his music on his magnificent 2nd Blue Note album Black Rhythm Happening, recorded in 1969. Joining the Noble Gale Musicians (Gale, saxophonist/flutist Russell Lyle, and bassists Judah Samuel and Henry Pearson) and Noble Gale Singers (including Joann Gale Stevens and Fulumi Prince) are guest musicians including alto saxoph…

Death Is Not The End, following their cassette reissue of Harry Smith's Anthology, present a collection of recordings of Sacred Harp singing (a traditional sacred choral music with origins in the American South) taken from the late 1920s through to the late 1930s. Necessary vinyl edition of Death is Not Final’s I’m On My Journey Home, Sacred Harp Singing, 1928-1934, a collection of recordings of Sacred Harp singing (a traditional sacred choral music with origins in the American South) taken from…

“Bloque 6” (1968), by Juan Carlos Calderón, is a landmark recording in the history of modern jazz in Spain, markedly different from the albums Calderón would record just a few years later under the influence of funk, disco music, and even flamenco. Juan Carlos Calderón enjoyed a long and successful career,  composing and arranging some of the most iconic songs by Spanish artists such as Joan Manuel Serrat, Mocedades, and Ana Belén, among many others. However, his musical beginnings were closely …

‘La Balsa’ was the first Argentine massive rock hit. In 1967 Los Gatos became the most famous local rock band with this song. At the front, as composer and singer, was Litto Nebbia. Although this milestone has remained eternally linked to Nebbia's name, almost eclipsing the rest of his work, it is really his solo career that unveils the artist's overwhelming talent and his determination to create music freely, regardless ofcommercial considerations. “Fuera del cielo” (1975) is an art rock/space …

After a brief period during which they recorded only a couple of 7-inch singles for the Orfeón label that had a very limited distribution, Mexican rockers Antorcha fully embraced a DIY approach to managing their own career. They had evolved into a heavy psychedelic rock group, with no metaphors and no compromises. Anarchists in a country that could barely utter the word without trembling. It was the final years of the 1960s. Their influences came from Iron Butterfly, Black Sabbath, Blue Cheer, V…

CD boxset reissuing the four Série Torso cassettes released on Deadline Recordings. Includes a fifth bonus disc on unreleased material, and featuring photos of Black Leather Jesus fans given for use.

*100 copies limited edition* Laconic haze, ethereal curiosities, nostalgic glimpses and fictional illusions. Northern Irish Halftribe’s (Ryan Bisset’s) third album arrives punctually to soundtrack the coming summer – or eternity, apparently, if you like. It is indeed suitably warm and familiar stuff, going straight for the bliss-out button with dreamy, droning pieces mixing airy synths and calm field recordings.

An adventurous instrumental jazz-rock fusion album that captures the free-form chemistry between keyboardist Howard Wales and guitarist Jerry Garcia. The record blends jazz improvisation, psychedelic rock, blues, funk, and progressive influences into fluid, exploratory compositions driven by Wales' inventive keyboard work and Garcia's expressive, melodic guitar playing. Supported by musicians including John Kahn, Bill Vitt, and Martin Fierro, the album emphasizes spontaneous interplay over conve…