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*50 copies limited edition* Moody cacophonies, sonic dispatches from Japan, crystalline breakbeats that are more environment than rhythm: Jake Muir’s enmixed, described by Muir as a “(re)mixtape,” is a mind-bending deep dive into the enmossed archive. Besides reflecting the history of the label, Muir’s mix is a production in its own right. A Los Angeles native based in Berlin, Muir is a DJ and field recordist who “sees mixes as a vehicle to explore narratives outside of the album format.”
In Bat…
Anthony Moore's post-Slapp Happy output, for years an underrated-to-outright unknown quantity, achieves another dimensional plane with this third archival release from his personal tape library. Home of the Demo triangulates upon the art-pop qualities found in his previously unreleased OUT (1976, officially issued 2020) and the new wave-adjacent Flying Doesn't Help (1979, reissued 2022), finding Anthony's early/mid-'80s compositions drifting into the actual mainstream, just moments before it beg…
Experimental fusion project Jade Warrior began in the early 70s when percussionist/flutist Jon Field and guitarist Tony Duhig joined forces with bassist Glyn Havard; Field and Duhig had been in Second Thoughts which later became July. By the time of Last Autumn’s Dream the group was a quintet with drummer Alan Price and Tony’s younger brother David on lead guitar, allowing for denser explorations of the contrast between world music fusion and acid rock: Dave’s searing guitar leads jostle with ea…
*150 copies limited release* Sounds Like Work, a long-lost soundscape composition by South Australian composer and scholar, Chester Schultz, is made available by De la Catessen Records, for the first time since its private cassette release in 1978. Drawing from material recorded in late 1976 in the workplaces of members of the Maylands Church of Christ congregation, subsequently edited at the electronic music studio of Adelaide University in early 1978, Sounds Like Work has an oddly contemporary…
**Limited Edition of 199 copies.** Masonna, the brainchild of Yamazaki “Maso” Takushi, holds a revered place within the Japanoise scene alongside peers like Merzbow, Incapacitants, CCCC, Violent Onsen Geisha and Hijokaidan. The project, named Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, epitomizes the extreme end of the noise spectrum, intertwining cascades of electronic disarray with a distinct psychedelic touch and violent vocalizations. The new limited edition vinyl reissue of "m…
Limited Edition of 199 copies. Solmania's limited edition vinyl reissue of the Re-Rurr LP is a monumental work of avant-garde noise music that immerses listeners in a sonic experience unlike any other. Led by the visionary Masahiko Ohno, who founded Solmania in 1984, this reissue serves as a testament to the boundless creativity and technical brilliance that have established Solmania as a trailblazer in the Japanese music landscape. Ohno's unconventional approach to crafting electric guitars fro…
Yellow vinyl / 180 grams, limited and numbered edition 300 copies. Following the tragic passing of the legendary Demetrio Stratos in 1979, the band Area wisely chose to forgo vocals (save for a few backing harmonies) on this album, as no one could ever replace the "maestro della voce". While this instrumental album may not push boundaries like its predecessors, it showcases a commendable blend of talent, with each musician shining brightly, particularly the remarkable bass work by Ares Tavolazzi…
*200 copies limited edition* Die Sonne Satans (also known as Die Sonne Satan) is the musical creation of Paolo Beltrame. The name Die Sonne Satans is borrowed from the title of Georges Bernanos' novel "Sous le soleil de Satan", which Maurice Pialat adapted into the eponymous film in 1987. Die Sonne Satans is driven by the desire for self-determination in opposition to dogmas or conventions supported only by tradition, authority, or revelation. It remains one of the most creative and simultaneous…
NTS presents European Primitive Guitar, a compilation of instrumental guitar compositions, mapping out European analogues of the American Primitive Guitar movement, spearheaded by John Fahey in the 1950s. European Primitive Guitar spans works directly influenced by and responding to Fahey’s approach to composition, alongside works by artists that arrived at similar conclusions independently.
The music is, at once, both starkly traditional and contemporary. This is no more evident than with the …
One for the ages here. Unearthed from the ESS archives and officially released for the first time ever, a previously unknown half-hour from cosmic mythologist and sound scientist Sun Ra's 1971 U.C. Berkeley course "The Black Man in the Cosmos." Ra's soft-spoken intensity is underscored by the sound of chalk on the board as he ambles effortlessly through his potent and prescient ideas. The class session closes with two musical tracks, a piano version of "Love In Outer Space" and a blistering Moo…
Maurizio Bianchi began experimenting with industrial / noise music shortly after the genre emerged. Initially, he released four recordings under the moniker Sacher-Pelz, then began using his own name or his initials, M.B., in 1980. From 1979 to 1984, Bianchi released around 35 albums, showcasing a period of intense creativity before he took a break from music until 1998. Since resuming his work, he has released over 250 additional albums. What is remarkable about Bianchi’s career - aside from hi…
Hugely influential and appearing nearly everywhere within Washington D.C.'s contemporary music scene as bandleaders and contributing artistic voices, cellist and vocalist Janel Leppin and guitarist Anthony Pirog have long been creative partners as well as life partners. Their Cuneiform Records debut Where is Home (2012) is considered a crucial modern recording from the region. Following that release, the two have crafted a double-LP opus which crosses genres and mirrors their exploratory and dia…
Wewantsounds is delighted to announce the release of one of Japan's most coveted albums of the 70s, "Mangekyou" by singer-songwriter Yoshiko Sai. Produced in 1975 by Master musician Yuji Ohno, the album features Yoshiko Sai's superbly crafted songs and crystal clear voice over Ohno's lush, funky sound and breezy arrangements. A strong buzz has been growing around the album over the years and original copies now change hands for large sums of money. This is the first time "Mangekyou" is available…
Quartet Records, in collaboration with GDM and Universal Music Publishing Italy, presents a revised, remastered reissue of a famous giallo score composed by Bruno Nicolai in 1975 for Gatti Rossi In Un Labirinto Di Vetro (Eyeball) directed by Umberto Lenzi and starring John Richardson, Martine Brochard, Inés Pellegrini and Mirta Miller. Shot entirely in Spain, Lenzi’s movie, while visually attractive, is still a conventional giallo already showing the tiredness of the genre. The plot involves the…
Brazilian singer, poet, guitarist Joao Gilberto made his 1959 debut with the now legendary LP, 'Chega de Saudade', a new sound and acknowledge as the first bossa nova album, a genre that swept the world in popularity and taken up by such artists as Stan Getz, Charly Byrd, Astrud Gilberto, Frank Sinatra, Quincy Jones, and countless others. Presented here is essentially a themed compilation of some of his best songs, including tracks from his acclaimed debut LP, 'Chega de Saudade'.
Pink Fairies at their absolute best. Remarkable psych freaks make loud noise. Space rockers in some incredible form here, reaching for maybe the highest points in their recorded career. Although unsung by many, Pink Fairies are legendary to space rockers everywhere.
Arthur Russell first visited The Gallery in 1976 with his then boyfriend Louis, who introduced him to Nicky Siano. Arthur became a regular at the space and one night as Siano was playing “Turn the Beat Around”, which had just been released, Arthur waved at him from outside the booth and asked to come in. Nicky opened the door and Arthur suggested they make a record like this together. This ended up being a huge step for Siano as it marked the first ever production by a DJ making a record from sc…
cLOUDDEAD's debut album, compiling six 10" EPs that appeared between 2000-2001, is aurally dense and obscured. A sprawling mass of miniature beat-suites and Dadaist lyrics, this strange and beautiful 3xLP would influence a myriad of sub-genres (cloud rap, hauntology, lo-fi hip-hop, etc.) in the two decades since its initial release. Only the three members of cLOUDDEAD – Why?, Doseone and Odd Nosdam – can speak to the group's origins, but in the context of underground hip-hop towards the end of t…
When "In Blue" was released in 1995, many fans thought that this was the most typical Klaus Schulze record for a long time. They were probably right because Klaus did the songs a little bit with the fans in mind for whom the sounds of the previous album were too modern. In this respect "In Blue" is a more traditional Schulze record and, also, because it featured Manuel Goettsching on "Return Of The Tempel". However, he didn't plan this. Somehow it came to his mind to ask Manuel if he won"t feel …