Reissues

Tip! If there is a single feature that makes the context of experimental music so exciting, it is arguably the willingness of artists to freely converse and collaborate. This is made all that much more thrilling when it transpires across the generations. The first LP in Black Sweat’s latest batch is one such case - two heavyweights, often occupying very different positions in the musical landscape, with births separated by decades, finding common ground and voice. Neither Sarah Davachi or Ariel …

One of many Muslimgauzes to finally see the light of day on vinyl, his first meeting with The Rootsman is a fierce session of signature, sawn-off loops and soundsystem noise

George Crumb's Makrokosmos, Books I and II (1972-73), both complete on one disc, in composer-supervised recordings by pianist Margaret Leng Tan, a leading exponent of extended piano techniques.

Released way back in 1974, the lone, self-titled effort from Spirale is an album notable for its lack of electronic instruments. It also has some of those loveable low-budget production flaws that are so often heard in obscure 1970s Italian progressive music, and the bass quite often seems charmingly out-of-tune. But this was an earnest and quite energetic jazz-rock ensemble excursion, with excellent brass arrangements and improvisation. Other instruments used include violin, drums, piano and va…

*2022 stock* This official soundtrack album for the Italian horror movie La Chiesa ("The Church") features four pieces performed by Keith Emerson. These are The Church (Main Theme); Prelude 24 (From Well Tempered Clavier); The Possession, and The Church Revisited, all four of which have also been included on the Keith Emerson "At the Movies" 3CD set. Emerson's contributions add up to about 13 minutes of music all in all.The rest of the music on this soundtrack is by other artists, including seve…

"Non ho sonno isn’t exactly a return to the glory days of Suspiria and Roller, but it’s very good, and is worthy of purchase before most of the 1980’s soundtracks. Though Goblin managed to hold on to the 1970’s sound even on most of their 1980’s work, this album sounds much more like the 1980’s than the 1970’s or 1990’s, especially the guitar. As far as opening themes go, “Non Ho Sonno” is good. That basically goes for the rest of the music too. It’s all very good, but not as unique and special …

*2022 stock* Back in '76 or so, Mario Bava wanted in on some of Argento's azione in the film music department. For his movies, Dario had enlisted some homegrown twentysomethings fresh from sessions in England as an outfit alternately called Oliver and Cherry Five. The quartet, rechristened Goblin, had cranked up their amplifiers to score Dario's two very popular films, the bloody Profondo Rosso and the supernaturally-inclined Suspiria. Bava wanted the same kind of sonorous edge for his next fora…

*2022 stock* A reissue of Cherry Five, the first and only homonymous work of the band, made by Claudio Simonetti, Massimo Morante, Fabio Pignatelli, drummer Carlo Bordini and singer Tony Tartarini. The album was recorded in 1974 but published only in 1976, a year before the official birth of Goblin and the worldwide success of "Profondo Rosso". In the original vinyl Simonetti and Morante were included as authors of the songs but not as performers. The record in question is a rarity today, sought…

* 2022 stock * Recorded in Paris during a prime period, tenor saxophonist Dexter Gordon jams on four basic group originals, including his own "Fried Bananas" and "Dexter Leaps Out." The medium- to uptempo numbers clock in between 9½ and 12 minutes apiece, giving Dexter, trumpeter Sonny Grey and the French rhythm section (pianist Georges Arvanitas, bassist Jacki Samson and drummer Charles Saudrais) plenty of opportunities to stretch out. A fine jam session that was decently recorded.

The soundtrack to Dario Argento’s 1982 giallo was written and performed by Claudio Simonetti, Fabio Pignatelli, and Massimo Morante – three musicians from Goblin’s initial lineup who were responsible for some of that band’s most memorable work. But by this point, only one of the three was still in the band; Fabio Pignatelli. In the years before Tenebrae, Goblin had changed hands and the band of old was no more.At the request of Argento, these three musicians got back together to give it one more…

*2022 stock* First of a trilogy of films directed by Luigi Magni dedicated to the papal Rome of the Risorgimento period, Nell'anno del Signore (In the Year of the Lord) depicts a Rome subjected and accustomed to the temporal power of the church.After this feature film will follow: In the Name of the Pope King (1977) and In the Name of the Sovereign People (1990), which will have the same stylistic line. In the first two feature films, the scores were written by Armando Trovajoli, while for the l…

Tip!! Italian duo Rosso Polare 2nd album, originally issued by Ototoku, following the wonderful 'Lettere Animali' album, which was one of Oto highlights of 2020. Cani Lenti is a collection of duels, some may say. As the two minds of Cesare Lopopolo and Annna Vezzosi converge, a dichotomy of harmonious and contrasting sounds ebb, swirl and clatter in and amongst themselves. Using techniques from call and response improvisation, tape manipulation, experimental music and free-form folk, their appro…

*50 copies edition* "Drekka's debut full-length, "Grieve", was release on August 24th, 1996. This was the day of my friend Phil Perry's funeral and the first copy was buried with him. Phil was one of the earliest and most enthusiastic supporters of my initial attempts towards making music, always honest and constructive when I was failing and always encouraging when I was making progress. Today, on the 25th anniversary of its release, I am unsure how I feel. I have created a body of work from th…

"Milano trema:la polizia vuole giustizia" (aka “The violent professionals”) directed by Sergio Martino in 1973. The movie is placet in a violent Milan where in tangible way the alarming and fool of fears mood reigns that characterized life in the big Italian cities in the so called “Anni di piombo”(“Lead years”). Commissioner Caneparo who, after being suspended in his service, for his unorthodox ways, he wants getting revenge for a colleague’s death. The fearless cop introduces himself in the cr…

Tip**Remastered reissue, released in conjunction with the artist**  James Tatum's stunning, spiritualised Contemporary Jazz Mass is one of the only true jazz masses ever released. Inspired by Duke Ellington's Sacred Concerts, Tatum's masterwork was recorded on its first ever performance at St Cecilia Church in Detroit, and released on his own private label in 1974. At the time Ellington’s Concerts were quite controversial. Whilst they contained scriptural references they did not follow liturgica…

*300 copies limited edition* In 2001 Artur Żmijewski created the first part of the project "Singing Lesson" in the Augsburg Evangelical Holy Trinity church in Warsaw. Accompanied by an organ a choir of 'deaf-mute' children sang the "Kyrie" from the "Polish Mass" by Jan Maklakiewicz (1899-1954). Among the cacophony of sounds uttered by them you can hear the words of the confession of faith: "In this holy place, in this holiest place, our voice rises to you and erupts as the sea roars from the dee…

In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.

Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.

“Kizaki Ondo” is a folk song from Nitta Kizaki town in Gunma, north of Tokyo. Played annually by local performers at the Bon-Odori traditional summer dance festival, it features unabashed lyrics about prostitution along with a rhythmic drive sure to appeal to fans of contemporary electronic genres as well as aficionados of traditional musics. The first track is a wildly echoing vocal version recorded in 1980, redolent of humid summer nights; the second track, recorded in 1981, is an instrumental…

*2022 stock* This is an official release of the Goblin soundtrack to Amernia Balducci's film Amo Non Amo. The film, staring Jaqueline Bisset and Terrence Stamp, was released in the U.S.A. under the title Together with a soundtrack by Burt Bacharach. For the Italian prog group Goblin, the commission to rescore the Italian version presented a challenge that would produce some of their most unusual work. There was no spine-chilling horror in this human love story, so Goblin penned the title track, …

*2022 stock* The Squadra Antigangsters soundtrack is one of the most unusual and atypical entries in the Goblin canon. Even the most dedicated fans of the group could be excused for not recognizing this album as a Goblin outing: the brash theatrics and heaviness that dominated the likes of Suspiria and Roller are totally absent, replaced by a slick, often jazzy sound that is overtly disco-influenced. The most disco-oriented of the cuts are "The Whip" and "The Sound of Money," both being vocal nu…

2026 Re-issue. A cornerstone of postwar Japanese free improvisation, captured before three thousand listeners at the ninth Moers New Jazz Festival on 26 May 1980 and issued later that year as TBM-5023. By this point Masayuki "Jojo" Takayanagi had spent more than a decade refining his theory of mass projection - a model of collective improvisation in which the ensemble operates not as a sequence of soloists but as a single density field, modulating texture rather than line - and the New Direction…

It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All performed by grea…

*2022 stock* It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All perf…

*2022 stock* It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All perf…

** 100 copies ** Alga Marghen proudly present the new 4CD edition of the complete cycle titled Vogelsang / Vogelsong / Vogelsung / Vögelsäng from 1977, available now with new artwork and issued in an edition limited to 100 numbered copies. If the idea of recording birds could have come from his friend Hans Krusi (this was a common practice for Art-Brut master Krusi who layered into primitive multi-track sonic sculptures the recordings of the many birds sharing his living space), Anton Bruhin is …

Joe Colley’s skeleton key is an intra-dimensional sense of humor. It exists in a place between and beyond dry, deadpan, and defeatist, and is not actually funny. He has a knack for unlocking the essence of the absurdly uncomplicated, elevating it to a place of near-iconic significance and leaving it there. Hovering in a void. Or mashed in the jowl of an insect getting doused with regurgitated chyme and rumen bacteria. Consistent with his past efforts, Deformation Of Tone contains no sturm und dr…

With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.Werdo's  unique “Studio Reihe” series continues with Christian Wolff:  The works by Wolff recorded on this CD by the legendary pianists David Tudor and Frederic Rzewski and their …

With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.The "Studio Reihe”now continues with a work by Arnold Schönberg:  The premiere of Schoenberg's first stage work "Erwartung (Monodram)" [Expectation (Monodrama)] Op. 17, composed i…

* 2022 Stock * With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time."Studio Reihe” now continues withnow continues with works by Herbert Eimert:  In view of recent events, especially in Japan, Herbert Eimert's piece “Epitaph für Aik…

With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time."Studio Reihe” now continues with a work by Karlheinz Stockhausen:  His “Momente” [Moments] for soprano, four choral groups, and thirteen instrumentalists have not been designed a…

*2022 stock* Murderock continues Keith Emerson's string of soundtrack albums he released after disbanding Emerson, Lake & Palmer in 1980. "Streets to Blame" and "Not So Innocent," which feature singer Doreen Chanter. It begins with pop songs and the remainder of the disc consists of instrumentals, from the jazzy, lighthearted "Coffee Time" to the heavily orchestrated "Candice," most of which are at the very least pleasant and all of which have moments of inspiration. Here are some of Emerson's b…

"A real cause for celebration. A performance distinguished by gleeful energy and audacious dada wit. It possesses a vigor of discovery and invention that makes it sound timeless." - Cadence "A great and enjoyable session from three of the most creative and unique musicians in European avant-garde music." - All Music Guide"Wonderful, intoxicating stuff. Together theses three troubadours tiptoe exaggeratedly through pastiches of bop, cabaret, baroque, and lounge, and work through dozens of mood ch…

Hear and Now's cover depicts a smiling Cherry posing like Buddha, and holding a trumpet with a bent mouthpiece -- an indication of some meditative sounds, but it's really a mishmash of styles with a leaning toward African rhythms. An underlying social message runs through the album of Cherry compositions (except one) produced by Narada Michael Walden. Cherry plays very little trumpet on "Universal Mother"; the African-based excursion is carried by Neil Jason's bass, Sammy Figueroa's congas, and …

If Eternal Rhythm was Don Cherry's world fusion masterpiece of the '60s, then Brown Rice is its equivalent for the '70s. But where Eternal Rhythm set global influences in a free jazz framework, Brown Rice's core sound is substantially different, wedding Indian, African, and Arabic music to Miles Davis' electrified jazz-rock innovations. And although purists will likely react here the same way they did to post-Bitches Brew Davis, Brown Rice is a stunning success by any other standard. By turns hy…

Edition of 500. Cinevox present an ultimate 2-CD expanded edition of cult score Scacco alla Regina, a 1969 movie directed by Pasquale Festa Campanile, taken from the book of Renato Ghiotti, screenplay by Brunello Rondi and Tullio Pinelli, music by Piero Piccioni.A weird story with psychedelic athmoshperes, with costumes similar to the Star Treck series and with the wonderful music of Piero Piccioni, one of the best composer in the international scene. Edda Dell'Orso lends her haunting, wordless …

Tip! **600 copies. Lovely crafted tip-on sleeve. Remastered from the original master tapes. ** Sunstroke were Ben Bollaert and Etienne Delaruye, both were obsessed with the burgeoning possibilities of electronic music and it made sense that they collaborate in the studio. The resulting experiments culminated in the 1985 release of Nothing's Wrong in Paradise. The record was conceived as a soundtrack to a film that doesn’t exist - a sophisticated meeting of post-Berlin-school dreaming, Yen-record…

An important figure of the Argentinean acoustic school, his 4th album released in 2004, which is praised as the best album of his career, is now available on vinyl for the first time in the world! The latest release from SRRD label, which has released albums by Motohiko Hamase, Mono Fontana, Edison Natali, Yoshiharu Takeda and others!Alejandro Franov has been surrounded by music since he was a child, and became a multi-instrumentalist as he should. On this album, he plays a variety of percussion…

"The master of multiphonics (playing more than one note at a time on a horn), Albert Mangelsdorff has been a giant of the European avant-garde for the past 30 years. He originally studied violin and worked as a jazz guitarist before taking up the trombone in 1948. Here he is taped live at a concert in Tokyo with what was then his regular quartet: Heinz Sauer on sax, Günter Lenz on bass, and Ralf Hübner on drums. There's a very nice blend between the leader's agile but smooth horn and the somewha…

Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …