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Death Waltz Recording Company are very proud to be releasing one of the most seminal electronic scores in film history. Recorded in just one day, this minimal electro masterpiece by Director/Composer John Carpenter has been sampled by Afrika Bammbaataa , Tricky and covered countless times. This newly remastered version has been approved by director John Carpenter himself who has also supplied brand new and exclusive sleevenotes.
The score uses a basic ensemble of piano, drums, synthesiser, electric bass and guitar, a line-up similar to the one established by Fabio Frizzi in his scores for Fulci. The signature sound of The House by the Cemetery is a heavily flanged electric guitar, which seems to twist and curdle in the air like decaying filaments of some malevolent odour seeping from the cellar of “that Freudstein house… that Freudstein house”. “Quella Villa”, which underscores the film’s opening scenes, is a Morricone-…
Death Waltz Recording Company is proud to exhume another classic from their catalogue in lieu of demand from the dead and the living. From the twisted mind of Lucio Fulci comes ZOMBI 2 aka ZOMBIE FLESH EATERS. A notorious gore classic and the poster child for the video nasty generation, the film gently transports the viewer from the concrete jungle of New York City to the mysterious Caribbean island of Matool, with some shark versus zombie shenanigans along the way. Our musical guide for th…
Waxwork Records proudly presents the deluxe vinyl soundtrack reissue of Werner Herzog’s, NOSFERATU THE VAMPYRE. The album, composed by German prog legends POPOL VUH, comes from Waxwork as a deluxe, expanded double LP including four extra tracks from the film, and originally released on the Popol Vuh album, Bruder des Schattens – Sohne des Lichts. Waxwork has worked directly with the family of late Popol Vuh founder, Florian Fricke, to faithfully restore and remaster the soundtrack for vinyl. Inc…
Death Waltz Recording Company is proud to bring soundtrack fans a huge classic of Italian horror. With music by one of cinema’s greatest composers, Ennio Morricone, Paolo Cavara’s The Black Belly Of The Tarantula is considered one of the best gialli ever made. Starring celebrated genre actor Giancarlo Giannini, the terrifying film is about a homicide detective hunting down a psychotic killer who has been paralysing and slaughtering women just as the deadly Pepsis grossa – the Tarantula Hawk wasp…
Allen Ruppersberg’s project subjectively explores the documentary history of Post-War American popular music and music graphics. With album covers designed by the artist, each record features tracks culled from 78 and 45 rpm records found in flea markets, antique malls, and junk shops.
Vol. 1 (dedicated to Little Richard) centers on R&B.
Vol. 2 focuses on country and folk songs…in other words, the combination of the ‘Blues’ and the ‘High Lonesome Sound’ that created Rock ‘n’ Roll.
Vol. 3 featur…
If a music critic could design their own super group, it might look something like the one that released the experimental, unique, and pulse-quickening 1996 album Cubist Blues. The trio–Suicide’s Alan Vega, Big Star’s Alex Chilton, and singer-songwriter Ben Vaughn–are outsiders each and cult heroes in their own right. Their unlikely union happened in December 1994 in a fog of cigarette smoke at two barely-lit, all-night improv sessions at Dessau Studios in New York. After that fateful session, t…
Originally released in 1972 on Vanguard Records, Bob Frank’s self titled debut album took elements of Dylan, Johnny Cash, and Ian Tyson and filtered it through a pot-smoked haze infused with Frank’s long-time friend, Memphis guru Jim Dickinson. Dickinson and Frank shared a mutual admiration that ran so deep that on Dickinson’s own 1972 debut album Dixie Fried (released on Atlantic Records) he recorded one of Bob’s songs, ‘Wild Bill Jones.’ Despite the Dickinson/Memphis connection, Bob Frank’s on…
Earlier this year, Light In The Attic released the mysterious, bewitching L’Amour, a 1983 private press record thought to be the only release by one of music’s true lost talents: Lewis. So lost, in fact, was Lewis, he eluded every effort to track him down. Scant details were known: just a series of possibly apocryphal stories about a sports car-driving Canadian with a model on his arm and a habit of skipping town when there were bills to be paid. Deciding that Lewis’ spider web-delicate songs de…
Exemplary collection of obscure French synth music circa 1974 - 1984, all remastered and available on (180g) vinyl for the 1st time! Replica Records scout the little known nooks of early French synth music with this vinyl edition sourced from rare, original, and mostly unreleased recordings. Birthed in the democratisation of synth music around the early ‘70s, when some adventurous musicians were able to afford legendary models such as the VCS3, the Synthi AKS by EMS, the Mini-Moog, or the ARP 26…
Exemplary collection of obscure French synth music circa 1974 - 1984, all remastered and available on (180g) vinyl for the 1st time! Replica Records scout the little known nooks of early French synth music with this vinyl edition sourced from rare, original, and mostly unreleased recordings. Birthed in the democratisation of synth music around the early ‘70s, when some adventurous musicians were able to afford legendary models such as the VCS3, the Synthi AKS by EMS, the Mini-Moog, or the ARP 26…
180 gram exact repro reissue, originally released in 1969. Classic Harry Partch, and the kind of record that's a great introduction to his music. There's lots of Partch's weird invented instruments – like chromelodeon, diamond marimba, mazda marimba, cloud-chamber bowls, gourd tree, and the crazy "spoils of war". "The World of Harry Partch collects three of his best short pieces. 'Daphne of the Dunes' (1967) is a side-long update of 'Windsong' written for dance. The melodic segments are given mo…
The dreamer dreams again with her 4th album of otherworldly microcosms, 'Divers', recorded by Steve Albini and featuring contributions by Nico Muhly and The City of Prague Philharmonic Orchestra, arriving five years since her last opus for Drag City. Still possessed by a voice that teeters between sublime and ridiculous (I honestly laughed out loud at the first song), Joanna Newsom remains a precious spirit within the indie folk paradigm, blessed with an air of stately patience and poised, imma…
180-gram vinyl. The legendary, rare Brötzmann album finally reissued on vinyl for the first time, with the special fold-out leporello on the front. One-time pressing of 1000. Originally released on Calig in 1969. Side A: The Peter Brötzmann Sextet: Peter Brötzmann: tenor sax; Evan Parker: tenor sax; Derek Bailey: guitar; Fred van Hove: piano; Buschi Niebergall: bass; Han Bennink: drums. Recorded at Tonstudio Bauer, Ludwigsburg, Germany, on April 18, 1969; recording engineer: Kurt Rapp. Side B: T…
Another unmissable, scorching Matsuli revive! Tete Mbambisa and co, chasing the mbaqanga in Trane. Five originals and Love For Sale, from Johannesburg, 1969. 'Both urban Africans and urban Americans were consciously crafting 'modern' music -- and in South Africa's case, it was a modernism deliberately and defiantly set in opposition to the narrow, backwards-looking parochialism of apartheid, where some white universities did not even permit gender-mixed dancing until the 1970s. The sophisticated…
"His music was cool and modern, but there was a hot heart inside. Komeda was a film composer par excellence. He gave truth to my films. Without his music they would be meaningless." --Roman Polanski; Volume one of this Krzysztof Komeda series on vinyl looks at Komeda's classic work for Polanski's Knife in the Water (Nóz w wodzie) (1962) along with rare earlier recordings that have never been on vinyl before. These were recorded by Komeda's progressive trio at the legendary Jazz Jamboree Fes…
Limited edition of 300 copies. Fans of space-age pop, exotica, and bizarre and strange music in general have a reason to celebrate, as Jimmie Haskell's Count Down! LP, one of the masterpieces of the genre originally released in 1959, is now reissued on vinyl. This galactic wonder, written and directed by soundtrack composer Jimmie Haskell, features 12 rocket-like tracks in which rhythms and styles popular at the time, such as surf, twist, and cha-cha-cha, are arranged with robotic precision usin…
"When Jersey teen Marianne Nowottny arrived on the scene in the late '90s, she had the looks of a typical NJ gum-snapper but possessed a voice that was way beyond what you'd expect to find hanging out in the parking lot of White Castle trying to bum cigarettes. Her vocals had the rich, smoky maturity of Marianne Faithfull's late-'70s work, hauled into an off-center bedroom pop universe that was almost impossible to decode. Her subsequent studio recordings have investigated magnificent nooks of p…
"Roger Miller, king of many roads both known and unknown, has a long and illustrious recording history. As a member of Sproton Layer, Destroy All Monsters, Mission of Burma, The Din, etc., he has made many records that are definitive statements of powerful outsider rock music in many guises. But this, his third solo LP, originally released by Forced Exposure in 1988, remains one of the great lost chords in his discography. Although he'd been focusing mostly on extended keyboard techniques for a …
Exact repro of this 1981 collaboration between Can's Irmin Schmidt and Swiss jazz and electronics pioneer Bruno Spoerri.A "mystifying" album, which came out initially on French label Celluloid in 1981. Many synthesizers and fancy analog sampling and effects equipment went into producing this, countless untold hours of painstaking attention to detail and at times over 100 individual layers of sound went into producing the textures and atmosphere behind them.
In 1968 Schmidt founded the expe…