Reissues
Douze inventions en six modes de jeu
Previously unreleased music (mid 70s) from legendary French avant-garde electronic music visionary, pioneer and Grm rebel;The new Perihel series on Karlrecords kicks off with previously unreleased material by GRM member Guy Reibel, one of the most enigmatic figures of 20th century's electronic avant-garde. Limited edition 180gr LP (500 items) incl. DL code and liner notes by Reinhold Friedl (Zeitkratzer). Guy Reibel (born 1936) is one of the most enigmatic figures in the post-war electronic musi…
Champ (10 operations)
Cello solo. Recorded on January 15, 1977. Originally released as a limited edition audio cassette (10 copies). Yves Bouliane studied double bass with Roland Desjardins at the Montreal Conservatory in the early 1970s. Not yet twenty, he had been improvising with Robert M. Lepage since 1969. Together, they formed the Trio Expansible, a group that evolved continuously in the early part of the decade (Roger Boudreau, Vincent Dionne and other improvisers succeeded one another during the few years tha…
15 Corners of the World, motion picture sound essay
The film 15 Corners of the World includes simultaneous audio and images. Images do not supplement the music here, nor does the music simply illustrate the photos. Meanings, senses, feelings, and scenes are created where those two spheres cross. Without vision, there is no “moving of the viewer’s imagination, the inventory of his feelings, experiences, and associations”, as Eugeniusz Rudnik defines the goal of art in general.
Speaking about vision and sound forces us to find some sort of prin…
Temi Ritmici e Dinamici
**CD version** If you are among those who own the two previous Braen's Machine LPs, Underground and Quarta pagina, you're probably already well aware of one of Italian library music best kept secrets, that is the real identities of those hiding behind the pseudonyms Braen and Gisteri. These were the monikers of Alessandro Alessandroni and Oronzo De Filippi, directed by Piero Umiliani and his record label Liuto. With Temi ritmici e dinamici (Rhythmic and dynamic themes) the plot thickens and give…
Synthi Time
*2022 stock* Synthi Time is perhaps one of the most suitable albums - within Umiliani's incredibly vast discography - to fully appreciate the composing and experimental genius of the Maestro. For once away from the classic soundtracks that made him popular, this project veers away also from refined works of library music such as Genti e paesi del mondo (People and countries of the world) or Problemi d'oggi (Today's issues), released under the moniker of Zalla. In this case, we like to imagine hi…
Fischiando in Beat
*2022 stock* Due to a perhaps too buoyant and unfitting title and to a ridicolously limited distribution (even at the time of its original release), Fischiando in beat (Whistling in beat) has often been ignored despite being one of the most entertaining works signed by Piero Umiliani (here accompanied by his orchestra). Originally released in 1969, Fischiando in beat presents twelve gems of instrumental beat music, fabulous specimen of that music genre often labelled with the much-abused term 'l…
L'umanoide
For the 1979 cult sci-fi movie L'umanoide (The Humanoid), directed by Aldo Lado (credited as George B. Lewis), the legendary Ennio Morricone composed a score of catchy, futuristic, synthesizer-based arrangements with great electro-orchestral disco grooves and dissonant atmospheric soundscapes, marking quite a departure from his usual style. This is the first release of the complete soundtrack on vinyl. Limited edition of 1000 transparent blue LPs.
"A weird later Ennio Morricone soundtrack – and …
Gatti Rossi in un Labirinto di Vetro (Eyeball)
The classic 1975 Italian thriller Gatti rossi in un labirinto di vetro (Eyeball), directed by Umberto Lenzi (Spasmo (RED 216XRAY-LP, 1974)), features a truly pleasant and entertaining score by the great Bruno Nicolai (The Case of the Bloody Iris (1972), The Red Queen Kills Seven Times (RED 209LP, 1972)), with an authentic '70s Italian cinema feel to it and a catchy main theme that is definitely one of his best. Another giallo ace on Dagored. This is the first release of the complete soundtrack o…
Kohnzert Zund
** restocked ** Killer release that puts together, in this sumptuous box set, all the Magma's official live shows, recorded between 1975 and 2000. On top of which are two extra records made of excerpts from shows given between 2005 and 2011, as well as two unreleased records of the unforgettable 2009 concert given at the Alhambra in Paris.For Magma, live performance is essential. Live performance allows – and forgives – no mistakes. You give your all, all at once. You are on a tight-rope, with n…
Come Svaligiammo La Banca D'Italia
The scat-jazz beat masterpiece of one of the most brilliant but overlooked soundtrack masters of popular Italian cinema, M° Lallo Gori, composed for a wild spy-movie parody directed by the legendary Lucio Fulci. An outstanding soundtrack, never before released on any format, recovered and remastered from the original master tapes, boasting the invaluable contribution by I Cantori Moderni di Alessandro Alessandroni: their vocal presence contribute massively towards making the whole magnific…
Fantabulous
** last copies **First complete reissue of the unobtainable LP on Beat Records (Beat 002), with extensive liner notes written and signed by Maestro Sandro Brugnolini himself, it includes a bonus 7’’ 45 rpm single with two tracks performed by Gepy ** After "Gli Arcangeli" but before "Gungala" and "L’uomo dagli occhiali a specchio", italian Master Sandro Brugnolini composed the soundtrack for Fantabulous, a stunning pop movie inspired by the world of comics, superheroes and secret agents, direc…
Recordings 1972-1975
Limited edition of 500. Ken Moore (from Baltimore, Maryland) is one of the very early American DIY synthesists and multi-instrumental talents. Moore started to explore electronic music in the mid '70s while working in various (progressive) rock formations. In 1980 he established his own label, Anvil Creations, and in the following four years released approximately 20 tapes of solo and collaborative works he had recorded between 1973 and 1983. His solo work of that era bridges abstract ele…
Tape-Recordings 1977-1983
Limited edition of 500. Marc Barreca is an American synthesist and multi-instrumentalist and one of the pioneers of American cassette culture. Inspired by Brian Eno and the ambient school, he began recording his own music in the mid-'70s. By 1980 he already recorded three tapes: In a Foreign Land (1977), Raw Fish and Green Tea (1979/'80), and Currents (1979/'80) -- all three only released and distributed via Eurock in an extremely low quantity. In 1980 he released his first LP, Twilight, on K. …
Recordings 1980-1982
Limited edition of 500. Galen Herod is one of the pioneering synthesis artists of American cassette culture. From 1979 to 1982 he produced several outstanding and creative electronic tape releases which he distributed either via Eurock or by himself in the Phoenix, Arizona area. His very early tape works are dominated by abstract, austere, experimental electronics in the vein of Conrad Schnitzler, using tape loops and completely homemade synth-equipment includes oscillators, filters, and …
Tape-Recordings 1974-1979
Limited edition of 500. Anode has been the professional alias of Robert Carlberg since 1972. The Seattle-based musician has dabbled in musique concrète, minimalist tape music, drones, manipulations, and other non-keyboard-based electronics. Through founding a newsletter for electronic musicians in 1979 called SYNEX (together with Charles Larrieu), establishing one of the first DIY tape labels (Anode Productions, which released works by Anode and Kerry Leimer), and writing a monthly column fo…
Tape-Recordings - Now (Extended)
Limited edition of 500. Composer and multi-instrumentalist Steve Roach (born in 1955 in California) is a longstanding leader in contemporary electronic music, drawing on the beauty and power of the earth's landscapes to create lush, meditative soundscapes influential on the emergence of ambient and trance. At the age of 20, inspired by the music of Tangerine Dream, Klaus Schulze, and Vangelis, he taught himself to play synthesizer. After being a member of Doug Lynner's Moebius in the late '7…
Syntheseas: Recordings 1980-1982
Limited edition of 500. Multi-talented autodidact musician and devoted painter Leon Lowman became interested in synthesizers when he heard ELP's "Lucky Man" in 1970. At that time Lowman was working for various recording studios and sound companies in California and with his first paycheck he made a down-payment on an ARP 2600-Synthesizer (as well as a Mediamix Joystick for pitch bending), which he still uses at the time of this release. From that point on he used whatever money he could sp…
Recordings 1971-1983
Limited edition of 500. Don Slepian is a true pioneer of electronic music. He started composing in 1969 and released his first compilation cassette in September of 1978. He left Hawaii and came to Bell Laboratories in Murray Hill, NJ, where he was "Artist in Residence" in computer music for the next two years. In 1980 he released three more cassette tapes on the Hawaiian record label Plumeria Productions: The Sea of Bliss, New Dawn, and Open Spaces. In 1981 he self-released his first LP, Co…
Muschelsammlung
* Edition of 300, silk-screened cover * Vinyl reissue (originally released by Vrystaete in 2017) with silkscreened cover and inserts, available in 5 different colour editions. When Brannten Schnüre initially released their second vinyl record four years ago on Dutch label Vrystaete in a micro-edition of 150 copies the Franconian duo’s music was still considered a hidden gem. In the years since they built up a solid international underground following and with that attention grew the demand for a…
In the Grassfield
Palais des Bauzards pursued an industrial and electronic variant of the sound that swept into vogue during the first half of the '80s. This compilation digs into the original material provided by the band and offers an amazing selection from start to finish. The sometimes rudimentary though gripping tracks on the first side are emblematic of their early period; for example, "Money" is driven by a screeching rhythm box, distant guitar lines, and a nonchalant voice. Cabaret Voltaire comes to mind.…