Reissues
Urban Sax 2
At last, in stock now!! Urban Sax's second LP, issued in 1978 on Cobra, is the continuation of their debut work. Actually it features parts 2 and 3 of the pieces contained on 1, again similarities with works by La Monte Young, Phil Niblock, Glenn Branca, Steve Reich, Terry Riley, a.o. are present, and it's the perfect companion to 1 as it is, basically, part two of that first album. a spiral malax of surreal, undulating soundscapes. Urban Sax was created in 1973. Gilbert Artman, the mastermind b…
Hammond Explosion!
Jou Cogra’s rare 45 and LPs have been the object of desire for a long time among collectors. Born Josep Cortés Granero, this catalan musician moved freely from tropical / latin sounds to Hammond fueled rare grooves with influences of masters of those genres, from Pérez Prado to Jimmy Smith or Brian Auger. His first LP was a collection of popular latin tunes, rooted in his earlier work with latin orchestras. He then moved to the underground, releasing a mega rare privately pressed 4 songs E…
Fotografiert Bunny
First ever vinyl LP reissue of one of the best library / jazz / groovy albums from Germany. Conceived and recorded in 1965 as (sort of) the soundtrack for advertising-designer, artist and photographer Charles Wilp photo sessions, it was composed by classical trained musician Siegfried Ulbrich, credited here under one of his pseudonym Marvin Martin. The album is a fantastic sequence of jazzy easy listening sounds, sometimes spiced with the actual sound of Wilp and his models speaking through the …
Psychedelic Visions
Rare, sought after exploitation album from 1967 showcasing the garage-turns-to-psychedelia sound of the era. Fuzz and acid, no need for flowers - but bring them along if you feel like it! Opening with an outtasite fuzz drenched cover of the Count V timeless punk anthem Psychotic Reaction, this LP takes us on a fuzzier than fuzz trip through some of the classics of the era like The Blues Magoos' (We Ain't Got) Nothin' Yet, The Isley Brothers' Shout, John D. Loudemilk's Tobacco Road and Bobby Blan…
Exotica
This album at hand by prolific legend Martin Denny is the one which gave a name to an entire genre. Released for the first time in 1956, “Exotica” does have more than just a historical importance. The songs are all outstanding. Based on jazz and folk this is an early example of mind altering music , because the album sets you in a dreamy state with all its haunting melodies and the sound effects that remind of wild animals in the jungle trees. The rhythmical base is rooted in Latin music,…
The Music Library: Revised and Expanded Edition
Jonny Trunk’s comprehensive encyclopaedia of library music is here. Library Music, also known as source or mood music, was made exclusively for use in animations, commercials, film and TV programmes. Never commercially available and only manufactured in limited numbers, these LPs are now highly collectable. This book is an exhaustive compilation of cover artwork from some of the most important and beautiful library records produced throughout the 1960s, 1970s and early 1980s. A fully revis…
Rebetika
Andy Moor (guitar) and Yannis Kyriakides (computer) lovingly deconstruct and reassemble their favorite Rebetika music in a set of nine pieces that encompass a wide scope of musical vision. This is an unusual and original take on the so-called "blues" music of the Greek diaspora of the early 20th century. This live set was recorded in 2006, first released as an exclusive download for the UK-based Seven Things download-only label, released on CD by Unsounds in 2010, and is now available on vinyl f…
Burj Al Imam
140-gram LP in gatefold sleeve with a special drawing by Mazen Kerbaj. Mastered for vinyl by Harris Newman. Edition of 500. Entirely recorded at Tunefork Studios on the outskirts of Beirut, Burj al Imam's five tracks include three largely improvised numbers, a loose reworking of Sun City Girls track "The Imam," and a cover of traditional Americana song "Gently Johnny" (a highlight of Alan Bishop's live Alvarius B. shows). True to their habits, the Lebanese trio of trumpeter Mazen Kerbaj, guitari…
Number One Intersystems
Alga Marghen presents a reissue of Intersystems' Number One Intersystems (1967). Intersystems' works evoke the heightened awareness, intermittent psychosis, intellectual over-stimulation and giddy nihilism of an acid expedition. "Orange Juice and Velvet Underwear" may indeed be the most typically "Psychedelic" cut of Intersystems entire catalog. Its saturated crypto-Indian drone and bent acoustic guitar notes, are upstaged by Parker's lurid-sounding declamations and Mills-Cockell's fierce …
![I [Sound Encounter Electric LIVE Recording]](https://cdn.soundohm.com/data/products/026/masami-tada-i-sound-encounter-electri.jpg.500.jpg)
I [Sound Encounter Electric LIVE Recording]
Japanese sound artist Masami Tada had participated in the workshop of Takehisa Kosugi at Bigakko in 1970's. His name is known as a main member of legendary improvisation group "East Bionic Symphonia" and "GAP" in mid '70s (both LPs released by ALM Records are extremely rare as you know). Nowadays Tada is mostly interested in photo installations and sound performance - he called 'sound encounter' - used many bamboo cylinder and some amplified objects. All CDs are released from SOH Gallary in Toky…
Rabid
'Rabid' consists of six tracks mixed by Phillip B. Klingler, aka PBK, between 2004-06 using Wolf Eyes source material, this is the Wolf Eyes lineup of 2000-05: Nate Young, John Olson and Aaron Dilloway.Klingler: 'I was given the audio sources (via cdr) by John Olson at the Ear Candy Festival in Dearborn, Michigan, in 2004. None of the compositions on the album were completed using a computer, they were all recorded live in my home studio or at gigs and radio shows directly to digital. Three of t…
No Coming, No Going. The Music of Peter Kuhn 1978-1979
Live broadcast recording on December 19, 1978, at Columbia University Radio WKCR-FM, NYC. Originally issued on LP, edited and in slightly different order, as Livin’ Right on Kuhn’s Big City Records (LPK 225).
Free-jazz woodwind specialist Peter Kuhn’s road to San Diego has been long and harrowing. Born in the San Fernando Valley and raised in L.A., Kuhn’s career flourished in the Bay Area and eventually led him to New York at the invitation of Anthony Braxton in the mid-’70s, where he played wit…
Nano Space Odyssey
Recorded at NHK-604-Studio on Nov & Dec 1991 Musicians: Akira Sakata,Tamai Toyooka,Asuka Kaneko, Kyoko Kuroda,Hiroshi Yoshino,Yu Fujii Kiyohiko Semba,Atuy,Fusae Doi, Mishio Ogawa,Shigeri Kitsu,Norihiko Yamanuki.
Born Free
Outstanding!!! A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearin…
The Folk Group
**CD version** Piero Umiliani’s rich and diverse discography got us used to bold experimentalism, to excursions into popular music as into avantgarde. Nonetheless, while “The Folk Group” makes no surprise, it still represents a peculiar work within Umiliani’s seemingly endless career. Originally published under the name of M. Zalla, an alias he especially used for those albums that were difficult to classify – and among which we must mention the extraordinary “Mondo Inquieto” and “Problemi d’ogg…
Questo Sporco Mondo Meraviglioso
**CD version** “Questo sporco mondo meraviglioso” is one of the numerous collaborations between the director Luigi Scattini and Piero Umiliani, and one of the most interesting and varied soundtracks within the composer’s repertoire. Produced in collaboration with Piero Loy, the picture falls into the Mondo Movies genre, documentaries dedicated to controversial and shocking topics (without aspiring to be journalistic or adhering to scientific evidence). In this case, Scattini’s direction focuses …
Dies Irae
This record is the first record of this group to be released (not to be confused with the German namesake training krautrock record release on the Pilz label in 1971). It consists of tracks recorded on stage and in the studio from 1976 and 1978, when Dies Irae was at the top of its game. A record that will allow you to judge the qualities of this little-known group that claims its influences (including notorious groups of the era King Crimson, Van der Graaf generator and Magma) nevertheless has …
Same Animal, Different Cages Vol. 1: Etudes For Acoustic Guitar
Fabrica Records announces the first volume in the Same Animal, Different Cages series by American composer and improviser David First. On Études for Acoustic Guitar, First twists and bends notes from his steel-string acoustic guitar, an instrument traditionally associated with American folk, country and blues music. And in fact, those genres are central to First's explorations here, constituting portions of a palette that also encompasses jazz and Indian classical music. In this series of s…
Ambient 1 (Music For Airports)
With his 1978 album Ambient 1: Music for Airports, English musician/producer/conceptualist Brian Eno coined the terms “Discreet Music” and “Ambient” as “music designed to induce calm and space to think.” The album, comprised of four dissimilar yet completely cohesive movements, was created with simple keyboard melodies, serial tape loops and embedded voices. The effect is sheer weightlessness, the disc's soft ebb and flow of synthesized patterns imbued with live brass and strings. More than just…
Taking Tiger Mountain (By Strategy)
Continuing the twisted pop explorations of Here Come the Warm Jets, Eno's sophomore album,Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album -- often inscrutable, but still playful -- about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connec…