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Geometrik presents the first vinyl edition of Esplendor Geométrico's Nador, originally released by Dirk Ivens' Daft Records on CD in 1995. Fans of Esplendor Geométrico have been waiting eagerly for this reissue of Nador, a collection of alternate takes and otherwise unreleased tracks recorded in 1988 and '89, one of the duo's best creative periods. Includes tracks recorded in the Sheikh Aljama (GR 2116CD/GR 2131LP) and Arispejal Astisaró (GR 2117CD/GR 2132LP) period, an especially interesting…
180-gram LP with bonus 7". Eduardo Polonio has been one of the key figures of Spanish music since the late 1960s, especially as a pioneer in the field of electroacoustic music. He was a member, with Luis de Pablo and Horacio Vaggione, of Grupo Alea Electrónica Libre (1970-1972), the first Spanish group to play electronic music live, and he has been one of the main figures of Barcelona's Laboratorio Phonos studio since 1976. He was also a founding member and president, between 1988 and 1994, of S…
2014 repress. The Flower Travellin' Band's first musical outing, Challenge, was released in 1970 and was essentially a series of covers of Cream, Hendrix, Big Brother andJefferson Airplane material. However, Satori appeared a year later and forever changed the way the group would be perceived, both in Japan and in the musical world at large. Possessing the vision to select Akira "Joe" Yamanaka as their vocalist, the Flower Travellin' boys elevated themselves above other Japanese bands of the tim…
*2022 stock* 1999 Release. A lost Italian gem from the 60s! Bassist Giorgio Azzolini was one of Italy's best players during the postwar years, and this handsome reissue brings to light one of his rarer sessions from the 60s. The record's a lyrical septet session, with Azzolini's warm round basslines right up front, and beautiful solo work by a young Gato Barbieri on tenor, Franco Ambrosetti on trumpet, and Renato Sellani on piano. The session has the warmth and sensitivity of some of Horace Silv…
Climate- atmosphere is what we say. Soul with beautiful expression, is what they say in the modern jazz scene in the US. It’s a necessary component for good jazz, as well as for swing. But to achieve an organic atmosphere which is therefore vital and alive, a relationship of intentions and views, and a congeniality of thoughts are needed. When Tommasi was in Rome for a few days and had Santucci and Scoppa listen to the latest pieces he had composed, the three musicians ideas, aspirations, …
*2022 stock* 2008 Release. This record is the fruit of five months of hard work in the recording studio, rehearsals and even sacrifices as told by Enrico Intra and I am obviously satisfied with it. But I sure don't want to consider it a goal. I feel like I'm going toward the right direction and I hope my next work is further confirmation of the effort, seriousness and true passion I've put into my music. Those who know Enrico Intra remember his face like a baby always living in cloud-cuckoo-land…
Konstruktivists are a UK Industrial group formed by Glenn Michael Wallis in 1982 out of the ashes of Heute. In the late 70's/early 80's Wallis was heavily involved with Throbbing Gristle and the Industrial Records crew. Influenced by Krautrock bands like Can, NEU!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, SPK and early Clock DVA, Glenn began to record his own material. After several cassette releases through Flowmotion under his own name, Konstruktivists’ first LP “A Dissembly” was…
"Tee" in Tee and Company is the nickname of Three Blind Mice's founder and producer Takeshi Fujii, who formed the all-star group of eight top Japanese jazz musicians in 1977 for a series of concerts and seven days of studio recording that produced three separate albums.This supergroup included who's who of the Japanese jazz scene: Kenji Mori and Takao Uematsu on saxophones, Masaru Imada on piano, Masayuki Takayanagi on guitar, Hideto Kanai on bass, Nobuyoshi Ino on electric bass, Hiroshi Murakam…
Guitarist Masayuki "Jojo" Takayanagi (1932-1991) was a towering leader in the Japanese jazz world. His first influence was Lennie Tristano, but through the 1960s and 1970s he explored and pushed the boundaries in free form jazz.Takayanagi was invited to play with his group New Direction Unit at the 9th annual Moers New Jazz Festival in Germany in 1980, which, as the name suggests, featured only free jazz performances. In front of the 3,000 plus audience, Takayanagi and company had their most rad…
*2022 stock* Guitarist Masayuki "Jojo" Takayanagi (1932-1991) was a towering leader in the Japanese jazz world. His first influence was Lennie Tristano, but through the 1960s and 1970s he explored and pushed the boundaries in free form jazz, leading a group called New Direction, among others. Ever a fighting spirit, in 1982, shortly after recovering from a life-threatening medical condition and surgery, Takayanagi decided to take on a challenging task for any guitarist: To record an entire solo …
Pianist Imada Masaru was 42 years old when he recorded this album in 1975. His adventurous spirit led him to use the electric piano for the first time in a recording, and thanks to his musicianship, he made it sound like he'd been playing the instrument for years. The program opens with the title track, a sophisticated urban funk. Guitarist Kazumi Watanabe plays a big role here. It is followed by a more intricate, fusion-like "Straight Flash."The all-original-composition program switches gear on…
An underground classic! Limited edition of 500. The original motion picture soundtrack for John Carpenter's Dark Star (1974), with added bonuses that are sure to satisfy all cult sci-fi soundtrack completists of the galaxy (and beyond). This limited-edition release includes an LP and a 7". The former is a remastered version of the original motion picture soundtrack consisting of incidental music, sound effects, John Carpenter's synth experimentations, dialogue excerpts, and vintage interferences…
Poppy was pianist Masaru Imada's second album for the Three Blind Mice label. Imada brought the idea of playing slow ballads by himself to the TBM producer Takeshi Fujii, who greenlit the project but requested Imada to perform his original compositions with his current trio. The result was this album. Side A consists of four solo piano performances of jazz standards, and the trio takes on Imada's three originals on Side B.Produced by Takeshi Fujii. Recorded at Aoi Studio in Tokyo on January 25 a…
"Otomo is an alto player from the Jackie McLean school of tone and the Art Pepper institute for improvisation. In other words, his tone has an edge, but he always phrases and improvises melodically. With Tsuyoshi Yamamoto leading the rhythm section, the other two members, Tamiko Kawabata on bass and Arihide Kurata on drums, had to be ever watchful and vigilant that these proceedings didn't escape them altogether. The set opens with the hard blues wing of the title cut by Artie Shaw. Otomo pushes…
2016 Japanese deluxe edition. A really far-reaching and dynamic little set from Japanese drummer Akira Ishikawa and his Count Buffalos group – one that definitely lives up to the promise of its Electrum title! As you might guess from a word like that, the sound here is relatively electric – served up with electric piano, clavinet, guitar, and electric bass – all in a style that's a lot more relaxed and open than some of the group's other work, almost in the best mode of spacier electric jazz fro…
Kaoru Abe was an influential Japanese free jazz alto saxophonist, who is often regarded as being the greatest abrasive sounding saxophonist.
He generally performed solo, and died young from a drug overdose, and has since been immortalized in the jazz scene. He became close friends with Milford Graves, Masayuki Takayanagi, Derek Bailey, and Motoharu Yoshizawa, and was married to the author Izumi Suzuki. His cousin was the famous singer Kyu Sakamoto.
One of the most compelling albums Steve Lacy recorded during the 80s – a spare set of duets with Japanese percussionist Masahiko Togashi, who really helps shape Steve's style on the record! Togashi approaches his instruments with a very introspective, almost tentative style – hardly the bold rhythms of other drummers, and instead this subtle stepping forward that almost feels, at times, as if Masahiko is discovering his instruments for the first time – and figuring out the sounds in a careful wa…
Jinya Disc presents Three Improvised Variations On a Theme of Qadhafi. A live recording board that includes live performances of improvisation by Action Direct, which was performed on the theme of "personal image" of Muanmar al-Gaddafi rather than ideology or political position. Jim O'Rourke refers to Three Improvised Variations On a Theme of Qadhafi as "a constellation of moving celestial bodies, expanding gas, exploding stars densely packed" and "a corridor of endless possibilities and discove…
2016 restock Riccardo Sinigaglia truly is a key figure in the late 70s mid 80s experimental scene from Italy, and this small selection of concrete, electronic and experimental instrumental works is just amazing. The albumis drawn from the late 70s to mid 1980s, mainly rescued from two early pieces: Scorrevole 1, mostly recorded outside with a portable tape deck and a Sennheiser stereo microphone MKE 2002 and then the sounds are elaborated with the concrete music traditional techniques. The secon…
Further distanced in time from John Coltrane's spiritual new-jazz and the influential second Miles Davis quintet, Doug Carn showed a close affinity with R&B when recording his fourth and final Black Jazz album Adam's Apple. Sharing his interest in R&B was a platoon of committed, resourceful jazz musicians including young star-in-the-making Ronnie Laws, who had worked with Earth, Wind & Fire before that band's big commercial breakthrough. Of the others, ace guitarists Nathan Page and Calvin Keys …