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Vocalist, composer and multi-instrumentalist Robert Wyatt's career extends from the beginnings of the psychedelic era to the present day. This album started its life as simply a collection of the two BBC Top Gear sessions that Robert recorded in 1972 and 1974. But as we worked on it, Robert became more and more involved in it, until it ended up in its final form. In addition to the Top Gear recordings, there is a previously unheard and little known 1973 soundtrack for a short experimental film, …
For a long time, one of the most desired Organum items has been the "Pulp" 7", done in collaboration with The New Blockaders and released in an edition of 279 copies on David Jackman's own Aeroplane Records in 1984. Both sides are finally reissued here, along with three previously unreleased version of the "Pulp", as well as the complete contents of the "Wrack" (12" single released on Dom Bartwuchs in 1990), "Raze" (a 7" single released by Regelwidrig-Cacophon in 1994) and another previously unr…
Now-Again Records, in conjunction with Jazzman Records, presents an expanded version of the compilation that introduced many listeners to the sound of the unsung musicians who - in the midst of the Vietnam War and the fallout of the Civil Rights struggle - created some of the most beautiful spiritual and meditative music of the 60s and 70s. The music was at times funky, at times contemplative, but it always strived to say something about the world in which the musicians lived.
Debut album by Seattle's Rafael Anton Irisarri, released in 2007 on Deaf Center's Miasmah label. A splendid but pitch black album based on long piano melodies, distant drones and even more distant glitches, "Daydreaming" is a particularely sad and introvert CD, which takes the most emotional and melancholic side of the other Miasmah releases, but expresses them in a very direct and stripped down way. Splendid.
In the spring of 1961 Simone Forti presented a program titled Five Dance Constructions and Some Other Things in a concert series organized by her friend, composer La Monte Young, at the New York loft studio of Yoko Ono. These radically new dances created circumstances for the performers' direct, non-stylistic actions. Each of the pieces was performed in a different place in the loft, with the audience moving from location to location to view them. Some of the pieces required elementary structure…
Trisha Brown, one of the most acclaimed choreographers of contemporary dance, first came to notice in New York in the 1960s. Along with like-minded artists, Yvonne Rainer, Steve Paxton and Simone Forti, she pushed the limits of what was then considered appropriate movement for choreography, and changed modern dance forever. Founding her company in 1970, Brown developed her own choreography and style with her own unique ideas of movement. The first DVD of this two DVD set presents film and video …
A definitive 2-DVD compilation of over 150 videos made by the artist William Wegman and re-mastered by him exclusively for ARTPIX in 2006. From the earliest black and white reel-to-reel tapes to the most recent digital color videos this collection has not been previously assembled and available on disc. It is an exhaustive archive of the innovative and influential, and often hilarious, performances of the artist both with and without his Weimeraner friend, Man Ray. Inspired by the oblique humor …
Rare 1998 LP reissued on CD with two rarer bonus tracks, all on CD for the first time. In 1998 Ben Chasny self-released an LP of his 'acoustic based project[ions]' under the name Six Organs of Admittance. The resulting five-song LP is a masterpiece of diverse elements using acoustic and electric guitars, a detuned violin, organ, electronics and koto. The material covers a lot of ground: there's an acid folk duet, an epic, three-part space suite, and two short concrète-like pieces that entice hid…
2009 reprint, originally published in 2000. John Fahey is feared and revered around the world as a guitar player and composer. His inventions for acoustic and electric strings are the stuff of legend. Since he began recording in Maryland in the late 1950s, Mr. Fahey's access to the unknown tongue has been made manifest on over 30 albums, and his presence has unsettled audiences from here to Tasmania. He has served as a spiritual model for guitarists as disparate as Leo Kottke and Thurston Moore.…
In its constant pursue of the lost treasures of the Italian avant-garde music, Die Schachtel in collaboration with the University of Padua has recovered from the ashes one of the lost and truly shining diamond of the early electronic/digital scene of the 60s and 70s. After more than two years of painstaking research and audio restoration, Die Schachtel is proud to present a new release dedicated to Teresa Rampazzi, a seminal yet very little known female Italian composer/musician, Founder of …
Unreleased free jazz from Japan in its prime, recorded live in Tokyo in 1971. Mototeru Takagi already released two beautiful duo LPs back then with master Japanese drummers like Masahiko Togashi (Isolation) and Toshi Tsuchitori (Origination), so this last DLP is complete in a sense the set of duo recorded with the best, 1st generation, free music drummers from Japan. On the other side it's complete also, the duo recorded by Sabu with the greatest reeds player from Japan (still of the 1st generat…
P1/E was formed in Berlin 1979. The original band members were Michael Schäumer, Michael Voigt (Monogam Rec.), Michael Hirsch (Exkurs) and Ute Droste. in the rehearsal cellar the band discovered a fourteen year old drummer, Alexander Hacke, who later came to fame with Einstürzende Neubauten. Before the recording of the legendary 7inch "49 sec romance" Voigt left the band and Thomas Voburka (Weltklang) who worked with Schäumer in the famous Exil restaurant in Kreuzberg, joined as a guest singer. …
Previously only available as a Japanese CD, now a limited 2 X 12" cut at 45rpm for maximum fidelity & feat. art & production by EYE himself. Limited to 2000.
Featuring Ken Vandermark & Mats Gustafsson. Recorded live at Victoriaville in May of 1999. Fantastic live material from a very unique group – the instantly-legendary meeting of reedman Peter Brotzmann with the leading lights of the Chicago avant jazz scene in the 90s – brought together into a tremendous tentet that's maybe even better than the sum of its parts! The group features Brotzmann on tenor and clarinet, Ken Vandermark on tenor and bass clarinet, Jeb Bishop on trombone, Fred Lomberg-Holm…
Far-out garage blues from the unpredictable talent of Henry Flynt, here in collaboration with C.C. Hennix. The two lengthy improvisations here straddle the borders between unrefined bluegrass and free-jazz improv. Flynt's freetime chord phrasings are given some context by the elaborately off-kilter beats supplied by Hennix, but the overall feel here is one of primordial, rock & roll chaos. While you'd expect a certain amount of soloing in such long-form improv workouts, expectations are subverte…
The 2nd release from KLAUS DINGER's post-NEU! Krautrock group. Originally released in 1978, this is a stunning combination of washed out synthesizers, swirling guitar work & Dinger's trademark motorik rhythms & accessible experimentation. Feat. the classic "Cha, Cha 2000." An essential record, released domestically for the 1st time ever.
"Now we have The Red Krayola's state-of-the-states address 1999, presented to one and all in grand Red Krayola style, going all the way back to the days when they spelled it with a C instead of a K (c. 1967). Back then, the world was hearing it's first of this now legendary outfit. Having never tried to do anything the same twice, The Red Krayola, manage in a way not to again on Fingerpainting, although this time, in a way, they tried. Fingerpainting features unreleased songs from the distant da…
3rd LP from NYC street performer & avant-garde/minimalist composer, originally released in 1957. Perhaps the least accessible of his early releases, this album is made up of percussive jams, usually on instruments of his own creation, street sounds, poetry, & Far East melodies, despite opening w/ a swinging number that is, oddly, the most bizarre thing on the album.
Debut album, originally released in 1956. The blind Kansas native showcases his talent for the minimal & avant-garde here, w/ compositions driven by percussion & Japanese-inspired melodies, complimented by street sounds, recitations, & animal noises. Bizarre even for today's standards, it's a wonder this was released over a half-century ago.
Reissue of the 1996 album, originally released on Mute. The quintessential scientists of the post-avant-garde abstain from focusing on listener disintegration tactics as they did on prior albums, but opt instead to hone their craftmanship in new compositional areas. Dark, focused explosions, w/ theatrical strings & tightly-wound vocal structures.