We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Reissues

The wolfman
Alga Marghen presents a 2015 remastered CD edition of its 2003 CD The Wolfman, a collection of pieces that introduce the listener to the most extreme experimental side of American composer Robert Ashley. Presented in digipak with 12-page booklet including liner notes written by the composer and the complete score of "The Wolfman," first issued in Source magazine. The program starts with "The Fox" (1957), Ashley's first electronic work, which displays his nascent electronic music theater style. D…
Havet
Aweseome!!!!!This is the Goodiepal's long lost first ever album, recorded in 1990 and never before published. For years even the Goodiepal considered this to be lost, but he found the master some months ago, so we're proud to be releasing this in all its vinyl glory. The LP comes with two inserts printed in graphite black ink on heavy golden yellow paper, with liner notes and autostereograms to enhance the powerful New Age vibe. Cut by Simon at The Exchange Mastering Studios, London.
Biomechanoid
2015 limited repress. Biomechanoid is the classic 1980 album by composer and flutist Joel Vandroogenbroeck. It’s 1980, in Munich, Germany, upstart production music label Coloursound Library releases their debut album. Capitalising on the success of Ridley Scott’s Alien film, the label dropped Biomechanoid, featuring cover art commissioned by HR Giger – whose horrific Necronom IV lithograph served as the basis for the design of Alien – and the music of the relatively unknown Joel Vandroogenbroeck…
Decal Baby
Decal Baby' is a compilation featuring a selection of cuts from Leicester's Fish From Tahiti. The songs were recorded and released at the start of the 2000s and originally released by FFT's Dave Dixey on his own Sorted Records label. The set also contains a number of unreleased tracks recorded during the same period. All featuring FFT's trademark sound of crazed loops and snatched samples all thrown together to create a drunken hypnotic haze. At times it is almost dubish, at others it's v…
Trace
Phil Julian is a UK based sound artist, composer and improviser active since the late 1990's, with a prolific output under the Cheapmachines alias and his own name. His work has been released on a catalogue of imprints and encompasses sonic textures ranging from harsh squalls of noise to compositions structured around hyper-minimalistic timbres and drones. Studio recordings and live performances within Europe and North America have focused on the use of electronics, particularly unstable and-or …
Music for Amplified Keyboard Instruments
CD version. Spectrum Spools presents the first reissue of American minimalist composer and electronic music pioneer David Borden's 1981 masterpiece, Music for Amplified Keyboard Instruments, a work of the highest archival significance. A radiant achievement in sonic elegance, experimentation, and ambitious composition technique, Music for Amplified Keyboard Instruments contains four pieces, each utilizing three players and six keyboard instruments. - Borden was a central figure in the developmen…
Charles Cohen / Robert Turman rersions
Charles Cohen uses his Buchla Music Easel to replay Indonesian hardcore band Senyawa's "Di Kala Sudah." While enjoying a few months in Germany, Cohen conducted a ritualistic tonal re-adaptation, flushing the song through layers of spaced-out, orchestrated grooves. Meanwhile, in the U.S., explorer of the deepest depths Robert Turman smashed Cohen's "Conundrums" into small bits and recrafted it in his own masterful manner. His beaten and edited version displays ability similar to Cohen's, m…
Music for Dance and Theater
2014 release. Final part in the Charles Cohen trilogy on Morphine Records. Featuring various works made for dance and theater productions between 1976 and 1988. Eleven tracks in total -- lovingly spread over a double LP and featuring some of the most beautiful material of the series. While in the process of recording and optimizing the old reel tapes for the initial track list, Cohen discovered a master tape that was originally prepared for an extremely limited cassette release on the Gen…
The Equatorial Stars
Totally essential LP re-release for the first collaboration between Robert Fripp and Brian Eno in over 30 years, that nearly equals the effuse beauty of their celebrated 70s works. "Ambient is a spacious, electronic music that is concerned with sonic texture, not songwriting or composing," says the All-Music Guide. That seems reasonable, although I suspect Brian Eno might take issue with the notion that his music is somehow unconcerned with composition. As with most musical definitions (and …
Work 2006-2011
Wall and Rodgers have worked together informally and irregularly for the best part of two decades, but it has been since Wall took the leap into improvisation, roughly five years ago, that the potential for their collaborations to become something more solid has evolved. So the pair have worked together, either just informally in Wall's studio or out playing live gigs since 2006, and they have produced a body of material that Wall has then sculpted into the composition that appears on the CD. Th…
Work 2011 - 2014
John Wall, computer-generated sounds, severe editing, arrangement and composition. Alex Rodgers, voice, computer-generated sounds. This work was compiled from improvisations, independently-recorded fragments and pre-written texts over the specified period. A second edition of Work 2006 -2011 (E114) is also available. Mastered by Jacques Beloeil and John Wall. This latest collaboration by electronic composer John Wall and his old sparring partner, poet Alex Rodgers, gets off to a terrific st…
Andy Warhol's Flesh for Frankenstein
Dagored presents the first complete vinyl edition of Claudio Gizzi's sophisticated soundtrack for the ultra-cult film "Flesh for Frankenstein". The legendary 1973 work was directed by Paul Morrissey and produced by Andy Warhol and stars a young Udo Kier. With its sad tone, the score perfectly matches the cold and cruel realism of this bizarre horror film. Careful piano is joined by an at times magnificent orchestra on this album, which definitely holds its own, even without the film. Double v…
Feedback: Order From Noise
Memory is a funny thing. 10 years after touring the UK with the Feedback: Order from Noise tour I am trying to recall the concerts that I experienced in some sort of trance. There I was, the youngest member of a group of musicians that consisted of a mixture of good friends and musical heroes, apparently the curator of this musical adventure, ravaged by self-doubt. Would it all work out? Now, ten years later my memories have been altered every time I have thought back to those days, every t…
infrantumi
Much needed vinyl reissue of a legendary Italian album from the 90s, finally remastered and housed in truly deluxe edition. Starfuckers' "Infrantumi" was recorded in the summer of 1997 in Massa, in the cramped attic of the Bocci house, all the equipment we had was: a sampler, a small mixer, an analog synth, a digital multi-effect, an electric guitar, a cheap transistor amp, a low wattage monitor, a vintage drum kit and a turntable. For recording we decided to use a mini-disc four-track reco…
Moving Along
Matsuli Music continues its reissue program of rare indigenous afro-jazz sounds from South Africa with the release of Sowetan group Batsumi's self-titled debut from 1974. The reissue has been lovingly re-mastered from the original tapes and features material compiled on the recent Next Stop Soweto series from Strut. The album arrived amidst a period of intense political, intellectual and artistic ferment stimulated in large part by the teachings of Steve Biko and the Black Consciousness Movement…
This Is It
Psychedelic music all began with the tiniest possible bang: a minuscule pressing of a self-produced LP by Zen Buddhist scholar Alan Watts. In one cosmic flash of inspiration and group improvisation, the next two decades of musical innovation was pre-supposed: psychedelic rock, spiritual jazz, and even new age. As this micro pressing barely made it out of the ashram, it was his writings that actually spread his ideas, usually through osmosis: he was profoundly influential on the beat poets and th…
Delirious Elaborations
An outstanding and truly lavishly packaged 4CD-Box collecting 1987-1997 material by the legendary ULTRA (Christoph Heeman, Achim P. Li Khan, Jon Carlson) containg four CD’s each in individual picture sleeves, 16 page booklet, housed in foil-debossed slipcase. Very recommended humourous electroacoustic power electronics.The entire recorded output of the 'classic' Ultra lineup of St Degeneratus (Jon Carlson), Herr Mucke (Christoph Heemann) and Dr Tengelmann (Achim Flaam) along with lyrics, artwork…
Ennui
After a grueling year-long tape transfer endeavor from the original reels, Primary Male is proud to announce the long awaited and obscure second full length by Ono, ‘Ennui’, is finally readily available for mass consumption. Originally released by Thermidor in 1986, the legendary experimental group from Chicago’s southside expands upon their incredible ‘Machines That Kill People’ album three years prior while simultaneously experimenting with atmospherics and becoming fu…
Machines that kill people
Finally restocked...OUTSTANDING!!! Dark experimental electronics with ritualistic edges, one of the most important US electronic/experimental LP of the 80s (Mutant Sounds) "Massively unlikely grant-assisted archival reissue of this wild cultic/ritual psych/no wave one-off from Chicago's Ono, their debut LP from 1983, originally released on the legendary Thermidor label: Thermidor released a ton of great shit back in the early 80s  Birthday Party, Meat Puppets, Minuteman, Nig-Heist but nothing co…
Ottoman Black
Ottoman Black is a masterful damn record, an album of midnight drones and true noise, a definitive statement that makes most other noise records of this ilk seem immature, if not outright stillborn. From cover’ s photography , presenting mundane situation with an air of isolated, hysterical desperation, to the track titles, presented in the style of an academic outline (I.,II.,a.,b.,etc.) this is a formally conceived and meticulously crafted 35 minutes, leaving nothing untitled or untidy.…