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The Confusional Quartet are Enrico Serotti, Gianni Cuoghi, Lucio Ardito and Marco Bertoni, a four piece experimental band with new wave, avant-garde and post rock influences who have been recording since the late 70s. Having first released their debut album more than three decades ago, they now return with a new, eponymously entitled full length on Hell Yeah recordings, due for release in October 2012 and accompanied by fabolous artwork by Andrea Amaducci. One of the most recognized Italian band…
Originally released a year after the increasingly iconic The Disintegration Loops, a decade later Melancholia still stands as William Basinski's second most beloved album. To commemorate its 10-year anniversary, we are honored to present the first-ever vinyl edition of this otherworldly piece of music. Remastered from the original recordings and pressed onto audiophile-quality 100% pure virgin vinyl, this limited-edition vinyl reissue is packaged in a stunning gatefold jacket featuring all-n…
In December 1979, two Art Ensemble of Chicago members - Joseph Jarman and Don Moye along with the great South African bassist Johnny Dyani gathered together under the name of Black Paladins. Inspired by the words of the great black poet Henry Dumas, the music traces a deep, dense sound path; from ancient Africa through the rural American south to the modern urban contrast. After almost thirty five years, Black Paladins still resounds with grace and power in the history of Great Black Music.
One of the essential albums of 70’s creative jazz, and a landmark recording in the second wave avant-garde movement of that era. The music of the late great saxophonist and composer Julius Hemphill presents a strong combination of Blues roots, free energy and bop complexity. Hemphill's compositions were meaty enough to offer the improvisers plenty of ideas, but they were airy and open, too. They left room for solos, accompanied by the rhythm section and unaccompanied, and for group improvisation…
Recorded at H sei University, Tokyo, April 26, 1996.'No band on Earth has ever sounded like Fushitsusha. Sure, there are antecedents to their mind-scraping, soul-searing roar: Blue Cheer's in there, as is Hendrix circa 1970, when he'd given up the showmanship of 1967 and '68 and aimed himself straight at the heart of the music, but nobody ever exploded the rock power trio form the way Keiji Haino, Yasushi Ozawa and Jun Kosugi did. Clad in black, impassive and stoic, the bassist and drummer buil…
Restocked Side A: recorded and mixed in 1993 by John Duncan and Jim O'Rourke at Christoph Heemann's studio in Aachen. Final mix in 2013 by Jim O'Rourke in Tokyo. Side B: Stay alive recorded live with Oren Ambarchi and Joe Talia on 9 March 2013 at SuperDeluxe, Tokyo; mixed by Joe Talia.
YEAHJim and I worked fast and furiously in Christoph Heemann's studio to record this, working in shifts, day and night, three days later had it all but finished -- then Jim said 'Let me do just a couple of t…
Some of the most intense music we've ever heard from the Mali scene – a set that takes the older takamba rhythms, but gives them a propulsive feel from lots of fast percussion and guitar lines – all served up with little other instrumentation at all, so that the whole record's this long rhythmic jam that's mighty amazing all the way through! Notes are spare, but the intense sound is more than enough – and some of the rawest Saharan sounds we've ever stocked.
Amazing cosmic synth from late-80s Niger. An aural relaxation manual, somewhere between ambient library music and minimal wave, throwing ancient Saharan folk ballads deep into the future. Polyphonic analog synthesizers and drum machines interpret ancient Saharan folk ballads in an imagined science fiction future. A proposed relaxation guide, sonically lying somewhere between ambient library music and minimal wave. Recorded in Niger and France in the late 1980s and never before released.
The Indian Music Of Chiapas, Mexico'. In the mid 1970's Richard Alderson made these amazing recordings in Chiapas, Mexico. A very unique blend of ancient music and modern rhythms. Here we have modern Mayan people singing folk songs accompanied by guitar, ragged brass bands, and much more. A trip into a very beautiful world. The cover is a faux Folkways style wrap around print on an old school "tip on" jacket. Includes liner notes. A co-release with Mississippi Records."The music of the indigenou…
**200g super-heavyweight vinyl and presented in a re-print of the original sleeve** In 1975 with King Crimson on hiatus (as it would remain until 1980), Robert Fripp's appearances on album or on stage were rare. When he did appear, it was with Brian Eno. Circumstances following an accident in January 1975 led to Eno formulating the idea of ambient music as detailed in the notes to Discreet Music - released in December 1975. The title track of Discreet Music was initially conceived as a backing l…
2023 Reissue. Fripp & Eno's timeless electronic music classic No Pussyfooting on vinyl for the first time in nearly 30 years. The album's return to the 12" format is cut from masters approved by the artists, manufactured on 200g super-heavyweight vinyl and presented in a re-worked version of the original gatefold sleeve, using variant photos from the original photo shoot by Willie Christie.On September 8th 1972, Robert Fripp brought his guitar and pedal board to Brian Eno's home studio. Using En…
Remastered from the original master tapes with superior sound quality, replica of the original RCA 10"(with bonus CD) in a limited edition of 500 copies. This is one of the most important albums in Umiliani’s career. There are ten original tracks, an ambitious project that surprises and captures jazz lovers. The reviewer of Musica Jazz magazine, who usually writes about American artists, in the issue no. 11 dated November 1957 writes: “I can’t remember what other ambitious and successful attempt…
*2022 stock* Remastered from the original master tapes with superior sound quality, replica of the original RCA LP (with bonus CD) in a limited edition of 500 copies. One of the best scores signed by Piero Umiliani, a unique soundtrack settled in an immense Los Angeles as it has never been shown in an American movie.Piero Umiliani was contacted in 1958 by Mario Monicelli to compose the soundtrack of the movie “I Soliti Ignoti” (Big Deal on Madonna Street). It was not the usual kind of soundtrac…
Replica of the legendary 1958 EP, this is Piero Umiliani at his best: groundbreaking modern jazz music soundtrack with top jazz italian musicians and guest star Chet Baker on trumpet. Umiliani was the first Italian to bring jazz to the big screen and experimented by using legendary trumpeter Chet Baker; a collaboration and friendship that gave life to a fine collection of recordings.
Long deleted, few copies available. "This unique lounge compilation collects a series of tracks from the vaults of Vedette Records, an Italian label presided over by producer and lounge composer Armando Sciascia. The music they produced was released on compilations intended for music library use, but the music presented here is strong enough that it could have garnered a commercial release. These tracks mix rock, soul, and jazz together in a stylish manner that blends an easy listening sen…
"All of two exceptional Worcester (Massachusetts) and Los Angeles concerts: clarinet and cornet duos and solos in improvisations on original compositions. Even those who know Carter and Bradford's work in larger groups will be astounded. The original CDs were the first (non-video) release of this duo performing unaccompanied, and the sound has been cleaned up considerably for this double CD set."-Emanem
Violinist Coombes explains things perfectly in his hilarious liner notes. Beethoven, he says, realized that the piano and violin sound horrible together, the instruments literally hate each other, and gave up after ten sonatas. "For us to try and surmount Beethoven's problems, for example, in the heat of trying to make the music up as we go along is almost laughable." Nonetheless, a blindfold test of this record to a knowledgeable listener often results in the music being misidentified as…
An outstanding lbirary LP (Originally on Cometa) played by Pulsar, a short living group formed in 1976 by jazz musician Enrico Pieranunzi and Silvano Chimenti , was called The Pulsar in honor of the neutron star and, to date, it was thought that their only album had been used for the soundtrack of the MarioCaiano's movie Milano Violenta. The feel of the album is similar to that of some of the best tracks on the Stroboscopia comps – with lots of tight drums, rumbling basslines, and cool electric …
Milestone Reissue! CD Edition, deluxe digipack and Obi. Initially pressed in very few copies for TV production use only on Umiliani's LIUTO label. A monster rare album with Music by Alessandro Alessandroni and Oronzo De Filippi Produced by Piero Umiliani at the now legendary Sound Work Shop studio in Rome, January 1971. During the '70s, work days at Umiliani's Sound Workshop Studios were hectic; thousands of sessions were held in order to keep up with a very busy Italian movie industry: Hundreds…
At the end of 1981, brothers Darrin and Stephen Huss and schoolmate Dwayne Goettel performed for the first time as Psyche in Edmonton, Alberta, Canada. Their live show was a combination of horror and electronics that was completely unprecedented in Western Canada. Although Goettel and the Huss brothers parted ways before Psyche was to release any material, the masters containing Dwayne Goettel's performances were preserved in the band's vaults. Now, 19 years after Goettel's untimely passing in 1…