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*Edition of 200 copies, comes with insert* Christian Poitevin, artistically known as Julien Blaine, is a poet, visual artist, performer, and editor who has dedicated himself to sound poetry, visual poetry, and mail art. He began to be interested in the relationship between word and image in the early 1960s when he created his first magazine, Les Carnets de l’Octéor. During this time, he also made his first performances, such as Reps elephant 306 where he interviewed a circus elephant. From 1975 …
"The Piano’s been one of the instruments Limpe Fuchs received an academic education for when attending the Music Academy in Munich during the early 1960’s. In the early 1970’s Friedrich Gulda, the world-famous classical pianist, who was eager to leave behind the orthodoxies, limitations and restrictions of the classical music world, got to know Limpe and was inspired by her fearless approach towards music. They started improvising and performing together and their musical dialogue lasted until t…
With "Ein Bündel Fäulnis in der Grube", Holger Hiller presented his solo debut having left Palais Schaumburg. Originally released in 1983 on the Düsseldorf scene label Ata Tak, an international release followed in 1984 via Cherry Red Records. Combining electronic sequencer sounds and sampling fragments with unconventional lyrics its multidisciplinary approach locates it somewhere between the pop and avant-garde. Bureau B is now making the work accessible again on its 40th anniversary.
In 1983, Dieter Moebius (Cluster) and legendary producer Conny Plank teamed up for the third time, resulting in the Zero Set project, originally released on Sky Records. On this occasion, they were backed up by one of the best drummers on the German rock scene: Mani Neumeier of Guru Guru. Plank, usually more of a background figure as producer, takes an equal share of the limelight alongside the musicians. His supermodern studio is brought into play like an instrument in its own right; Plank expl…
This is the first solo album by Dieter Moebius, recorded at Conny Plank's studio and originally released in 1983 on Sky Records. By 1969 at the latest, Dieter Moebius was synonymous with the avant-garde electronic music scene in Germany. He and Hans-Joachim Roedelius formed Cluster, a seminal electronic/ambient duo, while Moebius was also a member of the so-called Krautrock supergroup Harmonia (with Michael Rother and Roedelius), as well as collaborating on various other projects with the likes …
Celebrating the 50th anniversary of the 1973 cult classic Theatre Of Blood, Quartet Records, in collaboration with MGM, presents the first-ever LP edition of the iconic Michael J. Lewis’ score! Directed by Douglas Hickox and starring Vincent Price and Diana Rigg, with guest victims Ian Hendry, Harry Andrews, Robert Morley, Michael Hordern and Jack Hawkins, among others, the film is a macabre British black comedy about a Shakespearean actor who is systematically humiliated by critics who consider…
Quartet Records, in collaboration with Aribage Limited and the Michael Kamen estate, is proud to present the premiere release of the early Michael Kamen (Brazil, Lethal Weapon, Die Hard, Licence To Kill) score for 1982 British thriller Venom. Directed by Piers Haggard and based on the novel by Alan Scholfield, starring Sterling Hayden, Klaus Kinski, Sarah Miles, Nicol Williamson, Susan George and Oliver Reed, Venom tells the story of a group of international terrorists who attempt to kidnap a we…
Quartet Records, in collaboration with Camille 3000 and the Piero Piccioni estate, presents the premiere CD release of a delightful score by Piero Piccioni (Fumo Di Londra, Colpo Rovente, Camille 2000, I Giovani Tigri) for Luigi Comencini’s film LO SCOPONE SCIENTIFICO, a 1973 Italian comedy-drama starring Alberto Sordi, Silvana Mangano, Joseph Cotten and Bette Davis. The story is about an aging and wealthy American woman who journeys to Rome each year with her chauffeur, George, to play the card…
Quartet Records is proud to present a brand-new recording conducted by Fernando Velázquez of another film score that is either lost or inaccessible – in this case no fewer than five films scores by John Barry: a suspense classic from the ’60s, a film adaptation of a classic play, and three television movies starring Katharine Hepburn. John Barry would have turned 90 on November 3, 2023. The unforgettable music of this five-time Oscar winner continues to be celebrated around the world, and indeed…
*2024 stock* What did the future sound like in 1980? Futurible is brought to you by Italian composer Gianni Safred and will take you both back in time and into the future. Safred uses Moog and Arp synthesizers that have now become commonplace in popular music. These sounds are "suitable for space travels, space explorers, experiments, fantastic adventures, future enterprises, interplanetary stories, important achievements, industrial accomplishments of broad implication… modern scientific discov…
*2024 stock* Elliott Schwartz plays four of his compositions for solo piano and pre-recorded tape, a project that remains "a continuing attempt to enhance, expand, obscure, develop or otherwise modify the piano sonority and the act of piano performance, through electronics." In his improvisatory piece "Grand Concerto" he uses fragments from the Grieg, Tchaikovsky No. 1 and Liszt No. 1 piano concertos; it is as epic in scope as the classical favorites.
*2024 stock* This album recorded in 1967 by the Electronic Music Studio (EMS) of the University of Toronto exemplifies early experimentations in electronic music. It was the first studio of its kind in Canada (founded by Dr Arnold Walter) and the second in the North American Continent. The abstract songs are eerily captivating. Liner notes include explanations of how the songs were created, as well as biographical information on the members of the EMS.
*2024 stock* Computer Music serves as the official musical documentation of the November 1981 International Computer Music Conference, held at North Texas State University in Denton, Texas. The album features five compositions with music that ranges from electronic sounds to female vocals, flute and horns, stringed instruments, and percussion. The composers include Larry Austin, whose early works were recorded with the help of Leonard Bernstein; Bruce Pennycook, who now teaches music at the Butl…
Sahib Shihab (Edmund Gregory) played with many of jazz’s finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab’s distinctive sound was …
"Sky, the record company, were more than a little disappointed with the performance of Grosskopf's first solo effort "Synthesist", so there was no great sense of urgency as far as its successor was concerned. "they even halved my advance!" Grosskopf recalls. "Oceanheart" was released some six years after "Synthesist". "The album title reflects my love of transcendental meditation, of course it might be taken for watery esoterics." (A similar vibe was evident in the cover art, hence fresh artwork…
Tip! *2024 stock* Originally released in 2013 for the 40th anniversary of the cult 70’s horror film, only 500 copies of The Wicker Man 40th Anniversary Edition were pressed on black vinyl which have become highly sought after. One of the maddest soundtracks you'll ever buy – a strange mix of folksy tunes, sound effects, and odd noisy bits – recorded for the equally odd film of the same name!
The record is impossible to describe accurately, but it's a really dark one – strangely fragile at some …
*2024 stock* "What could be more classic for all you horror-soundtracks-on-vinyl heads out there than a compilation of Hammer Horror themes eh? This release, spanning the years 1958 to 1974, features works by a variety of composers, from films like The Mummy, Quatermass and the Pit, and Taste the Blood of Dracula. Stacks of dramatic bloody fun on Silva Screen." - normanrecords.com
*2024 stock* "‘Don’t Look Now’ a film that is now considered a key work in the horror genre of cinema and has caused some critics to reappraise it some thirty years after it’s original release. A guarded Pauline Kael writing in 1973 for The New Yorker wrote “the fanciest, most carefully assembled enigma yet put on screen.” Jay Cocks for Time wrote more enthusiastically “Don’t Look Now is a rich, complex and subtle experience that demands more than one viewing.” The film’s director Nicholas Roeg …
*2024 stock* "Silva Screen repress the soundtrack to 'The Living Planet', the sequel to David Attenborough’s groundbreaking 'Life On Earth'. Scored by Elizabeth Parker who joined the BBC in 1978 her synthesizer-led score for The Living Planet received an Emmy nomination at the time, and it was released the same year by the BBC on vinyl. Now, the Silva Screen label has unearthed this rare album, and have re-issued it on limited arctic pearl coloured vinyl. (Recorded at BBC Radiophonic Workshop)."…
*2024 stock* "Mention The Avengers to people above a certain age - let’s be kind and say over 40 - and the famous Laurie Johnson theme music will get mentioned almost immediately. It’s as much about the show’s iconic status as Steed’s bowler hat or Mrs Peel’s fab outfits - all Biba and Quant.
But as with all the best spy shows of the 1960s - and the strike rate was amazingly high - the music wasn’t just about having a great opening theme. Incidental scores also played a major role in developing …